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╰┈➤Why Jhin and Hwei conceal their eyes - symbolism
In the world of artistic expression, hiding or covering certain parts of ourselves can hold significant meaning. This is especially true for Hwei and Jhin, two captivating characters from League of Legends. Each of them conceals an eye—Hwei his left and Jhin his right—and these choices go beyond mere aesthetics. They reveal deep insights into their personalities, their struggles, and their unique philosophies about art and creation. By exploring why they choose to hide their eyes, we can uncover the complex emotions and motivations that drive them as artists.
Eyes are an important symbol in Hwei's character. You can read more about it here.
Hwei: Concealing Chaos
Hwei's decision to cover his left eye can be interpreted as a manifestation of his desire to shield the world from the chaotic intensity of his artistic vision. As a character who embodies the creative process, Hwei grapples with the duality of artistry—the beauty and the chaos that often coexist. By hiding his left eye, he may be indicating a fear of unleashing the destructive potential of his emotions and creativity.
The Struggle with Expression
Hwei's background suggests a tumultuous relationship with his art. He represents an artist who is acutely aware of the power his creations hold. The left eye, often associated with intuition and insight, may symbolize the chaotic and uncontrollable aspects of his artistry. By concealing it, Hwei acknowledges the darker facets of his creative process that he struggles to manage. This concealment can be seen as a protective measure, both for himself and for those around him. Remember how empathic he is?
In the context of artistic expression, Hwei's hidden eye indicates the emotional turmoil he faces while trying to balance traditional artistry with his unique, often intense style. This tension reflects a broader theme in the art world: the battle between the artist's internal chaos and the need for external acceptance. Hwei's journey is not just about creating art; it’s about navigating the complexities of his identity as an artist. His concealed eye symbolizes the parts of himself that he feels are too dark or misunderstood, representing a struggle to integrate these elements into his public persona. His masters never wanted him to unleash his full potential - because of its danger.
The Emotional Connection
Moreover, Hwei uses his art as a means of connecting with others, and his hidden eye suggests that there are aspects of his emotional landscape that remain inaccessible. He embodies the notion that art is a bridge between the artist and the audience, yet his concealment signifies a barrier that complicates this connection. By covering his left eye, Hwei may inadvertently distance himself from others, revealing the challenges of vulnerability inherent in the creative process.
His journey mirrors the experiences of many artists who grapple with their inner demons while striving to create work that resonates with others. Hwei's struggle to balance his intense emotions with his desire for connection reflects a universal truth about the artistic experience: the fear of being misunderstood or misinterpreted.
Jhin: The Pursuit of Perfection
In stark contrast, Jhin's choice to cover his right eye speaks to his obsession with precision and control. As a meticulous killer and artist, Jhin embodies the philosophy that artistry requires an unwavering commitment to perfection. His quote, "Symmetry is so boring," shows that he might have covered up his right eye so that he is not symmetrical.
The Role of Symmetry
Jhin’s mask, which obscures his right eye, serves as a tool rather than a mere accessory. It is designed to enhance the challenge and danger associated with his artistic pursuits. By blocking vision in his left eye and dampening it in his right, Jhin intentionally removes depth perception, creating a disorienting experience that forces him to rely on his other senses. This choice reflects his belief that true artistry is derived from overcoming obstacles and embracing discomfort.
The Drama of Creation
Furthermore, Jhin’s mask stifles his breathing, adding an element of theatricality and drama to his character.
Jhin’s obsession with symmetry and perfection extends beyond aesthetics; it shapes his entire worldview. By concealing his right eye, he suggests that he is willing to sacrifice clarity and comfort for the sake of achieving his artistic vision. This choice reinforces his belief that true beauty lies in the balance of chaos and control, a dance he orchestrates with every kill.
The Intersecting Journeys of Hwei and Jhin
While Hwei and Jhin operate within different artistic paradigms, their choices to conceal their eyes highlight a shared struggle with identity and expression. Both characters grapple with the complexities of their artistic visions, albeit from different angles. Hwei’s concealment reflects a fear of chaos and emotional intensity, while Jhin’s serves as a testament to his quest for perfection and control.
Artistic Duality
Their journeys illuminate a broader theme within the artistic realm: the tension between creation and destruction. Hwei’s left eye symbolizes the emotional chaos that can accompany artistic expression, while Jhin’s right eye represents the calculated precision required to achieve a vision of beauty in death. Together, they encapsulate the duality of artistry—the balance between vulnerability and control, chaos and order.
Conclusion
In conclusion, Hwei and Jhin’s choices to cover their eyes are not mere aesthetic decisions; they are vital components of their identities as artists. Hwei’s left eye, hidden from view, symbolizes his struggle with the chaotic nature of his creativity, while Jhin’s right eye reflects his obsession with precision and control in his murderous artistry. Together, they illustrate the multifaceted nature of artistic expression, revealing the tensions that define the creative process. Their journeys remind us that the act of creation is often fraught with challenges, as artists seek to balance their inner chaos with the need for connection and acceptance. Through their concealments, Hwei and Jhin invite us to explore the depths of their artistic souls, encouraging a deeper understanding of the complexities of artistry and the human experience.
