it always shall be— @voidroute - Tumblr Blog

independent / selective / private multi.

jelly. 22. they/she. jew. no one says no to a man who got turned into a pie.

#pinned.

if i make a superhero multi muse will yall still love me

#jason todd and steph brown deserve a place 2 stretch their leggies

thinkin abt you

when do we kiss on the spiderweb

#big image tw

entishe:

… 𝐃𝐄𝐅𝐈𝐍𝐄 𝐀𝐍𝐘𝐓𝐇𝐈𝐍𝐆 ! the entity’s cheeks rush red; this is a feeding. bodies are being eaten alive !! — &. she contributes to the conversation the only way known how. the tucking into their souls. no use in a knife ‘n fork. needless teeth &. digestive system. these things and the pleas from their gut. trauma from their eyes. even… hope. where is hope stored? it’s in the heart. the heart, which are, by the dozen, catching in a canine’s tooth. that is the only vaccine against hope. to eat the entire heart.

rabid dogs who relent to no-one. no false god, no oozing lamb. spiders &. their control; the silky webs they spin are its testament. the patience there, too, as they wait for their thing to come on and perish so it may feed.

the fly as captive should test the spider’s patience. 𝐈𝐓 𝐒𝐇𝐎𝐔𝐋𝐃 𝐍𝐎𝐓 𝐓𝐄𝐒𝐓 𝐇𝐄𝐑 𝐂𝐎𝐍𝐓𝐑𝐎𝐋 . then why does en’s mouth water? when she witnesses an obsession with its crawling and its bony fingers with its wrapping and its dry mouth with its spluttering, why does en’s water in return?

𝐃𝐑𝐄𝐒𝐒 𝐀 𝐌𝐎𝐍𝐒𝐓𝐄𝐑 𝐋𝐈𝐊𝐄 𝐀 𝐆𝐎𝐃 : 𝐈𝐓'𝐒 𝐒𝐓𝐈𝐋𝐋 𝐀 𝐌𝐎𝐍𝐒𝐓𝐄𝐑. saliva could just dribble. it could just do that and there would be no stopping it. only witnesses are the dog and the moon. joseph’s en would bring it to its feet. find fingers on its back. tell it that she’s better than to beg. that i forgive you, as long as you believe in me. but joseph is not here. who would you believe? a thing in the dirt, or a god?

that the creature on the smarter side of the cell stays standing / that a flask is unscrewed, then held above the dog’s head, upturned so half is spilled, half is lapped.

“ 𝒚𝒐𝒖 𝒇𝒐𝒓𝒄𝒆 𝒐𝒖𝒓 𝒉𝒂𝒏𝒅. “ condescending chime; she’s starting to sound godly again, all while hands humiliate. “ 𝒌𝒊𝒍𝒍𝒊𝒏𝒈 𝒕𝒉𝒆𝒊𝒓 𝒚𝒐𝒖𝒏𝒈𝒆𝒔𝒕 𝒃𝒓𝒐𝒕𝒉𝒆𝒓? " it is soon emptied, like of breath from the panting thing below. it leaves the cell. en’s clasped hand on the bar, and the creature inside of it, does not.

“ 𝒚𝒐𝒖 𝒕𝒐𝒐𝒌 𝒂 𝒍𝒊𝒇𝒆. “ tell me, in detail, how that felt.

“ 𝒔𝒉𝒐𝒖𝒍𝒅 𝒄𝒓𝒖𝒆𝒍𝒕𝒚 𝒏𝒐𝒕 𝒃𝒆𝒈𝒆𝒕 𝒄𝒓𝒖𝒆𝒍𝒕𝒚? “

NOW IS THE TIME. YOU MUST CHOOSE TO ACT GOOD OR BAD. but what is this? is this defiance? fault, iniquity, or mischief? is this a stumble? or is this how true transgression feels? is it justification— after all, this is the blood of idolaters and not innocents. not senseless violence. do you call this warfare? legitimate battle? no matter what this is: all she can hope for is mercy at the end.

it soaks and stains her, desperate as she all but clambered to the water. sinking into her skin and surely will let in the cold later when the night falls but nevertheless, death by hypothermia would be far sweeter than dehydration. for all the atrocious things that john did to her, this is worse. crawling on your knees, begging for water as the monster all but tugs on the leash. perhaps a knife was sweeter then starvation.

how do you explain it? digging up wounds far older then this. the loss of a sibling is cut and carved directly from the corpse. (courtney was as much a part of you as john was to jacob. you took his life. this is the retaliation you wish you could have dealt). he was not a tumor to be removed but someone beloved by his family. he was a tumor on hope county, your mind replies. it is unsticking, prying a layer of skin from hers. i cried after. on her knees, near delirious and hysterical. but now she has slain the brother and surely a mark shall appear on her forehead.

