One thing about Jaime Lannister is he will see someone going through a traumatic situation and be like 'have you tried dissociating? c'mon let's dissociate together' and genuinely think he is helping
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One thing about Jaime Lannister is he will see someone going through a traumatic situation and be like 'have you tried dissociating? c'mon let's dissociate together' and genuinely think he is helping
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lsh, bwb, literally anyone: youāre with the kingslayer??????
brienne:
bwb and lsh:
i do!
Many are not familiar with what is called a diva moment. Youre about to learn
Princess Elia and Prince Rhaegar inspired by Takeshi Obata illustration of Anakin and Padme
ādone by the talented @rinthecap
The Princess of Dorne: Why Theories Predicated On Arianne Wanting Queenship Above All Are BS
I'm not whacking anyone I'm just saying. Please return to the text.
"Our clothes make us different people. I would sooner be flesh and blood than silks and jewels, and youā¦you are not your white cloak, ser.ā
There is this attitude about Arianne in fandom that drives me nutso. It is the idea that she is somehow nothing but a vain party girl, and that her ultimate ending will be to die in a fiery doom with Aegon because she is a vapid, silly girl who will reach too far in her ambitions. I am here to tell you two things.
That is not at all how Arianne acts in canon. You are falling for the front she puts on and nothing more.
Arianne does not want to be Queen.
I started with the above quote to illustrate my ultimate point - Arianne is not nearly as vain as people make her out to be. Much like many women in this series - Cersei, Sansa, Margaery, and Daenerys - Arianne uses silks and jewels as weapons because that is the world she was born into. This does not make her sillier or more stupid than any of these women; in fact, she shows a remarkable amount of empathy even in her worst moments. She is intelligent, and driven, and yes ambitious but what is seen as a good thing in a white woman like Margaery is seen as a negative in a brown woman like Arianne. I think there's a misunderstanding of her desires, due to her interesting role as a pov that is also an heiress. Let's dig in.
āI will not say that you are wrong.ā His voice was hoarse. āWill not? Cannot! Myrcella is more fit for rule ā¦ā āA son comes before a daughter.ā āWhy? What god has made it so? I am my fatherās heir. Should I give up my rights to my brothers?ā
This conversation between Arys Oakheart and Arianne in the shadow city is the first time Arianne lets us in on what she's thinking. If you notice - she is hyperfocused on the idea of being her father's heir and denied her right to inherit Sunspear and Dorne. And of course that's what she's focused on. Crowning Myrcella is merely a means to an end. What she wants is Sunspear, what she wants is to be Princess of Done - what she wants most of all is her father's respect. If she has an ally as Queen, and forces the realm to accept women in ruling positions, she secures her own role as a ruling princess of Dorne (or so she thinks).
"Would you let your daughter be despoiled of her rights and locked away in prison?"
I believe there's a misunderstanding of her motives because people ascribe to her what other ambitious women want, which is to be Queen. But Arianne is not like these other women. Arianne is supposed to inherit in her own right. Arianne has her own title that she's after, her own ancestral seat to rule from, and that is emotionally much more important to her than any marriage, than any other title. Tyrion doesn't dream of being Hand so much as he dreams of being his father's heir. Stannis' longing centers a lot more around what he feels is a denial of a relationship by Robert when Robert gives Storm's End, their father's seat, to Renly. And look to the other heiress in the series, Dany. Why does Dany want the Iron Throne? Because her father sat it. Because Rhaegar fought and died for it. It's not to say that she would say no to being Queen - it's just that it's not her goal, it's not her ambition, it's not what she's planning to do. The idea of Arianne as queen isn't even introduced to us until her last chapter - before that her focus is on Dorne.
