the boy who gathered stars

JBB: An Artblog!

❣ Chile in a Photography ❣
Not today Justin

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$LAYYYTER
Cosmic Funnies
art blog(derogatory)

#extradirty
Xuebing Du

shark vs the universe

JVL
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styofa doing anything
Aqua Utopia|海の底で記憶を紡ぐ
AnasAbdin

izzy's playlists!
h
almost home
let's talk about Bridgerton tea, my ask is open

Andulka
seen from Malaysia
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seen from T1
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seen from T1

seen from Türkiye

seen from Germany
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seen from United Kingdom
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seen from Netherlands
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@xspidershex
the boy who gathered stars
Cultural Architecture: Water Tribe Boats Pt. 1
Hold on tight, because this is going to be a monster of a post.
The boat that Sokka and Katara were on before finding Aang is called an umiak or anyak. Umiak are traditional Inuit/Inupiat and Yupik open skin boats that are used throughout the arctic, from Siberia to Greenland. Here’s a short description of the traditional umiak-making process:
A traditional umiak begins with a frame built from driftwood, whalebone, or a combination of both. The frame is pegged and tied together with sinew, and skin from a walrus or seal is stretched over it. Most umiak require multiple skins to be sewn together to create the boat’s buoyant exterior. Oil is added on to coat and waterproof the seams. Finally, the newly skinned and oiled umiak is placed out into the wind and cold to dry.
These details all match up perfectly with what we see of Sokka and Katara’s boat. For example, their vessel clearly uses a combination of bone and wood in its framework. The “spine” of the frame clearly uses some sort of bone— if I had to guess, I’d say it’s a part of a whale’s jawbone— while the ribbing, rim, and seats of the umiak are made of wood. You’ll also notice that there’s plentiful roping and tying on the boat (around the bone, along the rim of the boat, on the seat planks, etc.), as traditional umiaks are not put together using nails or bolts.
The meta of them hunting using an umiak is also interesting as well. In many Inuit cultures, primarily those residing in the Eastern Arctic (northeast Canada and Greenland), the umiak is considered “a woman’s boat”. As the umiak was rarely used for fishing, its main purpose was to provide transportation for women and children, while the men primarily used kayaks. When a man was on board of an umiak, he was generally expected to do the steering.
When we first meet Sokka and Katara, they’re trying to spear fish aboard an umiak. This is not a traditional hunting arrangement. Under normal circumstances, Sokka would be hunting in a sleek and agile kayak alongside the men of his village. So where did the kayaks go? They were probably all taken by the men for the war effort. In turn, Sokka is forced to improvise and learn to hunt with neither the proper tools nor guidance; which builds on Avatar’s recurring theme of war forcing children to essentially raise themselves with less-than-stellar results.
Similarly, when the siblings run into some ice floes, Sokka is the one prepared to steer the boat by positioning himself at the front. He tries his best to guide the boat as his father would, but it really is unreasonable to expect an unsupervised 15-year-old to steer a boat with a passenger around such sharp turns.
The umiak being considered a “woman’s boat” also explains why Sokka even brought Katara fishing with him in the first place, despite his rather narrow idea of “women’s work”. It’s very likely that the umiak was sewn together by Katara and Gran-Gran to help transport the village’s women and children, meaning that Sokka was essentially borrowing Katara’s boat. It would also explain why the decorations on the boat look like designs Katara would think to put on it; the purple waves on the boat match the design on the front of her parka and the crescent moon is obviously in reference to her waterbending.
This also provides even more reason for Katara to be angry at him after his “leave it to a girl…” comment. Imagine your brother borrowing your car— which you designed and built with your grandmother— and then crashing it while you’re riding with him, only for him to turn around and blame it all on you!
I think anyone would be angry enough to break icebergs after that.
Like what I’m doing? Tips always appreciated, never expected. ^_^
https://ko-fi.com/atlaculture
fanfic writers will go "anyone gonna explore the kinda fucked up or emotionally impactful implications of this minor canon detail?" and then not wait for an answer.
After listening to Vivi's story on Whiskey Peak both Zoro and Nami comment on her inner strength:
Zoro:
Nami:
Nami really went from 'I'm turning this girl in for a billion berries' to 'I've only had her for a day, but if anything happens to her, I’m killing everyone in this room and then myself' in like less than 24 hours
Kudos to Oda for accurately portraying how powerful & smart & resilient & brave & terrifying little girls are. Gotta be one of the most radical things he's done for the shonen genre.
It’s so sad that students are now relying so heavily on AI for writing essays because they’re missing out on the best part of writing an essay which is when you’re a few paragraphs in and you just reach that flow state where your thought process becomes one with the essay and you’re slamming the keys so hard that you’re on the verge of destroying your laptop. I used to get high off of that shit
snowball fight skeb ^-^
feeling super fine and normal guys why do you ask
tumblr users love reading. you literally stopped for this post just because it has words in it
this is one of my favorite bits about tumblr
the users seem to actually prefer text posts to anything else, and treat it as a chore to play a video especially with sound
BAROQUE WORKS' MISS ALL SUNDAY, NICO ROBIN
ONE PIECE SEASON 2: INTO THE GRAND LINE Premieres March 10, 2026 / Video courtesy of Netflix
So badass
Inuyasha Lady Gaga
@sherwonaut
Toya can't come to the phone right now! 📞💭
i have no idea when i drew this, had to be more than a year back, all i know is that i have been on my One piece reread (Water 7 ofc)
wanted to draw these two again
and I pray, and I hope.