i think what bugs me about the jhinhwei fics i’ve read so far is the way they treat hwei. hwei isn’t naive. i think that’s a very important part of what makes the ship work, actually. hwei is tormented. maybe not as much as jhin (who is doing it like him really), but there’s a nuance to his actions and his feelings and his choices. it’s portrayed twice in his biography. first, by his deviancy from the temple’s curriculum, by his willingness to explore an aspect of himself that isn’t only harmful to hwei but to others as well. and the reason is selfish. he wants to know how far he can go, how good of an artist he really is. so he endangers his masters and almost kills them to simply test his abilities.
hwei is careless and so self-centered that he becomes distant to the consequences of his artistry. and then, when the damage is done, he takes the role of the victim, of someone who encounters these situations rather than entices them. this is not to say it’s his fault what happened to the temple masters because of jhin, but that the idea that he had anything to do with it is so unbearable to hwei that he needs, for his own sake, as a form of coping mechanism, to attribute the guilt to destiny itself. which brings me to my second point, which is that hwei actively seeks jhin, not to punish him, but once again with the premise that he “must do so”, that there’s no other viable option, no other path.
tldr.: hwei isn’t clueless, he takes a passive role in his own story and points to fate as the reason things happen to him. which doesn’t make him evil, but also doesn’t make him naive. he has selfish motives and that should be explored more often in fanfiction.
toomuchlove [phone ddl]
ƪ(‾.‾“)┐
ARE YOU hopelessly fixated on a specific fictional polycule and have way too much time on your hands? boy do i have an unnecessarily elaborate ship chart for you!
(versions with 3, 4, 6, 7, 8 characters and an example under the cut)
desafio: qual dos 3 é o meu personagem e quem são os npc?
dificuldade: impossível
Beware of phantoms, for they are difficult to get rid of.
Happy Halloween!!
penso muito sobre se o 3⁰ semestre realmente fosse um 3⁰ semestre com 6 meses ao invés de so 2 e as coisas q aconteceriam nesse meio tempo
ia ser mt legal ver os impactos q a realidade do maruki trouxe com mais detalhes, tipo menos dias úteis, férias maiores, não existir mais provas, salários absurdos pra um trabalho muito pequeno, preço dos produtos extremamente baixos, ou coisa do tipo e lentamente ver o mundo caindo aos pedaços por conta disso
e eles podiam durante esse meio tempo fazer o mementos ser o foco com o palácio do maruki sendo no fundo dele, botando mais andares e explorando mais ele, trazendo pessoas da realidade q ou descobriram q algo tava diferente ou não tavam cooperando com a realidade do maruki ent ele só jogou elas numa salinha do palácio dele e com o tempo elas acabaram se manifestando como uns boss no mementos, ver a galera derrotando esses boss e no futuro quando eles chegassem a realmente enfrentar o maruki e entrar no palácio dele, eles são encontram essas pessoas e tiram elas dessa salinha
eu tbm queria MUITO ver mais da galera do royale, a sumire, o maruki, o akechi pós "morte", ia ser muito legal se eles explorassem mais desses personagens e a relação deles com essa nova realidade, adicionando um nível limite até onde a gnt pode aumentar o nosso sl com eles na realidade verdadeira e trazendo novos eventos de sl pra essa realidade distorcida, tipo tendo mais daquelas conversas com o maruki no café e aos poucos aumentando o sl com ele, trazendo mais conversas e saídas com o akechi, explorando mais essa relação com ter "voltado da morte" e essa realidade "perfeita", a sumire pode deixar como takkkkk só mudar a velocidade q a gnt avança pelos níveis do sl mesmo
E TBM FAZER O ROYALE TRIO REALMENTE SER UM TRIO CANONICO, deixa só os 3+morgana e futaba (morgana pq até certo ponto como ele é parte do mementos eu imagino ele conseguindo perceber de cara q tem algo de errado+plot armor+pra poder fechar a party e a futaba pq no fim do dia a gnt ia precisar de um navi) cientes da realidade e encarregados de resolver tudo, enquanto o resto dos phantom thieves ficam vivendo na realidade distorcida sem saber de nd (talvez eles possam ser as pessoas q ficavam cientes da realidade e acabavam virando boss no mementos ou talvez não), e aproveitando pra aprofundar mais a relação deles entre si (futaba e akechi, akechi e sumire, sumire e futaba, e tals) e como um grupo tbm, deixando da explorar mais a relação dos phsntom thieves com essa nova realidade, fazendo eventinhos de saída com a ann e a shiho, campeonatos do ryuji, saídas de família com a makoto, sae e os pais dela/haru e o pai dela, mais uma vez saídas com o yusuke pra ajudar ele com os quadros mas dessa vez com o madarame junto, e tbm deixar o morgana como humano, mostrando os impactos q essa realidade trouxe pra vida deles, mas ao mesmo tempo deixar eles com o sentimento de q alguma coisa tá errada, q as coisas não eram pra ser assim, fazendo com q eles não consigam aproveitar essa realidade por inteiro, deixando a decisão de continuar ou não na realidade ficar cada vez mais difícil de fazer
warped tour 2025 does this mean we'll get a petekey repeat
VAI SE FUDER EU ODEIO ESSE VIADO
É ELE É ELE O ICONICO O HOMEM O MAIORIAL😭😭😭😭😭😭😭😭
MEUDEUS??????????