how can home be a place, if it doesn’t exist in this world?
or—maybe, it is a place. a place in my imagination, sure, but still a place.
a field of periwinkle, stretching further than anyone could reach.
a field that nobody could reach you in.
nobody will ever be as close as the flowers beneath your feet, with their dew-drenched petals, as delicate as your heart— with what do you do with this information?
you can’t go back, nor can you share this.
even if I can’t share this ″place″ in my heart, it surely exists to me. it’s lonely, yes, and if I could, I would do anything to show off what this looks like; what kind of medium would permit me to build this world?
I have to figure it out, or else this feeling will stay locked in my heart forever
nobody will ever reach my place of respite in this field of flowers, but just maybe, if I try hard enough, if I take enough time to perfect every little detail, just maybe someone will understand. or maybe they won’t.
but how much more lonely can someone like me get? I’ve already been in this field of flowers for as long as I can remember. no beginning, no end; as far as the eye can see; as far as the eye will see; and as far as the eye has ever seen.
that is what home feels like. a field where you’re eternally alone. it doesn’t feel much different from real life, other than feeling like you actually belong there.
sometimes I want to invite people to tea in the pavilion, invite them for a seat at the table filled with sweets, everything in this world is curated like the blood vessels of my heart each piece vital to my way of life.
sometimes I wonder whether, —like how surgeons handle your heart so closely— if the only way to get better is to let someone disrupt my display—or, my ″heart.″— to move the strawberries from my left to right, to add a couple oranges and bananas to the fruit bowl, to bring a paper plate instead of fine ceramics.
just maybe that is all it takes. another warm chair and a few pieces out of my complete control.
maybe home is trust. trust that someone will move your belongings, and treat them with respect, rather than assume that every act of vulnerability must be under a guise as you bubble-wrap every fine ceramic you allow anyone to touch.
you’re not a museum exhibit however, at times, it feels more like it than not. a glass separates you from the rest of the world. shattering it will harm everyone involved if done recklessly.
but how else do you escape this crystalline cardhouse, blown over by even the lightest breeze?
whatever happens, at least the flowers will not move.