āYou do not know my father. I have been disappointing him since I first arrived in this world without a cock. Half a dozen times he has tried to marry me to toothless greybeards, each more contemptible than the last. He never commanded me to wed them, I grant you, but the offers alone prove how little he regards me.ā āEven so, you are his heir.ā āAm I?ā āHe left you to rule in Sunspear when he took himself off to his Water Gardens, did he not?ā āTo rule? No. He left his cousin Ser Manfrey as castellan, old blind Ricasso as seneschal, his bailiffs to collect duties and taxes for his treasurer Alyse Ladybright to count, his shariffs to police the shadow city, his justiciars to sit in judgment, and Maester Myles to deal with any letters not requiring the princeās own attention. Above them all he placed the Red Viper. My charge was feasts and frolics, and the entertainment of distinguished guests. Oberyn would visit the Water Gardens twice a fortnight. Me, he summoned twice a year. I am not the heir my father wants, he has made that plain. Our laws constrain him, but he would sooner have my brother follow him, I know it.ā
Notice - her ire towards Quentyn and Doran is founded in the idea that they mean to set her aside. This isn't a theory she just came upon - she found a very suspicious letter that seemed to imply so-
When I went to blow it out, I found a letter lying incomplete beside it, a letter to my brother Quentyn, off at Yronwood. My father told Quentyn that he must do all that his maester and his master-at-arms required of him, because āone day you will sit where I sit and rule all Dorne, and a ruler must be strong of mind and body.āā A tear crept down Arianneās soft cheek. āMy fatherās words, written in his own hand. They burned themselves into my memory. I cried myself to sleep that night, and many nights thereafter.ā
Her anger at Quentyn is often used as a way to whack her. She's juvenile, she's silly, she's paranoid. But how do you say to a supposedly misogynistic father who is regularly attempting to marry you off to old men below your station that you believe he is trying to usurp you? How do you bring this up? I don't think she's wrong to come to this conclusion, nor do I think she's wrong to lash out at Doran over it. And what's more is that neither does Doran believe she is wrong to lash out at him. He apolgoizes to her.
If she can be set aside so easily, then every woman in Dorne can be set aside just as easily. Arys notes she's trembling when she speaks to him- she really does believe her father means to set her aside, and that is a deep, personal, horrible betrayal. And all of this, all of this fear, is centered around Doran and Dorne and Sunspear. Like Tyrion, like Jon Snow, like Daenerys, like the Dance era Targaryens she mentions in Rhaenyra and Aegon II, she is interested in inheriting the seat of her Father because it represents acceptance by her Father, because it represents her Father's love.
"Anders Yronwood is Criston Cole reborn. He whispers in my brotherās ear that he should rule after my father, that it is not right for men to kneel to womenā¦that Arianne especially is unfit to rule, being the willful wanton that she is.ā
She wants Dorne. She wants her father's seat. She wants her father's love. She does not want that spiky chair, nor does she dream of being Queen. She doesn't even dream about being in King's Landing! Sure she tempts Arys with dreams about them being free to be together, but in her chapters, she's not dreaming about being with him, she is dreaming about her inheritance which is....Dorne. She's not subtle about it, she says it plainly!
Do you see the white one, Quentyn? That is Nymeria's star, burning bright, and that milky band behind her, those are ten thousand ships. She burned as bright as any man, and so shall I. You will not rob me of my birthright!
That, and my birthright. I want Sunspear, and my father's seat. I want Dorne.
And back to this idea that Arianne is silly and unserious - again, it's a defense. Just as her romantic notions to Arys are merely a front to convince him to do what she wants, Arianne speaks breezily but throughout her chapters is in fact very serious and anxious. She knows what she's doing is dangerous, and tries to keep everything on track. And while certainly her plan is foolhardy....is it any worse than Doran's plans to send Quentyn on a wild chase after Dany? It's not as if she isn't somewhat prepared - she has her own spies, loyal to her from the orphans of the Greenblood. Nor does she act particularly rashly when she knows she's beaten - it's Arys Oakheart who charges, over the objections of everyone there including Arianne. Again, I'm not saying its a good plan but I am saying it's not all that much worse than half the plots in this series, and she is not stupid or foolish when it comes to actually enacting it.
And she's compassionate. She is sweet to Myrcella from the jump, she calls Arys "my white knight" after he dies, she argues for her friends to be given leniancy. And, of course, again, she says-
Come morning all of this will vanish, the princess told herself, but when morning came, she was still in her cell, Ser Arys was still dead, and Myrcella . . . I never wanted that, never. I meant the girl no harm. All I wanted was for her to be a queen. If we had not been betrayed . . .
was for MYRCELLA to be Queen.
