a reason to exist

hello im a useless adult. ritsu is my actual zodiac animal i will probably post and reblog fruits basket fanart sometimes.

[zodiac-monkey]

[zodiac-monkey]

i was kindly allowed to draw ritchan, mitchan and kagura in autumn for the beautiful @furubazine!!! \;;W;;/ this is SUCH a precious and heartfelt zine and im sooo happy i was able to be a part of it!!! >////< thank you so much again!!! \;;w;;/

[zodiac-monkey]

HELLOOOOOO!!! ;;W;; some time ago i received a PRECIOUS TREASURE BOX from @furubazine!!!!!

it’s PINK and has beautiful pictures on the cover inside of cute little riceball shapes!!!! 🍙🍙🍙🍙 it has a gentle, thankful feeling to look at, like looking into a window on all the seasons and the warm scenes of friendship and family--the words printed on simple, solid white feel so solemn and grateful all at once T--T i can’t stress enough that the presentation of this zine is GORGEOUS, everything is so carefully and beautifully packaged that i really feel like every item is a precious treasure that is looked after with loving care..!! \;;A;;/

SADLY THERE WAS TAPE ON THIS PART OF THE BOX and even though i was trying to handle it very carefully i am terribly clumsy and bad with boxes and accidentally injured this poor box!!! ;;A;; I AM SORRY!!!!! I WILL APOLOGIZE TO THIS BOX!!!!!! I WILL APOLOGIZE TO THE WORLD!!!!!!! m(__  __)m

look at this gorgeous collection of treasures!!! ;;w;; i feel like there should be sparkles flowing out as i open this, everything is so carefully and charmingly arranged and feels so cozy together!!! TwT

BEAUTIFUL RAT YUKI SAYING SUKI DESU IS SENDING ME OMG IM CRYING;;;; WHAT A GORGEOUS PIN WHAT A GORGEOUS BABY;;;;; ALL THE MERCH IS PRECIOUS WHAT A BEAUTIFUL ZINE AHHHHH;;;; \T/////T/

they sent me this beautiful thank-you note with a tiny adorable furuba trio on it!!! the lettering is so gorgeous and fancyyyy!! \;;A;;/ thank YOU for letting me be a part of this incredibly special and heartfelt project!!! >////< i really really enjoyed working on it, everyone was so nice and relaxed and supportive of each other--it’s an absolute joy and honor!!!!! T////T

THEY EVEN WROTE ME A LITTLE SPECIAL NOTE IN THEIR OWN HANDWRITING!!!!! \;;A;;/ IM CRYING WHAT DID I DO TO DESERVE THIS OMG???? they are the ones who are kind people!!!! T////T thank YOU so much for your hard work putting together so many beautiful treasure boxes for all of us!! ;;A;; they said nice things about my picture that’s sooo sweet im so happy they thought it was pretty!!!! >////<

also they even told me not to be embarrassed about what i love!!! /)/////(\ wahhhhh!!!! it even has a little heart too!! i suppose this is because i said something in the discord server about feeling embarrassed for drawing cross-dressing all the time ;;A;; this is so extremely thoughtful and considerate of them to remember!!!! thank you so much for such kindness please take all of these hearts too!!!! />/////</💖💖💖💖💖💖💖

the zine itself is gorgeous!! the cover art by lluluchwan feels so peaceful and warm--i love how the light falls on them through the sunlit flowers, so restful and bright, and tohru’s smile fills my heart with warmth and gratitude!! ;;w;;

the merch comes in these precious little cherry blossom pouches and the postcards even come in a package with a window to see how beautiful they are!! it’s like a little sleeping bag just their size!! ;;w;;

i LOVE this foil postcard by @magesup​ it’s SO gorgeous?? everyone crossing the bridge together with the blooming cherry blossoms is so precious, like everyone is moving together towards happiness!! ;;w;;

akito is leading the march and kyo and tohru at the back look so happy together, momiji’s energy is so precious (even if kisa seems a little shy or surprised by it), ayame being extra and hatori putting up with it as usual, shigure probably making some joke to kureno and kagura full of energy as usual, rin is leaning over the bridge away from the others--she and hiro look a little aloof about everyone’s commotion--but yuki looks so lively and engaged talking with haru, and even ritsu seems calm and at peace! (RITSUUUUU!!!!!!! IM SO HAPPY TO SEE RITCHAN HERE!!! \;;U;;/)

everyone is so beautiful and their personalities really shine!!! AND LOOK HOW THE BRIDGE IS SHINING GOLD!!!! i had no idea it would be like that, it’s so beautiful!!!! \TwT/

