
izzy's playlists!

shark vs the universe
Aqua Utopia|海の底で記憶を紡ぐ
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PUT YOUR BEARD IN MY MOUTH

Janaina Medeiros
we're not kids anymore.

★
Sweet Seals For You, Always
noise dept.

#extradirty

Kiana Khansmith
macklin celebrini has autism

Love Begins
styofa doing anything

⁂
Today's Document
Cosimo Galluzzi
trying on a metaphor
he wasn't even looking at me and he found me

seen from T1
seen from South Korea

seen from United Kingdom
seen from United States
seen from Paraguay
seen from United States
seen from United States
seen from United States

seen from United States

seen from Türkiye
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from Japan

seen from United States
@vomitspitt
Barbara Valente for Harper’s Bazaar Brasil
“Crush On You” was the second single from Lil’ Kim’s RIAA-certified double platinum debut album Hard Core, released to radio June 10, 1997 and peaking at # 1 on the Billboard Rap chart. The accompanying video is noted as being the first to feature the colored wigs that Kim became known for. The theme of the changing floor colors was based on the 1978 film ‘The Wiz,’ starring Kim’s childhood idol Diana Ross.
20 Years of HARD CORE 👑🐝
Stripper Evangeline Sylvas angrily breaking the water tank being used by a fellow stripper. Location: New Orleans, LA, US Date taken: 1949 Photographer: John Dominis
This was from LIFE magazine. The stripper inside the tank was Divena and, according to what I could find, “Divena’s fellow strippers weren’t too happy about the attention she was getting.” Evangeline’s act required that she get out of an “over-sized oyster” and she did not appreciate that Divena not only got top billing, but also got to strip underwater – which was more novel than the oyster shell. Evangeline grabbed an ax and, hence, the broken tank. Evangeline was fined $10.
North Sentinel Island
Kerry James Marshall: Mastry exhibition review – a sumptuous symphony in black
Met Breuer, New York This retrospective is a stone-cold stunner which proudly insists on the place of African Americans in the American artistic imagination, using the tropes of exclusionary imagery to new, more moral ends
Top to bottom:
Kerry James Marshall’s Past Times, 1997. Photograph: Nathan Keay, © MCA Chicago/Kerry James Marshall
A Portrait of the Artist as a Shadow of His Former Self, 1980. Photograph: Matthew Fried, © MCA Chicago/Kerry James Marshall
Souvenir I, 1997. Photograph: Joe Ziolkowski, © MCA Chicago/Kerry James Marshall
7am Sunday Morning, 2003. Photograph: Kerry James Marshall/Museum of Contemporary Art Chicago
Vignette, 2003. Photograph: Kerry James Marshall
Samile Bermannelli
2014