thank you ao3 for being an archive and not an algorithm. thank you for letting me like things without consequences, thank you for being free with no ads, thank you for having lawyers to defend our freedom of speech. thank you tag wranglers. thank you to all authors and thank you ao3
#we chose macrocystis because every other kelp was rotting at that time of year #we kept the crabs 12 to a sea table because we were sharing the space and couldnt use more #the crabs were subject to a non-natural light cycle because other researchers kept leaving the lights on overnight (via Dicrocoeliumdendriticum)
Archaeologist. We sometimes choose places to dig because our gut says “this is nice, I’d settle here”. I’ve had field directors say “this has paleo energy” about areas. Often we see big hill in our dig area, we dig on big hill.
Most recently, I’ve found two sites because I was walking to my next hole and saw some petrified wood I wanted. Started picking up pieces and saw a half buried biface lmao.
Other site, I was walking and imagined a little native girl running along the ridge. I had a gut feeling to dig like 5m from where the hole was. Found a utilized petrified wood flake. Could’ve written it off as a plow fact, but due to all the pet wood I’d been collecting throughout the area (I’m a greedy little thing who wants pretty rocks), I knew the was it was broken was inconsistent to how the pet wood naturally breaks.
What sealed the deal for me was cleaning the mud off, and it cut me so, yup, definitely utilized.
So glad you commented this because I was looking for the term for “people saw a pretty rock and took it with them” forEVER now and couldn’t find it. Fuckin love manuports
I find it kind of pathetic to say that Padmé died of love ONLY because of Anakin, babygirl saw her entire life crash in a week
She was trained in politics from a young age; her life and ideas were shaped around her political ideals and goals. Imagine watching the project of YOUR LIFE being destroyed in your eyes?
The work she spent her life fighting for has been destroyed, people are dying on every side of the galaxy, pregnant with TWO children and unsure if she'll be able to raise them under this new infernal government which she openly opposed, her husband is increasingly drifting away from the man he married and loved, becoming unrecognizable
She died of a broken heart because she had lost her whole life!
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love arranged marriage unfortunately. the idea of being married to a knight who's not even in the city, but away on the front lines. it's a benefit for your family, so they dont even question sending you to his home to await his return...
you meet him three months into the arrangement. He arrives after the sun has already set, his features set strong in the candlelight. His body is heavy with exhaustion and tension, his eyes dull and tired.
you've grown to hate this place, this castle gifted to him for war victories. The halls are barren, the garden yet to bloom. The maids are pleasant, but they keep their distance, as if you'll strike. Maybe your husband is the kind to hit. You wouldn't know.
When he looks at you, it's only in short bursts, his eyes suddenly low. There's a long stretch of silence between you and you consider introducing yourself, but decide against it. He knows who you are.
"The maid is drawing me a bath," he says suddenly and a sick feeling pours over you. This day was always coming, but you aren't sure you're ready to lay under a stranger.
"Am I expected to join?" you ask and his nose crinkles.
"No." He steps back and away. His departure is brisk and driven. You retire for the night by yourself and awake alone. Your husband is set to leave again in a few hours; a few soldiers have already gathered in the front garden.
"Don't you wish to give your new wife a goodbye?" one asks, unaware of your open window. "One night and you've already had your fill? Or has she been filled too much?"
"I refuse to believe she is real!" says another. "What kind of woman has worn down our brute and turned him into a family man? Should we expect a gaggle of children in the upcoming year?"
Your husband growls. "You will leave the poor lamb alone. She suffers enough."
That softens you. Just a bit. You rise from you bed and go to the window, leaning out enough to catch the men's attention.
"Until next time."
He watches you, expression caught between more emotions that you can count, then turns his gaze back to his mount. The two men share a look, wide, wide grins on their faces.
In his absence, he sends gifts. They are tiny things, sweets and oiled combs and scented oils and a porcelain figure of a cat, aimless in their direction towards you. Just simple niceties he could give to any woman in the world. You imagine he sends one to the lovers he has in every city as well.
