archived account ^_^ random numbers so i dont accidentally hog a url
moved to voldkat !!!
my kny kity au = #kity no yaiba | writings n fanfics = #vk's stories
draws n doodles = #vk's arts | answers n talks = #vk's answers
random posts = #vk's sillies | carrd = https://koyukislover.carrd.co
autism culture is finding out that someone likes the thing you're hyperfixated on but they're not as into it as you are so you're afraid to talk with them about it because you don't want to come across as being Too Much and Too Excited and Too Obsessed
Akazaâs Central Stripe Keeps Relocating And Idk Whatâs Going On
Alright, so this all stemmed from me referring to Akazaâs central stripe (you know, the one that runs from the middle of his neck down his front) as the Tummy Stripe. I have no idea when the hell I dubbed it that, I just said it once and it stuckâbut I digress. I was thinking about it, and was likeâŚIsnât it more of a chest stripe? Turns out, nope. It moves. The length, position, and even general existence of the Tummy Stripe varies from panel to panel of the manga.
For reference, hereâs the first good look we get of him and The Stripe. Weâll call this Exhibit A. Judging by the way it hits his second ab line, it extends down to roughly his mid-belly. AhaâTummy Stripe! Although I think this panel was probably the namesake, itâs one of the only ones where The Stripe is in this position.
In many other panels, The Stripe is much shorter. In the panel below (Exhibit B), we can see that the stripe barely extends past his pecs, and doesnât even get close to the second ab line like it does in the previous one. The bottom also does not line up with the top of his side stripes as it does in Exhibit A. In this case, perhaps the term Tiddy Stripe is more accurate?
Now, a little odd, but not that big of a deal. Itâs still there, right?
Wrong. That shit is gone. Refer to Exhibit C:
BRUH, ITâS VANISHED. THERE IS NO TIDDY OR TUMMY STRIPE.
My first assumption was that this was a conscious decision by Gotogue, so that Akazaâs figure would not appear too busy when he was drawn smaller. But then I discovered Exhibit D, and laughed my ass off in the process.
Yup, still there. And thatâs probably the smallest, crustiest little panel of a man Iâve seen in the entire Mugen Train arc. I love it. Gotogue is a genius for having created this. But, additionally, there are up close panels where it is missing that also disprove this theory. Exhibit E. Is this list getting old yet?
Anyway, all of my analysis provided absolutely no insight into the reason for this. It seems to appear and disappear as well as grow at random. I understand that inaccuracies are to be expected in hand drawn art, and I in no way fault Gotogue for this! Itâs simply hilarious to watch it move around his body like it has a mind of itâs own.
Alas, the question still standsâis it a Tummy Stripe or a Tiddy Stripe?
My friends, it seems we shall never know.
(Oh, PS: This also happens in the fight against Tanjiro and Giyuu, not just against Kyojuro. I checked. In chapter 146, it almost appears to be missing more often than it is present! What does it meeeean??)
So, this one is actually a lot more important than reporting and blocking spam bots. That post has 20,000 notes rn, so it would mean a lot to me if you could give the same treatment to this as you gave to that (@neil-gaiman if you're listening).
If the petition gets 100,000 signatures they have to consider it for debate in parliament.
It's a crime that Gender Recognition Reform was blocked in England, but Scottish MPs voted it into law and that the UK Parliament overturned that is in direct contravention of democracy as a whole.
It's a pretty serious big deal. Please sign, or, if you're not a UK citizen, please boost.
When people make disparaging comments, just say thank you.
âYouâve gain weightâ âThank youâ ââŚâ
Then they have to either settle with being misunderstood or double down and explicitly explain that they were intentionally being unkind.
I work at a church and religious people use coded language to say crummy things in camouflaged/passive aggressive ways. Today someone told me, âthat was anâŚinteresting sermonâŚâ
âThank you.â <smile>
Then I got to watch them squirm as they tried to decide how to respond.
Tl;dnr: when people are passive aggressive, just say thank you.
This is also really long, it contains the majority of the characters
Tanjirou: Pens a very lovely and whimsical tale about a boy who goes exploring in a sunny wood and comes across various talking animals who often say funny, charming and sometimes deeply profound things about the nature of the world. Think Le PetĂt Prince meets Winnie the Pooh. Half of the people who read the story thought that it was a delightful read while the other half thought it needed more conflict (lameasses)
Nezuko: When she was a human she was too busy taking care of her younger siblings and doing laundry to write down her little tween girl self-insert fantasies of joining Robin Hood's band of merry men and becoming the new leader who steals Robin Hood's heart <3 and other similar characters who fight sexily against injustice.
