PUT YOUR BEARD IN MY MOUTH
Sweet Seals For You, Always

pixel skylines
Lint Roller? I Barely Know Her
trying on a metaphor

PR's Tumblrdome
$LAYYYTER

No title available

⁂
Claire Keane
occasionally subtle

#extradirty
Mike Driver
Keni
he wasn't even looking at me and he found me
Aqua Utopia|海の底で記憶を紡ぐ

★
I'd rather be in outer space 🛸
No title available
DEAR READER
seen from United States

seen from United States

seen from United States
seen from Brazil

seen from United States

seen from United States

seen from United Kingdom

seen from United Kingdom
seen from Chile
seen from United States
seen from United States
seen from United Kingdom
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States

seen from United States
seen from Canada
seen from Malaysia
@zao4
© impromptu arquitectos - northshore housing complex - UK - 2009
Hey friends!
It’s Meg here for TUTOR TUESDAY! Today is part one of drawing trees. I’ll do a tutorial on painting trees next time! This was a recommended tutorial, and if you have any tutorials you’d like to see just send em in here or at my personal! Have fun, keep practicing, and I’ll see you next week!
but its Wednesday…….
Good reference for backgrounds!
Third book from Paul Jackson that Archimodels is featuring. Amazing book for this price.
STRUCTURAL PACKAGING: DESIGN YOUR OWN BOXES AND 3D FORMS
Junya Ishigami is known for his enchanting concepts which attempt to dissolve the boundaries between architecture and geography, the delicacy and lightness of form in his work stretching far beyond the minimalist aesthetic.
The Kait workshop in Japan is a physical embodiment of such ideas; a barely-there glass box supported by 305 unique steel columns to create a fresh interior space drenched in natural light. The interior is an artificial forest of white columns, with sunlight filtering through skylights which run the entire length of the building.
Ishigami’s obsession with celebrating the beauty of nature within artificial form is expressed in the exterior, where the glass reflects the site’s surrounding trees and the lack of exterior walls furthers the building’s transparency. This subtlety and tentativeness is present in all of Ishigami’s work.
Photos taken by Iwan Baan and Rudolph Escher.
Wait for me to come home. - 24/1/16
© steven holl - house - rhinebeck, US
© massimiliano fuksas - shenzhen international airport terminal - china - 2008
Siófok II, 2017 | by Marietta Varga
qalcium
If you could see your whole life from start to finish, would you change things?
Arrival (2016), dir. Denis Villeneuve
Takane Nakagoukan Kids Space / Tanseisha + POINT
Photos © Kenta Hasegawa