(exploring a god damn river basin) there better not be any god damn rivers in here
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noise dept.
$LAYYYTER
Stranger Things

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PUT YOUR BEARD IN MY MOUTH
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let's talk about Bridgerton tea, my ask is open

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@zekefreek
(exploring a god damn river basin) there better not be any god damn rivers in here
I just said this on twitter but I’m a bit awed at the number of industry people I’m seeing who admit to having no private backups of the shows they worked on, even lead showrunners. I genuinely thought it was just a given they would end up with digital copies of their own without really even having to try. I feel like the process of making a cartoon in the digital era must still look very very different than I thought it did.
So they send everything off to be animated and….what comes back? There’s no further editing or screening or anything that involves the complete video file passing through crew hands and computers? Or are they deleting the files under an assumption that the episodes will be out there in the world forever?
Shit, I obsessively back up the raw master files of evert single thing I’ve ever made for even the most microscopic chance I’ll ever want it again as long as I live. Sometimes I even save it at multiple points in its creation as different files in case I wanted to go back and overhaul something, or any reason to show it to anyone in that state, or if somehow any of my data was just fried or corrupted some day! Anything!
Some places where I’ve worked had computer with disabled ports. If you wanted to listen to music while you worked, you had to ask the boss and rip the CD on his computer and then send it to yourself through the network cause no internet either. And they had you sign NDAs anyway so you’d be fired if they thought you took anything, or mentioned anything to anyone. I do save several versions of everything when I work, but it’s all on work computers and then when the project is over it’s archived and you can’t access it anymore. If you wanted anything for your portfolio, you had to go through a long and grueling process where you filled out forms and basically begged so they’d give you, maybe, one scene. On top of that, I do VR video stitching, editing and effects and -if- they let you take a scene, they will only let you take either the footage before any of the work, or the final shot, but not both. So you can’t. Actually show your work in a portfolio. Because if you do your job right, it doesn’t look like you did anything because it blends in. And that’s if you’re even still at the company and they haven’t just called everyone to a meeting, fired everyone present at the meeting and then locked your computer, account, work email and everything while you were out of the room. And now you can’t even get to your desk to get your bag without someone to play security just in case you try to access it and take any of the work, specifically. (That’s literally how all of my jobs ended. They called half the floor to a surprise ‘meeting’ that was actually just firing us, making it super awkward for the fired people AND the remaining people) So on top of an industry that tries to squeeze overtime out of you wherever it can, you’re supposed to do more of the same work in the free time you get so you have something to show to future employers. Hell, I had to do some 3d animation for a different studio recently and asked to send myself some footage of it, or the model so i could animate on my own time, and got denied
So uh TLDR; yeah you SAVE a bunch of copies, on company computers, but they scrutinize everything you do and are prepared to rain legal repercussions on you if you try and take any copy of your own work home, even as a showcase of your own abilities (and i assume future employers would hold it against you if they saw identifiable work? if you did steal like some people are suggesting?) A guy at work only mentioned the title of some low budget movie we were working on on facebook once, and was immediately fired and idk if there were criminal charges but he was shut out of the entire industry for like at least 5 years
I thought it might be control freak employers but I think I still underestimated the actual level of derangement.
Remember that post a few days ago where I groused about not being able to relate anything in a cartoon to reality? I was partially blaming the censors, but as I sit here trying to storyboard a funny children’s cartoon while offering cold comfort to my teacher friends in the midst of this week’s national tragedy, I’m afraid I’m going to have to place most of the blame on reality itself. Or at least the reality we’ve created for ourselves here in the United States, and which we ship out to the rest of the world as “entertainment”.
If you want cartoons to be good again, you’re going to have to make life better first. The whole point of satire is to hold a mirror to society with a touch of hyperbole, but when you live in a world where there are mass shootings like clockwork, of course you’re never going to be able to address violence in any form on a children’s show. I mean, I’d love to shove some of these uncomfortable truths in some people’s faces, but that’s just not going to happen on children’s TV. I can’t come within a million miles of that. It’s radioactive. And I get it.
I think it’s interesting that there’s so much more violence now that we don’t have Elmer Fudd chasing Bugs Bunny around with a shotgun. I wonder sometimes if there isn’t a certain catharsis to seeing bad people punished. Elmer Fudd never won. He was the bad guy and he got his comeuppance. We used to watch people hit KKK members with furniture on Jerry Springer. Maybe that’s where they should’ve stayed; not as boogeymen but as loser clowns; defeated remnants of a failed racist insurrection destined to be beaten soundly with folding chairs for the rest of time. In truth though, I suspect that the problem has much less to do with depictions of violence in the media than it does with forty-plus years of Republicans legislating against education and the resulting entitlement that engendered.
A certain segment of our society is really frightened. Frightened enough that they elect “strong men” who talk tough whether they’re “strong” or not. Frightened enough to hoard guns. Many of these people start off believing that a magic man in the sky will guide their morality, and I think many of them take that as an excuse never to learn or grow or develop any sort of morality of their own. Existential crises (IMO) are what humans use to better themselves. They’re difficult and unpleasant and can really ruin your day/week/month/year. In other words, they are “a real downer”. During an existential crisis, you’ve got to reflect on what you believe and why you believe it, and evaluate how changing those beliefs might ripple through your life. You’re going to have to make changes, and changes take work. But over time, you sort it out and come out the other side better and stronger for the work you’ve done. However, when the greatest crime you can think of is to admit fault, then you will do literally anything to avoid an existential crisis. It’s gotten to the point where a lot of these people have spent their entire lives lying to themselves.
