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destinyrainevans

Peter’s Dads

Peter: these are my dads

*points at Iron Man*: Probably Bio Dad

*points at Dr. Strange*: Magic Dad

*points at Thor*: God Dad

*points at Loki*: Stabbey Almost Dictator Dad

*points at Bucky*: Gay Amnesia Dad

*points at Steve*: Gay Terrorist Dad

*points at Black Widow*: Assassin Dad

*points at Hawkeye*: Bird Dad

*points at Banner*: Science Dad

*points at MJ. Hesitates. Starts sweating*: Not Dad.

Deadpool: Either she’s Daddy or I am. There’s no compromising here, Parker.“

katsen13

“Not Dad” 😂

marzipanandminutiae

because apparently this needs to be said AGAIN

in the most general aesthetic terms possible

1600s: most witch-hunts ended in this century. no witches were burned in North America; they were hanged or in one case pressed to death

1700s: the American Revolution. Marie Antoinette. the French Revolution. the crazy King George. most pirate movies

1800-1830: Jane Austen! Pride and Prejudice! those dresses where the waist is right under one’s boobs and men have a crapton of facial hair inside high collars

1830-1900: Victorian. Les Miserables is at the beginning, the Civil War is in the middle, and Dracula is at the end

1900-1920: Edwardian. Titanic, World War I, the Samantha books from American Girl, Art Nouveau

1920s: Great Gatsby. Jazz Age. Flappers and all that. most people get this right but IT IS NOT VICTORIAN. STUFF FROM THIS ERA IS NOT VICTORIAN. DO NOT CALL IT VICTORIAN OR LIST IT ON EBAY AS VICTORIAN. THAT HAPPENS SURPRISINGLY OFTEN GIVEN HOW STAGGERING THE VISUAL DIFFERENCE BETWEEN ERAS IS. also not 100 years ago yet, glamour.com “100 years of X” videos. you’re lazy, glamour.com. you’re lazy and I demand my late Edwardian styles

I just saw people referencing witch burning and Marie Antoinette on a post about something happening in 1878. 1878. when there were like trains and flush toilets and early plastic and stuff. if you guys learn nothing else about history, you should at least have vague mental images for each era

heywriters

However, some places in the U.S. did still believe in vampires in the late 1800′s, so that’s a thing to think about.

the-right-writing

How to make a character's death sadder

Don’t have them die of old age after a long, fulfilling life. Many people don’t even think of this as sad (note that this can still work if you have enough of the other factors).

Leave one of their major goals unfinished. The more enthusiastic they are about completing the goal, the sadder.

Give them strong relationships with other characters.

Make them fight against whatever is causing their death. Their ultimate loss is sadder if they struggle.

Kill them in the middle of their character arc.

Don’t describe their funeral in detail. Maybe it’s just me, but I find that long descriptions of funerals kill the sadness.

artistizzyrae

That’s enough Satan’s publisher…

iceb0x

>B)

theirisianprincess

7. If possible, try to kill them off in the middle of the story, so we had time to like them and we will have time to let the loss settle in.

8. Also, place surviving characters in a situation where having the deceased person there would help them get out. You can choose whether you will point this fact out or if you want the audience to make the connection themselves.

thehellspawnhero-deactivated202

peachdoxie

9. Make them die by sacrificing themselves to save someone they love from a danger created by the antagonist.

socialjusticeprincesses

based on a few deaths that made me blub like a baby…

10. have their loved one, broken hearted, tell the team to stop fighting because “its over.”

11. have their pet come looking for them.

12. have their loved one perform a popular song at their funeral so it makes the fans cry whenever it’s played.

13. family witnessing the death and/or blaming themselves.

~ Mulan

asbehsam

so… let’s add some frustration to your dear readers’ sadness, shall we?

14. kill the character in the middle of making a joke, smiling, or expressing/experiencing joy/happiness.

15. make the character’s death slow and painful, but make them unable to call out for help even though they can literally see the other characters nearby.

16. after killing the character, have others think the character had betrayed them so they’d always hate them and remember them as traitors and never say nice things about them… Give your readers no chance to have group-therapy with other characters by making them the only ones who know the truth.

17. right before their death, show a side of them nobody has seen. (someone who is always tough and brave being genuinely scared of dying alone; someone who is always laughing being in tears before dying, etc.)

18. make them the only person who knows a big important secret that would help other characters in the story.

19. have them being lied to before dying. (thinking they’ve been betrayed; thinking they weren’t loved; thinking they’ve lost their loved ones, etc)

20. make the character very enthusiastic/passionate about a certain goal, constantly put stress on their goal, have them die unexpectedly before they can reach their goal.

and the best one…

21. have another beloved character kill them–better be a close friend to your character, one that absolutely nobody suspects, one that everyone can’t help but love, one who is always enthusiastic about things and encourages your character. THEN

reveal the truth only later when it’s too late and the a-hole character has already escaped.

have a cowardly character know the truth and never tell anyone else

have another character find out the truth and have them die before revealing it to others.

have the said character ^ not actually die, but go through something so they’d forget the friend of the deceased character is actually an asshole.

This way only your readers will know the truth, thus the frustration would be… most enjoyable for you.

Satan out.

fangirl--of-everything

24. Show how it effects the other characters. Don’t just gloss over it. Is this the death that pushes them over the edge? Do they blame themselves? Do they scream at everyone and break down, or do they suffer silently?

25. Have their family find out. The mother screams, the dad cries, the brother punches the wall or holds the body sobbing “I was supposed to protect him”, or “come on, you need to wake up”

runningnewtmas

Antra no stop pls

22. Don’t kill their body. Kill their mind.

Leave the physical shell walking and talking, but strip out everything that made that person who they were. Make them forget all about their loved ones, themselves, their experiences and past, their skills, and have them have to start over completely from scratch. Physical and mental disabilities bonus points.

And keep them in a place where their loved ones will be taunted every day by a living ghost.

actualarishok

27. Have them die by accident. Take the character the readers will love most, who has never been mundane throughout all the time the readers knew them. Take that special character, the leader, the fighter, and let them die from something none of your characters could have prevented. A rotten bridge, a runaway carriage or drunk driver. Anything that could happen to anyone. Let it happen to them.

allenthelost

I feel so much pain right now.

kurosmind

This post pleases me

theravenofwynter

Describe their death through a loved one’s eyes during a moment of triumph. Describe their exhilaration about their win, only to crush it later as the character dies

writing-prompt-s

thanks @happydooky for suggesting posts so often!

mythcreantsblog

28. Make the death pointless. Maybe they died trying to save their child from the antagonist, but it turns out the antagonist never had the child, they were just at a friend’s house and forget to leave a message.