Show Notes 108A Duped - Part 1
Down the rabbit hole we go, Agents!
Here they are! At long, long last—the show notes for 108 “Duped!”
These notes cover 108 “Duped” Part 1.
You can listen to it in this embedded player:
Miranda and I started this episode with some fun facts about ourselves. Mine was that I once got a pillow from Sargento that said “Sweet dreams are made of cheese,” because I complimented it online.
First of all, here’s the song it references.
Now, here are the tweets of how it happened. Here’s the Tweet I saw from Warehouse 13 co-creator and legendary TV writer/producer, Jane Espenson and the conversation that followed:
And at this very moment, that pillow is serving as a laptop cushion.
This week’s writer appreciation focused on another writing team, Benjamin Raab and Deric A. Hughes who shared some awesome behind-the-scenes pix with us on twitter! After we released the episode, Ben tweeted at us and told us the crew let Ben and Deric cameo on every episode they wrote/produced. Here’s the pic from “Duped!” They were on the elevator with Pete!
We got that tweet and some good corrections and fun facts from Ben and Deric themselves! What up, dudes‽
Miranda says that we start the episode “en media res” which means “in the middle of things” in Latin. Here’s a link to what it means in terms of narrative storytelling.
Later, we also compared Myka’s dress in the pilot…
Great work by the costuming/hair/makeup team on emphasizing all the subtle ways that Myka was Not Normal™
Because we love to give due credit, so, the people responsible are
Hair: Susan Exton-Stranks
We also have a good laugh talking about how Pete miscategorizes Alice in Wonderland as Chick Lit.
Alice in Wonderland is obviously not Chick Lit (although there’s nothing wrong with Chick Lit).
This led us to a brief discussion of how Miranda’s sister trolls her by calling “Doctor Who” Mister Who. That already wasn’t accurate, but now it’s especially inaccurate as The Doctor is a woman! As a side note, I personally would buy a T-Shirt that said “Mister Who” on it just to make a laugh. Anyone else? Anyone?
Next up, Miranda noticed that Pete was wearing a North Canton, Ohio t-shirt and connected the dots that Eddie McClintock himself is from North Canton. Further proof that Eddie and Pete are essentially the same person.
Speaking of Eddie, this is also the episode where we learned that Eddie was voted the 82nd Sexiest Man Alive, according to TVBuddy. Alas, alack, the link to the list is now dead. So I can’t link it. I tried.
Next, we talked about how amazing Eddie is at doing an impersonation of Myka sticking her neck out when she’s mad.
In the Warehouse, an artifactified disco ball plays Gloria Gaynor’s “I Will Survive.”
When Act II starts we get some really orange lighting that plays right into our color theory. I couldn’t find a picture of that scene and Amazon won’t let me screenshot, but, in general, most cinematography of Myka in this episode is very orange. Here are a couple examples of how orange most things are that involve Alice in this episode:
Then we talked about how weird it was when Myka actually took one of Artie’s pastries.
Actual footage of my face when she took one:
Actual footage of my face when she took SECONDS:
Then we got the introduction of Gary and Jillian Whitman—this week’s red herring bad guys and focus of this week’s dual Actor’s Spotlight, courtesy of Miranda.
Gary was played by Niall Matter.
Miranda recommended watching the TV show he was on called The Best Years.
Jillian (my name-thief) was played by Erica Cerra.
Miranda noticed a subtle Walt Whitman reference and gave the dates of his life and Lewis Carroll’s/Charles Dodgson’s life.
Walt Whitman: 1819 - 1892
Lewis Carroll/Charles Dodgson: 1832 - 1898
There will be a lot more information about Lewis Carroll/Charles Dodgson in the show notes for Part 2 of this episode.
Then we talked about how Artie was a tad too aggressive in telling Claudia to “back off!” and how this all reminded us of a scene in The Importance of Being Earnest where two characters grumpily eat cakes. Miranda later specified that it reminded her of the scene where Jack and Algernon eat muffins. Meanwhile, it reminded me of the scene where Gwendolen and Cecily get passive-aggressive over whether tea should be enjoyed with bread and butter or with cake.
Here’s a snippet of the scene Miranda was thinking of:
Algernon. If it was my business, I wouldn’t talk about it. [Begins to eat muffins.] It is very vulgar to talk about one’s business. Only people like stock-brokers do that, and then merely at dinner parties.
Jack. How can you sit there, calmly eating muffins when we are in this horrible trouble, I can’t make out. You seem to me to be perfectly heartless.
Algernon. Well, I can’t eat muffins in an agitated manner. The butter would probably get on my cuffs. One should always eat muffins quite calmly. It is the only way to eat them.
Jack. I say it’s perfectly heartless your eating muffins at all, under the circumstances.
