SOMEBODY SEDATE MEEEEEE
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Janaina Medeiros
he wasn't even looking at me and he found me
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occasionally subtle
RMH
Game of Thrones Daily
sheepfilms

@theartofmadeline
Alisa U Zemlji Chuda
Today's Document

★
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ellievsbear

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Jules of Nature
Sweet Seals For You, Always
"I'm Dorothy Gale from Kansas"
almost home
styofa doing anything
🪼
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@wildcat116
SOMEBODY SEDATE MEEEEEE
@mochikuyo on tik tok—go support!
top 5 horror movies
-having a job
-not having a job
-applying for jobs
-the job market
-the concept of working my whole life
Yuji rocking them lighting mcqueen
RACHEL BROSNAHAN as LOIS LANE Superman (2025) dir. James Gunn
You all need to understand that autonomy and especially bodily autonomy NEEDS to include being allowed to do things that are bad for you. True bodily autonomy includes being allowed to do things that are risky, drugs, cosmetic procedures and the like. Bodily autonomy needs to include being allowed to get high or smoke or get a BBL. The important part is education about the risks
Bumble honeys
Official bumblebee post!!
please do not look up to me. I am 1 inch tall. I'm down here. if you look up you won't see me
but what if i.....
I REALLY LIKE THIS ART THIS IS SO CUTE I'M BEING HELD UP
about 90% of fanfiction takes place in a utopia where men are thoughtful and unsure of their place in the world
@skulandcrossbones this might be the greatest tag on a reblog I’ve ever seen.
CHRIS EVANS as Colin Shea in WHAT’S YOUR NUMBER? (2011), dir. Mark Mylod
This is great. I was feeling cooped up anyway.
PERFECT CROWN (2026)
WE HAVE GOT TO START LOVING THE PROCESS MORE THAN THE PRODUCT AGAIN
ok fine i’ll go write my book because at this point my characters have probably been standing in the same scene for three weeks wondering why their deeply undisciplined author abandoned them mid-plot.
The voice acting didn’t have to hit like that
you have to unmute the voice acting is Oscar worthy
he sounds like an anime villain
eye of the tiger plays as i enthusiastically jump out of bed and hit my head on an overhead lamp and remain unconscious for the rest of the day
The Pond - Kyoma Takanezawa
sweetiepie week. grab one
The core appeal of Willy Wonka is that he's a nigh-omnipotent maniac who uses his near limitless powers over reality to trick shitty people into killing themselves. You can't make him the protagonist of a whimsical coming of age tale - you have to treat him like Jason Voorhees, or Dracula, or any other horror icon. Give him some new victims and new interesting kills and set him loose, that's all audiences want.
I feel like I watched a somewhat different movie...
Gene lobbied hard for Wonka to be introduced as a feeble limping old man who suddenly falls into a forward somersault and leaps to his feet, because "from that moment on the audience won't know if he can be trusted." On a related note: the director told Gene what would happen during the boat scene, but none of the other actors were prepared; to this day, none of them are sure what he ad libbed and what was scripted.
My favorite detail, though, is his performance of Pure Imagination. On the surface, the song is charming and inviting, but if you look closely at him throughout the scene, you'll notice that Gene never blinks. He looks around, down at his feet, up at the trees; his eyes never fully close. He moves erratically, stuttering up and down the steps of the chocolate room. The lyrics are warm and friendly, but his face is blank. He bows to permit his visitors to run amok, but his posture is stiff. He helps Violet and Mike reach a couple of treats, but there is no joy in the gesture. The final post-chorus feels like a dirge, a threat, and a warning, all at once; Wonka sits in repose under a tree, but his eyes are glassy and dispassionate. "There is no life I know to compare with pure imagination; / living there / you'll be free / if you truly / wish / to be.......... "
Fantasy in excess, like anything else, will destroy you; that's the real message of Gene Wilder's Wonka. He taunts his guests with unrepentant disdain, and doesn't care if they live or die. He toys with their emotions, their safety, and their grip on reality, feeling no regret or remorse, no pity, no compassion. Fantasy is colorful and compelling, but it's false, and ultimately empty. Wonka is a walking maladaptive daydream, and as far as I'm concerned, that's the real reason the 1971 film has endured in the culture for so long.
Wait, I'm expanding my "Mary Poppins vs. Bugs Bunny" trickster spectrum here.