OMG LOOK HOW THE FOIL PICTURE FRAMES SHINE!!!! \;;O;;/ i LOVE how this work by AmySunHee showcases so many of the characters and moments of the series, with tohru clasping her hands in front of them all like every one is precious to her!! the gold really makes it feel like each one is a treasure!! ;;O;;

BABY TOHRU WITH HER PARENTS MY HEART!!!! T---T EVEN THE LITTLE GRANDPA AT TOHRU’S ELBOW and even akito is close to tohru, she cares no matter what ;A; momiji looks so peaceful playing his violin, the little flowers!! kagura glomping kyo, his expression is CLASSIC, haru and rin together look picture perfect sitting back to back, and kisa and hiro match perfectly in their outfits!! hana and uo and the student council, the mabudachi trio and mine showing off ayame--even the yuki fanclub is there AND OMG THAT PHOTO OF KYO AND YUKI HATORI TOOK,, THEY JUST HAD TO FRAME THAT.. he even got their question marks in the photo sfhsgdhg AND RITSU IS THERE IM SO HAPPY in classic form i love the expression!! the ornate detailing on all the frames is gorgeous!!! T////T i love the exquisite patterns so carefully carved into them!!

THE CHARMS HAVE LITTLE CAT RINGS HOW CUTE IS THAT?!!! >/////< each charm is like looking in on a little scene, i love them!! the kyo and yuki buttons by lulu are just gorgeously soft and precious, and i love the motion in the petals and leaves in the buttons by hackwolfin, i can feel the different moods and seasons in each one, from cheerful to melancholy ;;A;; AND kyo sleeping with tiny riceball and rat yuki on the enamel pin--AGAIN HOW CUTE IS THIS!!! T////T HOW CAN ABSOLUTELY EVERYTHING BE SO PRECIOUS!!!! \;;A;;/

EVERYTHING IS SO SWEET AND BEAUTIFUL IM CRYING???!!! the die-cut stickers by samairu are so gorgeously detailed and smooth, i love how close and cozy the characters look framed in the circle windows, and the rich colors really make me feel the bright spring day and deep autumn night!

the school defense force stickers by sleepy-crayonn are so expressive, i love how each character portrait shows their personalities matched with a season, and the hilarious mini reaction images?! XD the little festival stickers by dewream are sooo precious everyone is so soft and cute and tiny!!! >////< (TRUE TO HIS NATURE KYO CAUGHT A FISH) tohru is so happy and i love how gracefully yuki holds that fan!!

this postcard by @lumiiki​ is just SHEER JOY AND BRIGHTNESS everyone so happy together on a sunny day, the boys looking on contentedly at tohru with her arms full of flowers as she just radiates happiness!! i love the detail in her flowers and straw hat, the strong shading makes it feel like the sun is really really bright!! TuT

@vitaminpop​‘s art style is so ABSOLUTELY PRECIOUS i treasure these tiny little furuba cards so much???? everyone is SO SOFT i love the light inner outlines and highlights around the edges, tohru here with a big smile and flowers for everyone, yuki with this sweet little smile so tenderly holding the fresh strawberries he put so much work into growing himself, covered in dirt still from tending them but radiating this soft joy from the care he’s poured in T---T kyo so casually eating his food his big unconcerned eyes are so precious, shigure just taking his hat off like he’s come in from the cold, his smile is so soft;;

im blessed with all of these treasures omg!!! \T////T/

WAHHHH im so honored that my picture was put right next to the page for autumn?? \;;A;;/ thank you so much im sooo happy!! it looks so light and soft next to the soft leaves falling on the title page!! ;;/////;;

(of course looking at it in print im filled with thoughts like “maybe i should have left in more of the white border” and “i seem to have forgotten again that my monitor shows colors as more pink than they really are” BUT DONT WE ALL....)