Here’s a snippet of the scene I was thinking of:
Cecily. May I offer you some tea, Miss Fairfax?
Gwendolen. [With elaborate politeness.] Thank you. [Aside.] Detestable girl! But I require tea!
Cecily. [Sweetly.] Sugar?
Gwendolen. [Superciliously.] No, thank you. Sugar is not fashionable any more. [Cecily looks angrily at her, takes up the tongs and puts four lumps of sugar into the cup.]
Cecily. [Severely.] Cake or bread and butter?
Gwendolen. [In a bored manner.] Bread and butter, please. Cake is rarely seen at the best houses nowadays.
Cecily. [Cuts a very large slice of cake, and puts it on the tray.] Hand that to Miss Fairfax.
[Merriman does so, and goes out with footman. Gwendolen drinks the tea and makes a grimace. Puts down cup at once, reaches out her hand to the bread and butter, looks at it, and finds it is cake. Rises in indignation.]
Gwendolen. You have filled my tea with lumps of sugar, and though I asked most distinctly for bread and butter, you have given me cake. I am known for the gentleness of my disposition, and the extraordinary sweetness of my nature, but I warn you, Miss Cardew, you may go too far.
Both of those scenes take place in Act II.
If you read nothing else in these show notes STOP AND WATCH THE FOLLOWING CLIP!
Here’s a clip from an early movie adaptation of The Importance of Being Earnest that features my favorite line delivery of anything ever:
Good luck ever looking at a handbag without thinking of that again.
While we’re on the subject, I played Cecily in the Importance of Being Earnest, so I’m legally obligated to share a couple photos of that as proof:
As a final note on the matter, you can read the entire play from project Gutenberg here (and I recommend that you do, because it’s one of my all-time faves.).
Later, Miranda and I wondered if the infinity tattoo on Myka’s ankle was Joanne Kelly’s or was something Alice did when they got to Vegas. I think someone tweeted at us about this awhile ago. If anyone has that info, I’ll update the show notes with that and credit to the Tweeter.
After that, we discussed Myka’s/Alice’s casual mention of Carson’s Rule of Linear Transfer and her assertion that it means “forced outcomes require tangency.” I posited that this rule is not a mathematic or scientific principle but rather a warehouse-specific rule. The only Carson’s Rule that Miranda and I could find when researching this was an unrelated rule about bandwidth. If you’re super into telecommunications, you can read more about Carson’s Banwidth Rule here.
Backing up a little bit in the episode, we discussed a little bit about the history of disco and disco clubs via exerpts from a written interview with Professor Carol Cooper.
She spoke with us about Studio 54, Vaughn Harper, and the roots of a Studio 54 laying in a black-owned club called Leviticus.
I didn’t mention it in the episode, but that makes the club in Empire (also named Leviticus) a truly nicely named homage to history. Bustle.com did a deep dive on that fact here.
Relatedly, when the disco ball drops earlier in the warehouse, Claudia does her own take on the Saturday Night Fever dance…
…then devastates Artie by incorrectly dating the Disco Era. Find approximate dates and more info here.
Then Miranda compared Deanna Troi from Star Trek: The Next Generation and Tara Maclay from Buffy the Vampire Slayer.
First of all, the episode of Buffy that we referenced was Season 4, Episode 16 “Who Are You?”
Second of all, we made a Buffy reference, so… You know… Take a shot.
Then we talked about Myka’s reaction to Pete referencing a rabbit’s foot as a lucky charm.
That was both a great reference to the white rabbit in Alice in Wonderland…
…and a great reference to keychains from the 1990s and early 2000s. For those who don’t understand that reference, I was gonna link to some funny pictures from that era, but googling “rabbit’s foot” actually led me to down a sad path, so… like.. Not gonna share that.
Then we talked about how Pete saying “Kirk out
…was an improvised line that referenced Captain James T. Kirk on Star Trek: The Original Series and the communicators they used as well as to the flip phones from the era just before warehouse 13 premiered.
Then, both Ben Raab and Eddie McClintock explained that the reaction on set to Eddie saying “Kirk out!” looked something like this…
…until the network gave them the all-clear.
Winding things down for this episode, Miranda and I figured out what a Roulette table looked like:
…and appreciated Claudia’s knowledge of CIA laser mics. Turns out, laser microphones are really a thing!
…we talked about how off-putting Miranda and I found it when Alice (as Myka) drank both on the job and in front of Pete.
Not all people in recovery are triggered when people drink around them, but some are.
Here is an article from American Addiction Centers on how best to support an alcoholic and support their recovery.
If anyone has resources that they find helpful, we’re always happy to add them to these show notes or create a page devoted to resources for things discussed in our Heavy Themes sections.
And, with that, we are done with Part 1!
See you next time, Agents.
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