xgeronimowrks

art + mgck wrks

[xgeronimowrks]

I left a formal apology for a spider and sealed the treaty with a cookie. Bureaucracy works better with snacks. Also: fear makes terrible diplomats, so I intervened.

The spider never replied (ghosted me, frankly), but the exercise was effective. It reminded me that most conflicts begin when two beings share space without agreeing on the rules.

We settled on a very modern compromise: mutual existence, zero interaction, excellent boundaries.

[xgeronimowrks]

The Steps of the Traveler

A Binary Sigil Pair for Walking the World Intentionally

Every step is an invocation. Every path is a mirror. To move is to speak the ancient language of the Earth.

Shoes mark our interface with the world — the meeting of vision and terrain, of dream and dust. We walk across invisible borders each day, crossing thresholds of time, mood, and possibility. What if every step became conscious? What if walking itself was a spell — travel, a meditation?

This thought gave birth to The Steps of the Traveler: a binary sigil pair designed for the soles of one’s shoes — the right foot as Opener of Doors, the left foot as Protector of the Path. Together, they turn movement into meaning.

⚔ The Right Foot — Opener of Doors

The right step represents expansion — the forward thrust of curiosity, courage, and opportunity. It is the movement that says yes to the unknown. Each step projects intention into the world, turning desire into direction. To walk forward is to declare: I open to life and to what wishes to meet me.

🛡 The Left Foot — Guardian of the Path

The left step represents containment — the act of grounding, preserving, and protecting what is precious. It holds space for safety and rest, balancing the right foot’s reach with steadiness and care. To step upon the earth is to say: I walk in strength and grace; I am supported and shielded.

✶ Walking as Spell, Travel as Meditation

When you walk, one foot opens, the other guards. Each step alternates between expansion and protection, offering and receiving. The rhythm itself becomes sacred — an alchemical dialogue between movement and stillness.

This is intentional movement — the art of walking as a living prayer. No temple required. The road becomes your altar.

✧ How to Create Your Pair

Design:

Draw or paint two circular sigils — one for each shoe.

The right shoe sigil should embody what you wish to expand: opportunities, courage, inspiration, creativity, or freedom.

The left shoe sigil should reflect what you want to protect: your health, peace, love, resources, or guidance.

Think of the right as the key, the left as the shield.

Placement: Attach each sigil inside the shoe, under the insole, or subtly on the heel.

Activation: Stand still. Whisper: “Right foot opens. Left foot guards. Between them, the world unfolds.” Then take one deliberate step forward and feel the circuit of movement awaken beneath you.

☿ The Traveler’s Insight

To walk consciously is to remember: every path is both outer and inner. The terrain you cross reflects the state of your being. The sigils are not charms of superstition — they are mirrors of attention. They remind you that travel is not escape, but expansion — a dialogue between self and world, foot and ground, heaven and dust.

[xgeronimowrks]

The System of Elemental Closures

Principle: Every act of intention belongs to an element — Fire, Water, Air, or Earth. To seal it, you return it consciously to that element through a symbolic gesture of completion. Closure becomes a dialogue, not a disposal.

1. 🜂 FIRE — Transformation, Will, Breakthrough

When to use: Intentions of courage, initiation, clarity, passion, ignition, and purification. “Let it burn to become light.”

Closure gestures:

Burn the sigil and watch the smoke ascend — the wish returning as light.

Drip candle wax over it and let the seal cool, solid, done.

Pass it quickly through a flame to “ignite” its departure.

Draw one final red line across it — a stroke of completion.

Philosophy: Fire closure amplifies momentum. It ends not by stopping, but by launching the energy outward.

2. 🜄 WATER — Emotion, Healing, Flow

When to use: Intentions of reconciliation, release, love, intuition, cleansing, or dreamwork. “Let it dissolve to become whole.”

Closure gestures:

Submerge it until the paper softens and the ink fades.

Drop it into a stream, sink, or bowl and whisper, “return.”

Pour clean water over your hands after touching it.

Drop ink into water and watch it spread — the merging of inner and outer.

End the act with a sip of water — embodiment of acceptance.

Philosophy: Water closure transforms intensity into continuity. It teaches that fulfillment is fluid.

3. 🜁 AIR — Thought, Communication, Clarity

When to use: Intentions of knowledge, creativity, speech, mental liberation, and inspiration. “Let it rise to become word.”

Closure gestures:

Tear the paper into pieces and scatter them in the wind.

Attach the sigil to a string before a fan, watch it dance in the wind—then cut the thread and let the air carry it away.

Attach or draw the sigil on a balloon (preferably eco-safe) and let it rise until it disappears.

Let the paper ignite just enough to release smoke and blow it out before it falls — the message dissolves into the atmosphere.

Philosophy: Air closure returns thought to the realm of ideas, making it communal and infinite.

