She/Her | I love requests and don’t care if it isn’t one of my main interest for i love to explore new terrrains | I love Twin Peaks and especially Gordon Cole | I also love the Beatles & Homestuck and the smiths | I also love other stuff, so don’t be shy
Note : Ah thank you so much for that req. ! I hope I could do your idea justice ;-)
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All My Tomorrows with You
The morning sunlight spilled through the lace curtains, catching dust motes and painting the room gold. I could hear the faint hum of a piano from downstairs, Ringo’s soft fingers testing notes, his way of staying calm when excitement threatened to bubble over. I smiled, smoothing the folds of my dress, and whispered, “You are ridiculous.”
“Maybe,” his voice came through the door, warm and playful, “but I like being ridiculous with you.”
I laughed softly, pressing my hand to my chest. The sound of him, even just his voice, made the butterflies in my stomach take flight. Today was our wedding day, and yet all the nerves and anticipation were mingled with a calm certainty I had never known before.
Downstairs, the house smelled of fresh flowers and coffee. Ringo appeared at the top of the stairs, dressed in his suit with his tie slightly loosened and his hair just a little mussed, the look I had always loved. His eyes found mine immediately, a bright sparkle dancing in the green of them. “Ready to do this?” he asked.
I nodded, my lips curving into a grin. “As ready as I will ever be.”
When we arrived at the small chapel, the sunlight filtered through the stained glass in slivers of color across the wooden pews. Guests whispered quietly, the soft shuffling of feet blending with the faint rustle of the organ. I felt Ringo’s hand find mine as we walked down the aisle, his touch steady and grounding.
“You look incredible,” he murmured in my ear, just low enough that no one else could hear.
“You always make me nervous with your words,” I teased, though my heart pounded for him, for us.
The ceremony passed in a blur of vows, rings, and quiet laughter. When it came time to exchange promises, Ringo’s voice wavered slightly, not from fear, but from a tenderness that nearly brought tears to my eyes. “I promise to love you in every beat of every drum, in every quiet moment we share, in every tomorrow we wake up to,” he said, his hands covering mine.
I squeezed his hands, feeling the warmth of his words, the sincerity of his gaze. “And I promise to be your harmony, your laughter, your home,” I whispered, letting my voice carry every ounce of my love for him.
When the officiant pronounced us husband and wife, I could barely breathe from the happiness, from the intensity of it. Ringo leaned in to kiss me, slow and deliberate, like he had been waiting a lifetime for this single moment. I melted into him, feeling every heartbeat, every breath, every promise we had just made.
Later, at the reception, we laughed through toasts and danced to our favorite songs. His hand never left mine. I caught him looking at me across the room, eyes soft, almost shy, and I felt the same flutter of butterflies I had felt all morning.
Finally, when the last guests had departed and the moon hung low over the quiet night, we stood on the balcony, wrapped in each other’s arms. “We did it,” he whispered.
“We did,” I said, resting my head on his chest, listening to the steady beat of his heart. “Forever starts now.”
“Forever,” he echoed, brushing a stray lock of hair from my face.
In that moment, with the world hushed around us, I knew I had found everything I had ever wanted: love, laughter, and the quiet certainty that no matter what came next, we would face it together.
The fog stayed heavy that week in Twin Peaks. It hung low over the streets and crept along the edges of the houses. I clutched my clipboard and walked the Meals on Wheels route, noticing every detail: the chipped paint on a mailbox, the crooked garden gnome, the faint smell of pine after the morning rain. At the far end of one street I saw him. Harold Smith was kneeling carefully among his roses. When he looked up, he gave a small nod and then returned to his careful work. My chest tightened, a quiet pull I could not name.
Good morning, Harold, I said softly.
He glanced at me briefly. Good morning, he replied.
I hesitated. I like the way you care for the flowers, I said.
They need care, he said slowly. Like everything. Most people do not notice, he added quietly.
Maybe that is why I like noticing, I admitted. I notice a lot of things. Sometimes too many.
He paused and put down his trowel. Walk with me? he asked.
We moved slowly along the garden path. Fog curled around our ankles and the street seemed to disappear behind us. The flowers were vivid in the grayness. I noticed the way he paused to touch each petal, the deliberate care in every motion.
You are new, he said finally. Do you like it here?
I think I might, I said. It is quiet. And quiet can be nice sometimes.
Yes, he said, nodding. Quiet is safe. Mostly.
The next day, I carried the deliveries and saw him sitting on his porch step, a small notebook in his lap. You draw? I asked.
I record things, he said, eyes down on the page. People, places, things that matter.
I realized then that we were similar in a way. We both noticed what others overlooked. We both measured our words and steps.
School went on around me. The group project with Donna, James, and Maddy existed, but it felt distant. Notes, deadlines, a brief meeting here or there, Donna keeping us on task. I thought about it, but my attention remained with Harold.
Our quiet exchanges became a rhythm. I left a note tucked under his gate. He pressed one into a flower for me to find on my route. Sometimes the notes were just observations: the fog, the roses, the smell of damp earth. Other times they held small stories.
You notice everything, he said one morning as I paused at his gate.
I try, I said. Some things are important to notice.