(he must have lovers, you imagine. He hasn't touched you; he must be getting his fill with women in other cities, maybe women he actually loves. these are trinkets to keep his wife amused while she wastes away.)
none of the gifts come with a note.
one day a bolt of fabric arrives, yellow and ornate. It's only a small amount, not enough to make a dress, but enough for you to unravel and admire. It's beautiful and clearly expensive, golden threads woven into flowers and vines. Your father was a silk merchant; while you never wore the silks, you can recognize their quality.
the following week, the delicious man rides up on his steeds and presents a letter. The handwriting is rough. Knights that come from the lower class do not have the schooling of highborns; as fair as you know, your husband was born a street rat and worked his way theough the ranks to glory.
-I have been told by my secund that I did not send you enuf fabric for a gown. I do not no these things.
The spelling mistakes screw a smile out of you.
"Wait a moment." You stop the boy before he can leave. "I wish to send something back."
You take your time and use your finest calligraphy, tucking your note in with a handkerchief you had spent the week on. It's fine work-- one that would please even the hardest of hearts.
-Dearest husband,
Please take this handkerchief as a sign of my thoughts.
Your patient and thoughtful wife
A second letter arrives within the week.
-are you cros with me? A scrap of fabric for a scrap of fabric?
The response is what makes you cross. The poor messenger boy has to stay the night while you percolate over a response.
-Dearest, sweetest husband,
A handkerchief is a traditional gesture of affection. I have embroidered the edges by hand, with your last name and your roses, and it smells of my perfume. It is a piece of me for you to carry. If you do not appreciate my kindness or if you think it will turn away your lovers, you may return it. I do not wish it wasted on you.
Your less than patient and less than adoring wife
The poor boy scatters off in the morning and returns a few days later.
tortured wife,
I wil cherish it. I am sory, pour lam. I wil do better.
Every year Dracula daily revamps interest in the novel and every year I have to be reminded of the utter buffoonery and misogyny that pervades every modern adaptation that romanticizes Dracula and his predation of women in the name of being “subversive” while completely cutting out or sidelining his predation of men (namely Jonathan) because all of a sudden when he’s assaulting and robbing men of their agency it’s not sexy or sympathetic anymore and we can’t include Jonathan (one of the most interesting and unique and ACTUALLY subversive male characters in gothic literature) because he’s not “manly” enough
And let’s go into this further. Because what also pisses me off is people do this and defend it by claiming it gives the female characters (chiefly Mina) empowerment and agency where they didn’t before. But they DID! That’s the whole thing!!!! They had an astounding degree of agency and respect and happiness BEFORE Dracula came into their lives and robbed them of it.
Lucy lived happily with her loving mother, had her pick of three lovely suitors, was given full freedom to choose whom she would spend her life with and has that decision respected by all the men involved, who all admire and care for her so much that they remain devoted friends to her (and I mean REALLY genuine friends) up to and past the point of her death where they risk their lives to avenge her and put her soul to rest.
Mina is in an unusually healthy, loving, devoted marriage to a man she completely adores, again with a bright future ahead of them both. Jonathan constantly thinks of Mina, compares almost all women against her, and is absolutely utterly in love with her. Mina and Jonathan regularly subvert Victorian expectations of a married couple in that they deeply love and respect one another to the point of flouting “proper” Victorian customs by being affectionate out in public. In fact, the one time Jonathan decides to play the traditional man and ignores Mina’s wishes to leave her at home while he goes hunting vampires w the other men, he is IMMEDIATELY punished by the narrative! Draculas predation of Mina starts that night because she was left behind, and in response Jonathan affirms and reaffirms his total devotion to Mina above the other men for the rest of the story. In the third act of the novel while the team is trying to stop Mina’s slow turn to vampirism, Jonathan not only explicitly tells us the reader through his private journal entires that he will LITERALLY go against god if Mina is turned and damn himself to be by her side in hell rather than kill her if she becomes a vampire, he is unsubtle enough about it that the other men genuinely worry about where Jonathan’s loyalties will lie if they fail in killing Dracula and saving Mina.