THANK YOU SO MUCH AGAIN for letting me be a part of this project, it’s so absolutely beautiful and heartfelt and im so thrilled and honored that i could contribute!!! >/////< thank you soooo much!!!! \;;W;;/

[furubazine]

❝ Thank you, Furuba ❞ is a physical zine with 75+ pages of illustrations and narratives showcasing the loving bond between characters throughout the seasons. This is a charity zine to say “Thank You” to such a beloved series that has touched many of our hearts. All proceeds made from this heartfelt project will be donated to the The Trevor Project and 10% donated to NBFN to support the BLM movement. We will also be gifting copies to some of the beloved VAs. 

Bundle Options:

❁ ↬ $12 Demon Yuki: A digital downloadable PDF of the zine

❁ ↬ $15 Demon Yuki + Miss Honda Bundle: Includes a digital downloadable PDF of the zine with two 1080x1920px phone wallpapers and six matching 200x200px icons!

❁ ↬ $25 So Precious Bundle: Includes 1 physical zine and a downloadable PDF version of the zine.  ⇸» Stretchgoals included: 1 postcard and 2 buttons «⇷

❁ ↬ $45 I am a Bottom!! Bundle: Mystery bundle! Includes 1 digital downloadable PDF, 1 physical zine, and randomized merch; 2 character cards, 1 die-cut sticker, 1 charm, 1 sticker sheet, 1 print and 2 buttons.  ⇸» Stretchgoals included: 1 postcard and 2 buttons «⇷

❁ ↬ $45 Pay the Piper Bundle: Merch only bundle. Includes all physical merch: 2 sticker sheets, 2 die-cut stickers, 2 foil prints, 2 double sided acrylic charms, 4 buttons, and 4 character cards.   ⇸» Stretchgoals included: 1 postcard and 2 buttons «⇷

❁ ↬ $60 Crimson Butterfly Bundle: Full bundle. Includes 1 downloadable PDF, 1 physical zine, 2 sticker sheets, 2 foil prints, 2 double sided acrylic charms, 4 character cards, and 4 buttons.   ⇸» Stretchgoals included: 1 postcard, 2 buttons, and 1 enamel pin «⇷

❁ ↬ Add-ons: Miss Honda and Music Box $5 Miss Honda: Two 1080x1920px phone wallpapers + Six 200x200px icons! Can be added to any bundle!

$10 Music Box: “Spring Will Come” Melody. Can be included with physical bundles only!

⇨ Shop Link: https://furubazine.bigcartel.com/

Keep reading

[furubazine]

How about another fall preview? This one comes from ❀ ↬ @zodiac-monkey ↫ ❀ and features the lovely pair, Mitsuru and Ritsu! There’s also a third mystery character in the piece! Can you guess who?

You can pre-order your copy of the zine below!

⇨ Shop Link: https://furubazine.bigcartel.com/

[thechocobros]

♡ “I DON’T MIND COOKING FOR YOU, IF IT GETS YOU BETTER ENOUGH TO DO THAT.”

[shrikeofficial]

i love one adidas model  ( ´ ▽ ` )  ~👑

[zodiac-monkey]

two dictionaries!!

[keiko-chan]

Yuki Sohma || Fruits Basket (2019) ep. 01

[zodiac-monkey]

are you sure you want to be my friend??

[zodiac-monkey]

It’s not cool making yourself sick from worrying. So...

If it’ll make it so you can wander around again... I can at least make you food...

[zodiac-monkey]

I wonder if someone like me can find a reason… to exist.

[ianime0]

Fruits Basket (2019) | Ep 19 | Okay, Tohru-kun, here’s the thing: Ritchan is male.

[lilyginnyblackv2]

I know I’ve talked quite a bit about Ritsu’s episode already, but I have just one more thing to talk about.

Specifically, this:

Or, rather, the lack thereof.