& you’re left standing over the corpse of a man. a man who has brothers and a sister. who was once a someone. and you’re asking: do i bury him or bring his corpse to his brothers? leaving him to rot was never an option.

“ exodus twenty-thirteen. do not commit murder. tell me where in the book of joseph it says not to kill? —i didn’t want to kill him. i didn’t want to kill anybody. john forced my hand. anyone would have done the same. just as anyone would avenge their sibling—— do.. do you have any siblings? ”

#entishe #weird gay shit going on in the cages x #ic. elizabeth lamb.

soapmoved

𝚢𝚘𝚞 𝚔𝚗𝚘𝚠 𝚠𝚑𝚊𝚝 𝚝𝚑𝚒𝚜 𝚖𝚎𝚊𝚗𝚜? 𝚒𝚝 𝚖𝚎𝚊𝚗𝚜 𝚝𝚑𝚎 𝚙𝚘𝚕𝚒𝚝𝚒𝚌𝚒𝚊𝚗𝚜 𝚑𝚊𝚟𝚎 𝚋𝚎𝚎𝚗 𝚜𝚒𝚕𝚎𝚗𝚌𝚎𝚍. 𝚒𝚝 𝚖𝚎𝚊𝚗𝚜 𝚝𝚑𝚎 𝚌𝚘𝚛𝚙𝚘𝚛𝚊𝚝𝚒𝚘𝚗𝚜 𝚑𝚊𝚟𝚎 𝚋𝚎𝚎𝚗 𝚎𝚛𝚊𝚜𝚎𝚍. 𝚒𝚝 𝚖𝚎𝚊𝚗𝚜 𝚝𝚑𝚊𝚝 𝚝𝚑𝚎 𝚠𝚘𝚛𝚕𝚍 𝚑𝚊𝚜 𝚋𝚎𝚎𝚗 𝚌𝚕𝚎𝚊𝚗𝚜𝚎𝚍 𝚋𝚢 𝚐𝚘𝚍’𝚜 𝚛𝚒𝚐𝚑𝚝𝚎𝚘𝚞𝚜 𝚏𝚒𝚛𝚎… 𝚋𝚞𝚝 𝚖𝚘𝚜𝚝 𝚘𝚏 𝚊𝚕𝚕… 𝚒𝚝 𝚖𝚎𝚊𝚗𝚜 𝚒 𝚠𝚊𝚜 𝚛𝚒𝚐𝚑𝚝. 𝐭𝐡𝐞 𝐜𝐨𝐥𝐥𝐚𝐩𝐬𝐞 𝐡𝐚𝐬 𝐜𝐨𝐦𝐞. 𝚝𝚑𝚎 𝚠𝚘𝚛𝚕𝚍 𝚊𝚜 𝚠𝚎 𝚔𝚗𝚘𝚠 𝚒𝚝 𝚒𝚜 𝚘𝚟𝚎𝚛.

#everyone shut up yumis doing something

voidroute

THERE’S SO MANY RUMORS AROUND MY DEATH, I CAN BARELY KEEP THEM STRAIGHT. I AM THE LOCUST, I AM THE APPLE, I AM THE LAMB, I AM THE SNAKE IN THE GARDEN, I AM EVE IN ALL HER RUINOUS GLORY. THE FIFTH SEAL UNLEASHES HELL UPON THIS GREEN EARTH AND HIS HANDS AROUND MY NECK IN THE RIVER KEEP ME SANE. I WONDER WHERE THEY FIND ME, IN THAT RIVER? IN A CHURCH? IN A GRAVEYARD OR MY OWN HOME? WONDER IF THEY’LL EVEN FIND ME? (.. THEY TELL ME, ‘PIECES OF ELIZABETH’S BODY, THEY KEEP FINDING PIECES OF ELIZABETH’S BODY’.)

#she rent free in my own head #miss lamb.. MISS LAMB..

5thcomplex

COINCIDENCE, FATE & DESTINY.

ASK ELIZABETH LAMB ABOUT THE HOPE COUNTY INCIDENT, she’ll always call it coincidence or shit-ass-luck. she was never meant to be at the arrest of joseph seed. the arresting second to deputy cameron burke was meant to be deputy jousha carrington, who was sick with food poisoning when the arrest was meant to take place. unable to postpone the arrest, deputy elizabeth lamb was asked to step in and take his place. agreeing, [due to having a childhood friend in hope county] she embarked on the trip to montana and the helicopter ride into hope county. this was bad luck to her.

