occasionally subtle
macklin celebrini has autism
sheepfilms

Product Placement

blake kathryn

Game Changer & Make Some Noise

Discoholic 🪩

Jimmy Eat World
The Bowery Presents

Jar Jar Binks Fan Club

ellievsbear
EXPECTATIONS

@theartofmadeline
Phantogram Three

if i look back, i am lost
Interview Vampire Daily
🪼
untitled
Lint Roller? I Barely Know Her
One Nice Bug Per Day
seen from United States
seen from Vietnam
seen from Spain
seen from United States
seen from Italy

seen from Vietnam
seen from Argentina

seen from United States
seen from Venezuela

seen from Germany
seen from Ecuador
seen from United States
seen from Germany
seen from Greece
seen from Chile
seen from United States

seen from Australia

seen from Australia
seen from Poland

seen from Australia
@xxacidperfectionxx
peeling a clementine is so easy. it comes so naturally. its inviting… the clementine WANTS to be peeled. its melancholic, sanguine… but an orange? whats an orange but a nuisance… the orange torments and mocks with its brute strength. it exists only to create chaos. next time you decide to indulge in a citrus delight, heed my word. choose the clementine
façade was literally the funniest game imaginable, no more games should even try to be funny because it just isn't worth it, they can't compare. nothing will ever be funnier than entering trip and graces' house and grace saying "So how have you been, John?" and you replying "bug ass" and them giving you possibly the most expressive stares of horror before firmly asking you to leave
(source)
I don’t even procrastinate anymore I just straight up neglect 100% of my responsibilities
Hello marine 🌜
How come reading tea leaves is seen as this sophisticated, witchy thing but if I slam dunk an open can of Chef Boyardee ravioli onto the pavement in the gas station parking lot to see what kind of soda the old ones think I should buy, foodstuff divination suddenly isn’t cool anymore?
‘Tis the fuckin’ season, friends!! Get out there and live your worst life!!
What the fuck is happening
Why don’t you grab a can of ravioli and ask!
Eat the ravioli and read the leftover sauce. It is less wasteful. Just like the sophisticated witchy way of drinking the tea before reading thr leaves.
That’s easy mode, baby.
You gotta’ dump boiling tea on your head like you just won the Superbowl and then read the resulting burns.
You’re all cowards and chumps and you’re also not invited to my Divination Fight Club where we punch each other with crystal brass knuckles and then read the bruises.
@a-fragile-sort-of-anarchy what’s the first rule of Divination Fight Club?
1.) NO TERFS ALLOWED.
2.) NO FIGHT CLUB JOKES, C'MON, DUDE, IT’S 2018, EVERYBODY GETS THE REFERENCE, LET IT GO.
SPELL EFFECTIVENESS = CRYSTAL VELOCITY / DISTANCE
EXHIBITION
Fuco Ueda (b.1979, Japan) - Kioku No Hana (Flower of Memory)
Ueda is renowned for her surreal narrative paintings of slight girls surrounded by all manner of lush hyper-colored flora and fauna. The artist’s work conveys a feeling of ambivalent rapture, as her dreamy subjects are suspended in varying states of silent revelation and resignation; quiet witnesses to recondite mysteries. Drawing from the coexistence of oppositions, the sickly sweetness of Ueda’s imagery is often offset by the inclusion of disturbing or unexpected juxtapositions. Her young girls are frequently staged in secret communion with sea creatures and land beasts, and appear in equal states of threat and calm. Beauty lives and thrives in Ueda’s surreal universe – a place of unlikely kinships and unsettling recesses – as the artist forges a precarious harmony between light and dark, loneliness and friendship, emptiness and largess.
Kioku No Hana is the artist’s first solo exhibition with Thinkspace Art Gallery. This body of work is largely based on the cultural motif of the chrysanthemum flower: a symbol of lamentation and grief in Japanese culture. Ueda draws from the recurrence of this symbol to create beautifully lush tableaux – at once rich and ornate, while also suggestive of absentia and loss. Throughout, Ueda’s illustrative representation of the chrysanthemum is symbolically heightened to a supernatural pitch. While familiar and clearly derived from the recognizable world, her stylized renditions become beautifully excessive and seemingly imbued with a talismanic power beyond our recognition.
Ueda creates these highly saturated works with the meticulous application of acrylic washes and mineral pigments on paper, cloth and wood. Delicate, and yet simultaneously forceful and unsettling, the works seem to hover in a dream state of surfeit and exaggeration. Ueda’s technique is distinctly her own, and her palette and imagery are undeniably iconic. In Kioku No Hana the artist weaves a visual imaginary of plentiful loss, as her work deftly hovers somewhere between joy and exquisite sadness.
Solo exhibition Flower of Memory @ Thinkspace Art Gallery 29.03-19.04.2014
© All images courtesy the artist
[more Fuco Ueda | artist found at red-lipstick]
Drag me
drag the fuck out of me
mlma art gucci fw18
schmood
“The real difficulty is to overcome how you think about yourself.”
— Maya Angelou
reading a boys horoscope to understand wtf hes doing to you
Dior pre-fall 2012
Prada fw18 (edited)