Cooking Mawson

art acc is oddity-odyssey, 21, Canadian, Header done by @/beelzeebub

[tepkunset]

Nova Scotia passes law to remove Mi’kmaw land protectors

The NS government just passed a bill called "Protecting Nova Scotians Act" so they can "legally" remove the Mi'kmaw land protectors on Hunter's Mountain to "to protect Nova Scotians utilizing wood resources". Land protectors who refuse to leave the mountain could face up to a $50,000 fine and/or six months in jail!

This is a huge violation of my people's rights and I would like to encourage every Nova Scotian to please make as much a fuss about this as possible. And to every Canadian and person abroad, please continue to pay close attention to this struggle. We are about to see so much police brutality increase, I feel it.

[callmeanxietygirl]

Chinese #weightlifter Li Wenwen successfully defended her title, winning the gold medal in the women's over 81kg category at the #ParisOlympics on Sunday! This marks the 40th gold medal for Team China in this year's Olympics.

In her private life, the #weightlifter is actually a fan of traditional Chinese #Hanfa. Look how beautiful Li is in her set of #hanfu shots.

[tenobelisk]

Li Wenwen, knowing she has secured the Gold medal, carries her coach onto the stage to celebrate instead of attempting her final lift.

[goldensunset]

[cloudcreates]

Everytime a fan of a retelling reads the source material an angel gains its wings

[gryffindraws]

two headed calf by laura gilpin X baby minotaur, i heard yall like that kind shit

[oak-the-crow]

My mom (who I love very much and am only judging slightly) just bought an enemies to lovers Aphrodite x Hephaestus ‘retelling’

So if this post gets over 100 notes I’ll write an Athena centric novel that’s actually accurate to the source material because what the actual fuck is that

Moot summoning cuz I really want to do this: @themostrandommoon @quanta-44 @chqoswood @dizzydisi @mer-acle @animehaircolors @grape-jucie-dog

[sarafangirlart]

One day we’re gonna talk about the terfy vibes within these “feminist” retellings that make the women poor innocent victims and men evil flat villains (removing the complexity of both in the process) but I feel we aren’t ready for that.

[ollyalrightyy]

Mother and Son

[kurzler]

in my opinion, many modern greek retellings/stories inspired by greek mythology don't fail because they're inaccurate. they fail because they have nothing new to say.

i don't mind changes to the original myths, as long as they make sense and they have a narrative purpose! i understand that making changes is sometimes necessary to convey a certain narrative, especially to modern audiences.

is epic the musical mythologically accurate? hell no! but the changes serve to tell a specific story and to convey a certain message. also, epic the musical is self aware about its "inaccuracies". and the music just bangs.

is hadestown accurate? no! does it make the change that I always dread, removing the kidnapping from the hades/persephone myth? yeah. but hadestown is barely about them, and it uses greek mythology as a "narrative frame" to tell a certain story. it has a point. it has a message.

what are stories like lore olympus trying to say? what is the messagge of the hundredth persephone/hades retelling? what are we supposed to take from them? "don't listen to your mother she's a bitch"? "mothers are irrational and you should forsake her for a man"? very feminist.

why are we still doing the medusa "feminist" retellings? it's BEEN done. too many times. and they're ALL the same. it's a worse crime than being bad: they are boring.

i'm tired of retellings that are just "what if this very famous story was THE OPPOSITE and the protagonist was an ASSHOLE the whole time and the villain was MISUNDERSTOOD and the real VICTIM" okay but why. why would that be the case. what's the point of the story you want to tell. or do you just want to use shock value.

of course, i dislike retellings that are so different from the myth that they go AGAINST the spirit/message of the original, because in that case what's even the point of retelling the myth? just tell an original story. but i would take stabbed poseidon and capitalist hades any day over the same basic story of medusa being a girlboss or demeter being bad because of... reasons?

tl;dr: stop being unoriginal and tell a good story. or at least an entertaining one. i beg you

[kurzler]

a quick psa to anyone recently getting into greek mythology and is a victim of tumblr and/or tiktok misconceptions:

-there is no shame in being introduced to mytholgy from something like percy jackson, epic the musical or anything like that, but keep in mind that actual myths are going to be VERY different from modern retellings

-the myth of medusa you probably know (her being a victim of poseidon and being cursed by athena) isn't 100% accurate to GREEK mythology (look up ovid)