And how do her feelings change when her father finally lets her in on his plans?
Standing was an act of love. Standing was an act of faith. He believes in me. I will not fail him.
My father fears the same. āIf not, though⦠if this truly is Jon Connington, if the boy is Rhaegarās sonā¦ā āAre you hoping that he is, or that heās not?ā āI⦠it would give great joy to my father if Eliaās son were still alive. He loved his sister well.ā āIt was you I asked about, not your father.ā So it was. āI was seven when Elia died. They say I held her daughter Rhaenys once, when I was too young to remember. Aegon will be a stranger to me, whether true or false.ā The princess paused. āWe looked for Rhaegarās sister, not his son.ā Her father had confided in Ser Daemon when he chose him as his daughterās shield; with him at least she could speak freely. āI would sooner it were Quentyn whoād returned.ā āOr so you say,ā said Daemon Sand. āGood night, princess.ā He bowed to her, and left her standing there. What did he mean by that? Arianne watched him walk away. What sort of sister would I be, if I did not want my brother back? It was true, she had resented Quentyn for all those years that she had thought their father meant to name him as his heir in place of her, but that had turned out to be just a misunderstanding. She was the heir to Dorne, she had her fatherās word on that. Quentyn would have his dragon queen, Daenerys.
Oh look!!!! Her thoughts are still preoccupied with DORNE and HER FATHER.
Oftentimes, her resentment of Quentyn is used against her, to show she's still silly, to show she's going to do something risky and elope with Aegon VI. And while yes, she is very preoccupied with Quentyn, the entire two chapters are about her wanting to love Quentyn again. Not for his sake, but for her father's. She's spent years believing they are going to usurp her; now she has to reckon with the fat that she was wrong, and she still barely knows who Quentyn is, truly. She is constantly reflecting on him, on her relationship with him, on who he might be. Yes, it is a bit foreboding but I don't believe it's a sure thing that she feels weird about Quentyn because she wants to one up him - she's spent her whole life thinking he would one up her and now she's reeling.
What would a maid that age want with her dull, bookish brother? Young girls dreamed of dashing knights with wicked smiles, not solemn boys who always did their duty. She will want Dorne, though. If she hopes to sit the Iron Throne, she must have Sunspear. If Quentyn was the price for that, this dragon queen would pay it. What if she was at Griffinās End with Connington, and all this about another Targaryen was just some sort of subtle ruse? Her brother could well be with her. King Quentyn. Will I need to kneel to him? No good would come of wondering about it. Quentyn would be king or he would not. I pray Daenerys treats him him more gently than she did her own brother.
And even through all this turmoil, another point in ARianne's favor is, once again, she is not silly or frivilous. It's a shield! Another thing used against her is her taste in men but never, not once is Arianne played by a pretty face. She does not trust Darkstar, she enlists his help because of his abilities in a fight, but she knows he is angry and violent! She isn't played by him, she is actively attempting to use him!! Just because she acknowledges he is handsome, doesn't mean she's fooled!
Arianne watched him warily. He is highborn enough to make a worthy consort, she thought. Father would question my good sense, but our children would be as beautiful as dragonlords. If there was a handsomer man in Dorne, she did not know him. Ser Gerold Dayne had an aquiline nose, high cheekbones, a strong jaw. He kept his face clean-shaven, but his thick hair fell to his collar like a silver glacier, divided by a streak of midnight black. He has a cruel mouth, though, and a crueler tongue. His eyes seemed black as he sat outlined against the dying sun, sharpening his steel, but she had looked at them from a closer vantage and she knew that they were purple. Dark purple. Dark and angry.
And on that point, she doesn't trust Lysono either!
