L'appel du vide

Give Em’ Hell, Kid | 29 | Queer - They/Them | Creative in all the worst ways | Art account : @mxofbizarre

[transfagrified-in-the-void]

Here is a free pdf of the players handbook

Here is a free pdf of xanathars guide to everything

Here is a free pdf to monsters manual

Here is a free pdf to tashas cauldron of everything

Here is a free pdf to dungeon master’s guide

Here is a free pdf to volo’s guide to monsters

Here is a free pdf of mordenkainen’s tomb of foes

For all your dnd purposes

[zxiqky-wicky]

Reblogging for other dnd nerds

[future-violent-things]

more devastating predictions from mcrtwt… i’m scared for next week guys…

lord..

jesus…

[vriska-serketboard]

Someone has probably theorized this already but it doesn’t have to be that the black parade in 2025 is the black parade in 2006 brought back to life. They all got killed and/or dragged offstage at the end of the show yesterday. They appear to the patient when he *dies*. The black parade - killed for resisting a dictator they were hired to perform for, replaying their role as a band in the afterlife that we see from the wttbp video for who knows how long. They’re stuck in their role, and to get out of it, they do what they did to attempt to get out of it while they were alive - burn it all down, and that’s what we see in the famous last words video. The patient’s memory of going to the parade as a young boy was him seeing the black parade perform for the dictator. He was there when they tried to break out of their role & got executed/taken for their troubles. He lived through the ensuing war. What if his cancer was caused by nuclear radiation?

basically what I’m saying is that the patient lived in the time between yesterday’s events and the transformation of DRAAG into BL/IND & the formation of the zones.

[my-castles-crumbling]

Just in case any of you are confused, TikTok being banned and coming back not even 24 hours later with a giant "we thank President Trump" message is NOT a win. It's a huge red flag and a sign that this was a thousand percent planned.

[weiirdatlast]

Stick to your guns, he/Meta/some fuck probably now owns half of not more than half of TikTok or the owner is kissing major ass.. don’t not engage and don’t redownload TikTok.. get off of it if you’re still on because with an algorithm as aggressive as TTs, the propaganda war machine is truly getting started.

[chumbyy]

[kalimaxxing]

“nobody is making you do this” i am driven by unnatural forces you will never even begin to comprehend

[1846273638-blog-deactivated2014]

[jackzarts]

Here are some illustrations I did for the background projections on @dimension20official ‘s Burrow’s End 🐾 For most of these you could only see the middle area of the image, so I thought it’d be fun to share the entirety of it ✨

Super thankful that Derek ( @kered555) and Ruby (@rubertdubert) brought me onto this project 💕

instagram - twitter - more

[nielrian]

me at literally every tense moment of HBO!TLOU:

[foolishcrow]

the sexy girlbots are returning. nature is healing

[luntfontanne]

A Note from Daniels 04.08.2022

Dear Movie Lovers,

There is just too much. Too much to think about, too much to hold on to, too much to fight against. Too many people to talk to, too many restaurants to eat at, and definitely, definitely too many movies to watch.

At the end of 2016, when we started to write Everything Everywhere All at Once, we were already feeling the too-much-ness of it all. We asked ourselves, why add to the noise? In a world where everything and everyone is clawing for our attention, where billion dollar corporations see every single minute of our lives as potential real estate to be bought up and sold off for profit, asking anyone for two hours of their time to watch one of our films felt like asking for, well… too much. We realized if we were going to make a film and ask an audience to give us that precious time, the only responsible thing to do in return was to blow their minds and change their lives forever. Or, at the very least, we were going to attempt that.

Movies can change lives. Though the cynical parts of our hardened hearts often come close to forgetting this fact, it is why we became filmmakers in the first place: films changed our lives. We carried those films with us into the writing process as we weathered years of increasing polarization and a global pandemic, all the while, our newsfeeds filled evermore with contradictions and chaos. We felt the too-much grow into too too-much. Everything was stretching, all the seams were being exposed, and most troubling to us, our movies, our stories — our cultural glue — felt too slow to keep up. Film production moves at the speed of years, the world was moving at the speed of milliseconds.

Writing Everything Everywhere All At Once was a foolish prayer to a cold, indifferent universe. It was a dream about reconciling all of the contradictions, making sense of the largest questions, and imbuing meaning onto the dumbest, most profane parts of humanity. We wanted to stretch ourselves in every direction to bridge the generational gap that often crumbles into generational trauma. It was an attempt to create the narrative equivalent of the Theory of Everything. A Big Data approach to myth-making. A post-genre deconstruction of traditional narrative. A maximalist’s manifesto for surviving in the noise of modern life. And holy shit, these two clowns named Daniel were not up for the challenge.

