It doesn’t matter if he’s your son or not, because he even has you in the palm of his hand.

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@vindicated-truth
It doesn’t matter if he’s your son or not, because he even has you in the palm of his hand.
In anticipation of his return from the military in less than a month:
For Carats and Kpop fans who have yet to meet him—
This is Yoon Jeonghan of SEVENTEEN.
11 YEARS OF SEVENTEEN for eternity ₊˚⊹♡
Artists Against AI
In an era when artificial intelligence (AI) is alarmingly encroaching on creativity and copyright, SEVENTEEN are artists who are blatantly, loudly, and immovably protesting against the use of AI, precisely through their own artistry—unquestionably declaring their stance through music of their own creation.
In their award-winning performance of their song "Maestro" at the 2024 Mnet Asian Music Awards (MAMA), where they were awarded the daesang (grand prize) for Album of The Year and Artist of The Year, they open their stage with this:
A robot acts as the conductor that SEVENTEEN and their dancers seemingly try to follow, yet it is clear that the resulting music is discordant and everything is in disharmony.
It is here that S.COUPS, SEVENTEEN's General Leader, steps forward and grabs the baton from the robot, declaring without a doubt who the real Maestro of that stage should be.
The Two Captains then follow suit, with S.COUPS now relinquishing the baton to Performance Team Leader HOSHI, who now takes centerstage as is his command, as Vocal Team Leader and Producer WOOZI reclaims control of the music as he plays on the piano.
HOSHI is now the real Maestro of the stage, WOOZI the real Maestro of the music, and S.COUPS the real Maestro of the group and their rapt audience.
SEVENTEEN's three leaders will always be the only ones the members will follow.
Here, they declare without a doubt who the real Maestro are:
It will always, always be human creators.
You can watch the full performance here.
Carats discovering Beyond Evil in 2026 LET’S GO 😆
Also this is very niche but seeing the vocal unit introduce themselves on Knowing Bros in that particular scene, Dongsik would have loved fellow mischievous rule-breaker Jeonghan.
Behold the criminal mastermind of SEVENTEEN:
Observing that fandoms (in general) formed post-2020, during and after COVID, aren’t as enduring as fandoms before it.
I’m still getting comments on fics I wrote 10-15 years ago—particularly from Lord of the Rings, Person of Interest, and Star Trek—which means its fandoms continue to endure, even if it’s quieted down from the peak of its hype.
Fandoms formed during and after the pandemic seem to be products of its time: more fleeting, less deeply invested, meant to be a temporary escape, as people retreated into media as distraction and entertainment, rather than as a true hobby.
It explains a lot about the way fans act in fandom nowadays—callous and judgmental and demanding—because unlike the fans pre-COVID, they do not treat fandoms as the sacred communities that you nurture and protect, whose members you take time to uplift, and not tear down.
Fans during and post COVID treat fandom spaces with less respect because they don’t see fandom as a community to invest in, but rather, as a commodity for their entertainment.
Everything is monetized. Everything is a competition.
Fandom just became another tool for capitalism.
One advantage of never having used AI is that I don’t even know what AI writing looks like, so I don’t have to be conscious or hyperaware of making sure I don’t “write like AI” and just write as I’ve always been writing for DECADES.
And if anyone comes across my writing and says it “reads like AI”, it says a lot more about that reader because THEY are the ones more attuned to AI.
I refuse to use it so that I will NEVER be conscious of whether or not I’m writing like it.
Dunno if anyone from the Person of Interest (POI) fandom still remembers me—it’s been 8 years since I last wrote for the fandom—but it’s still the one I’ve written the most stories for.
POI was ahead of its time: it tackled the dangers of artificial super intelligence—yes, AI.
In fact, its protagonist and main creator of said AI—Harold Finch—is the first to warn people that AI would be catastrophic when used by the wrong people, and the first to refuse to hand over complete control to it.
Fast forward a decade later—and he’s 💯 right.
I wish more audiences knew of this show. A lot of people didn’t like the moral upstanding it tended to veer into at times, but the thing is, the show was 💯 correct in continuously proving that AI should NOT be given control in human decisions.
Fast forward a decade later, and who would’ve thought that the Pope of all people would declare AI a dangerous pathway to evil. I’m not even religious, but I’m glad a person of significant power is declaring a rightful war against AI.
Harold Finch was right.
And so is the Pope.
Being each other’s most precious memory—and capturing it
It’s the way Minje is physically the biggest and strongest of all the members, but immediately dials back his strength when it comes to Keiju.
He’s so, so gentle when it comes to Keiju 🥹 And so open and welcoming of Keiju’s bright, enthusiastic affection 🥹
Starting with this:
The easy way they hold hands, the way Minje folds his entire giant self so he can fit himself into the tiny space of Keiju’s arms and shoulders 🥹
The way Keiju blindly reached for Minje behind him, the way Minje reacted with a surprised and curious “What?”, the way Keiju grabbed Minje’s hand just to press his cheek against Minje’s palm—
Their random moments of tactile, tender affection like this makes my heart feel close to bursting 🥹
(I really should make a video compilation, there’s so many)
There’s a running theme of nostalgia and yearning in 5th gen boy group music as it tackles coming of age as an inevitable separation, and the desperate extraction of a promise to meet again after going their separate ways.