Lysono Maar spoke the Common Tongue very well. āI have the honor to be the eyes and ears of the Golden Company, princess.ā āYou lookā¦ā She hesitated. āā¦like a woman?ā He laughed. āThat I am not.ā āā¦like a Targaryen,ā Arianne insisted. His eyes were a pale lilac, his hair a waterfall of white and gold. All the same, something about him made her skin crawl. Was this what Viserys looked like? she found herself wondering. If so perhaps it is a good thing he is dead. Lysono Maar spoke the Common Tongue very well. āI have the honor to be the eyes and ears of the Golden Company, princess.ā āYou lookā¦ā She hesitated. āā¦like a woman?ā He laughed. āThat I am not.ā āā¦like a Targaryen,ā Arianne insisted. His eyes were a pale lilac, his hair a waterfall of white and gold. All the same, something about him made her skin crawl. Was this what Viserys looked like? she found herself wondering. If so perhaps it is a good thing he is dead.
In fact, Arianne is uncomfortably with her youthful infatuations with bad boys-
"And what did you do, princess?" asked Spotted Sylva. I sat beside the well and pretended that some robber knight had brought me here to have his way with me, she thought, a tall hard man with black eyes and a widow's peak. The memory made her uneasy.
She seduces Arys with the express purpose of using him - she thinks as much in her fight with Doran, when she mentions it took her six months to seduce Arys. She gets playful with Daemon, but a) it does not make her stupid to simply desire to have sex with someone, and we know she uses birth control and b) when he rejects her, she cuts the shit and remains on track.
All of this to say - Arianne thinks through her plots, even if she is not the best at them. Her resentment of Quentyn and her father are not just very well founded in a very rational sort of paranoia, but her own father directly absolves her of any blame because it wasn't Arianne that was in the wrong. She stays on track, she isn't silly, and most of all, she does not want to be Queen. She wants to be Princess of Dorne. She wants to be her father's heir, and she wants Doran to believe her a worthy heir. This is why I believe in the idea that Aegon will elope with Elia and not Arianne - Arianne wants to be a Queenmaker not Queen herself. She will be met with an opportunity to have a queenmaking plot that is a little more put together and that will be her moral test - not whether she will choose to be queen herself.
I find the Dark Dany conversation really confusing (and maybe part of this is because I haven't watched the show, and I think a lot of analysis of Dany's arc is wrapped up in trying to use the show as a barometer for where George is going to end up ā which I don't agree with), because I feel like she already had her Dark Dany arc and the end of ADWD is her realization that compromising with the masters is bad! You can make no peace with slavery!
Her last two chapters seem really clear to me as a denunciation of compromise in the face of moral evil!
Here's her second to last chapter (when she's going to the re-opening of the fighting pits):
The "floppy ears" comment is in reference to the tokar, the outfit of the ruling (former slave owning) class. Brown Ben Plumm makes a joke that if you want to be king of the rabbits, you have to wear floppy ears, and so Dany refers to blending in with the ruling class (again, the former slave owners!) and adopting their customs as putting on her floppy ears. Here she describes how putting on the floppy ears, the symbol of her attempt to compromise with slavers!, will keep her cool and hide any blood splatters. But she also acknowledges little about this day shall please her ā she knows the compromise is wrong.
Dany is upset that that so little has changed despite ending slavery. "One step, then the next, but where is it I'm going?" is Dany questioning herself about if she's taken the right approach to agreeing to reconstruct Meereenese society under the influence of/beholden to the whims of the former masters. Has she compromised her entire abolitionist project?
Dany witnesses Barsena's violent death in the fighting pits. The boar realizes he can't charge Barsena directly (much like how the masters of Meereen have changed tactics. Instead of fighting Dany directly, they are manipulating her into compromise, attempting to provoke and misdirect her, and waging violent guerrilla war from the shadows with the Sons of the Harpy).
Barsena is brave, but dies horribly in front of the crowd, and Dany is sickened. The sequence ends with her TAKING OFF HER FLOPPY EARS, the symbol of her compromise with slavers, because she can no longer ignore the violence of the fighting pits and the moral rot of appeasement.
She's realizing the depths of her mistake in compromising.
I am looking into hell (the fighting pits), but I dare not look away (instead of allowing Hizdahr and the rest of the masters to convince her to ignore the problem and lead her astray).
If I run from him, he will burn me and devour me (the moral consequences of compromising with slavers will destroy her.
