You will rarely, if ever, see the following tropes on my account:
Nonhuman characters, ladywhump, environmental/whumperless whump, fantasy/royal AUs, romantic subplots, sickfics, recovery arcs, living weapons
Masterlist under the cut.
The Archives:
Writing Disabled Characters:
Exisiting Disabilities
Healed Scars -> I've linked to my original post, but I'd highly recommend checking the reblogs, as a lot of people have added some really interesting facts and anecdotes.
Sleep-Wake Disorders
Invisible Disabilities
General Posts:
NSFWhump Prompts: Threats
Give Your Characters Go-Bags
Whump Movie Archive: Link & Info
Quick Snippet of My Writing
Quick Whumperless Whump Idea
@lockboxt - Fandom-Specific Whump Writing
Seperate Masterlist
Currently writing for The Black Phone.
It's a new account, but fandoms on here will include Andor, Marauders, Spider-Man, Voltron, and (rbs only) Project Hail Mary
Honestly this is just a general acc to rb whatever the fuck I want, in order to keep this acc whump-specific. If you go to check LockBoxt out,,,goodluck, man, idk
breaking containment to speak about Italian Mannerism for a second in relation to this incredible fanart
i have a LOT more i could say about this but tldr is, @definesupposedtobe when you said "slightly tilted perspective on madonna and child", you're so close to touching on Mannerism and Mannerist renditions of Madonna & Child that I just had to yap about it (@nikoisme thank you for drawing their incredible tags to my attention and inspiring this)
(also i am of course aware that this painting is a ref to ivan and his son. idc. get headcannoned)
brought to you by an art history major
Emerging out of Rome and Florence in the early 16th century, Italian Mannerism was created during a period of significant religious and political turmoil that both inspired and inhibited the artistic production of the time in equal measure
It is important to recognise that Mannerism is not a free-standing, independent art movement, and instead acts as a bridge between the stylistic and conceptual gaps between the Renaissance and the Baroque in a transitory period that spanned from 1520-1580
Subjective and expressive artworks known for their distorted figures, vivid colours, and lack of static forms
A tendency towards distortion often lent itself to asymmetrical compositions, a style that carried over into the Baroque period due to the ability to create a sense of movement across the picture frame, often with the help of strong diagonal foundations (here, we look at Stratt's arm, cutting the pictoral frame -- and Grace's body -- nearly in half, and how there is signfiicant utilisation of diagonals and asymmetry within the work in order to further heighten the 'wrongness' of the image, the horror and grief displayed in it)
This prioritisation of the suggestion of movement was present throughout the Mannerist period and, as a result, artists frequently turned to subjects associated with the passage of time (e.g., Biblical stories associated with the life/death of Christ, deposistion from the cross, etc) (and of course, this work and the entirety of PHM is about time, and the utter lack of it. Grace would've have gone, Stratt would've have sent him, if they had more time. The artist's caption, "don't make this harder, please", is taken from the book(?), and was said by Stratt after she gave Grace three hours to accept his fate)
In contrast to the closed, defined spaces and fixed viewpoints so favoured by Renaissance artists, space seems to extend into infinity beyond the pictorial frame, with side boundaries even being removed entirely in certain late Mannerist works
Mannerists basically invented putting images from terrestrial and celestial spheres onto one canvas, which became a touchstone of all future Christian iconography (dare I say it. where do I start)
Agitation of clothing/drapes often used to imply movement
Priviliging composistional tension and asymmetry, intensity of feeling and [religious] emotion, importance placed on conflict and diversity (all accurate to this work)
Colour (vivid, brighter and often complementary colours) (Grace's jacket) being prioritised over line, with the intension of speaking first and foremost to the audience's emotions
now, let's talk about Grace's pose, and how incredibly, inherently Mannerist it is. Its 1am and im going the fuck to bed, but below the cut is Madonna w the Long Neck and Deposistion from the Cross, both excellent examples of Mannerist conventions. Pay attention to the pose of jesus, and then look again at how Grace is posed in Stratt's arms:
Led to the car by two men and with two guns pointed at them, Whumpee didnât even think about resisting. They were too numb. The fear inside them seared through them like ice, shattering in their stomach and reaching out to their limbs, slowing them down, up to their brain stilling their thoughts.
The only thing they could think about was:
Itâs all going to happen again.
