Collab with @unalitakuu

Product Placement
tumblr dot com
One Nice Bug Per Day

★
Claire Keane
Three Goblin Art

Love Begins

⁂

JVL
Xuebing Du
PUT YOUR BEARD IN MY MOUTH

Origami Around
NASA
Mike Driver
he wasn't even looking at me and he found me
2025 on Tumblr: Trends That Defined the Year
Not today Justin
Game of Thrones Daily
art blog(derogatory)
Lint Roller? I Barely Know Her

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@whoisoxent
Collab with @unalitakuu
👅👅👅
First nervous, kinda post
Amputation saw with ivory handle, Spain, 17th century
from The Science Museum Group, UK
I stumbled across @arythusa’s The Glass Scientists webcomic early this year and fell in love, so I animated a little scene for fun 🧪
my favorite interpretations/versions of erik in no particular order:
pictured above (left to right) first row: earl carpenter, charles dance, lon chaney second row: hugh panaro, @muirin007 (specifically paired with @lordjazor's voice), michael crawford third row: @klausscrimshaw, leroux!erik, ethan freeman
Turn your face away
In celebration of the birthday of this most-beautiful building (a few days late, I know), I upload these photos I took on my recent visit to its majestic halls. Nowhere else have I seen such beauty nor felt such awe; it is a sanctuary for divine art and a fitting home for the Angel of Music.
Words cannot express my love for it, so I won’t even try.
Let me only say: Gaston Leroux NAILED its description in that book, both visually and atmospherically. That building IS Erik.
vent art about my crippling mad scientist addiction
I genuinely do not remember posting my grad project anywhere. The final result was a hardcover book
"Erec et Enide" by Chretien de Troyes
linocut
theyre in a polycule
reminded me of soil composition chart
a handy pocket guide to all things
@heresylog ?
Heresy. Why is flesh and mechanics divorced from divinity?
Heresy. Why is
flesh and mechanics divorced
from divinity?
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
We finish this together.
Marlene Dietrich in “Morocco” (1930)
“In her glitter dress, she sang to men; in her tails, to women.” (Marlene Dietrich by Maria Riva, 1992)
ANGEL’S EGG 1985 | dir. Mamoru Oshii
RAYA LUCARIA