REVELATION 6:1: AND I SAW WHEN THE LAMB OPENED ONE OF THE SEALS, AND I HEARD, AS IT WERE THE NOISE OF THUNDER, ONE OF THE FOUR BEASTS SAYING, COME AND SEE.

her vest had her name on it. DEPUTY E. LAMB. joseph seed quotes revelation 6:1 as he is arrested, directed to elizabeth. IN THAT MOMENT, SHE BECOMES HIS LAMB. SHE BECOMES THE FIFTH SEAL. joseph perceives her as his destiny. that she will bring forth the collapse & as she survives everything his brothers, sister & flock throw at her, he becomes more sure of that. that both she is his destiny and that they are destined to survive the collapse together.

JOSEPH SEED: YOU ARE NOT HERE BY ACCIDENT OR CHANCE. [.. MISSION: THE CLEANSING.]

REVELATION 6:9-10: AND WHEN HE HAD OPENED THE FIFTH SEAL, I SAW UNDER THE ALTAR THE SOULS OF THEM THAT WERE SLAIN FOR THE WORD OF GOD, AND FOR THE TESTIMONY WHICH THEY HELD: AND THEY CRIED WITH A LOUD VOICE, SAYING, HOW LONG, O LORD, HOLY AND TRUE, DOST THOU NOT JUDGE AND AVENGE OUR BLOOD ON THEM THAT DWELL ON THE EARTH?

she doesn’t see herself as anyone’s destiny, anyone’s anything. the continued idea during the game that you were meant to be there, is consistently rejected by elizabeth. the mass-cult ideology of the fifth sin & the fifth seal is projected on her, unwillingly forcing her into the role of ‘wrath’ & ‘the lamb’. linking into that, joseph’s reactions to his siblings death’s influence the idea of the seven seals & the lamb [referring to the deaths of his siblings at the hand of the deputy as A SEAL HAS BEEN OPENED.] the first four biblical seals release the four horsemen of the apocalypse [which ubisoft art depicts the four seed siblings as] while the fifth seal releases ‘cries of martyrs for the wrath of god’. the death of the last sibling references the deputy A SNAKE IN THE GARDEN [an obvious parallel to the snake of the garden of eden who corrupted adam & eve by convincing them to eat a fruit from the tree of good and evil]. she is continuously forced into roles within joseph’s vision of the collapse, her narrative within it being constantly changed and manipulated in order to fit his ‘visions’. [even how originally the group are referred to as THE LOCUSTS IN OUR GARDEN by joseph, before changing elizabeth’s narrative to the-sinner-to-be-cleansed & the lamb and then to the snake; constantly changing how she is seen & portrayed as.]

JOHN: YOU DON’T UNDERSTAND. YOU DON’T BELIEVE. YOU DON’T CARE. FAITH: YOU STILL DON’T UNDERSTAND. YOU DON’T KNOW WHAT IT IS YOU’RE DOING, DO YOU? JACOB: YOU DID EVERYTHING HE SAID YOU WOULD DO. AND YOU DIDN’T EVEN KNOW IT. YOU HAD NO FUCKING CLUE. [.. MISSIONS: WRATH, PARADISE LOST, ONLY YOU.]

all of the seed siblings relate to the idea of fate [primarily stemming from joseph’s beliefs/visions] and that the deputy has a larger role to play. that her actions are some larger then life, that it has been foresaw and was meant to happen, to an extent. [jacob stating that joseph truly saw the death of his siblings by her hand & that she followed what he saw, without knowing.] there is a consistent message of fate & destiny, that you were meant to kill the seeds always, that it always ends in the bunker. this is your purpose.

everything for her is luck, bad or good. it simply is. there is no divine intervention or force, nothing pulling anyone together or pre-planning events. everything is constantly in motion. the conflict between her & joseph exists on far more than just a physical level of war but a conflict of multiple ideologies. elizabeth & joseph are, and always will be, two sides of the same coin. they exist on two very different levels, both absolute opposites of each other.

#i. elizabeth lamb.#prev. tags;#(..) i think; it's very interesting the concepts of fate & destiny; especially how it is shown in game.#because it's a repeating theme; that you were always meant to be there and that #you were always meant to do this.#this is your purpose in life.#especially the emphasis on joseph & the deputy #[.. ie. you can walk away/the only who could not walk away/it means i was right]#im movin my shit here dont fuckin look at me

rotary phone calls, eden’s convent.