In the manga that was how Shigure dealt with Ritsu’s panic attacks (it seems like it was something that he learned/was taught by others, though it could have been something he figured out himself). This tactic is framed in a comedic light and is simply a way to stop the anxiety and panic attacks that Ritsu has - make them go away. It’s a way of approaching Ritsu’s problem from the outside, rather than from the inside. It’s another type of “band-aid” approach and comes from a place where the “problem” is the disturbance Ritsu’s panics have on other people rather than on the emotional distress they have on Ritsu.  

This 2019 episode doesn’t include the “poke in the side to make Ritsu stop” bit. It got rid of it and instead we got Shigure trying to have Ritsu work on their anxiety. Shigure’s approach in this reboot episode may not be the most well-intentioned and may not be the best/most effective way to deal with Ritsu’s anxieties, but it is a step in the right direction and Tohru’s sincere faith in Ritsu helped. Tohru’s words later also helped and now both Ritsu and Mitsuru are shown to have each other for support at the end of the episode. Two people who struggle with anxieties and get caught in panics - they start building a friendship and are shown cheering each other on - all indicating that they are going to try and help each other overcome these panics, worries, and intrusive thoughts.

I’m honestly so glad and thankful that not only is there a team working on this reboot that seems to understand the characters and stories on a base level, but are also so willing to work together with Takaya-sensei. I’m also so glad and thankful that Takaya-sensei has gotten this second chance to tell a more complete and fulfilling story for Ritsu! <3

[zodiac-monkey]

YES OH MY GOSH I WANTED TO SAY THIS TOO BUT I FORGOT

YES!!!! i always disliked this immensely bc it seemed so random and completely disregarded ritsu’s personal space and boundaries. i felt embarrassed and sort of upset every time i saw these scenes and i was also SO RELIEVED they weren’t in the reboot, and that all of ritsu’s issues were overall handled with more compassion and acceptance towards ritsu as a person THANK YOU!!!!!

[k3llyb3an]

cw suicide -- fruits basket spoilers

You could definitely feel Takaya’s regret that she did not include Ritsu in the main story more through out the new episode. As a result it seems like she tried to atone for it by jamming every idea she ever had about Ritsu and Mitsuru together in there as retribution.

The problem with that is that while she never devoted much time to Ritsu in the story – because this is Fruits Basket and Ritsu is a Sohma with Sohma Trauma – Ritsu isn’t really your average side character. Despite often being reduced to two dimensions and comedic relief by the author and many of the fans there’s always been a lot. A LOT. To unpack with this character. Yet somehow even in a 23 volume manga – Takaya was never able to weave Ritsu successfully into the story beyond that first appearance like she was with other characters.

Which I never understood because there is an incredibly interesting narrative parallel that could have been explored contrasting Akito and Ritsu – and to this day i think Kureno was handled in the most dull way possible yet was given one of the most interesting plot lines possible. So if we could muddle through that – there’s really no reason why Ritsu couldn’t have made at least one significant later appearance if she really wanted to include them again. One can even make the argument that there are critical parallels between Tohru and Ritsu both wanting to live for another person that tie directly into critical emotional and romantic developments of the later plot. But whatever.

Instead we get Ritsu’s relationship with Mitsuru and in reality if she wanted to include this relationship in a meaningful way – Ritsu really needed two episodes. Which, of course, is not something they’re ever going to give Ritsu of all people in a limited run anime adaptation of a 23 volume manga. And you know what? That’s fine, because while maybe Ritsu wasn’t as fleshed out and included as the other Zodiac members when it came to the larger plot, however small it was Ritsu still had a significant story line. However small it was, Ritsu still had significant development. It was small though and that’s why it was absolutely critical that Ritsu got their own episode devoted entirely to Ritsu. 

But that isn’t what we got here.

Having read the manga and watched the 2001 anime in which the episode’s storyline did revolve entirely around Ritsu – with meeting Mitsuru as a minor allusion of what was to come in the manga – I could still appreciate this episode for what it was. And I do think that some of the changes that were made made Ritsu less offensive and helped to round out Ritsu’s character as a whole. 

But for someone watching the 2019 adaptation on it’s own – it left some core things about Ritsu totally lacking. For me the worst of it was what happened to the scene on the roof for a couple reasons. 