A soft poke in their side with the nuzzle of the gun encouraged them to get in. They looked over the roof of the car, past Whumper who was expectantly looking at them to get in. They ignored him, and looked at their friends, at Caretaker, who all looked as numb and dumbstruck as they felt.
They flashed a little smile. Trying to encourage not just their friends, but themself as well; it was going to be alright. Right? Right guys?
Their smile faltered as soon as the car door slammed shut behind them.
And to their horror, Whumper joined them in the backseat.
âThat was a good farewell,â â a goodbye, Whumpee told themself â âNo screaming, no abundant tears,â he said. He cast a side glance at Whumpee, who just looked the other way, out the window. âNo deaths. You did well not to put up a fight. Probably saved them all.â
Whumpee took a deep breath as the car drove past their friends. They were shouting something now, Caretaker raging and pointing at them. They couldnât hear. It didnât matter. They all couldnât save them last time. They couldnât save them now. Whumpee had already accepted it. Theyâd made their choice. It was okay.
âYouâre upset.â
They didnât realise their cheeks were wet with tears until those words.
âCome, dear, come here.â Whumper held out an arm, inviting them in.
âNoâŠâ But the hand slithered over their shoulder to grasp around their neck. He slowly bend them towards him, lying down over the backseat. âNo, no, donât, I donâtâno!â Their initial struggle quickly died out as a he squeezed their neck in warning. Still muttering their objections, they followed the hand meekly until they lay down in his lap. Their shoulder resting against his abdomen, head on his legs. They turned away, not wanting to look up at him, and just stared at the back of the driverâs seat.
âWhy?â they just asked after a few moments of silence, where he stroked the nape of their neck, brushed away the few tears that hadn't seeped into his pantleg.
âI think you know why.â He gently took hold of their chin and tilted them to the side so they could look up at him. Cold eyes stared into theirs. âBecause last time, we werenât finished yet.â
Whumpee suppressed a sob. They wanted to look away, hide their fear, but the grip on their chin turned bruising.
âIf we had...â Whumper continued, âyou wouldn't have hesitated... back there. You would have obeyed. You would have fallen to your knees without thought. Right in front of your friends.â
âYou will never get me at that point.â
âI think I can, darling. And I think you know it too. I know what it is you fear. Itâs not the journey. God knows youâve already been through it all. And you took it. Took it all. No, it is not the journey. Youâve already been down that road. What you fear, is who you will become at the end.â
A broken mess. A shadow of their old self who will obey without thought. Whumpee turned away again, pondering his words. The journey⊠they mentally scoffed at that. What a gentle way to say months of torture, punishment, beatings⊠They did fear that pain. Everything that was about to happen again, everything they thought theyâd escaped.
But yes, they also feared what it would do to them. Would they eventually lose their defiance? Would they slowly and gradually give up, trading pieces of their pride to avoid the pain, until they realised at the end, they didnât have anything left to trade? Or would they be able to hold on? Grasping at that last bit that made them them.
Whumper felt them shudder. âItâs up to you how long this journey will take. Could be short... after all, you learned a lot from last time. I doubt we will have to go through the full spiel again.â
Fingers found their chin again.
âWhat I do need to know, before we get back,â Whumper left a short silence, making sure he had their attention. âHow long do you think this journey will be. You donât need to answer now,â he crooned, and his fingers retreated. âYouâve got the whole ride to think about it.â
And so he let them. For the rest of the ride they mostly sat in silence. Every now and then, Whumpee tensed up in his lap but relaxed again moments after. No doubt trying to make a decision while troubled by old memories resurfacing, reminding them of what lay in store, guiding their thought process. Whumper couldn't help a smile every time he felt a hitch of breath, feeling them tense in his lap, wondering which lovely memories were brought up.
He didnât probe them, just enjoyed having them close again, stroking through their hair, thumb swirling over their shoulder.
âWhy are you being so sweet?" Whumpee murmured. Not that the gentle touches were welcome.
âWhy, because I missed you. I havenât seen you in such a long time.â He looked down at the figure in his lap, who still stubbornly refused to look up. âDonât get used to it. I think itâll only last while weâre in this car.â
âAnd youâll go back to the regular old Whumper.â
He smiled at that. âThe one you know so well.â
Smooth highways turned to winding off-road paths, grit crunching under the tyres, making them bump and shift in his lap. By now, they no longer fought it.
Deep in the forest, the car drove through entrance gates and came to a halt on a white grit driveway, surrounded by grass lawns.