So when adaptations pose that either of these women were just your typical trapped, bored, sexually frustrated poor Victorian traditional ladies looking for an out until bad boy Dracula comes to sexually liberate them…. Motherfucker they were ALREADY about as liberated as female characters written by a man in the 1800s could get. Lucy is introduced to us as a young woman flush with bright and happy futures and her pick of the litter for the life she wants to lead until Dracula kills her and takes that from her. Mina marries her childhood sweetheart who literally prioritizes her over God and is building a business with him before Dracula nearly ruins her life permanently.
Not only is claiming that dracula is an agent of the female characters agency just completely antithetical to his role in the original narrative as a blatant serial THEIF of women’s freedom, from the brides to the peasant mother to Lucy to Mina, it’s literally less subversive than the fucking source material
Set in the universe where your destiny is written on your arm
(The Hero and Hope) (Being Villagers) (You are the Demon King)
You are a Blacksmith.
That’s why the dragon’s fire doesn’t burn you.
“Pretty sure dragon fire is hotter than a forge,” your party’s leader pants. Kent is a veteran adventurer of twenty years to your two years and he’s seen his fair share of dragon fire before today. There are curling scars dragging the corner of his mouth down into a permanent scowl that pairs oddly with how high he has his salt-and-pepper eyebrows. He exhales noisily. “I think you’re just a freak, actually.”
“Not nice,” Sella says. The archer is your age with twice your experience. Her leather armor is well-beaten by four years running around with Kent and getting far closer to battle than an archer should. Her red hair is tied with golden thread that matches the golden charms dangling from her necklace. She adds a new one with every successful monster kill. It’s lucky she’s so stealthy or else she’d be jingling with every step. “Mande is an exception, not a freak.”
You’re a party of exceptions. Most adventurers are Villagers or Guards, common destinies that don’t always find a place within a town or village that have so many of each already. There are days you report for a mission, and you’re offered a blacksmith’s job on the spot just because of the mark on your arm.
Kent is a landless Lord. There’s a story there, you know, but it’s not one he’s ever volunteered. You can see his destiny pull at him in the remote reaches of the Kingdom, where no Lord has laid roots and the monsters run roughshod across the barren soil. Nights where you’re too far from civilization find him gazing up into the stars, his fingers curled like claws into the earth. The look on his face then is so hungry that the first time you saw it, you offered him provisions from your own pack. He’d shaken his head wryly, his scarred frown twisting, and walked off into the night by himself, only returning in the morning light.
Sella is a Guardian without anyone to look after. You knew her story before she told it to you, whispering it like a bedtime story before the end of the world. She was part of a traveling theater group. She looked after them, feeding them and retrieving those with wanderlust from their journeys before curtain call. When a monster siege led by a Demon King fell upon the city they were performing in, the Lord called his people into his castle and locked the doors.
The troupe were not his people. But they were Sella’s.
Until they weren’t.
You drag your battle hammer up and over your shoulder. Conveniently, the dragon fire has burned away the wet viscera that had been clinging to it. The metal is dark with soot, but undamaged.
The things you smith can’t be melted by any fire except your own.
The skeletal trees make the scene of this final battle oddly silent. Ash drifts from the sky, carried by a wind too high to feel. You can hear your party sniping at each other behind you and the gentle gurgle of the beast’s body settling comfortably into death.
The red dragon is beautiful. Its scales gleam and sparkle like rubies in the late afternoon sun and its talons shine like obsidian. Each part of the creature could make an average family rich for a month. You consider it from an arm’s reach away. You chew your bottom lip as you think. Your adventures have taken you across the continent from the southern coast you call your home, to the western land of rivers, to the northern desert and then here, to the eastern dry lands. After all your travels, you find yourself still thinking of home often. Crab is a delicacy where you’re from despite being so close to the water. The preparation can be tedious which makes it a dish reserved from significant occasions. Cracking the shell was always your job…
“Oh,” Sella says faintly. She makes an attempt to rise and nearly tips over in the process. If it weren’t for her bow, she’d be on the ground. Her knees shake as she uses a combination of a tree and her bow to pull herself up. “Mande, rest first! In an hour I can help you—”
You bring your hammer down on the jaw of the dragon. The bone shatters after just two blows. It’s best not to think about how beautiful it looked flying overhead or the intelligence in its eyes. You’ve always had a single-minded focus and you rely on that now.