Having Tohru climb on the roof with Yuki and Kyo continuing to stand on the ground merely watching – was hugely out of character. These are two boys who literally jumped after her when she fell in the lake episode trying to cushion Tohru’s fall even though they were going to transform as a result.

Which relates to another point of contention, Tohru being the one to slip and nearly fall off the roof. Sure it’s dramatic and adds tension because unlike Ritsu, Tohru doesn’t have the “monkey-like” athleticism to effortlessly pull herself back on to the roof. But it’s not supposed to be Tohru’s drama and tension to have in this moment. Because again you’re going to tell me that after nearly watching Tohru sail to her death when roof tile beneath her foot gave out, Yuki and Kyo were just going to stand there and watch? Seriously? Having Tohru climb on the roof to get Ritsu does actually put Tohru in real danger. It totally undermines the tone of the entire scene having Tohru on the roof instead of just Ritsu putting them self in peril.

Also there was something incredibly powerful for me watching that scene in the original with Ritsu  almost falling off the roof in the original. The context of the scene is nearly the same. Ritsu feels so utterly useless in the world. Ritsu wishes that they could just stop existing because for them living day in and day out is painful for them and they just want to stop existing to stop being a burden on everyone around them – but they can’t find the courage to do it.

And from the ground Tohru pleads with Ritsu in much the same way that it’s okay to not have the courage to do that sort of thing. Shamelessly wanting to live isn’t a bad thing at all. For a moment it seems like Tohru’s pleas do resonate with Ritsu.

But– Ritsu slips. Ritsu’s the one in danger.  Unlike Tohru though, Ritsu has a certain acrobatic athleticism that in this situation gives them a choice unique to them in this moment. They can embrace the divine punishment of the situation and fall off the roof. Or… 

In that darkest of mentalities Ritsu grabs onto the ledge. Ritsu wants life. Ritsu grabs onto that ledge and "shamelessly” keeps living despite not believing they have any worth at all.

And I think some people interpret this scene as a joke making light of suicide because Ritsu’s treated as mostly comedic relief. This is an incredibly dramatic reaction to accidentally knocking over some cups, resulting in a tiny cut to Tohru instead of a stained manuscript. Since Ritsu has that acrobatic athleticism there was no risk to Ritsu really falling off the roof at all. And maybe it was intended that way, given how Takaya drew portions of the scene in stick figures.

However, when Ritsu loses their balance – and it’s difficult to tell given that it’s a static medium but–  in the manga it looks like Yuki starts moving forwards to try to help them. Tohru covers her eyes in horror. Even though Ritsu is able to grab the ledge and pull themselves up with seemingly no effort at all, they are injured as a result of the event. The consequences of what could have happened had Ritsu not been so deftly able to grab the ledge are there. It was a dangerous situation.

And to me, Ritsu grabbing the ledge and pulling them self up has always been a powerful visual image. It’s stayed with me for years in my darkest moments. The way that Ritsu’s expression is drawn in that scene is the most confident Ritsu is EVER drawn in the entire run of the manga. Despite all the pain they live with every day, despite the burden they think they are on other people – Ritsu wants to live. In spite of everything Ritsu is CONFIDENT that they want to live.

And some people have said that Tohru falling on the roof and extending her hand out to Ritsu is some kind of allusion to the True Form Arc and – BOO miss me with that shit . Kyo gets an entire god damn manga to get fleshed out and work through trauma. Give Ritsu their damn moment they don’t get another one.

I certainly think that the original depiction was a more… mature? Way of handling suicide idealization in relation to anxiety and depression than having Mitsuru hanging up a noose in the yard for comedic effect.

The injury also provides a reason for Ritsu to stay at the house for three days in the manga thus padding out the timing for Ritsu to continue to talk to Tohru. She doesn’t just unload all that on the roof, call it a day, and then watch the romance unfold. Like??? Uh. The pacing was awful.

A lot of Kisa’s development was covered in the span of one episode and it was done well. After her first episode I could honestly never see Kisa in the story again and I would feel confident that off screen she was still working and striving towards the goals that were set up for her even without a firm resolution.