4. 🜃 EARTH — Structure, Grounding, Manifestation

When to use: Intentions of stability, prosperity, health, protection, patience, embodiment. “Let it rest to become real.”

Closure gestures:

Bury or plant the symbol in soil, pot, or natural ground.

Fold the paper neatly and keep it in a box or stone container.

Draw a circle around it in salt, soil, or sand.

Press it beneath a stone and leave it.

Philosophy: Earth closure doesn’t end the process — it roots it. The seed must go dark before it grows.

Integration Principle

To work consciously, identify:

Element of intention — What energy are you invoking?

Phase of cycle — Beginning (creation) or end (closure)?

Balance or amplification — Do you want to harmonize or intensify the energy?

E.g.

You set a fiery goal (career leap) → close with Earth to anchor it.

You heal through water (emotional release) → close with Air to lighten it.

You open through air (vision, idea) → close with Fire to manifest it.

Disposal is the final gesture of respect — the quiet “thank you” to the energy that moved through you. Release it beautifully, and the current continues its work unseen.

[xgeronimowrks]

Some of my old black and white doodles were converted into a different style reminiscent of Leonardo da Vinci drawings.

[xgeronimowrks]

The God–Prayer Wheel: A Diagram of Fractal Divinity

Every act of worship is a mirror. The God–Prayer Wheel reveals that what we call divinity is not a point above but a pattern repeating across scales of being. Each segment of existence looks upward in reverence and downward in care; each creature is both the prayer and the one prayed to.

This circular cosmology overturns the vertical hierarchy of heaven and earth. In the wheel, God looks down upon the world below, yet in that lower world another being kneels, looking up — and so on, infinitely. The divine gaze descends through layers of creation, while devotion ascends back through them. Between the two movements arises a reciprocal current, the living breath of reality.

“As above, so below” is not a metaphor here but a literal mechanism: each consciousness sustains the next through attention, compassion, and imagination. The higher worlds feed the lower with meaning; the lower worlds feed the higher with faith. In this exchange, divinity is not static but circulatory — a rhythm of giving and receiving.

The empty center of the wheel marks the unspoken origin, the axis of mutual reflection where God and prayer become indistinguishable. To pray, then, is to participate in the structure of creation itself — to become both observer and observed.

As above, so below— the gaze of God returns as prayer. The circle is unbroken.

[xgeronimowrks]

THE FOUR WHO BREATHE THE WORLD

Before the first dawn, the elements were not yet things but beings. They knelt in the emptiness, facing one another — waiting to begin.

Air was the whisper between them, the breath that carried intent. Fire was the first to move — his tongue a blade of light. Water leaned toward him — her mouth open, ready to extinguish or be ignited. Their meeting was not peace, but creation.

Between their clash, worlds boiled into form. Earth rose beneath them, silent and vast, to hold what could not remain vapor. She became the stage — the vessel for their endless union and separation.

Even now, every storm repeats that first dialogue: Air persuading Fire, Fire chasing Water, Water embracing Earth, and Earth remembering the heat that made her fertile.

[xgeronimowrks]

These works are built as hybrid tablets — part drawing, part object, part relic. I layer fragments that don’t naturally belong together: script without language, stains without pattern, objects removed from use.

What interests me is how meaning arises in the gaps. A coin or a dried flower becomes more than itself when set against asemic writing or a blot of pigment. Each work becomes a site of meditation — layered, provisional, charged with the possibility of gnosis.

[xgeronimowrks]

An organic alphabet of becoming — each sigil grows where language ends.

[xgeronimowrks]

Creation can be drawn in three strokes: breath, dust, cube. The breath is the first word, the invisible impulse that stirs the void. The dust is potential — scattered sparks, plasma, probability. The cube is matter crystallized, geometry made solid.

Kabbalah calls this passage the descent of light into Malkuth, the Vedas speak of Om and the subtle elements becoming earth, Hermetic philosophers name it the fall of spirit into form, and quantum physics finds it in the collapse of the wave into the particle.

Different languages, same map: all traditions agree that the tangible world is the last echo of breath.

[xgeronimowrks]

Magical words to be said before setting forth.

Before journeys, the ancient Egyptians spoke words of power to call in safety, joy, and divine protection. I reimagined one such invocation — a modern XEMTAY — for safe and happy travels.

✦ Modern XEMTAY Invocation for Safe and Joyful Travel ✦

Utterance: “Path of Ra, open before me. Winds of Shu, carry me lightly. Waters of Hapi, flow without storm. Earth of Geb, hold me firm. Sky of Nut, shelter me in her arms.

No shadow shall cling to me, no arrow of misfortune shall strike me. I walk in laughter, I move in joy, for Hathor dances before me, and Bes guards my steps with delight.

As the falcon soars unharmed in the heavens, so do I soar in safety. As the lotus rises pure from the flood, so do I rise in happiness.