Zenitsu: Writes cringy self-insert fanfic both in modern au and in the taishou era. He writes selfcest fanfic (but don't you get it? It's actually a metaphor about the duality of the self, and he's working out his inner demons UGH don't make fun of him!!!!!) and is that guy who writes really dark, fucked up fanfic about cartoons (he has watched a lot of anime). He's really into theaters, plays, operas, musicals you name it. He went through a big Tennessee Williams phase and tried to write exactly like him to.....middling success. He tried to write a musical once only to realize one song in, that an advanced sense of hearing and proficiency in multiple musical instruments doesn't actually equate to having any compositional talent. He'll stick to critiquing and leave the creative writing to people with more style and imagination.
Inosuke: He narrates a story about a boy who escapes an opressive society and goes to start an anarchist commune in the woods with other refugees. The fact that there are no rules and everyone does what they want is epic and he doesn't miss his old life at all even a little bit and then they all live happily ever after, the end. Shinobu claims that while his narration style is direct and incisive, the story ultimately lacks nuance.
Genya: He had a really big crush on Mulan and Li Shang when he was a kid and when he saw the garbage straight to DVD sequel it dissapointed him so badly he vowed to rewrite it so that it was good now, actually. He got three pages in before it occured to him that this was a waste of his time because no one but him would ever actually read it, and he abandoned it. Little did he know that little Nezuko would have loved to read it, but he didn't know Nezuko yet. Alas.
Kanao: She writes a series of diary entries from the perspective of a teenage girl. At first she's just talking about stereotypical teenage girl stuff, like the boy she likes and the mean thing her friend said at the mall, but then at some point the narrator realises that she's in a story, and her diary entries get introspective and frantic and meta as she is ultimately crushed under the weight of her own narrative. Her teacher deems it "brilliant" and suggests submitting it to literary magazines for publication to which Kanao replies "no thanks Î_Î đŤ§"
Aoi: She once wrote a story inspired by "Over the Garden Wall" about two characters who are clearly her and Kanao navigating a sinister, mysterious forest together. It really heped her work through some stuff.
Senjurou: He makes an artbook of his crafts, paintings and photography. It has a very special place on Rengoku's shelf.
Rest of characters under read more
Shinobu: She writes a story about a lesbian pirate who has an affair with a bisexual tavernkeeper who is cheating on her shitty husband right under his nose. One day the husband finds out and gets violent so they kill him and serve chunks of his flesh to stray alley cats. Her friends and family really enjoy the story but others don't understand "why everything Shinobu writes needs to have such an agenda"
Sanemi: He pens a tragic fairytale about an empress who loses all of her children to various causes and ultimately kills herself. The style is very poetic and beautiful but the story is so unbelievably sad that anyone who reads it is prompted to ask "what was the point of this" and "if you need help i have a pretty good therapist i can recommend"
Giyuu: He once wrote a novella about a miserable, traumatised young man who causes problems for himself for no reason. Shinobu reads it and says "Wow Giyuu, this is an amazing piece of satire I never knew you had such a great sense of humour!" And Giyuu is just like "it wasn't meant to be comedic" and Shinobu's like "Oh......." Many years down the line Sanemi reads it too and argues that the protagonist needs to be punished more by the narrative and Giyuu responds "thanks...I'll keep that in mind....."
Gyomei: While not a man of many words, the novel he has been dictating reveals a very beautiful, sensitive, poetic soul and may move you to tears.
Muichirou: Doesn't read books and now you want him to write one???
Uzui: He wrote touching and hilarious letters to his wives whenever they were apart, which they keep stored in a small wooden chest and pull out to read whenever they are feeling wistful. Besides that he has no desire to write anything. The most he ever writes is when he is writing letters to other Pillars, which always say the same thing "Hey come over here so I can talk to you in person. Fuck you. Tengen"
Mitsuri: In the Kimetsu Gakuen comic series she along with Shinobu brainstormed a manga called "Sishinta and Friends" where all the characters are pieces of sushi and the romantic rival is a piece of shrimp called Ebi that looks like Rengoku and gets into conflict with a fried piece of salmon called Yakishake that looks like Akaza, who wants Ebi to get fried because if he doesn't he will spoil and die, but Ebi argues that getting spoiled quickly defines sushi and that he would never become fried and thus the two engage in a vicious crustacean vs aquatic vertebrate battle. Not kidding, it's chapter 11
Iguro: He writes a story from the perspective of an electron that doesn't know that it's entangled but can sometimes still feel that it is connected to something across the universe when it spins. It is a brilliant poignant story about starcrossed love and the significance of relationality across the cosmos that almost none of his peers understand "because it all sounds too sciencey"
Rengoku: Had a diary detailing his childhood, his mother and her passing, his father's descent into alcoholism, his little brother, his training exercises, his missions and his unsuccessful attempts at making his father proud. As the years passed the diary entries became shorter and shorter until one day they completely stopped...
