Sweet Seals For You, Always
Discoholic 🪩
Alisa U Zemlji Chuda
I'd rather be in outer space 🛸
trying on a metaphor
Keni
Three Goblin Art
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Monterey Bay Aquarium
taylor price
One Nice Bug Per Day
sheepfilms
he wasn't even looking at me and he found me
Product Placement
❣ Chile in a Photography ❣
Today's Document
No title available
🪼
we're not kids anymore.
h
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@zoetica
Introducing Aether Echo, the novel strain of Alien Botany. This is my first discovery, ... .--. . -.-. - .-. --- -- . - .-. -.-- / . -..- --- .-. -.-. .. ... -- / - .- -. --. .-.. . -.. / . .-. --- ... / - .... .- -. .- - --- ... / .. ... --- - --- .--. . … Mixed media on pulp, A3
2026 conference access links are up at xenopoem.com along with the updated schedule. It has been a pleasure tending this garden over the past few months. Now let’s see what grows.
Xenopoem Conference 2026, 5th-7th June.
"A Kink in Cognition" is now available. This paper introduces acentrism as a theoretical and practical departure from human-centred models of art, perception, and interpretation. Its method is parallel signal literacy: the capacity to sustain attention across co-present signal systems without reducing them to a single interpretive order.
The situation surrounding sunspot 4436 radically intensifies the Rider–Child spread and transforms the symbolic atmosphere from a state of p
Oracle / Cosmographer: Zoetica Ebb @zoetica
Reading: Kenji Siratori
Xenosis is an acentric reading practice, not conventional divination. A clearer articulation: as Oracle, I open the passage, receiving the signal through the card draw. As Reader, Kenji Siratori ( @xenopoem) deciphers its behaviour into xenopoetic form. The separation is essential: the Reader remains outside the draw, the Oracle remains outside the deciphering. The card functions as a threshold artefact, suspending the signal until decipherment makes it transmissible.
From there, relational logic becomes a wider practice of reading, in which signs become legible through one another. Neither Oracle nor Reader completes the process alone. Xenosis exists where reception and decipherment meet.
This time, I drew the Fish thrice in three days.
🎏Today's reading
🎏あと、日本語で
Interpretation belongs to a slower regime, a regime in which signs appear stable enough to be read, meanings appear recoverable enough to be
Xenosis is a daily xenopoetic divination practice developed with Kenji Siratori across London and Hokkaido. I draw the cards as Oracle; Siratori receives the configuration and writes the xenopoetic reading.
The deck I use most often is based on the Lenormand system. It’s illustrated with images by Ivan Bilibin from fairytale books that shaped part of my childhood imaginary, and which was given to me by a very dear friend.
Through this method, the card pull becomes a new mode of reading. In Siratori’s text, the card is treated as an operator that transforms the state of the system directly, shifting divination away from interpretation and toward transformation.
Interlocution is one of the structures that gives Xenopoem Conference its form. It creates a second movement in which the work continues after presentation. In this format, presentation is only the first appearance. The dialogue carries equal weight.
For that reason, interlocutor pairings are not disclosed to presenters in advance. This keeps the dialogue live and less governed by familiarity, expectation, or pre-negotiation. The aim is contact under pressure, where the work is carried further, tested, and set back into motion.
This year’s interlocutors bring a rare range of knowledge and modes of attention to that task, spanning literary theory, experimental writing, posthuman philosophy, neuroscience, molecular biology, editorial work, and more-than-human literature. Each has been invited because we believe they can meet the work with precision, force, and openness. We are proud to welcome them to Xenopoem Conference.
Xenopoem Conference is an experimental transmodal platform for works that alter perception and open contact with signals and processes beyond the familiar human frame. It brings together practices already active at those limits while remaining open to stranger forms still coming into view. This year the conference is built in two movements: presentation and interlocution. Each work is followed by an exchange that keeps it in motion. In this format, presentation is only the first appearance. This makes Xenopoem Conference distinct: interlocution extends the encounter, sharpens its pressure, and allows the work to continue operating beyond the limits of its initial form. We will say more about this second movement in the next update. The 2026 programme brings together audiovisual mutation, numerical lichen-poetics, fungal ritual, cryptobiotic AI environments, videobody transmission, nonhuman weather systems, impossible landscapes, sonic recombination, and distributed winter ecologies. Each presentation approaches a different edge. Together, they form a constellation of threshold encounters. We are very glad to welcome this year’s presenters to Xenopoem Conference.
Other-Worldly Literature Library Catalog (2026) presents an experimental literary institution that reconceives the library as a living platf
XENOPOEM CONFERENCE Xenopoem Conference | Live works in operation across writing, xenopoem.com Kenji Siratori - Profile on Acad
These are provisional coordinates within an emerging field. Xenopoetics deals with forms, relations, and perceptual conditions that are coming into being through practice. These entry points mark my current position in that exploration, and and ask to be tested, extended, and transformed by others. xenopoem.com
The Xenopoem portal is open. Submission form is live. Volatile signal wanted, direct encounters only. Deadline: March 31. xenopoem.com
um hiiiiiiii zoetica this is really random but i randomly found u on pinterest like 2 years ago and started looking at everything like i was looking at ur flickr at ur old art at ur current art and all i could find cuz ur just so cool ??? like i hope youre doing great i hope your art is doing great i love your work and i love your style ur so goals and im lwk inspired by u
Hi! Thank you, that’s very kind of you to say. I’m glad the work found its way to you. If you’re making art too, keep going - curiosity and persistence take you far.
Zoetica Ebb is a contemporary artist whose work spans drawing, installation, fashion, and speculative research to explore nonhuman perspecti
Submissions are now open for Xenopoem Conference 2026.
Despite the name, this is not a conventional academic conference. It began three years ago as a small xenopoetics discussion circle and gradually evolved into a gathering for artists working at the edges of perception. Last year it surfaced as a hybrid event across Discord and London, with participants joining from Russia, Canada, the UK and Japan.
This year the focus shifts from philosophy to art in operation.
We are looking for exploratory works that activate during the session. Finished pieces are invited, but works in progress are equally encouraged. Familiarity with xenopoetics is not required. All mediums are welcome as long as they can be presented live on Zoom and follow the submission guidelines at the link above.
There is no submission fee, and the final structure will emerge once participants are selected.
Deadline: March 31.
Xenopoem Conference is convened by me and Kenji Siratori. Our sample proposal can also be found at the link above.
(Photo: inside Cryptobiosphere 1.0 at Tenjinyama Art Studio, Sapporo.)
Following Zoetica since the early internet-salon days. Xenopoem feels like a continuation of that same exploratory culture — art operating at the edges of perception.
Thank you, I’m glad you see the connection.
Submissions are now open for Xenopoem Conference 2026.
Despite the name, this is not a conventional academic conference. It began three years ago as a small xenopoetics discussion circle and gradually evolved into a gathering for artists working at the edges of perception. Last year it surfaced as a hybrid event across Discord and London, with participants joining from Russia, Canada, the UK and Japan.
This year the focus shifts from philosophy to art in operation.
We are looking for exploratory works that activate during the session. Finished pieces are invited, but works in progress are equally encouraged. Familiarity with xenopoetics is not required. All mediums are welcome as long as they can be presented live on Zoom and follow the submission guidelines at the link above.
There is no submission fee, and the final structure will emerge once participants are selected.
Deadline: March 31.
Xenopoem Conference is convened by me and Kenji Siratori ( @xenopoem ). Our sample proposal can also be found at the link above.
(Photo: inside Cryptobiosphere 1.0 at Tenjinyama Art Studio, Sapporo.)
