Marek Osedowski
“Tether & Fuse”
Mike Driver
Acquired Stardust
d e v o n

No title available
I'd rather be in outer space 🛸
Keni
YOU ARE THE REASON
Game of Thrones Daily
art blog(derogatory)

祝日 / Permanent Vacation

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Today's Document
Alisa U Zemlji Chuda
Cosimo Galluzzi

❣ Chile in a Photography ❣
he wasn't even looking at me and he found me
2025 on Tumblr: Trends That Defined the Year

ellievsbear
Peter Solarz

seen from United States
seen from India
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seen from United States
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seen from United States
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seen from United States

seen from Malaysia
seen from United Kingdom

seen from Türkiye
seen from United States
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seen from Netherlands

seen from Türkiye

seen from France
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@yousauce
Marek Osedowski
“Tether & Fuse”
Jo Shapcott, Of Mutability
[ID: Scan of a page of text. The top of the text has a header that reads "Scorpion." The body of the text reads: "I kill it because we cannot stay in the same room. I kill it because we cannot stay in the same room with me sleeping. I kill it because I might look away and not see it there on the wall when I look back. I killed it because I might spend all night hunting it. I kill it because I am afraid to go near enough with glass and paper to carry it outside. I kill it because I have been told to. I kill it by slapping my shoe against the wall because I have been told to do it that way. I kill it standing as far away as possible and stretching my hand holding the shoe towards it. I kill it because it has been making me shake out the bed clothes, look inside my shoes, scan the walls at night. I killed it with two fast blows in case one isn’t enough. I kill it because I can. I killed because it cannot stop me. I kill it because I know it is there. I kill it so that its remains are on the heel of my shoe. I kill it so that its outline with curved sting is on my wall. I kill it to feel sure I will live. I kill it to feel alive. I kill it because I am weaker than it is. I kill it because I do not understand it. I kill it without looking at it. I kill it because I am not good enough to let it live. I kill it out of the corner of my eye, remembering it is black, vertical, stock still on the white wall. I kill it because it will not speak to me." /end ID] (id from notes)
“Nails” (1999) ⊞ Michiko Matsushita — computer parts and wires embedded under clear acrylic
Korina Wray
need
Yohji Yamamoto SS09 ⊘ “DON’T DO THAT” graphic jacket
Dead Sea, Palestine under the Moon
Untitled © Peter Solarz
Dyke Wall Hanging
Filet Crochet
9 x 30 cm
London/Edinburgh 2025
#queerart #filetcrochet #fibreart #dyke #lgbtq #lesbian #art
Yohji Yamamoto SS2008 ∿ Braided hair as sculpture, draped black silhouette
Mickalene Thomas.
this is so lynchian
this is so cute
me and the girlies losing our boundaries and coalescing after one iddly widdly bong rip
Mark Rothko, Untitled, 1968
Acrylic on paper
© 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
when i was like 5 i started waiting for something and never stopped
ken lum
Ken Lum, Death and Furniture (series), digital prints on archival paper, 2021. Courtesy of Royale Projects and Ken Lum.
Greg Girard: Shin Okubo station, 1976
Once you start noticing how the incapacity to handle discomfort affects how people live their lives it's actually pretty shocking how it ruins pretty much every conceivable aspect of existence. Interpersonal relationships, romantic and platonic. Career and education opportunities. Your politics Your willingness to go anywhere. The kind of food you eat. The kind of art you expose yourself to and your ability to read it. It's never just one thing, it touches everything, and once you notice it it's like suddenly being able to see germs or something. Just this horrific catastrophe people look at you askance for screaming about. As I grow older and see what became of my friends and peers who could not learn to handle discomfort, the more I'm like. This is a genuine societal issue