Everyone has a podcast these days. Theyāre fun, free to listen to, easy to make, and can be about anything. Itās democratic for sure, but surely weāve hit peak podcast by now? I mean I wouldnāt be surprised if my three-week-old nephew is reviewing toys and cartoons on SoundCloud somewhere.
Ā Iām not helping the world. My girlfriend and I have our own podcast, I Only Like You. Nobody really listens to it but we donāt care. We had listened to some podcasts together over the years but we were hardly avid listeners. I would never have dreamed we would do one ourselves. But here we are, 28 episodes in and itās the highlight of our week.
Ā Looking back though, Iād always wanted to do something like this. I loved Ricky Gervaisās various podcasts (even the old XFM stuff thatās on YouTube) and always thought I could do something similar to that. I even began volunteering at a local community radio station but study and moving town and all sorts of things got in the way.
Ā But I hadnāt considered podcasting until earlier this year. I had to make a podcast as part of a university assignment, and even though it was about a relatively dry topic, I loved the process.
Ā So a few months ago, my girlfriend and I started our own podcast. I canāt remember when the idea first came to us, or the first conversation we had about it, but soon it was all we talked about. It seemed like something we could do. It seemed fun. Even if nobody listened to it, we would have a good time and flex our creative muscles.
Ā We threw around some ideas and quickly realised weād love to review films because essentially thatās all we do anyway. We go to the movies and talk about them ā very exciting people. Why not put that into a podcast? Weāre lucky we found each other really ā nobody else we know loves talking about movies just as much. Itās basically why weāre together.
Ā But we did want something more than films. And, like all the best ideas, it came to me while I was out on a walk. Apart from a shared love of movies, Senaai and I are together mainly because we donāt like anybody else. We often joke about how we hate the world and being around other people, how we only like each other. So the other half of the podcast was born ā a generally tongue-in-cheek complaints segment.
Ā We did all the research and found a USB microphone that fit our budget. Itās not the best but it does the job. We practiced a few times in different parts of the house, both to find the best acoustic spot and to get comfortable talking āon airā.
Ā It took some time. At first I treated Senaai more like a guest on a radio show I was hosting. āHi Senaai, how have you been, whatās been going on this week?ā But it felt so forced and false. I already knew how she was and Iād spent all week with her. It felt like a performance and a bad one at that. We wanted the show to feel natural ā more like youāre just overhearing a conversation weāre having. We werenāt good at sounding like other people, and if you wanted to listen to them, theyād be doing a better job anyway.
Ā We also originally had other segment ideas, but they didnāt quite work. They felt forced, and they didnāt feel like us.
Ā Now we had the format and felt confident enough to do the damn thing, we had to figure out how to get it up online. There are a few different podcast hosting sites but we ended up on SoundCloud for no real reason other than we had to pick one eventually. They all seem pretty similar to be honest and SoundCloud had a nice player and name recognition and Senaai had already used it for streaming. Why not?
Ā We record in Garage Band, which is fine and easy to use. I tried using it for editing but didnāt like it, then tried Audacity, which I liked even less. Theyāre okay programs and I would have worked them out eventually, but all the time using them I kept wishing they were more like Final Cut Pro, which Iāve used for video editing for ages now. Then I realised I could just use Final Cut to edit the podcast and everything would be so much easier. And it is. I donāt think itās the most widespread option but it works for us. We even found a nice track for the intro and outro music sitting in the default Final Cut package. Ā
Ā The first few episodes we did were a bit dusty but I think theyāve improved each week. Weāve tinkered with the audio settings and worked out how to edit them better and developed a rhythm in our discussions. We try to include a short cold open and any bloopers after the main show, again not for any other reason than our own amusement. Weāre not as smooth as radio DJs but thatās part of the charm. I think weāre making something worthwhile.
Ā We only get a handful of listeners each week at the moment but that doesnāt bother me in the slightest. Itās just fun to do something creative. I donāt care if we never get any listeners. Iāll do it as long as I have the time and still enjoy it.
Ā My parents donāt listen but Senaaiās have been big supporters. Our number one fan, though, is our friend Ben. He gives us weekly reviews and encouragement, even when he disagrees with our film reviews. If heās the only one who listens, then at least weāre making somebody happy.
Ā Itās interesting listening to yourself back. You sound like an idiot a lot of the time. Senaai is very funny and clever of course, and itās fascinating to try to understand her opinion on certain issues and films. Usually weāre on the same page but sometimes we couldnāt be further apart. Her thoughts on the representation of women (namely Harley in Suicide Squad) have added something to the show which is missing in a lot of film criticism. If anything, I just want people to see (hear) her the way I always do.
Ā Some episodes have been better than others. Sometimes we have more to talk about, either with our topic or with the movie. A few times, (Tickled, La La Land) the film has been so great we donāt want to say anything at all, we just want people to see it. La La Land actually received its own emergency podcast recorded and uploaded the morning after we saw it because we loved it so much.Ā Other times we canāt shut up about how much we enjoyed it. Sometimes the annoying topic really gets our blood up, but usually itās just something silly like consuming choc tops in the cinema or the old woman in our unit complex who takes our bins out without asking. We usually have the most to say when the film is particularly awful or the topic especially irritating.
Ā Of course weāre very lucky to be able to complain about such trivial matters on a podcast while we live in the safest country in the world. Even in our most serious episodes, with topics like Brexit and Trump, weāve been at least a step or two removed from the fallout. Hell, weāre actually lucky to go to the movies so much.
Ā Some things have been strange. For some reason, our review of Swiss Army Man has received many more listens than any other episode. Iām not really sure why, but it was a pretty good movie. SoundCloud tells me we get listens from all over the world, but Iām not sure how legitimate some of them are. Weāve got a good product, but we havenāt been able to really take off yet. We hooked up with the Byron Bay Film Festival to review some of their films but nothing really came of it. Weāll see what happens. The aim isnāt to be famous, but it would be nice if more people heard the show.
Ā Itās been tough sometimes getting an episode up every week, but we havenāt missed one yet. Iām proud of that. We stay on top of things by recording a few shows at a time, stockpiling them in case we canāt see a movie every week. It means sometimes we review a movie a few weeks after it comes out, but you know, Ben doesnāt seem to mind and heās our only regular listener.
Ā We have ideas for spin off podcasts, if we ever get the time. Weāve already expanded the I Only Like You ābrandā to a YouTube channel, where weāre making short film style vlogs.
Maybe itāll lead somewhere to a bit of cash, maybe one day itāll be self-sustaining. But until then, itāll probably just be something fun for us to do. Maybe a couple people like it. And thatās all that matters.