yaptress yaps

[yayyayyaptress]

my deepest desire is that this blog has no identity. it's free from labels and full of non sense. that's the truest existence.

[shoelace4-48]

me and my brain are not having a good time

[highfunctioningfuckup]

I'm not getting enough credit for not killing myself

[neurodivergentaf]

it's so wild when your parent changes when you become an adult. my dad is very cordial and non confrontational - he regularly helps me with adult stuff like changing the oil or providing insurance tips. he's always smiling when i call him on video and providing jokes when i complain about college

when i was a kid, i would have to tiptoe around his anger issues often, sometimes running quietly past his work table until he got his own place completely separate from our family, locked away for days. every so often he would start screaming in the car and trying to hit me or my brother for talking too loud while my mom attempted to calm him down as he swerved on the road. and now he, smiling, helps me with car insurance.

like oh, this is just who you are when you have power over someone, and this is who you are when you dont have power over someone. no wonder you can have a normal life, friends, work while scaring the shit out of your kids and wife. i see it now. i see why no one would have believed me. that, i think, is one of the core fears of trauma - seeing the outside of it from the perspective of other adults that brushed you aside, and understanding. of course, that understanding gives the opposite of solace; it just gives you more grief with nowhere for it to go

[probuccalfat]

they should invent a father you can forgive

[paper-wounds]

via

[curlsandstems]

They DID that!!!

[ariestess]

It took me about 15 seconds in to realize what was happening in this vid, but the second I did, I legit came. This is… I got chills and got so much validation for my theories about tap and pretty much any genre of music here…

[telegantmess]

Tap is probably one of the dance styles that gets the least amount of credit four how badass it is

[royalnugget42]

Holy hell-

[enigmatic-mystery-777]

Sorry I don’t get it?

[royalnugget42]

They’re tap dancing, a kind of dancing typically associated with being old-fashioned and kind of silly. Personally, even tap dancing to old music is awesome in my eyes, but this is on a totally new and exciting level

[amuseoffyre]

The thing about tap is that it’s so often seen as a fancy, old-fashioned dainty dance that only posh (and generally white) people do in tuxedos but it didn’t used to be the case.

Way back in the early days, it was where black performers in Vaudeville were legendary for it in Jazz and Jive routines. At about 1:37, this is where the Nicholas brothers go off.

It’s such an expressive and joyful kind of dance and matches so well with hip hop beats and rhythm, which is why the modern reworking of it is so awesome.

[bogleech]

Im sure a lot of people also watch the op video and they assume that “clap” sound is part of the music just because a LOT of modern music samples that sound and in some music it is just the sound of hands clapping, but no that is a sound being made by all their shoes at once.

[meinenaffenhosen]

one of my favorite syncopated ladies routines

[madgastronomer]

Has the world forgotten Gregory Hines?

[elljayvee]

I am gritting my teeth at the mere suggestion that tap is primarily associated with dainty white people.

Tap is a distinctive American art form that comes from a blending of African dance traditions with Irish dance traditions. It was developed by Black and white dancers and came up alongside and deeply entwined with jazz.

Certainly the tap that ends up in musical theater often seems old-fashioned and white but that’s a musical theater issue, not a tap issue. That is only one small part of tap, which continues to have a strong African-American tradition.

The Nicholas Brothers, above, are in a clip from the film Stormy Weather, which has an almost entirely African-American cast. Some of the other scenes in the film include Bill “Bojangles” Robinson, one of the greatest tap artists of all time. He was very well-known generally and was in quite a few Shirley Temple movies in his day. (Shirley Temple, herself, was a tap dancer – which I’ll be real is probably contributing to people thinking it’s old-fashioned and white, because it’s easy to forget the Black man dancing alongside her, I guess.)

Here’s Bill Robinson with Cab Calloway in Stormy Weather – he’s performing a variation of his famous “stair dance” in parts of this clip:

https://www.youtube.com/watch?v=VY3fbvBRiaM

Here’s probably the most widely famous version of the “stair dance”, from The Little Colonel:

There’ve been a lot of white tap dancers through the years – see, for example, everyone’s favorite clip of two men torturing a speech therapist:

… but a lot of its most famous practitioners have been Black and it’s weird to me that people don’t know that.

Have a scene from Tap (1989).

[elljayvee]

Today I’d like to talk a little about Savion Glover, who is one of (if not THE MOST) famous living tap artists. This is from 2002:

and this from 2014-ish:

And if you are saying, well, I never heard of this guy, I guess today you are going to learn about this guy. But I bet you know THIS guy:

Mumble’s dance is choreographed by, and mo-capped from, Savion Glover.

This guy. This guy is SKILLED, ok? He’s in his 50s now; he’s been a professional tapper for over FORTY YEARS – he made his Broadway debut at age 11. He’s in that movie, Tap, that I linked a clip from above. Sometimes his tap seems a little old-fashioned – other times it is like nothing you’ve ever seen before. This is intentional – he’s paying tribute to his teachers and tappers of the past by learning and performing their signature moves, but also he’s got his own style.

It is absolutely worth going through whatever you can find on YouTube. Look for “Bring in da Noise, Bring in da Funk” – he was Tony nominated for the choreo & his performances in this musical. (The MDA telethon performance above is an excerpt – he did these for several years on the telethon.)

I like this one, because you can watch modern African-American tap alongside modern-traditional Irish dance and you can see that these are related, but distinct, art forms. They share a common ancestor, but they’re also so different. Right around 4 minutes, Colin Dunne (the man in the cover image below) and Savion Glover start dancing together, trading off, and it’s AMAZING.

Sidenote, if anyone ever hears of a revival of “Bring in da Noise, Bring in da Funk,” please tell me, I want to see it liiiiiiive.

Let’s finish off with Glover’s special guest performance at the Stockholm International Tap Dance Festival last year:

[yayyayyaptress]

cunt is short for cuntankerous btw

[rosieandthemoon]

[heyvamin]

don't be too long where you don't belong

[heyvamin]

don't be too long where you don't belong

[heyvamin]

don't be too long where you don't belong

[heyvamin]

don't be too long where you don't belong

[yayyayyaptress]

all these years i didn't rest and i have nothing to show for it and it's shameful

[yayyayyaptress]

everyone is improving. everyone is getting ahead. it's just me stuck in this state. and ik not everyone but that's what it feels like.i continue to suck and life gets better for everyone

[yayyayyaptress]

it's just one of those days when i look at any art i like and all i can think about is how I can't make that.

[funeral]

Matthew Ratcliffe, Experiences of Depression: A Study in Phenomenology