This is my word, fixed as stone. This is my journey, blessed and whole. It is spoken — it is done.”

Optional actions:

Trace a small crossing motion over luggage or vehicle.

Exhale once as if releasing obstacles.

Smile as you speak the last line — joy seals the spell.

Spoken aloud (breath is the vehicle of power).

Rhythm and repetition are crucial — 3, 4, or 7 times.

[xgeronimowrks]

Full Moon is a sculptural painting that began as a square canvas layered with color fields, cryptic formulas, and rose petals—ephemeral, fragrant, and alive. This first phase was a kind of devotional arrangement, merging the sensual and the symbolic. But rather than preserving the beauty, the process turned inward: the whole piece was wrapped tightly, tied with string, and sealed like a votive bundle—becoming something hidden, protected, and transformed.

The soft package was then encased in clay infused with crushed herbs, spices, and plants. Coins and computer circuits were embedded into the surface—marking a quiet intersection between worlds. Incorporating coins (value), circuits (thought), herbs (medicine), and clay (earth) adds layers of meaning: technology meets ritual, commerce meets nature. The result is a layered talisman where the sacred and the synthetic touch. Asemic inscriptions were carved into the dried clay—an invented script that holds no fixed language, only resonance and intention.

Like the full moon, this work represents a sealed fullness—a culmination. What was once open and blooming is now closed, encoded, and quiet. It is not meant to be fully understood, only encountered. A painting turned into a bundle, turned into a relic, turned into a whisper.

[xgeronimowrks]

🌞✨ These are a few sample pages from my new book Stardays — a practical and beautifully designed guide to aligning with the planetary rhythm of the 7-day week.

I just published it on Etsy as a downloadable PDF: 🔗 Stardays: Your Path to Cosmic Rhythm

If you’re someone who loves intentional living, creative structure, or symbolic tools for your day-to-day rhythm — this might speak to you.

I’m also offering free copies of the full PDF to anyone willing to leave an honest review on Etsy (after browsing it at your own pace, of course). Just message me if you’re interested 🌱

Your feedback is most welcome — I’d love to hear what resonates with you, what could be improved, and how you might use Stardays in your own weekly flow

[xgeronimowrks]

"The wave collapses where longing holds its breath. Three strokes align, and probability bends. Someone is listening."

These are my two recent works - Quantum Conjuration of Venus I and II. Both began their lives years ago, in the quiet layering of pigments, textures, and fragments of asemic writing. Each layer was a step deeper into a ritual of transformation - matter becoming symbol, gesture becoming invocation.

They were concluded this year, with their final skin: metallic gold, luminous as the sacred shimmer of Byzantine icons. This last layer is not ornament, but a seal and a threshold between the visible and the concealed, the empirical and the divine.

These paintings are not portraits of Venus. They are not even depictions. They are vessels - probability fields collapsed into form, calling to an archetype whose name is both ancient and infinite. They are acts of conjuration disguised as works of art, or perhaps, works of art disguised as acts of conjuration.

[xgeronimowrks]

Comic strip creation as a narative sigil with ChatGPT:

"He was caught in the web. Then the spider came—not to devour, but to help. Sometimes, the one you fear most is the one sent to rescue you. This is a sigil for trusting the unlikely ally."

[xgeronimowrks]

“Conjuration of Venus” (WIP)

Ritual layers of paint, powdered gold, and slow-burning intention.

Pools of pigment still wet, catching the late afternoon light in the flicker of tea-lights.

[xgeronimowrks]

In the quiet of painted floors, the Praying Mouse keeps vigil -paws pressed in eternal devotion, eyes closed to the chaos, ears wide to the whisper of worlds within.

Before him, the ashes of intentions burned - paper prayers surrendered to smoke, a ritual of release and return.

He asks nothing but stillness.He offers everything in silence.

[xgeronimowrks]

This is a basic idea and it is called "The Ritual of the Fly" Inspired by this journal entry: "This afternoon, a fly landed on my computer screen - right on the face of someone in a paused video. I waved it off, expecting it to flee. It didn’t. It returned to the exact same spot. Again. And again.

Annoyance rose. I moved my hand. It danced in the air. Still, it landed precisely where it had started.

Then it got strange.

As it perched once more on the face on my screen, I moved my mouse. The cursor slid next to it, then under it.

The fly twitched. Felt it. As if it sensed the digital presence beneath its belly.

It jumped - just a few centimeters. My cursor chased it. We danced. I traced a slow circle around it. It flinched and darted again. A digital predator and a winged trespasser, locked in ritual.

Finally, it landed in the top-right corner.

I moved the cursor carefully. Not to scare it - just to “draw.” One big cross - right over the fly (well, technically underneath it). The fly paused. Then lifted. And vanished.

That was two hours ago."