“Leave her to her dismantling,” Kent grumbles. He’s now curled up on the ground is if in his sleeping roll, hands tucked neatly under his chin. It can’t be a comfortable position given his full suit of armor no matter how peaceful his expression. “If she’s got the energy for it, who are we to argue? Just keep the ribs intact. That’s what the client wants.”
Smash!
“It’s our turn to do the dismantling,” Sella says. She glares down at Kent. “Mande already did last week’s gryphon and the hydra. Get up!”
Smash!
“I’m an old man who needs his nap time.”
“You’re an irresponsible leader who needs to do his part.”
Smash!
“Once Mande stops swinging that thing around, I will.”
“She won’t hit you—”
“She hit me last week!”
“And I apologized for that,” you say through gritted teeth. You let your hammer fall by your feet. Your last blow sent tremors through your arms. The dragon’s jaw is like glass compared to its skull. “Sincerely.”
Sella makes a gagging sound when you fall to your knees next to the cracked skull. “Mande, don’t put your hand in there, that’s – oh, that’s so gross.”
“The book I read said it’d be…aha!” Your fingers graze something cool and metallic. You abruptly feel like crying. It’s been seven months. Seven long months of endless missions and danger and being away from home. This entire dragon is priceless, but you’ve forfeited your share for this. You blink rapidly to keep your tears at bay. You aren’t going to cry. Not until you’re sure that you’ve really found it. “Quick, hand me my waterskin.”
Your urgency gets even Kent up and bustling towards the dragon’s corpse. With trembling fingers you accept the water from Stella, pulling out your prize. It’s smaller than you thought, only about the length of your arm or a third the length of the dragon’s skull.
With bated breath, you gently trickle water over the length of it. Your party kneels beside you, watching just as raptly.
“What is it?” Sella breathes.
Kent is wide-eyed as, inch by inch, your treasure reveals itself.
“A dragon’s silver wit,” you say. The silver is mottled by the dragon’s black blood and grey brain matter. “The last ingredient I need for a Hero’s Sword.”
-----.
“You can’t just make a Hero’s Sword,” Kent is still saying a week later. He throws his hands up to the sky. “Heroes make them from air and magic and righteousness. Blacksmiths just repair them!”
You didn’t ask for Sella or Kent to follow you home. In fact, you assumed they wouldn’t. The slaying of the red dragon marked the end of your time in the Adventurer’s Guild. Now you’re ready to return to your position as the southern port’s best blacksmith and you thought they’d be ready to return to the best two adventurers the Capital Guild had.
“I’ve heard legends about it,” Sella says. She’s walking backward. You’ve already warned her that the roads this far away from Capital aren’t as smooth, but she’d scoffed at your concern. Now it’s pure stubbornness to prove you wrong that has her continuing to walk backwards despite nearly tripping twice already. “Excalibur was manmade.”
“The legend of Hero Arthur is manmade,” Kent retorts.
“If you believe that,” you say, “you really don’t need to come home with me.”
Kent blinks. “Well,” he says slowly, “on the off chance it’s not a fairytale, I desperately want to see it.”
“Then shut up and follow Mande,” Sella says. She elbows him and mutters under her breath. “Or else she might not let us stay at her house.”
You roll your eyes. “I’m sure the dragon fetched enough coin for the both of you to get your own rooms at the inn.”
“Sure,” Kent agrees. He grins wickedly and the expression makes him look ten years younger. “But we’re not going to do that, are we Sella?”
“Nope,” Sella chirps. She loops an arm through yours before you can protest and squints at the horizon. “Is that your hometown over there?”
A hazy line of blue and white roofs is barely distinguishable in the fading light of day. Sella has better vision than you. You’re sure she can see the masts of ships in port, the green and yellow flag waving over the chief’s house, maybe even the orchard that creeps right up to the edge of the bluffs.
