Yeon-Hwa Kim

UCA MA Fine Art

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Yeonhwa Kim, The Voice from the Past, 2017, 2D Film

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The Voice from the Past

Yeonhwa Kim, The Voice from the Past, 2017, 2D Film

Multi-sensory scheme was applied but hard to adjust the level of sound and height of screen due to the existence of collaborated artworks.

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rearranged the position but recognized the unbalanced materials and colors between the objects and floor.

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Tracing Identity of Everyday Object

Yeonhwa Kim, Tracing Identity of Everyday Object, 2017, Plaster, transparent film.

Started to administrative work but hard to be positioned, regarding to the direction of light and the level of height for the audiences.

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Private Exhibition at 5th Base Gallery, titled as Bridging Identity, 10th -13th May 2017

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Processes of tracing human touches

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Testifying the Use of a Plaster to Trace Human Touches

Bridging identity seems to be very hard because of combining different characteristics on materials, but getting on a right track.

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Technical Failure on Tracing

Application of ink caused blurred images on tracing.

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Varied materials for Tracing

Application of pencil for a better tracing work.

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The Voice from the Past

The contrasted images between analogue TV and digitalised mobile handsets show the perceptional connection, titled as the Voice from the Past. 

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Getting Better after Experiencing Failures

With heat or without heat, it’s your choice.

We should consider of the application of 3M Spray Mount with a hairdryer.

It will ruin the image of traced objects.

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Fingerprints on the Transparent Film

#process 1

All the above materials will be applied for the surface of white plaster, taking out from the fabric sofa.

#process 2

The image of fingerprints on the adhesive film.

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Taking Out the Identity of Objects

Plastic materials on the surface of analog TV receiver seems to be very hard to extract the tracing images, so that I applied the 3M Spray Mount for a better result. 

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