It’s holding on to youth in the most heartrending manner: holding on to memories, and to the people, in the hopes of meeting them again.
All three songs by TWS, AHOF, and KickFlip have the lyric 다시 만나 (dasi manna), which means “I’ll see you again” or “Let’s meet again.”
This was my favorite part of the whole one hour live:
Keiju shyly asking if Minje knows the singer (Fujii Kaze), and then telling Minje he hopes he can cover the song someday, because he loves the song and he thinks it fits Minje’s voice.
Then Keiju starts singing the song to Minje—even looking at Minje as he does so, as if singing it to him—with Minje concentrated on listening (even though he might not understand the lyrics because it’s in Japanese) and even trying to sing the song himself in the end, much to Keiju’s amused delight.
There was something pure and earnest and vulnerable in this moment: wanting a dear friend to sing for you a song that you love, and that friend trying their best to grant that wish immediately, even though he does not know the song nor the language, because it’ll make you happy.
There’s something pure about this kind of friendship. This kind of love 🥹
The lyrics Keiju sang to Minje:
“Whether the sky is dawning or dusking We're gonna transcend thеm all Things change, and we can do nothing about it Just letting go, feeling lightеr, and becoming filled” 明けてゆく空も暮れてゆく空も 僕らは超えてゆく ああ 変わりゆくものは仕方がないねと 手を放す、軽くなる、満ちてゆく"
This was my favorite part of the whole one hour live:
Keiju shyly asking if Minje knows the singer (Fujii Kaze), and then telling Minje he hopes he can cover the song someday, because he loves the song and he thinks it fits Minje’s voice.
Then Keiju starts singing the song to Minje—even looking at Minje as he does so, as if singing it to him—with Minje concentrated on listening (even though he might not understand the lyrics because it’s in Japanese) and even trying to sing the song himself in the end, much to Keiju’s amused delight.
There was something pure and earnest and vulnerable in this moment: wanting a dear friend to sing for you a song that you love, and that friend trying their best to grant that wish immediately, even though he does not know the song nor the language, because it’ll make you happy.
There’s something pure about this kind of friendship. This kind of love 🥹
The lyrics Keiju sang to Minje:
“Whether the sky is dawning or dusking We're gonna transcend thеm all Things change, and we can do nothing about it Just letting go, feeling lightеr, and becoming filled" "明けてゆく空も暮れてゆく空も 僕らは超えてゆく ああ 変わりゆくものは仕方がないねと 手を放す、軽くなる、満ちてゆく"
Daydreaming in the midst of the night You brush my thoughts and sweep my sleep away After so long, now, I miss all the times It’s unnecessary There are plenty more times we’ll miss anyway It’s painful to face you The answer we want to hear Knowing it, the feelings are twisted The scars and guilt become tangled again The walls are tightly closing in
—
Keiju’s heart jumps as soon as he sees the name on the caller ID.
It’s a strange feeling, this mixture of elation and dread: the instant joy of hearing from him after being gone for so long—and knowing exactly the reason why he’s calling now, of all times.
The vibrating phone is loud in the silence of the night. He grips it tight, letting it bring life back to the nerves of his fingertips that have gone numb in the cold.
The call keeps going. It looks like he’s not going to hang up anytime soon.
He’s expecting Keiju to pick up.
He swallows. With a shaking hand, he taps the screen and brings the phone up to his ear.
“Moshi moshi, Maru-niichan?”
The surprise in the sudden ensuing silence speaks volumes. Amaru’s tone is curious. “You’re out in public, aren’t you?”
Keiju smiles wanly at how Amaru knows him so well that he instinctively replies in Japanese too. “How did you know?”
Amaru’s tone is wry. “You only ever speak in Japanese there when you don’t want the people around you to understand what you’re saying. Where are you? You’re not at the company or the dorm?”
“No, I’m—” Keiju hedges, “—outside.”
There’s a weighted pause at the other end of the line. Then, a soft query:
“Are you by the Han river again?”
Keiju smile trembles. Sometimes he wishes he isn’t so transparent—especially to someone as keen as Amaru. “Are you monitoring me through the public livestream of the CCTV cameras or something?”
“No.” Amaru briefly hesitates.“I watched today’s KickKick episode.”
Ah, Keiju thinks in resignation. There it is. The reason for the call.
⚠️ WARNING: EXPLICIT SEXUAL CONTENT 🔞
—
Like the steady speed of the clock’s second hand I want to keep going right now Knowing but pretending that we don’t We’re falling for each other We already know, losing control
—
They’re as different as the sun and moon even in this.
Minje likes to take his time with Keiju, likes it slow and drawn-out and filthy, while Keiju likes it fast and hard, urgency singing hotly in his blood as his desire for Minje consumes his entire being.
Burning like the sun.
The good thing is that just like the sun and the moon—they’re also just as complementary in this.