And here's her final chapter (where she's wandering lost with Drogon):
"That was where she belonged, surely" ā she's trying to convince herself that her place is in Meereen, back with her husband. She's telling herself to keep walking forward despite the previous chapter's quote about "one step, then the next, but where is it I'm going?"
I also think this part about Drogon is interesting ā is she talking about the path of moral truth, that she shouldn't have bowed to whip or words (of the ruling class)? Or is she talking about the rot of slavery, that she can't turn the masters away from it if they do not wish to be turned?
And then! In this next paragraph she contradicts the previous statement, saying "Drogon had bent before the whip, and so must she"
But she believes that her place is in the arms of her noble husband, the husband who has pressured her to reopen the fighting pits, which she knows is evil, that's the realization she has in the last chapter! So she's conflicted here, and I think we're supposed to be taking away that she shouldn't do that. Her place is not there! She should not bend!
Then Dany describes the blisters she gets "from the way [she] walk[s]" a clear callback to the line in her last chapter "one step, then the next, but where is it I'm going?" ā the path of compromise is quite literally hurting her!
Dany has to remember who she is ā someone who abhors slavery, who doesn't compromise on her principles.
She's sick, dehydrated, hallucinating (and seemingly having a miscarriage), all alone at her lowest point, and finally she realizes Meereen is not her home and never will be! She cannot be a Harpy!!!
princess arianne martell and queen daenerys stormborn
ā commission made by @/Cj_KhalifP on twitter
got to the point in my agot reread where I just read "What is honor compared to a woman's love? What is duty against the feel of a newborn son in your arms... or the memory of a brothers smile? Wind and words. Wind and Words. We are only human, and the gods have fashioned us for love. That is out great glory, and our great tragedy." and it hit me like a truck all over again. one of the most beautiful lines in all of asoiaf !!!!
People seem to understand "I'm not condoning all of their actions, I just find them interesting and enjoyable" really well for Ramsay, Tyrion, Tywin, Theon, Jaime, Stannis, Sandor Clegane, even Cersei, but struggle to grasp it for Dany, Catelyn, Arya, and Sansa.
"I will never forgive her for [reasonable emotional reaction that had a fallout that literally no one could have predicted]."
"What about [person who actively chose to create that fallout]?"
"OMG how far back do you want to go with the blame game? š"
#mycah dying is not arya's fault#the red wedding is not catelyn's fault#ned dying is not sansa's fault#slavers being evil is not dany's fault#catelyn did not start the war of the five kings#there is a clear explict canon answer as to who caused the war and it's not cat (tags by @knightofthelemontree)
#it's always so bizarre to me when people are like... 'dany is evil because she caused the violence in meereen!' #like... dany caused it? not the slavers who are killing people in retaliation for dany freeing them? (via @rainhadaenerys)
I think it's interesting that since early AGOT, we've been seeing how quickly Sansa actually clocks people for what they are and how she ignores that in favour of her future. When Sansa meets Barristan Selmy and Renly Baratheon in Sansa I, it's not them she fixated on; it's Ilyn Payne.
At first Sansa did not notice the third stranger. He did not kneel with the others. He stood to one side, beside their horses, a gaunt grim man who watched the proceedings in silence. His face was pockmarked and beardless, with deepset eyes and hollow cheeks. Though he was not an old man, only a few wisps of hair remained to him, sprouting above his ears, but those he had grown long as a woman's. His armor was iron-grey chainmail over layers of boiled leather, plain and unadorned, and it spoke of age and hard use. Above his right shoulder the stained leather hilt of the blade strapped to his back was visible; a two-handed greatsword, too long to be worn at his side.
[...] but Sansa could not take her eyes off the third man. He seemed to feel the weight of her gaze. Slowly he turned his head. Lady growled. A terror as overwhelming as anything Sansa Stark had ever felt filled her suddenly. She stepped backward and bumped into someone.
Throughout the entire chapter, Sansa is fawning over Joffrey, trying to please her betrothed and keep the fairytale like veneer over her story, and when Joffrey and Arya get into a fight, it all breaks apart. Joffrey snaps at Sansa, and for a brief moment, the illusion disappeared.