And that’s the sort of treatment that Ritsu was given in the original manga storyline and the 2001 anime episode. Ritsu is given something to work towards – finding their reason to be alive and hoping their reason to be alive is another person to spend that life with. Ritsu’s eventual relationship with Mitsuru is not shown on screen and aside from an omake extra it’s only alluded as developing to in the manga. However, even never seeing Ritsu in a meaningful way to the plot again after their first appearance we feel confident that Ritsu is in a better place and working towards finding their reason to live.

And by the end of the story though even though we didn’t get to personally see it we know that Ritsu’s been able to find someone to live for in Mitisuru when Kagura teases them about marriage. Their storyline, even though it was small and had no over arching relevance to the plot overall, is resolved in a satisfying way.

Ritsu’s episode in 2019 goes by so fast with such odd pacing –yo-yoing back and forth from comedic to serious – from Ritsu’s anxieties to Mitsuru’s anxieties – there’s not a lot of time to truly embrace what Ritsu is working towards. They just sort of…. end up with a relationship by the end of the episode in an unfulfilling way. Because if you want to expand on Ritsu as a character – you needed to give more time to Ritsu. Which Takaya wasn’t willing to do even after all these years.

So yeah. Somewhere in these three adaptations combined is a solid representation of Ritsu Sohma.

[zodiac-monkey]

I definitely also felt the regret and the desire to act on it in the new episode, and I do think some aspects of Ritsu’s character were left out due to the rearranging of the storyline, but if I had to choose only one version out of the three to present Ritsu with, weighing the pros and cons of each version I would overwhelmingly opt for the reboot.

You’re right that there is a lot to unpack with Ritsu’s character that is sadly never touched on. I think, though--and you may probably disagree with me on this, which is fine--that overall the reboot comes closer to starting to unpack it than the original versions did, just by taking the focus of Ritsu’s character off of the way they dress and handling their emotional struggles with more empathy. Previously it was much more difficult to look past the two-dimensional and comedic approach to the character that you mentioned, as it was taken to such extremes.

A narrative parallel between Akito and Ritsu would be interesting, I’d be curious to see that--would it be a contrast of Akito’s terrible fear of rejection, which they turn outwards in the form of blame and control and thus end up not actually forming healthy connections, and Ritsu’s assumption that they already are rejected, which they turn inwards and thus end up avoiding situations that could make them feel more accepted? And/or how Akito is forced to dress as a man while Ritsu feels pressured to dress as a man for societal reasons?

Tohru and Ritsu both have difficulty living for themselves in the sense that they seek their own validation and happiness in others or by doing things for others. They can feel happy if they’re able to feel useful to someone else, and/or if someone else accepts them. This is a complicated topic that I would have liked to see more of, because as Yuki points out in Kisa’s episode, people are driven to seek social acceptance and it’s not fair to expect people to have confidence entirely on their own--we gain our sense of identity and place in the world from our relationships with others. However both Tohru and Ritsu go to the other extreme of pushing aside what they want and need, and both extremes are unhealthy--the challenge of all relationships is finding the balance between them.

I feel that Ritsu’s interactions with Mitsuru are overwhelmingly positive for both characters. Ritsu’s original character arc, short as it is, basically ends with them deciding to continue to live and hold onto the hope of meeting someone who loves them for who they are. The inclusion of Mitsuru furthers this arc by actually showing someone who genuinely wants to befriend and spend time with Ritsu. So much of Ritsu’s character revolves around their longing for acceptance. They need to be around someone who is not ashamed of them, who is openly happy to be together and interested in things Ritsu likes, who makes them feel like it’s okay to be the way they want to be. Mitsuru is that person. The moment where Ritsu is smiling and openly looking forward to spending time with her, not even apologizing for wanting such a thing from another person, is such a world beyond where Ritsu’s old arc ended and it’s so beautiful to see.

