i'm so invested in them 😭💖 the not-couple of all time tbh
based off a screenshot of aabria and liam!
they gave us so many good halsha moments in the convergence episodes :') thank youuuu aabria and liam!!! 🙏🙏
Sweet Seals For You, Always
Noah Kahan
Xuebing Du
Today's Document
Sade Olutola
Aqua Utopia|海の底で記憶を紡ぐ

ellievsbear
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Jar Jar Binks Fan Club
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TVSTRANGERTHINGS
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occasionally subtle
"I'm Dorothy Gale from Kansas"
One Nice Bug Per Day

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@yeeyeebabe
i'm so invested in them 😭💖 the not-couple of all time tbh
based off a screenshot of aabria and liam!
they gave us so many good halsha moments in the convergence episodes :') thank youuuu aabria and liam!!! 🙏🙏
hallowed round halsha my beloved ✨️
"It's been a very long day, and the weather is turning."
One thing I've been really enjoying about Campaign 4 is that many of the abuse narratives woven throughout the text are really showing that it can be a lot more complicated than simply hating the people who have hurt you and wanting nothing to do with anything associated with them.
Wick knows his family is doing terrible things and hurting people; he hates his grandmother for doing these things and keeping him in the dark about them while smothering him in conditional affection to keep him compliant, but he still thinks there's good things in his family that are worth preserving. You can see this when he encounters his mother Iris and his brother Lioran again. He clearly loves them both dearly, even though Iris was not only an active participant but the architect of him being kept in the dark about the Creed. Seeing them again was a bright spot in an otherwise extremely tense and fraught homecoming for Wick, because even as he's realizing what harms his family is causing both to the world and to him, he still cares about these people.
Much the same can be said of Occtis. As horribly as he was treated by his entirely family and in spite of the fact that one of his own brothers killed him on his father's orders, he's still holding out hope that if he can talk to one of his siblings he can get them on his side. He read Petra and Ryah's letter and interpreted their reticence to rush ahead with Deva Vindicta ritual as them not wanting him killed. In spite of having just been in a fight where he was trying to kill him Occtis still took a moment to create a memorial for Frons. He repeatedly (though to no avail) asked Julien to spare Koral. When Julien asked as part of that exchange how he can still possibly extend any trust to any member of his family after what they did to him his answer was that they're his family. Despite everything that's enough for him to still have some faith in them.
There's also Vaelus and her complicated relationship with Sylandri. As much as she has stated that she hopes she can maybe bring her back it's clear it's less for the sake of having her goddess back, as she admits to Hannan that she hasn't prayed to her in a long time and quite readily hears him out and agrees with him about Sylandri hating the elves underneath her purported love for them, and more because her life with Sylandri is inexorably tied up in the things she does want back. Her memories of living in service to Sylandri are happy despite the limits and control (as seen in her memory of Sylandri refusing magic to Arthas for swearing) because her family is there. The world without Sylandri is also one in which she found herself utterly alone, in particular it should be noted that the death of Sylandri and the death of her sister Maywyn were near simultaneous. She's never known a world without Sylandri but with her family. She wants the happy life she knew with them back, and as Sylandri is a part of that, she considers bringing her back too. That life wasn't freedom and as she eventually agrees with Hannan about, was in many ways not her own, but it had something she has been grieving for 70 years, so it's little wonder part of her thinks that maybe that was better.
There's also something to be said about the orcs' ultimate decision to bless the Conqueror. He ruled and enslaved them with an iron fist and used them as fodder in his endless wars with his siblings, but when the orcs finally won their rebellion and their freedom and one of Azgra's war priests demanded a farramh for him, it was not only granted but granted easily. Agari Shadow, who lead the rite and was not only an orc but an orcish druid (and thusly a member of a people who were harmed by Azgra across multiple axes) said nothing could be easier than giving a blessing for the Conqueror, and lead a blessing that while it did not forgive him, acknowledged who he was to the orcs and how that effected who they became, and that who they became was ultimately what they are celebrating now.
All these relationships are one in which one party was grievously harmed by another in a sustained and terrible way, but also in which the emotions and choices made are more complicated than a simple hatred and rejection, even where that would be justifiable by what was done. There's more nuance there, and seeing it play out in various ways across various relationships in this campaign has been a delight to see.