-there is no version of persephone's abduction in which persephone willingly stays with hades, that's a tumblr invention (look up homeric hymn to demeter)

-as much as i would like it, no, cerberus' name does not mean "spot" (probably a misunderstanding from this wikipedia article)

-zeus isn't the only god who does terrible things to women, your fav male god probably has done the same

-on that note, your fav greek hero has probably done some heinous shit as well

-gods are more complicated than simply being "god of [insert thing]", many titles overlap between gods and some may even change depending on where they were worshipped

-also, apollo and artemis being the gods of the sun and the moon isn't 100% accurate, their main aspects as deities originally were music and the hunt

-titans and gods aren't two wholly different concepts, titan is just the word used to decribe the generation of gods before the olympians

-hector isn't the villain some people make him out to be

-hephaestus WAS married to aphrodite. they divorced. yes, divorce was a thing in ancient greece. hephaestus' wife is aglaia

-ancient greek society didn't have the same concepts of sexuality that we have now, it's incorrect to describe virgin goddesses like artemis and athena as lesbians, BUT it's also not wholly accurate to describe them as aromantic/asexual, it's more complex than that

-you can never fully understand certain myths if you don't understand the societal context in which they were told

-myths have lots and lots of retellings, there isn't one singular "canon", but we can try to distinguish between older and newer versions and bewteen greek and roman versions

-most of what you know about sparta is probably incorrect

-reading/waching retellings is not a substitute to reading the original myths, read the iliad! read the odyssey! i know they may seem intimidating, but they're much more entertaining than you may think

greek mythology is so complex and interesting, don't go into it with preconcieved notions! try to be open to learn!

[turquoisemagpie]

Post-modern Olympus.

(12 more, but not the full twelve, since Persephone and Hades aren’t technically Olympians. In four more character sheets, all will be explained….) :)

[alatismeni-theitsa]

I love seeing a Black YouTuber and many commenters speaking up about this! The video is about representation in general, not only about Lupita's statement. Great points made! But he gives Lupita some heat because she wanted to properly represent African cultures in Wakanda, a fictional setting, and yet she suddenly doesn't see culture when it's Greece, a very real place.

[greek-mythologies]

As that anon from a few days ago said, it's an unexpected yet heartwarming bond that has suddenly developed between Greeks and Africans/POC regarding proper representation:)

[yujateaandpi]

Hi guys! Yujatea here! If you enjoy my work, I’d like to please ask for a moment of your time to consider helping this family I’m supporting! Shaima is a mother of four children, Abdul Rahim, Walid, Majdi, and baby Amal. Shaima is struggling to support her children since her husband disappeared, and needs urgent help with providing food and resources for them, especially as winter sweeps through Gaza! This family’s fundraising campaign (@familgazaamal1) is completely vetted and I’m trying to use my platforms to raise awareness on their behalf. I’ll be opening my commissions to raise funds for their campaign so keep your eyes peeled! I’ll also post their fundraiser link in my highlights as well! Thanks guys! Let’s do our part to reclaim kindness and uplift each other!

Donate to Support the family of little Amal to get an urgent operation, organized by Brooke Cole

Hello, my name is Brooke Cole and I am organizing this fundra… Brooke Cole needs your support for Support the family of little Amal to get a

Here's a message from the family:

In Gaza, where conflict looms over daily life, children’s dreams remain a ray of hope. Abdul Rahim, a young boy, dreams of becoming a famous artist, using his drawings to tell the world about the beauty of his homeland. Walid, on the other hand, dreams of playing football in a big stadium, representing his country despite the obstacles around him. Majdi, a cat lover, dreams of becoming a kind person and helping children. Majdi, who dreams of opening an animal shelter to care for animals in Gaza. Even in the midst of war, these children cling to their dreams, believing that one day, despite the difficulties, they will achieve their goals. Their dreams are not only about personal success, but also about shedding light on a world filled with darkness. These dreams symbolize the resilience of Gaza’s children, showing that hope and determination can survive even the most difficult circumstances.