You can’t wait to see it yourself.
You aren’t sure how long you’ve been smiling, but your face hurts by the time you find your voice. “Yes. Yes, it is.”
----------.
Mom hurls a loaf of bread at your head when you walk through the front door, Kent and Sella in tow.
Kent catches it an inch from your face. “Whoa, whoa!” He waves the bread as if unsure whether he should drop it or throw it back. “It’s your daughter! Mande! Put down the bread basket!”
“Mande and friends,” Sella says cheerfully. She waves at your Mom, Dad, and little brother. “Hello! I’m Sella.”
“I threw it because I know who it is,” your mom says. The grey streaks on either side of her temple are wider. Her round, kind face is pale with anger. “We thought you were dead.”
“We got your letters,” your dad says before you can ask. His hair hasn’t changed; he’s bald. He’s wearing his leather apron from the forge at the table. He takes a bite of soup. “All three of them.”
“Not nearly enough,” Mom snaps. Then, “And they could have been forgeries.”
“Who would forge a blacksmith’s letters home?” you ask in exasperation. Is that why she never replied? “Mom, please.”
“Don’t giveme that when you’ve been dead for seven months,” she says. She stands abruptly. “Three of you? Sit down. I don’t have enough soup, but bread will fill anyone’s stomach.”
“I’m Kent,” Kent blurts out before Sella can push him into a chair. He sits with a thud. “Sella, it’s rude to sit before introducing yourself!”
“Ruder than not knocking or coming for dinner without an invitation?” Sella hisses at him. She turns a charming smile on your little brother. “Sorry to intrude. You must be Axton. A pleasure to meet you.”
Axton doesn’t return her greetings. His eyes are fixed to the package strapped to your back. “Is that…?”
You swallow hard as your family’s eyes turn to you. You carefully pull the cloth-wrapped rod from your back. Your little brother isn’t so little anymore. You can see he’s taller than you as he stands in unison with Dad to clear a spot on the table. His long, thin hands make quick work of the ties.
There’s complete silence as the burlap falls away to reveal gleaming silver.
Axton’s throat bobs. He’s barely eighteen with the soft look of a fawn hovering around the edges of his jaw and cheekbones. Mom and Dad have done a good job feeding him while you’ve been gone. Seven months ago your brother looked like a wraith, all the light taken from him as if it all came from his hero’s sword.
“You’re going to make me a sword,” Axton says at last.
You’ve thought about this moment for seven months. You imagined you would say something like it’s okay now or maybe big sister fixed it. When his hero’s sword was taken from him, you thought about all sorts of things. It took a month for you to set out on this quest rather than one of revenge. It wouldn’t have helped Axton if you’d forged a hundred weapons of war to punish those who’d hurt him. It wouldn’t help Axton to pretend you fixed anything.
So instead you tell the truth.
“It won’t be the same,” you say. “It won’t work the way you want it to. Not right away. You’ll need to train with it and learn it as you would any other weapon. Your instincts won’t help you. But…it won’t break when I’m done. It won’t bend or chip. It won’t melt. It will serve you, Axton, until the exact moment you don’t need it anymore.”
Axton flies around the table to throw his arms around you. It’s amazing you came from the same parents. Where you are short and stocky, he’s really like a deer. His long arms could encircle you twice as he lifts you with a hero’s strength. “Thank you, thank you, thank you—”
And then you’re being hugged all around. Your dad’s strong, Blacksmith arms are crushing you to your brother, your mother’s soft cheek is against your shoulder, and there’s plate mail digging into your spleen while a sharp elbow digs into your spine.
You manage to turn your head just enough to see Kent hugging your from behind and Sella hugging him from behind. It’s her elbow that’s jabbing you.
“This is sweet,” she says. Her voice is a little muffled from how her face is pressed against Kent’s back. “We should hug more.”
“Does this make your brother a Hero?” Kent asks.
“This is a family hug,” you say.
“Duh,” Sella says. “That’s why we joined.”
You really can’t argue with that.
-
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