âCome, dear.â He gently lifted their head from his lap and scooted out of the car.
Whumpee followed awkwardly, their limbs all stiff. Their stomach sank as they looked up at the mansion, eyes drawn to the window on the 2nd floor of the west wing.
âWelcome home,â a whisper brushed in their ear as Whumper stood next to them.
The words, being back here and seeing their prison, brought back everything at once. Panic surged through them, fear gripped them tight, all telling them to run. They cast a wild glance over their shoulder, but the entrance gates were already flanked by two men with automatic guns. Not an option. The walls of the mansion kept them in, reminded them of the futility of it all. And as quickly as it came, the panic receded. A desperate but calm resignation washed over them and they followed their captor to the house.
On the front steps Whumper turned and stopped them half-way, looking down on them.
âBefore we go in, your answer.â
Whumpee nodded and after a beat simply took the last few steps and pushed past him so they stood on the same step as him, the landing in the middle, but they still had to glare up to meet his eyes. Equal footing, but not quite.
âI think itâs going to be a long journey.â
-
Tag list: @firewheeesky @myfriendcallsmeasickwoman19 @hold-back-on-the-comfort @whumpawink @painsandconfusion
âBecââ Whumpee stalled, everything inside of them screaming at them not to finish that sentence. Fear cut off their voice. Their breath stalled in their throat. Memories flashed through their brain to remind them what was in store for them.
Whumper leered down at them, to his captive sitting on their knees in front of him, lazily waiting for them to finish what he wanted them to say.
âBecause Iâll go with you,â they said breathlessly, peering up with a desperate glance.
Whumper wet his lips, slowly in a single motion. biting down a little on his tongue as he kept eye contact. It made Whumpeeâs skin crawl.
âWill you?â he challenged, eyes flicking between Whumpee and Caretaker.
âNo,â Caretaker growled.
âYes!â Whumpee said over him, demanding eye contact with Whumper. âYes.â
âGod, you know me so well. You learned so well. Sometimes I wonder who is pressing whom here.â Whumper laughed to himself. âI love it when you look up to me like that all desperate. And donât you know it. You got so good at begging just with your eyes, baby, god itâs gorgeous. You begging to come with me.â
Whumpee wanted nothing more than to avert their eyes.
âGet up.â
As Whumpee got to their feet, Whumper took a step towards them getting up close. He slid his hand over their neck to the back of their head, brushing through their hair, and pressed them towards him until their forehead rested against his shoulder. It wasnât a hug; just a display of power, really. Mine. He felt them shudder, felt the tiniest pull of resistance, and smirked over their head to Caretaker when he felt it fall away and they relaxed against him.
A character who's been shot is captured by enemies/bad guys. They're bleeding badly, and their captors need them alive. The bullet is removed, and the wound is poured with alcohol and bandaged tightly - none of it is done gently, and, being tied up (and maybe gagged), they can do nothing but scream and cry out in pain while enduring the rough treatment.
A reminder that darker fiction has a right to exist and explore themes that people are uncomfortable with. Yes, even if it's romanticized. Yes, even if you personally don't like it.
Authors have always written about things that they don't agree with morally, and I hope to god they always will, despite how shitty people treat them for doing that now.
So there's a ship I'm seeing fairly regularly on my dash that, like REALLY squicks me. It's a NOTP for sure. It makes me really uncomfortable. I'd prefer not to see content about it.
So I blocked the tag.
I did not a) send anyone anon hate, b) post in the tag about how much I dislike it, c) judge the people who DO like it, d) write diatribes about how the ship is toxic and problematic and immoral and the people who enjoy it are problematic and should be cancelled, e) even say what ship I'm talking about or what fandom it's in.
Notice that the onus is on ME to avoid something I'd rather not see. It is not for the people posting about it to change their habits or stop enjoying their thing (so far everyone's being good about tagging but I'm sure some will slip through, that's just life in the big city). My dislike of this ship is a ME thing, and my dislike does not translate to it being inherently bad, or that those who like it are bad, either. Not liking it is not a moral crusade on my part, it's just a personal preference and should be treated as such, and my responsibility to avoid it.