In the heart of the ongoing war, Shaima lives with her four children, constantly struggling with pain and waiting. Her husband, who was once the source of security and happiness, left a long time ago, facing the challenges of war far from them. Every day, Shaima makes earnest efforts to keep life going despite the hardships. She strives to provide food and shelter while trying to instill hope in the hearts of her children, who are still waiting for their father’s return, a father they know little about other than his absence. Her four children, despite their young age, carry great hopes in their hearts. The eldest, who everyone sees as the "little father," dreams of their father returning to embrace them as he did in the past. The youngest, on the other hand, wakes up at night searching for his father's voice, wishing for his return to feel safe again. Shaima's dream is every mother’s dream in this war: for her husband to return safely so they can live together again in peace and security. She dreams of the days when her husband filled their home with joy, and she prays for the end of the war so their family can reunite once more. Yet, amid the destruction and tears, hope remains their strength. Shaima knows that her patience and resilience are what keep the family going. Despite the difficult days, she continues to resist, dreaming of the moment when her family will be whole again, with her husband and the father of her children back home.

[wordsmithic]

unpopular opinion but with the new tide of Greek mythology stories and retellings, Greek Cultural Sensitivity Readings are absolutely necessary. We are in 2024, with thousands of fics and retellings out there!! How is this not a thing yet?? There's vast improvement one can achieve by working professionally on their text with a Greek. I've seen it so many times!!

Also, duh, I'm offering the service BUT I want you to know that the situation with the inaccuracies of SERIOUS works is so dire that initially I didn't even do it for money. As a writer I just wanted to... fix things, to set a new standard for writers and the industry that sells us the most heavily Americanized pop-culture material and passes it as "authentic vibes of Greek mythology". (And of course there were writers who wanted to do right by their story and they had reached out to me. So kudos to them as well!)

Okay, but why does Cultural Sensitivity Reading make a vast difference and it's not just smoke and mirrors?

As a Greek, I am tired of well-meaning writers and authors butchering very basic elements of my culture. It's not their fault exactly, since they were raised in another culture with a different perspective. And nobody clued them in on how different Greek culture is from theirs, so writers sometimes assume that their culture is the default and they project that into ancient Greece. (Even published professionals like Madeline Miller have written "UK or US in antiquity" (with a very colonialist flavor) instead of writing "Ancient Greece". (Looking at you, Circe!)

Even writers who researched a lot before coming to me still had a lot of misinformation or wrong information in their text, easily verifiable by the average Greek. Again, not their fault. They can only access certain information, which does not include Greek scholarly work and scientific articles that DO offer valuable context.

Translation, accuracy, and meaning: If you ever wondered what a word means or how to pronounce it, here's your chance! There are Greeks like me who are knowledgeable and have a keen interest in antiquity and they will be able to read and compare ancient texts, and dive deeper into the work of Greek scholars regarding those texts.

If you want to create new words, you can do that as well! (It doesn't always work, but we can try. Greek is a really rich language and has a word about everything) If you use existing words, I can help you separate reality from fantasy in the context of your story.

(Do not assume we Greeks are ignorant of our heritage, or that we don't know how to research! Our archaeology sector is huge and archaeological museums are closer to most of us than your local Target is to you)

I guarantee there are things you never thought about Greece and the Mediterranean - from the ancient to the modern era. Sprinkling elements like phrases, types of interactions, customs, songs, instruments, dances, etc , into your text will make your text absolutely rich in culture.

Names matter!!! The genders of the names matter, diminutives matter (If I see one more "Perse" for Persephone I will claw my eyes out along with a few thousand Greeks), naming traditions matter!!! In many cases you should not even use a diminutive!!

You will be able to write about a foreign culture easily! Because of the continuity of Greek culture, you can even write a few more recent Greek elements to fill in the gaps. I can make sure they are not mismatched, and they will complement your ancient setting. I have observed a few things I didn't know we had since antiquity, but they make sense because our land has certain characteristics.

Non-Greek writers often miss the whole context of Greek culture! Do you know how Greek respect towards deities and parents looks like? What tones we use when we talk to our elders? When to use honorific plural - if your setting is more modernized?

Oh, and please let's avoid caricatures when describing Greeks?? (even fantasy Greeks) There can be heavy exotisation and odd descriptions of Greeks, as if we are another species. Even in published works. For many western writers it's difficult to catch, unfortunately.

The whole process is actually way easier than you think. You send me a text, I make notes and then we have some discussion on your vision.

