SCREAM (1996) dir. Wes Craven
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@yourtinseltinkerbell
SCREAM (1996) dir. Wes Craven
remember the magicians? that was fucked up
that WAS fucked up.
recollections
GOD. still the funniest transition in the show bar none
Charles, we're going to have a heavenly time alone. BRIDESHEAD REVISITED — 1.01 'Et in Arcadia Ego'
COMMUNITY 1.08 "Home Economics"
It's Always Sunny in Philadelphia (2005-)
AMC really struck gold with the unreliable narrator idea because now people will insist that any flaw in the storytelling is actually a genius premeditated reflection of a fallible narrator, any pacing issues are actually a genius premeditated reflection of a characters psyche, and any lack of character development is actually a genius premeditated reflection on a characters refusal to face their own trauma, and having cheap looking production is actually a genius premeditated reflection of a characters memories, and any unwarranted deviation from the source material is actually a genius premeditated lie that will be proven false at some unspecified point, and any poor handling of sensitive subjects is actually a genius premeditated commentary on the characters own failings, etc, etc.
i feel like turning the torture scene in the finale into a louis fan vs armand fan thing is a very fandom-focused perspective to take that ultimately trivializes the very real racism of the writers and production behind it. like, the roles of both characters in that scene are obscenely racist. having louis, a black man, be brutalized and forced to take blame and apologize for abuse done to him is horrific. it’s also incredibly offensive to have a south asian, implied muslim, character be cartoonishly evil by spilling the blood of his victims (louis and regina) in a jewish butcher shop
don’t turn this into character vs character fandom war when there are layers to the racism, including pitting the main nonwhite characters against each other
Rice on Adaptation
What movie do you not want to see?
Daenerys Targaryen by Tyler Jacobson New look at the 2027 ASOIAF Calender
flanagan's crimes are many and varied but at this point his insistence on taking material explicitly critical of family structures (sometimes including portrayal of intense abuse) and adapting it into stories about The Beauty Of The Nuclear Family is all but indistinguishable from an entirely conservative project
If you want to sell your services, I'm not willing to be the price. The Third Man (1949) dir. Carol Reed
The Talented Mr. Ripley (1999) dir. Anthony Minghella
I like the way you say things.
Call Me by Your Name (2017) // dir. Luca Guadagnino
No Sicilian can ever refuse a request on his daughter’s wedding day.
The Godfather, 1972 dir. Francis Ford Coppola