Ladies and Gentlemen i present to you John Carpenter’s The Thing, as performed by the claymated, Antarctic cast of the hit children’s animation Pingu. Directed by Lee Hardcastle, in under 3 minutes. Noot, Noot.
This is an absolutely amazing demonstration of skill and artistry with claymation, absolutely stunning, and absolutely as bloody, gorey, body-horror filled as the original film!
(aka, please do not click play if you cannot handle very graphic body horror and blood.)
If you can handle viewing the original 1970s “The Thing”, you should be able to handle this, and will be in for a treat!
The Favor
My gift for @dep-yo-tee for the @dunkbaelorexchange2026 event! Based on Lamia and the Soldier (1905) by John William Waterhouse. Speedpaint coming soon! Rambling about the process below the cut vv
Okay first I recommend checking out https://classicalcanvas.org/a-complete-analysis-of-lamia-and-the-soldier-by-john-william-waterhouse/ if you're interested in a detailed analysis of the original painting!
Dep's original request was: "If it's art, then a tourney scene or Duncan and Baelor in their tourney attire or Duncan asking for Baelor's favor, etc. Again, your pick!"
For my half I really wanted to do a study of a classic painting of a knight, so it really was a perfect match, ty mods! After lots of searching I really loved not only the intensity of the two here, but wanted to do a bit of an inversion on the original theme of the Lamia; a shapeshifting snake woman who lures humans (often children or young men) to their death (sick as hell)
So here, rather than Dunk being a secret monster, Baelor is the real threat; he is heir to the throne and (if he lived) later king, the most powerful man on the continent. While the original painting is an inversion of power, this is what it looks like; a poor knight supplicating to a more powerful man. Baelor's tourney armor is in stark contrast to the surroundings, which Dunk blends into. Dunk is of the world, while Baelor is above it.
Despite this, we know Baelor believes in Dunk; he vouched, fought and died for him. He has given him his favor, some banner or sash of dragon hide, and in this quiet place, even while injured, he does not shy from Dunk's touch or his fealty. We know Dunk is safe here.
While Lamia and the Soldier is in a shaded bit of wood, I wanted to flip that too; the dawn is coming in and the woods are opening to something clearer and brighter.
I looked at a ton of references and the one that hurt the most was looking for a shot of Dunk's sabatons only to realize he doesn't have them. He likely couldn't afford them and so even in the trial he's still in his old leather boots 🥲💔
Baelor's armor was referenced from this picture I found while looking for medieval Spanish armor. I originally was going to do a scalemail thing as a combo of both Targaryen & Dornish styles but there was something about the flow of the lines and the little elbow wings that felt very sleek and intimidating while also different enough from Maekar and Aerion's more spikey designs. I also thought about doing a human face style helmet with a crown (like a much more elegant version of Aerion's) or a closed mouth dragon faced armet helmet but a. ran out of time b. wasn't sure if it would distract from everything else. Maybe I'll go back and add it or make a separate post, it's lowkey haunting me lol
I started doing some little Easter eggs with the numbers of things like the 7 studs on Dunks armor, but I ended up forgetting to keep it going lol. Like I should've done 7 poppies instead of 8 ahhhuughh (deletes it) /j
"Even darkness must pass. A new day will come. And when the sun shines it will shine out the clearer. [..] There’s some good in this world, Mr. Frodo. And it’s worth fighting for."
THE LORD OF THE RINGS: THE TWO TOWERS
2002, dir. Peter Jackson