It's always okay to seek guidance from the locals! You are not "guilty" when you admit you don't know! How can you know if you don't ask?? You can't imagine what relief and "πάλι καλά!!!" I read/see from other Greeks when I tell them another foreigner is using me for cultural sensitivity? Greeks want you to seek help and will NOT shame you for it!

(On the contrary, you have no idea how many eye-rolls Greeks do when they see a blatantly wrong thing in a story... Which has happened pretty often for many years now. Can we do better as an industry?? Please???)

You can send me a personal message to share your story, or ask what this whole cultural sensitivity thing is all about, or ask about what I have done so far and how I can help. But for the love of all that's good, don't let your story be another "generic greek myth retelling"! And don't let others sell you their generic greek myth retellings!!

[alatismeni-theitsa]

The glaring absence of Greeks in Greek mythology productions is seriously pissing me off. "But there are no Greek actors to cast from-" shhh shut up. Since you all "can't find us" for some reason in foreign entertainment industries, let me help you by showing a fraction of the Greek talent pool that could easily partake in English productions, and already had famous parts in known productions. And all that with a few minutes on the internet - apparently a research too hard for the likes of Christopher Nolan.

You may already know Jennifer Aniston, John Aniston, Zach Galifianakis, and Maria Menounos:

There's also:

Melina Kanakaredes Constantinides

You will know her from roles in television such as in NYPD Blue, CSI: Miami, CSI: NY, NCIS, Hawaii Five-0. Even better, for playing the Greek goddess Athena in Percy Jackson & the Olympians: The Lightning Thief. She also voiced Ariana in Blood of Zeus. She got nominated for two Emmys and won an award in TV Guide Awards.

Billy Zane

Besides the fact he has been getting roles in at least three productions for the last ten years, you may know him from playing Marc Antony in Cleopatra (1999), may have seen him for 3 episodes in Charmed (2005), or know him as John Justice Wheeler in the second season of Twin Peaks, or seen him as Marlon Brando in Waltzing with Brando (2025). Fun fact: He voiced Ansem in Kingdom Hearts (2002-2017).

His sister, Lisa Zane, had roles in many films and series, and also worked as a voice actress. She is a singer, and songwriter, too.

Michael Chiklis

Known for: Fantastic Four (2005, 2007), Gotham (2015–2017), Coyote (2021). Fun fact: he has a credit in the Simpsons for one episode. With multiple roles in film and television, he got many nominations and won four Awards (Emmy, Golden Globes etc).

Marie Avgeropoulos

She's most known for her role in The 100 (2014–2020), Tracers (2011), Supernatural series (2009). Nominated - Leo Awards for Best Supporting Performance by a Female in a Motion Picture for the thriller Numb (2015).

Chris Diamantopoulos

Known for his roles in Silicon Valley, The Three Stooges, and Mickey Mouse. He has also appeared in Broadway, film, and TV shows such as The Office, Arrested Development, and The Middle.

Costas Mandylor (Kostas Theodosopoulos)

Some of his more notable roles: Frank Costello in the crime drama film Mobsters (1991). Alphonse Royo in Players (1991), Detective Lieutenant Mark Hoffman in the Saw franchise, Hondshew in Beowulf, and Jeriho in Gunslingers (2025). He appeared in Sex and the City, Charmed, Once Upon a Time, NCIS, The Last Ship, Lethal Weapon. Fun fact: In 1991 He was voted one of the most 50 most beautiful people on earth (in the 26th place :D) by the People Magazine and age has only made him better. If he can co-star with Jenna Ortega, he is relevant enough.

His brother Louis Mandylor (Elias Theodosopoulos) is also an actor. He's been appearing in multiple English television shows mainly in he US and AU. He played in My Big Fat Greek Wedding (1-2-3), he appeared twice on CSI: Miami. He and his brother Costas have acted alongside each other in the Charmed episode "Saving Private Leo" (2002). He was the Sherriff in Rambo: Last Blood and Chaplain Glover in Doom: Annihilation.

John Stamos

He's known for roles in Grey’s Anatomy, NCIS, Criminal Minds, and films such as Cabaret (2002) and Hairspray (2011). Beyond that, he's had a long career with five awards and many nominations.

Theo James (Theodore Taptiklis)

You may remember him as Four in the Divergent trilogy, Henry DeTamble in The Time Traveler's Wife, and Cameron Sullivan in The White Lotus. He also lended his voice to Hector in the Castlevania series for seasons 2–4. His career is long, and he's gotten four awards so far.

