Exotica Mile

@zenthing

Fascinated by the unknown, the obscure, the disappeared and the beautiful traces left in the glowing air. Stella Maris - Personal Photo Tumblr var _gaq = _gaq || []; _gaq.push(['_setAccount', 'UA-13072918-2']); _gaq.push(['_trackPageview']); (function() { var ga = document.createElement('script'); ga.type = 'text/javascript'; ga.async = true; ga.src = ('https:' == document.location.protocol ? 'https://ssl' : 'http://www') + '.google-analytics.com/ga.js'; var s = document.getElementsByTagName('script')[0]; s.parentNode.insertBefore(ga, s); })();

6,101 posts

Posts

fitesorko

Margaret Sullavan

madeleineengland

Wilson Webb has photographed the cast of Little Women with the Collodion wet plate process. It was a technique developed in 1860s, when the story of Jo March and her sisters takes pace.

hayaomiyazaki

Before you can change the world, you must realise you yourself are part of it.

THE DREAMERS (2003) dir. Bernardo Bertolucci

hayaomiyazaki

BESIEGED (1998) dir. Bernardo Bertolucci

Ain’t No Way - Aretha Franklin

yama-bato2

©yama-bato

The Handsome Family helps get my mind off it. Still so good.

Sometimes I want to think about something other than radioactive waste.

grigiabot

Helena Almeida

Love her.

a-bittersweet-life

For me, architects and film directors operate similarly. They are practical. As an architect, you know what you want in the conception of a space–but you still need a lot of people to help you out. You need an engineer, interior architects. But a film is the same–you have all these elements. But in terms of concept, it’s always about time. When you approach a building, you need time to go from point A to B. Buildings are designed as a journey and films are the same, you have an opening that you come through, an angle you follow, maybe a disruption in space.

Apichatpong Weerasethakul