japanese breakfast covers “romulus” by sufjan stevens, live on sirius xmu

Janaina Medeiros
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@watchinguwithoutme
japanese breakfast covers “romulus” by sufjan stevens, live on sirius xmu
this orange was pregnant. Isn’t the world amazing
journal of an ordinary grief, mahmoud darwish
month starting on a monday we have no excuse guys lets get to work and lock the fuck in
yk its actually very chic and avant garde to start on tuesday the second
many claim theres nothing more subversive and revolutionary than starting on wednesday the third
If you're having a hard time just take a bunch of uppers and downers on an empty stomach, then drink a gallon of milk without peeing, turn off all the lights and run around in circles until you feel like throwing up. Then open up all your apps, doomscroll for four hours minimum, and then tell your loved ones that something bad is gonna happen to you, and delete your accounts, remove the sim card from your phone, get behind the wheel of a car and drive really fast towards the nearest government building.
girl u need to slow down. your observations are too astute. your conclusions are too insightful. youre illuminating truths known to too few. calm down girl
"don't assign human morality to non human things" is so true except when it comes to printers. they know what they are, they understand dilemmas and ethics and morality. they choose to be how they are, they choose to be evil, at their very core they are rotten
I also felt that she was holding herself together with a safety pin, was forcing herself to be clear, articulate, active—to keep moving, one step ahead of the sledgehammer of grief.
James Baldwin, The Evidence of Things Not Seen
negative space
rick bursky / the man with a hole in his head
finding a new doctor. applying for jobs. searching for apartments. messaging used car dealers. getting your health insurance to do their job. getting a pharmacy to do their job. getting the dmv to accept the documents they told you to bring. just listing things they probably make you do in hell
negative space
rick bursky / the man with a hole in his head
Luke Arnold on the final scene between Silver & Flint, lightly edited for clarity:
I don't think the rage was what was so scary. [Silver] said he recognized the rage in himself. He saw it there and I think the deflation—he had that. He was like, "I want to see the world burn," and then after it, the moment Madi is back, it’s like, "Oh, that was...God." He got a glimpse, and even if he doesn't still see Flint is completely that, he got a window into it that he wouldn't have otherwise. For me, it wasn't that he thought it was rage at the end, which is why this needed to be stopped. The scariest thing for him was that Flint forgave him. That he was that stubborn. That he was that immovable, and whether it's about rage or not, once again, I think that Flint's clarity of like, “It's fine, we’ll put it back together.” Like, that’s freaky.
I think that was what was scarier. And by the end I think he no longer could see through Flint's eyes the way he did before, see the hope in humanity, that if you screw it all up and burn it down, that basic human decency will build something better. He could no longer see the ideal, you know, Flint's ideal and Thomas Hamilton's ideal, this whole thing that had been there, that was driving Flint. So that was gone, which is where that opaqueness, I think, came from, but I still think what he saw so clearly was just this would never stop. That whole idea that Flint would take an oar and walk until someone mistook it for a shovel. I mean, that died, too.
He was still hoping for that world, and so I think that's where [Silver] saw [Flint] very clearly at the end. He’s just going, “Well, if me sending men to kill you and turning on you so completely cannot shake you from the way you see this happening, I don't think you're seeing this clearly anymore.”
(Source: Fathoms Deep, episode 59)
ok mama
a really good addition from @maidenczar !