We struggled for many years to crack the code for this script. We went to weddings and we went to funerals. Had kids, became uncles. Planted trees; the tress grew fruit. And every year, the too-much grew. We were the proverbial room of infinite monkeys, diligently smacking away at our typewriters, hoping to stumble upon a script that could hold all of this, and not break. Eventually, we got close. Close enough. We knew if anyone was going to be able to help us over the finish line, it would be our friends. It was time to bring in our crew.

If our script was a prayer, then our movie was a miracle, and the hands doing God’s work belonged to the film crew/family we had slowly collected over the course of our decade long careers as directors. Though our script would have made most industry veterans laugh in our faces, we had faith that our film family was ready to handle the task of creating a film that tried to touch infinity but with the budget of a rom com. With only 40 days of principal photography we were trying to make 7 or 8 movies all at the same time, we averaged over 30 lighting set ups a day, we used every single possible camera lens, played in every genre. We made an entire action movie in the same amount of time some Hollywood blockbusters shoot a single set piece but in an environment that promoted safety and respect above all. From the dizzying number of costumes and looks, to the clear and confident flow of the editing and sound design, every frame of this film is filled with their love, passion, and trust. We knew with our crew we could get even closer to making a movie about everything, but we would have to find the right cast to ground the blistering chaos.

Oh, lord, this cast. Between giving the unmistakable Ke Huy Quan his first American role in decades, showcasing the fact that the legendary James Hong still has more to offer even after nearly a century of being in the industry, allowing space for the iconic Jamie Lee Curtis to fully let her beautiful freak flag fly, and introducing cinemagoers to the undeniable talent of Stephanie Hsu, there is no doubt that bringing this cast together will be one of the things we are most proud of in our careers. Despite all of that, we cannot imagine many things in our lives ever topping the fact that Michelle Yeoh said yes to this movie. Not only did Michelle say yes and dive right into the deep end with us, she practically triple back flip cannonballed in. This movie does not exist without her incredible talent and her unwavering trust in our team. This movie is a miracle because she is a miracle. To be a part of any one of this cast’s legacy is a privilege enough. But to have even a small hand in revealing to the world all of the untapped potential of these Asian actors who have been waiting their whole careers for roles that demanded this much range and this much heart, is truly soul-bending.

So now after many years of miracles piling onto miracles, the movie is coming out in theaters everywhere. Working on this film has been one of the most beautiful and fulfilling experiences of our lives. We hope many of our see yourselves in the characters. We hope you laugh, cry, and throw your hands up and enjoy the ride in a theater full of strangers. We hope it gives you the beginnings of a vocabulary for better understanding the too-much and how to exist in it. But most of all, we hope after you watch it, even if you agree we didn’t quite reach our goal of including everything, that at least you feel included in this giant, messy, group hug of a film.

From these two Daniels, the cast, and our entire crew, thank you for giving us two hours of your attention. We tried our best not to waste it.

Daniel Kwan & Scheinert

[titsay]

[noahnomore]

[tothechaos]

acts of service bitches when someone doesn't Need Something from them but wants them around anyways and they have to think about the fact that they could possibly be wanted for who they Are rather than what they can Do

[tothechaos]

everyone who rbed this you all deserve someone who will grab your little face and say to you "on purpose! i am going to care about you on purpose!"

[zootycoon-archive]

i got these knockoff boots online and instead of the brand name on the tag they have the name of an apparently nonexistent martin scorsese movie??? what the fuck

[loseremo]

[brightwanderer]

Reblogging to save the lives of anyone who took their eye off tumblr for five fucking minutes and now thinks they’re living in an alternate universe. ;)

[Image ID: a black boot - as in the shoe - with a label that, bizarrely, reads “The greatest mafia movie ever made. Martin Scorsese presents GONCHAROV. Domenico Procacci Production. A film by Natted JWHJ0715 about the Naples Mafia.” End ID]

[Image ID: tumblr user abandonedambition replying to the picture of the boot with “this idiot hasn’t seen goncharov”. End ID]

(No, it’s not a real movie. The current tumblr meme is to joke post about the non-existent film, playing “yes, and” with other people’s posts. At the rate we’re going we will have generated a screenplay by the end of the week.

I’m explaining the joke because while I enjoy it a lot, it’s the kind of thing that can get genuinely confusing/distressing very fast if you’re not sure you can trust your memory.)

[devilsnthedetails24]

[coltre]

you & me