He nodded and fidgeted with a flower in his hand. You make noticing easier, he said quietly.
The days stretched into weeks. The route became more than deliveries. It became a time for us to share quiet moments, to walk together without fear. I began to speak more. I let him see pieces of myself I usually hid. He began to relax too, his movements slower, more confident, his pauses less hesitant.
One afternoon he asked me if I would sit with him in the garden. We did, the fog curling around our ankles. I could see the care in his eyes as he tended to the roses. I did not speak for a long while. Neither did he. Silence was enough.
You like the flowers, I said after some time.
Yes, he said. I like tending them. It helps me.
And I realized that perhaps it helped me too, being here with him. I could stay in this quiet space and let myself exist without fear. The group project continued in the background, but it felt secondary. What mattered was the slow unfolding of this quiet connection.
Full on Highschool AU! | High schooler!Harold Smith
Warnings: Changing of some characteristics as I am not familiar with writing agoraphobia so I “toned it down” as I don’t want to romanticise or incorrectly interpret mental health issues.
The morning I arrived in Twin Peaks, fog rolled over the hills like a thin gray blanket, softening the edges of the town. Everything smelled damp: pine, wet asphalt, and faintly of flowers that had survived the night’s drizzle. My father had insisted that moving here would be good for me, that a new town would make me notice things I had been missing, but I wasn’t sure I wanted to notice anything at all. I walked anyway, my backpack feeling heavier than it was, a shield against a world I didn’t yet know.
School the first day was overwhelming. Hallways full of voices, lockers slamming, sneakers squeaking, students moving like they already belonged somewhere I didn’t. I stuck to the edges, observing gestures, facial expressions, the way friends clustered together and laughed. That’s when Donna Hayward noticed me. She waved, her expression patient and perceptive, and motioned for me to join her at the lunch table.
“Hey,” she said, patting the bench beside her. “You’re new, right? I’m Donna.”
“I’m… [Reader’s Name],” I whispered, my voice small among the noise.
“You can sit here if you want. Lunch is better with company,” she said, passing me a sandwich. Her calm confidence was strangely comforting, and for the first time in months, I felt less invisible.
After lunch, Donna explained the Meals on Wheels route I would be taking over. My father thought it would be good for me to get out, meet people, notice the small corners of the town. “It’s quiet,” she said. “You notice things on the route that nobody else would.” I nodded, uncertain what noticing really meant, but intrigued.
The next morning, my father handed me the clipboard and the list of residents. “It’ll be good for you. Keeps you busy and helps you see the town,” he said. I nodded, trying to imagine myself walking those streets alone. My first stop was a small green house at the edge of town. I knocked, hands clammy. An elderly woman opened the door, smiling warmly.
“Good morning, dear. You’re new!” she said.
“Yes, I just moved here. I’m [Reader’s Name],” I said, handing her the small package.
“Well, welcome to Twin Peaks. Hope you like it,” she said, and the warmth in her voice made the fog around me seem lighter.
As I moved along the route, I noticed him for the first time: Harold Smith, kneeling in his garden, carefully tending the flowers. He looked up, saw me pause, and gave a small, tentative wave before returning to his work. My chest tightened. He moved so deliberately, as if even a misplaced step might break the world.
School gradually settled into a rhythm. Donna remained a constant, guiding me through schedules, teachers, and the labyrinth of students. One afternoon, our English teacher announced a group project. We were to explore Twin Peaks history and local literature. I was paired with Donna, James Hurley, and Maddy Ferguson. My stomach twisted at the thought of speaking in front of people.
“Don’t worry,” Donna said quietly, giving me a small, reassuring look. “We’ll work together. You just need to say what you notice.”
James, leaning slightly back in his chair, gave me a slow, measuring glance. “You notice things, right? Details most people miss?” His voice was soft, tinged with a quiet intensity that made me pause.
I nodded. “I… I guess.”
Maddy, bouncing slightly on her toes, smiled brightly. “Maybe you can write about the Meals on Wheels route! You’ve been walking it, right?”
I swallowed. “I can… do that,” I murmured.
That afternoon, walking the route for research, Harold appeared again, tending his flowers. He barely looked up at first, then gave a slight nod, and returned to his meticulous work. I didn’t know what to say, so I didn’t. I watched him carefully, feeling the strange pull of curiosity and comfort. The fog curled around our feet, softening the edges of the street.
By the end of the week, we began leaving notes. I slipped one under his gate, he pressed one into a flower and left it for me to find on my route. Our conversations were slow, deliberate, cautious—sometimes just observations, sometimes tiny stories. Each note felt like a thread weaving us together quietly, unseen by the world.
One afternoon, after finishing my deliveries, I found Harold sitting on his porch step. “You’re getting better at this,” he said softly, nodding toward my clipboard.
“I think the route helps,” I said. “It makes me notice… everything.”
He nodded slowly, glancing at the fog-drenched street. “It’s a good skill. Not many people take the time to notice.”
And for the first time in months, I felt seen. Not just for being new, not just for standing out, but for the way I observed the world. My chest loosened in a way I hadn’t realized I needed. Twin Peaks was still strange, still quiet, but maybe… maybe I could belong here. And Harold… I couldn’t stop thinking about Harold.
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