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Doc/Vee/Mike, Any pronouns, adult.
I'll make this prettier later

titsay
ojovivo
YOU ARE THE REASON

izzy's playlists!
Sade Olutola
𩵠avery cochrane š©µ
Misplaced Lens Cap
Keni
Noah Kahan
Lint Roller? I Barely Know Her
KIROKAZE
$LAYYYTER
hello vonnie
d e v o n

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The Stonewall Inn
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will byers stan first human second
untitled
Sweet Seals For You, Always
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@1ooo-thr
~~PLACEHOLDER PINNED~~
Doc/Vee/Mike, Any pronouns, adult.
I'll make this prettier later
Iām paying to force seven thousand strangers to see a photo of my late husband having fun with his dog. Tumblr Blaze is totally worth it. XD
[Rain Rooms]
This drawing has been spinning in my head for WEEKS. I needed it to be real.
Seen a few drawings combining the backrooms with Rainworld and I thought that was pretty cool, so why not do the same!
{no words under here vvv}
Old abandoned grocery store repurposed as a library
this looks like one of those backrooms that I would want to hang out in
hydra
He eat a nemon
guy accidentally cures his own road rage by making fun of the person who caused his road rage
Guy: Yeah Iām, Iām just gonna put this out into the world: I need you to drive, like you got in your car on purpose. Drive like youāve got somewhere to be, because I do, and Iām behind you! I donāt know how I always get stuck behind the person thatās like. *impression* āThat cloud kinda looks like.....looks like a rabbit!āĀ āI do believe....that meadow is full of daffodils!ā
*cracking up* Okay, hereās the problem, is I was mad at that guy, and now that Iām doing an impression of him I kinda think heās adorable and I like him. I like him now. Itās a very unique way to defuse my own road rage. I donāt know what kind of mental illness I have, but itās fun.
I've been thinking about this video non-stop for months, but do you know what just occurred to me? This is actually a great example of mindfulness, expression, and self-modulation.
Instead of bottling it or lashing out, he took the time to stop in a quiet place to process an upsetting event. He validated his anger, and stated he felt his needs were going unmet. He then humanized the person who upset him, and considered their intentions. He then found perspective on the event and his own emotions. This then genuinely calmed him down.
Those are all therapy skills being used in real time! Which, like, I don't think people talk about enough. Part of the human experience is getting angry about stupid things. Feelings can't be permanently bottled or unleashed full force on the spot. You need to process it, and take the time to see the bigger picture.
no dude it's so cool how attached you are to that character who is singled out and ostracized due to the external monstrousness that clashes with their internal spark of humanity. and i love how drawn you are to themes of horror and love, nature versus nurture, otherness, isolation, and the abject. i bet you have normal feelings about your own personhood
Some elli and simon doodles
You had me at howdy
My uncle is really into warhammer and would win every miniature painting competition he was in. I have not very steady hands and he saw me messing up my nail polish for prom. He sat with me and carefully painted my nails and that moment meant so much to me all these years later.
Iāve been meaning to draw a companion piece to my Fire Nation train print for AGES, and this year was the perfect year to revisit the Gaang! āŗļø Debuting at my SDCC artist alley table HH-24!
Had to come back to post the side-by-side because Iām obsessed. (I did that first one in 2019! The fulfillment of a seven year prophecy. š±)
The Minotaur
In this scene, Clark says "Can you imagine how good that must feel?"
"There's no thoughts, no pain, no ego. No fear. They simply exist. Like furniture."
But then when he turns the light off, the wheelchair user turns his lamp on. When Mary hits The Pirate with the concrete piece, he yells in pain. Clark consoles The Pirate as though its feelings might be hurt. And when the memory of his wife sees The Pirate, she tries desperately to get away.
They have every one of those things. He just refuses to see their interiority. Like he always did. Like he refused to understand why his wife would kick him out, and keeps refusing, even now that he can see that she was terrified of him. Cause she's always been just furniture to him.
That scene really unsettled me deeply because of how the sentience of the still lives is implied.
Clark claims they arenāt really alive the same way we are, comparing them to the furniture. Yet the way the others act suggests otherwise. That at the very least they can react to and feel certain stimuli around them, the same way living things do. Which begs the question⦠what about the six eyed man?
Yes, he is the most docile and unresponsive of the still lives, but does that discount the idea he may be alive and aware? For all we know, he could simply not be able to move while having awareness and sensation, unable to act on it the same way ļæ¼the others might. Yet Clark carves into him and takes out chunks to eat.
It reminded me of how humans often justify eating or abusing animals, like fish for instance, because they donāt really feel pain the same way āhigherā beings do. An apt parallel considering Clarkās similarly self centred disregard for the people around him and their feelings
šš DREAMCORE šāļø
grug dont have to change!