Natasia Demetriou + Jamie Demetriou

Natasia has appeared in various minor roles before starring as Nadja, a Greek Romani vampire, in the critically acclaimed series What We Do in the Shadows. For her role in What We Do in the Shadows she won one of her two awards.

Jamie, her brother, is a comedian, actor and screenwriter. He is known for his role as Bus Rodent in Fleabag and for creating, co-writing, and starring in Stath Lets Flats. Among his numerous appearances we can mention the one in Barbie as the CFO of Mattel and played “Nigel” in the Netflix movie “Back in action”. He has three Bafta TV Awards, and even more nominations.

More (gorgeous!) international actors of Greek descent along with some notable roles:

Theo Rossi: Sons of Anarchy (89 episodes)

Christos Vassilopoulos: The Last Ship (2017), Banshee (2013-2016), The Enforcer (2022)

Daphne Alexander: BBC's "Casualty" (2006-8). "House of Saddam" (HBO/BBC), "The Amazing Mrs Pritchard" (BBC), "The Sandman" (Netflix).

Melissanthi Mahut: Calliope in "The Sandman" (Netflix). She voiced and acted as Kassandra in Assassin's Creed Odyssey, and voiced the character of Athena in Immortals Fenyx Rising.

Stavroula Logothettis: The X-Files, La Femme Nikita

Antonia Gentry: Ginny & Georgia (Netflix)

Vassilis Koukalani: With multiple credits in Greek and foreign cinema, you may have seen him in Kandahar (2023) and Tehran series (12 episodes)

Stefania LaVie Owen: Sweet Tooth, Krampus, The Carrie Diaries

Elena Kampouris: Sacred Lies, My Big Fat Greek Wedding 2, Before I Fall

Yorgos Karamihos: The Infiltrator (2016), Murphy’s Law (2022)

Yorgos Pirpassopoulos: Glass Onion: A Knives Out Mystery (2022)

Evangelia Andreadaki: Poor Things (2023)

Ariane Labed: The Lobster by Lanthimos (2015), Assassin’s Creed (2016), Mary Magdalene (2018)

You're telling me NONE of them is suitable to play a Greek person/hero/god in a Greek mythology production? NONE of them is famous enough, or a good enough actor/actress? Really??

What about international directors who could offer insight into the Greek culture and coordinate the production so it can actually look Greek? You can't find them either?

Yorgos Lanthimos: The Lobster (2015), The Favourite (2018), Poor Things (2023). One of the most critically acclaimed directors today, leading the “Greek Weird Wave” movement.

Costa-Gavras: Missing (1982), Z (1969), Amen. (2002). Legendary political thriller director, worked in Hollywood and Europe. His son, Romain Gavras directed the critically acclaimed Athena (Netflix).

Alexander Payne: Sideways (2004), The Descendants (2011), Nebraska (2013). He's known for indie and Oscar-winning dramas.

Nick Cassavetes: The Notebook (2004) and other films. Son of Greek-American director John Cassavetes and actress Gena Rowlands.

Athina Rachel Tsangari: The Slow Business of Going, Attenberg and Chevalier. Co-production of Yorgos Lanthimos' films: Kinetta, Dogtooth, and Alps.

Sarah Naftalis: A television writer and script coordinator with two Emmy Awards. She has worked in What We Do in the Shadows series, They came together, the Snarky Sidekick TV series and the Adults TV series.

After all that, I hope you can suddenly "find" us ☺️

[greek-mythologies]

another Greek American actress (Greek, raised in the USA) - Anatoli (Natalie) Grigoriadou:

Greek audiences know her from Brousko mostly but she's done a few good things in the USA too where she's based.

[greek-mythologies]

Everyone keeps talking about Michael Kakoyiannis' Iphigeneia as the Greek 'response' to Nolan's Odyssey, but I'd like to shed light on a lost masterpiece - some 20 years before Iphigenia, Giorgos Tzavellas shot Antigone, once again starring Greek powerhouse Irene Pappas in the lead role. Other Greeks are also featured in the cast, i.e. Manos Katrakis as the King and the great (and still thriving!) Maro Kontou as Ismene, in one of her least widely known roles.