#Literally the same energy, i'm gonna be sick
OFMD 2.08 // Good Omens 2.06
let's talk about Bridgerton tea, my ask is open

Love Begins
RMH
d e v o n
Mike Driver
art blog(derogatory)
wallacepolsom
cherry valley forever
Peter Solarz
Stranger Things
TVSTRANGERTHINGS
Keni
trying on a metaphor
No title available
Jules of Nature

JBB: An Artblog!
DEAR READER
Lint Roller? I Barely Know Her
Acquired Stardust

No title available

seen from United Kingdom
seen from United States
seen from Sweden

seen from United Kingdom
seen from Spain
seen from Netherlands
seen from United States
seen from United States
seen from United States
seen from Spain

seen from United States

seen from United Kingdom

seen from Poland

seen from Italy

seen from Algeria
seen from Singapore

seen from United States

seen from Spain

seen from Germany

seen from United States
@watsoninwakanda
#Literally the same energy, i'm gonna be sick
OFMD 2.08 // Good Omens 2.06
godddd the way the original e5 “you wear fine things well” scene was backlit by a giant full moon that didn’t actually exist bc this was ed and stede’s fairy tale romance, the way they’re both all dressed up in finery and looking their best after a fancy night out (which didn’t go how either of them expected but that’s not the point the point is it was an Event it was a whole Thing they went to)
and then in the e5 “wear fine things well” 2 electric boogaloo scene the moon is a waxing gibbous because it’s real and stede’s wearing what remains of his fancy suit he had to get rid of and ed’s wearing a fucking. sack and a cat collar. and holding a fucking dead fish. and they’re just catching up after both of them had a pretty normal day doing their own things. this isn’t the picture-perfect fantasy from last season this is both of them grounded in the moment taking it slow because their relationship is worth handling with care. they want this to last and they want this to be real so they’re taking their time, being gentle. they’re not as completely absorbed by each other the way they were last season, they’re their own separate people who can exist in different plotlines for an episode and then come back at the end of the day and catch up, swap stories, kiss and hold hands and just hang out and enjoy being in each other’s presence.
now if you’ll excuse me. i have to go cry.
he really said “haha wouldn’t it be funny if you bossed me around and put on an authoritative voice… like maybe you should do it right now just for laughs… ”
They’re back 🥺
#he got the Izzy Stamp of Approval™!!!
this was my barbenheimer
#Suffering forever
the only heaven I'll be sent to is when I'm alone with you
let's be honest, how else did we think he got all those fire extinguishers?
how to ask the demon you've been smitten over for 6000 years to dance: an angel's guide
bonus:
we go just right.
feeling something about... crowley at the beginning of season 1 telling aziraphale "you're on your own with this one." and then crowley at the end of the season, leaning into aziraphale like it's their secret and saying, "i won't leave you on your own."
it's in how he says "i mean, in the last few years, not really" about how they haven't had to pretend not to be each other's anymore and it's just so clear how all this time, all this fucking time since the apocalypse-that-wasn't he's been treating aziraphale without any more of that pretense. instead he treats him with this terribly soft tenderness, this long-suffering fondness, with the protectiveness that comes of someone being fundamentally yours to protect in the first place and you being theirs in return. this sort of foregone conclusion of a commitment that lets everyone know he's completely aziraphale's and he's got eyes and attention for no one else
it's in how he not only humors aziraphale's magic act but also gives him a genuine lovely pep talk like a supportive partner. it's in how he walks into the magic shop trailing after him and watches aziraphale get excited over the magic tricks with that sort of air of someone watching their partner deeply enjoy a thing - it's just got this, this energy to it, it's in his body language, like, yes, he's here with me and i'm here with him and we're going to leave together as well. it's in the way he tells aziraphale "you read too many books," all soft and indulgent and you know he's thinking he wouldn't want aziraphale any other way
it's in the way he got dressed flashy to go to the pub and he ordered aziraphale's drink for him and brought it back to their little table; and it's in the way he changed into a collared shirt for aziraphale's event. it's in the way he tosses aziraphale's books around while he's minding the shop for him but will never sell a single one in his absence and it's in how he tidies up the shop back to just how aziraphale likes it after the ball. it's in the vulnerability of not wearing his glasses any longer when he and aziraphale are alone together and how he tosses them aside like they're just another thing separating them, for almost the entire season
it's in how he says they're a "group of the two of us" but he sees them as a couple, and he acts like it too. like. he doesn't think he needs to talk, he doesn't need to say it, it's all there in every. single. thing. he does. it's in the lovelorn soppy glances he gives aziraphale across their table and the voice he's got reserved just for aziraphale and it's like, genuinely it's unhinged how much he loves, loves, loves him
Can I watch?
GOOD OMENS S2E5 + some underrated Crowley shots
#i live there
Give me coffee or give me death
Why I believe the coffee is important…but not because it’s been tampered with. The coffee represents exactly how Metatron manipulated Aziraphale to return to heaven.
Let’s take a look back at that painful final episode.
In Nina’s coffee shop, the Metatron makes an interesting remark: “Do people ever ask for death? The name of your establishment is Give me Coffee or Give me Death. I assume they always ask for coffee.” And when Nina replies that they never ask for death, he says “No I don’t suppose they do. So predictable.”
This is an interesting line! And in my experience, interesting lines don’t show up for no reason. My takeaway from this is that it means when given the choice between a mildly pleasant thing (coffee) and an extremely unpleasant one (death), the predictable choice most people will make is to pick coffee. Here’s where things get interesting. The Metatron proceeds to apply this exact logic on Aziraphale.
Let’s fast forward just a little bit, to Aziraphale’s retelling of his talk with the Metatron. After being offered the position of supreme archangel, Aziraphale initially refuses! He says “but I don’t want to go back to heaven. Where would I get my coffee?” In other words, Aziraphle likes earth and is happy here amongst his people and things. To this, the Metatron responds: “As supreme archangel, you would be able to decide who to work with…” and says that he was looking back at his precious exploits and saw his “de facto partnership with the demon Crowley.” And continues “Now if you wanted to work with him again, that might be considered irregular. But it would certainly be within your jurisdiction to restore your friend Crowley to full angelic status.” On my first watching, I didn’t catch the threat — but it absolutely was one! Because here, the Metatron has asked Aziraphale to choose between coffee and death. He’ll have to return to heaven, BUT he’ll be able to be with Crowley! The alternative is the threat of never being able to work with Crowley again. And just as the Metatron has predicted, Aziraphle chooses coffee. Because to Aziraphale, the alternative would be inconceivable.
Could Aziraphle and Crowley have communicated better? Yes. Should Aziraphale probably have explained the bit about the Metatron threatening to keep them from working together. YEP. But as Maggie and Nina said, communication is something for them to work on (next season, ideally).
Aziraphale and Crowley in S2 + touch
stede and aziraphale having a good time while ed and crowley are fighting for their lives 😔
—
Instagram | Twitter | Etsy | Shop | Ko-fi