(Mitsuru, moreover, needs to interact with someone who treats her as a person and cares about her feelings and wishes instead of relentlessly tormenting her for his own amusement OI SHIGURE WHAT ARE YOU DOING)

I really love everything you pointed out about the roof scene and what is powerful about having Ritsu be the one to fall. You’re right, Ritsu feels so worthless, like a burden to everyone, and like living alone is too painful--but when the chance is there, Ritsu still wants to live. Even if they are ashamed of everything they are, they still want to be. Even if they think a person like them is worthless, they still want to be that person. Because that is who they are, and that already is a reason to exist.

I really love that picture from the manga as well and I love how you pointed out that it’s a rare display of Ritsu’s confidence. That despite how much pain it is to live through every day, Ritsu still hangs onto that ledge over and over again, because they still want to live, still want to be--and that want, that confidence deep down inside, very much stays with them.

However I do think that the scene on the roof in the 2001 anime comes off as comedy and I have never liked how it was played in that adaptation, not just because it makes light of the situation but because the joke comes at the expense of making Ritsu seem even more pathetic. Maybe it’s the way I’m looking at it, but I don’t get a brief sense of confidence in the 2001 anime at all--Ritsu ends up looking rather pitiful dangling off the roof, and more so sobbing as Hatori bandages it up later. Combined with the extensive self-loathing diatribes, which were much more exaggerated in the original anime (particularly with the voice acting), it’s really sort of painful to watch.

I do also prefer having Ritsu be the one to slip off the roof. I felt weird watching Tohru sprawled out and clinging so awkwardly to it, putting herself in danger. It’s the kind of thing she’d do, of course, but as you said--ordinarily you’d expect the boys to try to save her, and Ritsu to feel even worse about causing someone else to risk themselves for them. And the purpose of having her slip seems to be to underscore her willingness to put herself in danger to save others, but we already see plenty of that. I absolutely agree it’s powerful to see Ritsu saving themselves from their own would-be fate and I wish we’d gotten that, but I understand they probably made the change to make the rearranged pacing flow better (since they combined both of Tohru’s speeches into this part), and I think overall the other changes are worth it.

I feel much more confident about Ritsu working and striving towards goals offscreen after seeing the 2019 adaptation than any of the earlier ones. I already mentioned this, but the earlier versions end with Ritsu hoping to find someone who accepts them--2019 goes a step farther by actually showing that person and building the beginnings of a relationship with them. Meeting someone who cares and forming connections that make Ritsu feel valued are absolutely core to Ritsu’s goals. This is a huge step towards Ritsu finding that reason to live, and it’s actually shown onscreen.

I don’t feel that Ritsu and Mitsuru end up in a relationship at the end of the episode. They’re two people taking the absolute first steps to get to know each other--they’re making plans to spend time together again, that’s it. And for both characters, who don’t seem to have much in the way of support, just having something like that to look forward to and enjoy with another person is huge.

Fruits Basket’s entire story does a lot of yo-yoing between comedic and serious. I prefer this pacing to the 2001 episode, where it was heavily comedic (gratingly so) for the entire first part of the episode and only finally makes Ritsu more sympathetic by shedding light on their backstory towards the very end.

There is still a chance that Ritsu and Mitsuru will be seen and expanded on more in the episodes to come, so I wouldn’t write off their development when they’ve only just been introduced, although knowing how much the story has to cover I’m also not counting on anything (maybe a background aside or two)--but to me, the new adaptation shows that a great amount of thought and care went into leaving Ritsu in a better place than they were originally, and I’m grateful for it.

But I also think there is a more rounded picture from all three adaptations combined, and I really appreciate your pointing out these valuable and powerful aspects of the original.

[allanimanga]

Ritsu is male, but he’s worn girls clothes since he was young.

[muchalu4ever]

Next Week on Fruits Basket (2019)

YEAR OF THE MONKEY FOLKS REPRESENT! OUR ANXIETY MONKEY CHILD IS COMING NEXT WEEK 

[idkclementine]

I CANT BELIEVE HE IS FINALLY HERE ALL RISE YEAR OF THE MONKEY

[zodiac-monkey]

REPRESENTING!!!!! IM SO GLAD RITSU IS HERE I LOVE OUR ANXIETY MONKEY CHILD!!!!!!! \;;W;;/