I suspect that most of them know that they’re full of shit. Like, way back in their mushy little goldfish brains there’s a little voice that points out the cognitive dissonance. But listening to that voice will cause an existential crisis that will negate the past thirty-to-sixty years of their lives and leave them a sobbing wreck wondering why they wasted so much time on absolute bullshit. So instead, they keep lying to themselves so that the dam doesn’t break. And then they lie to others to reinforce the dam. With enough reinforcement, they can live together, hermetically sealed in an ignorant dreamland. And god help anyone who starts trying to poke holes. Without ever having experienced an existential crisis, these people would now literally rather kill you than admit fault. “Don’t talk about race. Don’t talk about gender. Don’t talk about gun violence. If you do, we’ll remind you that we have all the guns for the coming civil war our politicians are openly calling for.”
Did any of you watch “Chernobyl”? There’s a part where the lead scientist goes to Moscow to relay his findings to the Kremlin and he gives them the bad news that a real and deadly disaster has already happened. And the Kremlin says no, that sort of stuff doesn’t happen here in Russia. And the scientist says, “Well, no. I’m saying that it’s already happened. I don’t think you understand.” And he’s told, “No you don’t understand. We said that sort of stuff doesn’t happen here in Russia“ And then our hero starts to understand how truly screwed everyone actually is. That’s us now. That’s entertainment reflecting our real world back at us. If we can’t even start by admitting we’re wrong, we are all doomed.
My opinion on what TV animation is for is changing. When I started out as an artist in the animation industry, it was all about “art” and “freedom” and “sticking it to the man”. Now, I think, it’s more about providing an escape from the real world for children. That’s what it was for me growing up as a child so maybe that’s not too surprising, but I think I’d started to forget about that fact (granting that I was just trying to escape standard bullying and my own Aspie brain rather than mis-educated nihilist gun-nuts and their throngs of right-wing murder-fans).
Things will get worse. More killings will happen, and more frequently. And the stuff you’re watching is likely to get even less relatable as networks scramble to cover up our society’s exposed seams. And I guess that’s fine. “Relatable” is fucked. I’ll bet some people stumble across this in a few days or weeks or hours and wonder “but which shooting is he talking about?” Shit, if I hadn’t mentioned kids, we’d have three or four to choose from this week.
So that’s why your cartoons suck. It’s the same reason most things suck now. Because your society is catering to hypocritical, anachronistic, ego-maniacal, cousin-humping racist idiot death-cultists.
Now… if you don’t mind I’ve only got a few hours to craft some silly jokes about corn while thinking about abandoned kids having to smear the blood of their dead friends on their clothes to stay alive.
*Please send all whataboutisms, both-sides-isms, gun facts, and death threats to P.O. Box Gofuckyourself, Cancel Me, CA.
Awww Alex is so proud of his friends <333
Disney Cartoon Pilot: Haha funny hijinks and magical times heehoo
Disney Cartoon Finale: WE NEED TO KILL GOD
Point 1: Dracula is set in the 1890s.
Point 2: Red Dead Redemption 2 is set in 1899.
Point 3: Dracula’s characters include the cowboy Quincey Morris, whose good good friend is named Arthur.
Point 4: Red Dead Redemption 2 canonically has a vampire in it, whom the player character Arthur can hunt and kill.
Conclusion: ????
I can't stop laughing omg😭😭😭😭😭😭
Sound on
They're brainstorming anti-spice legislation in the notes 💀
They really are brainstorming away down there. However, I like this note, so I’ll share it.
“lightcycler:
Anyone even mentioning why you shouldn't do this, has likely stolen food before. There is not a single person alive in their right mind that would risk a food allergy was someone else's meal. Y'all are just trying to justify what you did in the past.”
you ever really get in the Writing Zone™ and everything’s going super great and awesome and then you write that one sentence. and you have to take a break and think about how to phrase it for 6 hours
Youtuber making 5+ hours long video essays on media but it's about completely fake shows and they are making up stuff on the spot
13 college professors killed in horrific youtube autoplay incident
i bet the dick is insane
Banger notes this eve
🤣 what tf
May you wake up to an inbox full of incoherent AO3 comments
The way queer people online police other queer people’s work is just so weird. They’re like “killing off a queer character is Bury Your Gays regardless of the context behind the death and it’s illegal for lesbian relationships to be unhealthy in any way also homophobia should never exist in fantasy worlds ever. The fuck is self expression.”
I feel like this take is intrinsic to the idea that has destroyed Fandom and hobby writing spaces. The idea that writing reflects explicitly what you want in real life with no care to the fact that writing has centuries of history of cathartic exploration.
Maybe that queer wants to explore the homophobia that has ripped apart their life? Or deal with the emotions of losing friends? Or maybe writing is just fun when there’s conflict that interests you but you don’t want to see in real life so you play with your toys and make a fucked up abusive narrative that is safely contained in fiction.
Ran out of disney movies so they’re sending Sora to the world of a car commercial
According to Facebook, an oppressed minority group that’s been discriminated against for too long = landlords.
Being a land lord is a heinous immoral act you may as well as censor people for condemning mafia ran protection rackets because they’re functionally identical.