blackened feathers falling down

✨🔮♊️🕯salty new england pagan 🕯♊️🔮 💖fandoms: critical role, dimension 20, cyberpunk 2077, fire emblem, the locked tomb, elder scrolls, fallout, baldurs gate 3, expedition 33🌺fanart + whatever i feel like🚫18+ only🚫

[goodbirbb]

Misty's readings

[spocktheestallion]

“Why did the bright queen believe essek so easily how did he get away with so much shit before he was caught?” Buddy you would not believe what you can get away with if you’re Quiet and Get Good Grades

[cyberpunkaddict]

CYBERPUNK 2077: Phantom Liberty - Dogtown

[gar-wafflez]

I catch the humans

[1five1two]

[decadent-hag]

[commodorecliche]

[fashion-runways]

ROBERT WUN Couture Fall/Winter 2027 pls help me get out of debt donating to: ko-fi.com/fashionrunways or dinahlance-shop.fourthwall.com

[thecrowsteeth]

🖤 Them

Incredible but true, I have finished a art despite the ongoing horrors

[ninilittlewizard]

[atrusovaartist]

I always thought Reddit was a place where people could share things they created.A few days ago I posted one of my original paintings. People loved it. We had wonderful conversations about art, emotions, and how everyone saw something different in the same sunset.

About two hours later I was permanently banned from r/MadeMeSmile for “self-promotion.”

I accepted that different communities have different rules.But then something even stranger happened.Soon afterward, a moderator from r/pics started going through my account. Not just the new post—many of my older painting posts disappeared as well. One after another. Then I was permanently banned there too.

Maybe it was the same moderator. Maybe it wasn’t. I honestly don’t know.

What surprised me wasn’t even the ban itself. It was realizing how much power individual moderators have over what millions of people are allowed to see. One decision can erase years of posts from a community and instantly cut off your ability to participate, even if those posts had been happily sitting there for months or years.I’m not saying moderators shouldn’t have rules. Communities need moderation.But it does make you wonder where the line is between protecting a community and allowing a single interpretation of the rules to completely reshape what people can share.

The funny part?

I wasn’t advertising anything in those posts. I wasn’t posting prices or asking anyone to buy anything. I was simply sharing my original paintings because I enjoy discussing art with strangers from around the world.

Anyway…

Here’s the painting that apparently caused all the trouble. 🎨

[cyberpunkaddict]

Night City, 2077

[kingfucko]

i dont care if monday sucks... tuesday cost me sixty bucks... wednesday thursday give no fucks. it's friday im a duck

[pmamtraveller]

"Pelléas et Mélisande" by Carlos Schwabe

[poisonivythecramps]

The Cramps at The White Rabbit, San Antonio 1998

[random-brushstrokes]

José María Sert - The matchmaker (1932)

In just one year, 1932, he completed the frescoes in the chapel of the Liria Palace in Madrid, ceilings for the Celedonio Pereda residence in Buenos Aires, and a series of cartoons for tapestries commissioned by the Gobelins manufactory in Paris, only two of which were actually made. The matchmaker was one of this group, which comprised projects for overdoors or door hangings. The subjects of the series were all drawn from picaresque novels and featured figures regularly found in the artist’s work. The scene takes place in an interior lined with wallpaper. In front of a heavy hanging, a massive vase full of flowers stands on a piece of furniture. The protagonists’ unambiguous gestures make the scene clear: a smiling old man holds his hand out to the frightened young girl, while the matchmaker holds on to her, attempting to push her towards the man. Two young women watching the scene react in very different ways: one looks at the man with contempt, the other is amused by her companion’s vain resistance. The figures and the body language are recurrent features in the artist’s work: the woman with her hands on her hips conveys indifference, while the young woman at the centre of the drama is violently pushing the matchmaker away, her face contorted with fear and disgust. Frontally lit, the scene takes place on a small dais, further accentuating the theatrical impression created in this work. (source)

[heronstill]

Provincetown, Massachusetts, 1976 by Joel Meyerowitz

[tuesdayfreak]

i love you mae borowski

[speedlimit15]

cherry bomb voice Hello tumblr hello blog