Product Placement
PUT YOUR BEARD IN MY MOUTH
todays bird
hello vonnie
DEAR READER
h
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Peter Solarz
Aqua Utopia｜海の底で記憶を紡ぐ
AnasAbdin
wallacepolsom
No title available
Kiana Khansmith
Three Goblin Art
ellievsbear
taylor price
Cosimo Galluzzi
No title available
Mike Driver
i don't do bad sauce passes
seen from Ecuador
seen from Poland
seen from United States
seen from United States
seen from United States
seen from United Kingdom
seen from United Kingdom
seen from United Kingdom
seen from Morocco
seen from Spain
seen from Australia
seen from United States
seen from Russia
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@wiiufan
reposting this here by request.
i want to clarify that i'm not really romanticizing this dynamic, it was kind of the whole point. 😓 the theme here isn't romance but rather delusion. i tried to make samarie unsettling and marina unusually cutesy to mimic samarie's POV to get that point across but i'm not sure if i was successful.
memories of hamburg
our yimpy
Hello Mr. Fairbairn, I'm hoping you can help me with this project I'm working on. See, I have to color a night scene (it's a rooftop party) and I have no idea what to do. When you usually color a night scene sir, do you just color it normally then adjust the color balance to make it cooler or do you select an entirely different set of colors individually? Thank you very much.
When I was first learning the craft, I started out coloring everything in its local color (or “normally” as you put it) and then adding as many adjustment layers as it took to shift the palette towards nighttime colors. Pretty quickly, though, I realized that I was just being lazy and uninspired. Lazy because I didn’t want to do the requisite study of color theory and the sourcing and subsequent close observation of reference material (be it live or photographed) and uninspired because I lacked the confidence to just start throwing down colors.
And they fed off each other. Because I didn’t want to go out and dig up the ref and I didn’t know the color theory, I’d constantly worry about getting things ‘wrong’. So I’d go with the safe, uninspired choice. For example, how does color behave under different lighting situations? How does blue, for example, appear in tungsten light, compared to fluorescent? Which colors fall off first in distance through water? Through atmospheric haze? I didn’t know, so I just put everything in its boring local color and threw an adjustment layer over it. The results were always extremely wanting.
I quickly realized that there’s no substitute for doing the work. Study color theory. Dig up appropriate reference. Observe nature.
Nowadays all of my colors are put down exactly as you see them. One layer, like putting paint on a canvas.
If you’re interested in learning more about color theory, the two books you must read are James Gurney’s “Color and Light” and José Parramón’s “The Book of Color”. Good luck!
Coloring Scott Pilgrim
Coloring Scott Pilgrim was a unique challenge because it was originally published in black and white and already had a legion of fans with often profound relationships to the work before I ever had a chance to color a single page. It was very important to me to respect that. I knew there would be many fans who’d say that the story didn’t need color. Hopefully my work has—if not convinced them otherwise—at least shown them that color, while not absolutely essential, adds depth, mood, and focus to the storytelling and can enhance their enjoyment of it.
With that said, let’s walk through my process in coloring a single page of this book.
Keep reading
The Three Graces 🌿🌝🌿
Rusty
"Into the Wild"
I AM THE ANTIPOP… listened to this album in full a while ago and it’s kind of fire to me. Dirty drowning man is deeply underrated.
Ink on Bristol
butch swag
for my brothers...
clocked back in to the chilshi factory, have more tallman au
I feel like when I say ‘relatable’ what I really mean is ‘resonant.’ I don’t want characters who I feel are like me, I want characters who have emotions so strong I can feel them through the page.
I think this is important because a lot of us forget the power of stories to make us feel things about characters who are not like us, who have experienced things that we never will. The purpose of listening to someone else’s story should not necessarily be identification, but understanding.
THIS THIS THIS THIS
king salmonid yaoi
been sitting on this one for a while
