Dog years
styofa doing anything
2025 on Tumblr: Trends That Defined the Year
let's talk about Bridgerton tea, my ask is open

blake kathryn
YOU ARE THE REASON
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Kiana Khansmith
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DEAR READER
he wasn't even looking at me and he found me

roma★
Aqua Utopia|海の底で記憶を紡ぐ

Kaledo Art

ellievsbear
Cosmic Funnies
Jules of Nature
Not today Justin
art blog(derogatory)
ojovivo
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@yourmothersson
Dog years
what kind of soulmate crack cocaine was everyone snorting in that set when they made this film i'm being serious
STTTTOOOOPPPP OMG IM CRYING MY EYES OUT
PROJECT HAIL MARY 2026 — dir. Phil Lord & Christopher Miller
Punch. Punch. Punch. Project Hail Mary (2026) dir. Phil Lord, Chris Miller
its a long journey to erid
A relatively messy study/fanart for project hail mary, the last month has really awakened my inner space loving child again
Also fun fact, while drawing Man of war by Radiohead started randomly playing which i think is very veru fitting for this
okay whatever. so i got charmed by that white boy. sue me
he’s like if a clumsy anime girl made a wish to be a forty year old science teacher
Your hank/ryland fancast would likely make Hank Green’s day which is so sweet to think about
STOP ILL CRY, hank green wherever u are just know you’d make a great ryland
Why not this one?
severance opening animation breakdown, part 2/2 (part 1)
commentary is below each image.
now this is really fascinating. here we have innie mark lifting the curtain so outie mark can go into the testing floor elevator (note the red arrow pointing down). outie mark seems scared and is going backwards (i can't imagine being in lumon feels relaxing). so to me this is outie mark assuming innie mark's identity to get to the testing floor and gemma.
but then we have innie mark carrying outie mark through another curtain, this time indicating the regular lumon elevator (note the green arrow pointing up). what's really striking here is that outie mark appears to be unconscious now, not even walking backwards in fear but completely out. innie mark is in control of that motion.
now here is where i think we really need to pay attention. first, note the symmetry of the twin sides of the book. on one page we have innie mark carrying outie mark in some relation to the elevator, with gemma's heads and many crouching/suffering innie marks around. on the other we have outie mark carrying innie mark again in relation to the elevator, with helly heads and crouching/suffering outie marks around. cobel is looking over it all bc the book is lumon's testing floor, her experiment. likely this is the regular elevator and both marks are going into lumon.
i can't decide if one mark carrying another means the walking mark is in control of the movement, or the walking mark is just a body and the carried mark is in control of the movement. the suffering marks are easier to explain -- each of the choices will be painful, even when winning, because each mark remembers the other mark's love enough to feel the pain of its loss. it's interesting to note that both marks are carrying the other towards one set of heads and away from the other -- outie mark carrying innie mark towards gemma and away from helly, with some part of outie mark suffering for it, and innie mark carrying outie mark towards helly and away from gemma, with some part of innie mark suffering for it. getting to gemma means leaving helly, getting to helly means leaving gemma. so maybe the walking mark really is the one in control. this is all happening under cobel's gaze, it's all part of her experiment, she wants to know which mark will take precedence.
lots have been said about the elevator shot already. i think two things are significant here: (1) outie mark gets spooked by something. he's in cobel's head, so maybe she did trick both marks and he realized that he was playing by her plan. he drops the torch and starts running towards the elevator, like he changed his mind at the last moment. (2) the last person in the elevator shot before the doors close is helly. she's the one outie mark is running to save.
lastly, the kier eagan baby head. mark participating in the literal or metaphorical siring of the world eagan wants to make, or both.
Your outie prefers two scoops of ice cream in a serving, but they must be the same flavor.
OH TO HELL WITH Y'ALL
harmony keeping a close eye on mark feels like it takes on such a different meaning now. imagine your work getting stolen from you but you're still devoting your whole life to the process. you're still invested in the whole entire thing! you are willing to stalk your employee to understand just how far the severance barrier can go you are open to playing with your employee neighbor and his dead wife wellness counselor like dolls in your science experiment because you can't control how your invention is used but you can control your understanding of what it can do. no fucking wonder she said the severed floor was hers to run! girl!!!
kinda dead at devon putting mark on the phone to cobel and he's like "yeah, hello? 🙄" like just a bitch through and through
the thing is like. of course cobel invented severance. of course the girl who spent her whole childhood doing backbreaking labor in a fume-choked factory from sun-up to sundown would dream of a way to erase the memory of the aches that came from hours spent stirring a vat. of course the girl who never had a work-life balance because lumon owned every aspect of her world would want to force that separation into existence. of course she sold her soul to the company store and immersed herself in the teachings of kier and earned every single thing she accomplished through dedication and industry. and of course jame eagan took credit for it all.
Harmony Cobel is a Shirley Jackson woman in a Philip K. Dick world