YENESSA HALOVAR WHEN I FUCKING CATCH YOU
it’s actually quite easy to take over a small local government group if you really want to, bc if you volunteer consistently people will just put you in charge of whatever. I’m now one of like three people at a nature preserve making official decisions about trails, putting in a prairie, and designing a series of illustrations for a storybook trail etc., and it’s just because last summer I started coming over once a week to help the naturalist out for a couple hours. Mine now. you too can steal an organization and shape it to your will 🫵
Official Vesper Childers aka Bat Child post
just casually leaving this here for no particular reason
You know what? Fuck it I'm adding more context. Sesame Street has talked about the topic of death more than once and it's done with such gentle carefulness without watering down or censoring the heaviness of the situations. It treats heavy subject matter with respect and dignity and has been for DECADES. From the early 1980s:
To 2025:
Hell, they even cover the devastating heaviness of MASS SHOOTINGS without censoring or watering anything down.
They've been doing this for YEARS, and it's ALWAYS handled with dignity, respect, seriousness, understanding, and love.
Whenever I see people censoring words because it "might offend" someone or the big ad companies that are currently trying to run everything? I just want to say to them: "What? Is Sesame Street too mature for you?" Because really...what the hell are we doing.
I'm back with even more examples! Sesame Street once again to this day is out here handling extremely difficult subject matter with incredible care and respect. "We can't let kids learn about uncomfortable things!" Oh, really now? Even though they're things that happen in everyday life that they'll face one day at some point anyway? Interesting. Let's see what else this show has covered that people (for some reason) think should be avoided and hidden. Here's more on death of loved ones and greif:
Or how about when someone is put into the foster care system because their home isn't safe anymore and their needs aren't being met?
Maybe some discussions about group therapy/getting help and support?
Hey look! Here's a segment about gender expression vs taught expectation, including unlearning harmful biases and what to do when you hurt someone on accident because you didn't know it was wrong!
Look! The topic of race and diversity! The importance of unity and equity!
They even also have a more allegorical take on discrimination and being looked down on for who you are, featuring Big Bird. The conflict is about how he's not being let into a club because the one bird running the club personally decided he didn't want someone like Big Bird there.
Big Bird goes out of his way to keep changing parts of himself in order to "prove" he can fit into this club if he just changed enough. The truth comes out though, and there's nothing he can do to gain the approval of that bird. He will never be good enough in his eyes, and Big Bird starts to hate himself. His real friends see this finally put their feet down, emphasizing that you should never change yourself just to fit into one singular narrow idea someone else has.
There's A LOT of different situations this can be an allegory for. Racism, sexism, homophobia, basically ANY form of exclusion is put on full blast in this 15 minute clip. Sesame Street can be both blunt and allegorical when approaching difficult topics, and it NEVER misses or looses the point.
It does an exceptional job in both styles of representation WITHOUT watering anything down. The more sanitized everything gets, the more radical Sesame Street is suddenly considered, hence why so many "particular groups" want it gone. Hmmm! I can only imagine why that could be, in this current political climate! (I'm being sarcastic)
When Sesame Street is suddenly labeled as "questionable" or "politically/agenda motivated" content...it says A LOT about where we currently are and who gets to decide what's "best" for kids or not. Don't fall for the censorship and topic-dodging excuses that are covered by the "But think of the children!!!" movement. Never fall for it, because you know which side you're on if you do.
Sesame Street proves kids can be taught and trusted with learning about these topics when it's handled with the right amount of understanding and care. It shows what all this "controversy" is all really about. What it's always been about, actually.
Don't fall for it, always side with Sesame Street.
A spark that can't be dimmed
BOY HOWDY and what's coming next WHOOF I can't waaaaaait
~Tip Jar~
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You can also find all of today’s live doodles here
All previous Campaigns and one shot doodles, etc can be found in the CR live doodle Archive
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I can't believe they're BOTH GONE HOLY SHIT
Do you hear the falcon's cry?
it's thursday!!! i'm so excited to see her again!!!! shoutout Aabria for putting Thaisha in my favorite color palette ever i adore her
🧎
prints available here (~:
I think you're so good and I'm nothing like you
And the old religion Humming in your veins Some animal instinct starting up again And I am wound so tightly I hardly even breathe
Of course Laura Bailey already had me crying during the first episode of critical role campaign four. So I chose to further my pain by drawing the scene in question. what an incredible start to a campaign!!!🧵🪡🤎
picture "raimond davinos' genes never stood a chance"