Advice on Writing Thieves, Assassins, or Other Stealthy Characters
Iāve put a lot of research into this, and Iāve seen a lot of great rogue-like characters, where the author was clearly unsure as to how they perform their criminal activities. If you feel the need to ask why I know this stuff, my main writings are for a book series calledĀ āA Thiefās War,ā which should be more than enough explanation. I swear Iām not personally a thief.
Iāve seen some stories where characters grab a paperclip, and boom, no lock can stop them. Iāve also seen some where master thieves take a hammer and smash the lock.
A lock has a series of tumblers in it, each of which need to click into place for it to unlock. A keyās design is usual exactly what it must be to get these tumblers into the proper position.
There are a wide array of shapes and sizes for lockpicks, and if youāre going to go around picking locks, youāre going to need more than one. There is no universal lockpick. Furthermore, for some reason a lot of people donāt include the secondary locking tool: a lock wrench. This is used to turn the the lock, and to keep the tumblers in place once youāve appropriately placed them with the lockpick.
A lockpicker will know that a tumbler is in place when they hear it click, but the noise is usually quiet, so theyāll often have their ear close to the door.
Can you pick a lock with a paperclip? Yes, but itās hard as hell, and a paperclip wonāt fit into all locks. Not to mention itās a pain turning the lock once the tumblers are in place.
Ā With code locks, a lot of movies or books show someone pressing their ear closely to the lock, whilst turning it, and listening for a click when it hits the right number. This actually works. These are the most useless goddamn locks in history.
Now, if youāre writing modern day, with smart locks and various other such tech, Iām afraid I canāt help. I havenāt studied that as much. Though, the previous advice will help for most locks, and that information still applies to basically all types of lock that arenāt incredibly expensive.
The dashing rogue slips through the shadows, his cloak billowing behind him, and somehow none of the dozen patrolling guards walking right by happen to notice him.
Yeah, thatās not how it works.
Sneaking involves a lot of remaining very still, knowing your surroundings, and holding your breath.
A thief infiltrating a house will scout it out, usually for weeks in advance. Sometimes theyāll pose as various businessmen, and try to get the owners of the house let them in for a while so they can study the ins and outs of it. Cracking open a window isnāt quiet, and you need to know what doors will creak and what doors wonāt.
If youāre trying to sneak, you need to try and stick near furniture and heavy objects. The floor isnāt nearly as likely to creak when youāre near these. Furthermore, you need to step lightly, and wear the appropriate footwear. Usually some cloth wrappingās around oneās feet will help to be quiet, but avoid any shoes that might make clacking noises, or sound like theyāre peeling off the floor when they move. A thief will also never scuff their feet, if theyāre any good at sneaking.
Black clothing only helps you sneak if itās dark, and your surroundings arenāt bright coloured. If youāre in a city of white buildings and marble, youāll want matching attire. This is just for if youāre skulking about a city, though. Just make sure you donāt stand out. However, dark clothing will greatly help you not be seen from a distance when itās night.
If a thief suspects someone is nearby, they should always try to locate a nearby hiding spot, and remain perfectly still. Do not move, and hold a thief will hold their breath if they start getting anxious, as heavy breathing could easily give someone away.
Many stories also donāt seem to account for the fact that various rogues and criminals have shadows, too. Even a quick and subtle movement of a shadow might be enough to give away oneās presence. Itās really, really hard to actually sneak up on someone due to this, and several other factors. Most people will actually feel tense, and usually catch wind of it if someone is sneaking up behind them, as even very quiet sounds and movements like breathing will subconsciously register to people if you get too close.
Iām a master assassin, and I carry a goddamn greatsword:
There is a reason they would use daggers. Assassins didnāt usually sneak into the kingās bedchamber in the dead of night, without being seen once. There are guards. A long hallway with two guards standing in front of the door at the end, there is absolutely no way to slip past that.
They would usually have to get into the building during the day, disguised as a servant, or even another guard. Theyād have to wait for the perfect opportunity to sneak into that noblemanās bedchamber, midday when he was absent, and then wait in there for hours.
If the assassin is sneaking in at night, they rarely go through the interior of the building. Just like a thief, theyāll get the layout of the building, and then theyāll usually enter through a window, or wherever is closest to the target. If they donāt have those guard patrols memorised, theyāre screwed.
But you know whatās not subtle? An assassin carrying around a scimitar, or some flashy crossbow. If youāre going to sneak past people, you need a weapon no one will see, and that you can probably hide if someone decides to search you.
This is mainly relevant for modern era stories, and I just wanted to say that Iāve seen a few shows where a criminal isnāt wearing gloves throughout the whole thing. You always wear gloves, you never leave the murder weapon. If you touched something without gloves, you may as well take it with you to avoid risk.
Slipping out of Handcuffs:
This usually requires dislocating your fingers. Ouch. But, if the one cuffing or tying up the thief isnāt paying too much attention, you can keep your hands at an appropriate angle that the cuffs will not go on correctly, or the ropes not pulled tight enough, and you can probably slip out of them.
Who needs masks when you have shadowy hoods?
Guess what the easiest facial feature to notice in the dark is? If you guessed eyes, then youāre right. But, if youāre blending in, and your eyes are veiled by the hood thatās somehow not obscuring your vision while you crane your neck downwards to ensure that it covers your face, then people are usually still going to be able to see your lips, which stand out the second most of any feature on a person.
Yes, a hood is good if youāre trying to blend in. But itās not good for making sure people donāt see your face. Wear a damned mask.
This is all Iāve got, for now. Hope it helps someone!
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