Look. Sometimes you've just got to tie up that protagonist, okay? Factually. It needs to happen. For character reasons. Let's watch how they squirm trying to escape. How their mind works when they can't rely on their body. Do they panic? do they charm? Do they go still? Is it an absolute breeze for them to escape, barely a hindrance? Or are they well and truly contained? How does their face change when they realize that? Does their stoic nature wash away? Turn to pleas and panic, knowing they can't help those they care about? Or do they turn animalistic, growling and snarling and wrenching at their restraints? Shouting threats, fighting with their words? Do they realize they may hurt themself in their struggles and stop or do they not care about that? What happens when you add a gag into the situation? Muffle their cries and threats into incoherent babble. Do they still try to speak or do they get quiet? Study how their mind works in such a situation and learn about them. ...and appreciate the squirming and noises that they make, along the way.
Whumper forcing their fingers deep into whumpee's mouth until they choke and gag, over and over. Over time whumpee learns how to breathe past the intrusion, and their gag reflex is slowly trained out.
"I didn't have to do this for you, you know," Whumper tells them in between sessions. "You'll thank me later."
You will rarely, if ever, see the following tropes on my account:
Nonhuman characters, ladywhump, environmental/whumperless whump, fantasy/royal AUs, romantic subplots, sickfics, recovery arcs, living weapons
Masterlist under the cut.
The Archives:
Writing Disabled Characters:
Exisiting Disabilities
Healed Scars -> I've linked to my original post, but I'd highly recommend checking the reblogs, as a lot of people have added some really interesting facts and anecdotes.
Sleep-Wake Disorders
Invisible Disabilities
General Posts:
NSFWhump Prompts: Threats
Give Your Characters Go-Bags
Whump Movie Archive: Link & Info
Quick Snippet of My Writing
Quick Whumperless Whump Idea
@lockboxt - Fandom-Specific Whump Writing (& Rbs)
Seperate Masterlist
Currently writing for The Black Phone.
It's a new account, but fandoms on here will include Andor, Marauders, Spider-Man, Voltron, and (rbs only) Project Hail Mary
Honestly this is just a general acc to rb whatever the fuck I want, in order to keep this acc whump-specific. If you go to check LockBoxt out,,,goodluck, man, idk
Hands pressed down on Whumpeeâs shoulders, pinning them down to the firm mattress. Whumperâs body weighed down on top of them, making it virtually impossible to move. Their body and arms were crushed under their weight, only able to slightly shuffle their legs and turn their head. It all put pressure against their bruises, but alongside the sleep deprivation and constant fighting, Whumpee was much too tired to complain. By the end of the torturous day, Whumper liked to have a different kind of fun with their plaything.
Leaning down closer to their captiveâs face, they could both feel the otherâs body heat. Whumper's breath agaisnt their neck made Whumpee shutter, twisting their head away. No matter how many times this happened, they never got used to it, face scrunched and blushing in discomfort.
âCome on now, Whumpee, donât be difficult,â Whumper said quietly, softly, kissing their cheek in a way that was all too slow and intimate, âI can make it hurt, you know. Stop resisting.â
Whumpee whimpered, feeling their eyes begin to water behind closed lids. Whumper leaned over to the side to meet their lips, causing further squeaks of protest to come from their captive, simply just exciting Whumper more as they squirmed around beneath them.
Whumper kissed them, though Whumpee kept their lips firmly squeezed shut, Whumper's tongue roughly grazing, trying to push past. Whumpee again twisted their head away, but there was no escaping the assault. Suddenly Whumper moved one of their hands from their shoulder to their cheek, pinching it as hard as they could, forcing Whumpee to open their mouth in pain.
By this point Whumpee would stop fighting, letting it happen as their tongues mashed together. It was disgusting. They wanted to spit them out, to push them away, to wipe their mouth, but they couldnât. They were overpowered in every aspect. They began to disassociate as Whumper rocked their hips against them.
-> Struggling until completely devoid of energy â then going limp.
-> Restraints that are technically for safety.
-> Whumpee continues testing the cuffs with extreme stubborness before realizing they wonât budge... A deep sadness settles in their eyes.
-> Caretaker having to restrain them â and hating every moment of it.
-> Being sedated while crying/begging.
-> Being pinned down during treatment. Whether it's by Whumper or Caretaker... doesn't matter... It'll give them nightmares for sure.
-> âThis will hurtâ said gently, firmly... also doesn't matter.
-> Strapped tight, flinching before theyâre even touched.
-> Being held down while begging them to stop.
-> Restraints left on longer than necessary, friction adds to the agony of the situation.
-> Being restrained and surrounded by medics as they are treated more like a subject instead of a person. Medics talking about them like they're not even in the room listening and fully aware.