furthest we've ever been
occasionally subtle
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Game of Thrones Daily
taylor price
almost home
"I'm Dorothy Gale from Kansas"
tumblr dot com
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Noah Kahan
🪼
Keni
Phantogram Three
Color Me Curious

Jimmy Eat World
macklin celebrini has autism
let's talk about Bridgerton tea, my ask is open
Fai_Ryy
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titsay
NASA
seen from Indonesia
seen from Malaysia

seen from Jamaica

seen from Costa Rica
seen from Türkiye

seen from Australia

seen from Russia

seen from Malaysia
seen from United States
seen from United States

seen from United States

seen from Bolivia
seen from United States

seen from Argentina
seen from Australia

seen from United States
seen from Guyana

seen from Myanmar (Burma)

seen from United States

seen from Italy
@yourmothersson
furthest we've ever been
all all all
thinking about statues of Grace being built all around Erid years after his passing so he can continue to watch over Eridians as they sleep
and out of the darkness - you you you you you
My contribution of PHM fanart that took me so much longer to finish than I wanted
Dog years
what kind of soulmate crack cocaine was everyone snorting in that set when they made this film i'm being serious
STTTTOOOOPPPP OMG IM CRYING MY EYES OUT
PROJECT HAIL MARY 2026 — dir. Phil Lord & Christopher Miller
Punch. Punch. Punch. Project Hail Mary (2026) dir. Phil Lord, Chris Miller
its a long journey to erid
A relatively messy study/fanart for project hail mary, the last month has really awakened my inner space loving child again
Also fun fact, while drawing Man of war by Radiohead started randomly playing which i think is very veru fitting for this
okay whatever. so i got charmed by that white boy. sue me
he’s like if a clumsy anime girl made a wish to be a forty year old science teacher
Your hank/ryland fancast would likely make Hank Green’s day which is so sweet to think about
STOP ILL CRY, hank green wherever u are just know you’d make a great ryland
Why not this one?
severance opening animation breakdown, part 2/2 (part 1)
commentary is below each image.
now this is really fascinating. here we have innie mark lifting the curtain so outie mark can go into the testing floor elevator (note the red arrow pointing down). outie mark seems scared and is going backwards (i can't imagine being in lumon feels relaxing). so to me this is outie mark assuming innie mark's identity to get to the testing floor and gemma.
but then we have innie mark carrying outie mark through another curtain, this time indicating the regular lumon elevator (note the green arrow pointing up). what's really striking here is that outie mark appears to be unconscious now, not even walking backwards in fear but completely out. innie mark is in control of that motion.
now here is where i think we really need to pay attention. first, note the symmetry of the twin sides of the book. on one page we have innie mark carrying outie mark in some relation to the elevator, with gemma's heads and many crouching/suffering innie marks around. on the other we have outie mark carrying innie mark again in relation to the elevator, with helly heads and crouching/suffering outie marks around. cobel is looking over it all bc the book is lumon's testing floor, her experiment. likely this is the regular elevator and both marks are going into lumon.
i can't decide if one mark carrying another means the walking mark is in control of the movement, or the walking mark is just a body and the carried mark is in control of the movement. the suffering marks are easier to explain -- each of the choices will be painful, even when winning, because each mark remembers the other mark's love enough to feel the pain of its loss. it's interesting to note that both marks are carrying the other towards one set of heads and away from the other -- outie mark carrying innie mark towards gemma and away from helly, with some part of outie mark suffering for it, and innie mark carrying outie mark towards helly and away from gemma, with some part of innie mark suffering for it. getting to gemma means leaving helly, getting to helly means leaving gemma. so maybe the walking mark really is the one in control. this is all happening under cobel's gaze, it's all part of her experiment, she wants to know which mark will take precedence.
lots have been said about the elevator shot already. i think two things are significant here: (1) outie mark gets spooked by something. he's in cobel's head, so maybe she did trick both marks and he realized that he was playing by her plan. he drops the torch and starts running towards the elevator, like he changed his mind at the last moment. (2) the last person in the elevator shot before the doors close is helly. she's the one outie mark is running to save.
lastly, the kier eagan baby head. mark participating in the literal or metaphorical siring of the world eagan wants to make, or both.
Your outie prefers two scoops of ice cream in a serving, but they must be the same flavor.