Kagaya: Writes a dark comedy about a horrible, pathetic man who makes everyone around him miserable including himself because he refuses to adjust his insane principles even when presented with tangible evidence that contradicts his beliefs, at one point he commits multiple murders and gets away with them until the end of the story where he is killed by his own myopic greed. Muzan claims that the hero of the story "is greatly sympathetic" and that "he deserved a better fate" Kagaya is just like "yeah...I kinda knew you would say that... :)"
Tamayo: She pens a lot of theory that is highly abstract, very dense, overly cerebral, sprawling and bordeline illegible. Her works are sort of like if Feynman and Derrida had a baby and also that baby was in highly need of an editor that could whittle down every four pages into one sentence. She writes theory on every scientific field imaginable, including fields she all but invented. People who can actually figure out what the hell she is saying insist that she is a genius and that her ideas changed their life, but most people don't even bother or just pretend to have read her stuff.
Yushiro: He writes academic criticism/theory/research, which is ever so slightly more lucid and succinct than Tamayo's.
Kyogai: Writes a story about ghosts throughout time occupying a single house together, haunting each other, ever temporarily overlapping in a cacophony of grief. While coherent it is very dense, and most of his publishers don't bother actually unpacking it, so they mostly just complain about the non-linear timeline being "too confusing" (lameasses)Tanjirou loves it though.
Rui: When he was still a human he had diary entries, which served as a treasured outlet through to vent his supressed and overwhelming feelings regarding his illness. He didn't write every day, and sometimes his entries were longer than others. In the weeks between him meeting Muzan and him murdering his parents, Rui's diary entries took a turn for the messy, rambling, dramatic and graphic. His diaries were well-hid under a rug in his room and thus never found.
Muzan: He writes about an ubermensch who is able to valiantly resist the liberal indoctrination of the pathetic sjws who are triggered by his inner strength and sharp intelligence. It reads almost identically to Kagaya's story (except with a vastly different prose style), but unlike Kagaya, it is completely sincere and not remotely a satire. Unfortunate.
Kaigaku: Writes a story about a "really cool" alpha male whose girlfriend unfairly dumps him after their wannabe sigma male acquaintance who was jealous of him because he loved his girlfriend gets him cancelled on Twitter for saying a slur 10 years ago. But it turns out said guy who steals his girlfriend is actually a terrible person who treats women like shit despite posturing as a feminist for clout. Zenitsu reads it and is like "wow, this could actually be a very well thought out critique on performative allyship and how any kind of man can be equally abusive to the women in their lives....if not for the fact that THE SIGMA MALE IN THIS STORY IS CLEARLY A STAND IN FOR ME ???????"
Daki: She def has a "went through a phase of writing hardcore slash fic" vibes, I can't explain it but she does. She's also incredible at writing roasts. She gives a speech at every birthday party she has been invited to and it fucking kills.
Gyutaro: The first and only time he ever attempted constructing his own story was when he was very young, where he devised a truly gruesome story about woodland creatures that accidentally made Ume cry. Whoops!
Gyokko: He wrote the japanese equivalent of Donatien Alphonse Francois Marquis de Sade's "120 Days of Sodom" the book that inspired the well-known 1975 film SalĂł (on a sidenote: I have read the book and it's much worse than the movie, just read the wiki summary to get the idea) Anyways if you are familiar with the book or the film you should know that whatever the hell Gyokko wrote is not suitable for human or demon consumption alike.
Hantengu: Spent a couple decades or so publishing a series of action-adventure-erotica novels under a pseydonym. Once you've been around for long enough, you just start doing shit.
Akaza: When he was young he wrote about a brave and valiant samurai who goes off to slay an oni and bring it's head back as a trophy for the shogun, only to learn that the oni was really just minding her own business, leading him to question everything he thought he knew about the Japanese feudal government, and ultimately beheading the shogun instead. His teacher deemed it "intriguing, but slightly concerning" (Lame!!!) Also probably had a Magneto and a Robin Hood phase.
Douma: Publishes a book that is one part self-help, one part gloating memoir, one part spiritual guide, one part personality quiz and 100% barf. Hakuji cannot believe that Koyuki has read it cover to cover multiple times, as if it contains wisdom deserving to be gleaned even once. He'd burn it if he didn't know that Koyuki would just immediately go out and buy another copy, giving even more money to that bastardly scammer.
Kokushibou: He finds most novels insipid, poetry either boring at best or nauseating at worst, and fanfiction a hobby practiced only by the most simple minded buffoons so he doesn't think he's missing out. He once sent a letter to Douma but never received an answer from him, so when he asked him about it when they met face-to-face Douma simply told him that attempting to read through and trying to comprehend Kokushibou's highly antiquated and dense writing was sheer torture for him so he just gave up ⤠he advised him to modernize his writing, even just a tiny bit. Kokushibou could do that....but he refuses to â¤ď¸