#i. faith seed.#anyways i think shes inchresting

filmreel

Midsommar (2019), dir. Ari Aster

#i. faith seed.#im not original w/ my fc shut uppp

cinematv

VICTORIA PEDRETTI as LOVE QUINN-GOLDBERG in YOU

#we are kissing #i. elizabeth lamb.

i think this is probably the closest i can get to this is how lana looks

#her nose is doubtlessly larger then this and a lot more pointed #and her scarring is more extensive #a large amount of it is crackled & webbed; having come from failing to redirect a lightning attack #(unseeable but her neck contains a thick & wide burn; the remains of her throat being slit #and then instantly cauterized as it came from a lightsaber— a failed decapitation from a republic agent)#i think saying that lana's eyes are & always will be orange is important #even as her loyalties change and she defects to the republic/away from the empire..#she is always a sith! she employees the dark side! lana will never be a jedi— not even a grey one #i. lana beniko.

gaslight gatekeep girlboss

ladiesofcinema

VICTORIA PEDRETTI for Rose & Ivy

#oh she’s unhinged i love it #VERY fun #i. elizabeth lamb.

... .-.. .. -.. . / .. -. - --- / - .... . / ...- --- .. -..

#only sexy people have telekinesis and can bend reality while taking a smoke break #i. jesse faden.#nudity tw #partial nudity tw #scopophobia tw

entishe:

@voidroute ( 𝐋𝐀𝐌𝐁. )

𝐖𝐇𝐀𝐓 𝐇𝐀𝐏𝐏𝐄𝐍𝐒 𝐓𝐎 𝐋𝐀𝐌𝐁𝐒 𝐈𝐍 𝐓𝐇𝐄 𝐁𝐈𝐁𝐋𝐄? they bleed. it is their duty. in joseph’s kingdom, this god smiles down on this lamb. neither live up to their symbols. god is kind. lambs are killed. here, you do not have to be told who does the sleeping &. who does the witnessing; it’s written in the name. in the cage, above the ground on which she tosses and turns / frustrated, still, in sleep, there are gaps between bars. gaps for the head that presses in. one side would taunt, the other would beg. in this happening, it is neither. watched is the destroyer. en made her choice in the prophet when his baby-teeth still knew to flee that body. lamb exists to prove it a wrong one. of course. of course, this forehead meets steel and leaves it there past until it hurts. past until it’s appropriate and past until the creature has stopped smiling. enemies are not enemies without obsession. they are just flies to be had too close / then eaten whole. the flask, all filled with— 𝐧𝐨𝐭 𝐭𝐞𝐥𝐥𝐢𝐧𝐠 ! — is the clapper. the cage it rattles, the rest of its bell. softer wake-up calls have been had. there are whiffs &. glimpses of human decay. softer wake-up calls will learn to wait. “ 𝒚𝒐𝒖 𝒏𝒆𝒆𝒅 𝒕𝒉𝒊𝒔? “ in this language, that is a question. to a dehydrated captive, it is not quite delivered like one.

IT IS THE SAME OLD STORY: it starts with a lamb and ends with the murder of those who you love. this is not the first time it has been heard and it is not the last time it is told. (but they’re dead and you’re not getting better). this whole landscape is a cemetery, sitting surrounded by the corpses of people both unknown & familiar. the metal bars press to her back, digging in grooves against her near-exposed bones. i think i’m in a little over my head.

religion is not meant for salvation. not like this. not apocalypses and sacrifice, not for the myths they created. you are not here by accident or chance. assigned a role in their demented play: eve in the garden, the lamb slaughtered, the locusts in our land, the fifth sin and seal. wrath has become infected, festered and rotting. gangrene, possibly. necrotic or septic, likely. the skin peeling away, exposing the sin beneath. too bad john was dead and never saw the fruits of his labor. she isn’t elizabeth anymore. she’s the lamb, a raw wound. glassy eyes opened, a poor focus onto the figure outside the cage. there is still rotten meat under her nails, her skin coated in mud and poorly formed scabs— they run into the dermis of her flesh and refuse to begin healing. false messiah wounds in her hands refusing to heal, left open and weeping. this is not how you discover your role as the messiah.

BUT YOU HAVE TO SATIFY THE MONSTER. the monster has loved you for longer than anyone else. so she heels like a dog, moving from one side of the cage to the other & twisting her hands around the bars. a desperate lamb, begging to the wolf. “ — please. i don’t want to die. i’ll do anything— please. ”

#entishe #ic. elizabeth lamb.#el. all beauty must die.#im absolutely fucked up in the club 2night

hauntedwound

prom night / the loved ones (2009)

#i love u cannibal wife #i. sylvia maddox.#blood tw #gore tw #body horror tw #knives tw

test-testing12-deactivated20220

faden doodles

#i love u girlie #i. jesse faden.

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it always shall be—