His eyes snapped open and looked at her, and there was nothing but loathing there, nothing but the vilest contempt. "Then go," he spit at her. "And don't touch me."
It's only when she wills herself to ignore that slight does her illusion of a gallant Joffrey come back into play. Even so, when we see Joffrey again in Sansa II, she's uncomfortable because she still remembers the incident at the Trident and Lady's following death. At first, she had, rightly, blamed Joffrey for it because she finally saw that romance tinted lens crack, but had to make a conscious decision to absolve him of the guilt from her mind because he was the crown prince, because he was the future king, because he was her future husband and to hate the man she, at that point, believed she'd have to spend the rest of her life with would be folly. And still, she's nervous around him.
When Prince Joffrey seated himself to her right, she felt her throat tighten. He had not spoken a word to her since the awful thing had happened, and she had not dared to speak to him. At first she thought she hated him for what they'd done to Lady, but after Sansa had wept her eyes dry, she told herself that it had not been Joffrey's doing, not truly. The queen had done it; she was the one to hate, her and Arya. Nothing bad would have happened except for Arya.
In Sansa II, she meets Petyr Baelish for the first time and immediately is uncomfortable, the unease cutting into the otherwise dreamy atmosphere of the Tourney, much like the murder of Jon Arryn's squire, from which she can't look away from.
When Sansa finally looked up, a man was standing over her, staring. He was short, with a pointed beard and a silver streak in his hair, almost as old as her father. "You must be one of her daughters," he said to her. He had grey-green eyes that did not smile when his mouth did. "You have the Tully look." "I'm Sansa Stark," she said, ill at ease.
Consistently, Sansa is a keen observer who does notice things and people others would overlook, but its her youth and desire to be good (a good girl, a good lady, a good hostage) that trips her judgement. Sansa longs for a fairytale like life, she wants a marriage like Ned's and Cat's, she wants to be a queen and a lady and wants perfection and stillness so bad that it makes her down right neurotic, and when she does notice things that don't fit the mold of her ideals (Ilyn Payne scaring her from the get go, Sansa first seeing Joffrey act cruel and reject her, Petyr Baelish making her uncomfortable) she rationalizes it by giving them roles in her mind (Ilyn Payne scares her therefor he must be a monster, Joffrey is her husband to be, but was cruel to her, her sister and a boy, so therefor this must not be his fault, he's just a misunderstood and troubled hero, Petyr Baelish is a lord and part of the small council therefor he Doesn't unnerve her, he's just being kind and friendly and she's being silly.) Sansa Stark is, at the end of the day, still a little girl being held hostage, but it is her keen eye and understandment of people that ultimately saves her and lets her live for as long as she has, even if at first it was hindered by her romanticized view of life.
#what makes sansa so much fun. for me. is that she IS very perceptive she does see things and hear things and understand them #but because she grew up so sheltered she deliberately chooses to ignore them. even ilyn payne who she Cant rationalize #or explain away so she chooses to ignore him. to look away and think of him as little as she can even as he haunts her chapters #with proper education and parents who Had prepared her for the south and harshness of life sansa Could've swept the court away#but they didnt (and couldnt) so she was left in her idealisms and forced to learn it by herself
my personal distance from dany as a characters is that i find her kinda general goodness and constant doing the right thing kinda boring and i wish she was a bit more flawed which is funny bc according to her real haters this little girl is a bigger colonial power than christopher columbus and a worse genocidal maniac than hitlerā¦
#i do think she is a bit boring to follow #but donāt you dare say a bad word about her #she is kind and small and just wants to be good and GO HOME (via @lunarlivs)
#obviously i am a huge dany stan so i don't really relate to the part about finding dany boring #but definitely agree with the rest. i will never understand how the fandom took such a goody two shoes character #and started talking about her like she's the worst monster who ever lived (via @rainhadaenerys)
#her haters unironically compared her to satan lmao #worms for brains (via @mikastormborn)
#i think this is exactly why i became a post-read danyhead #i finished the books logged on and saw the reaction to her and was BAFFLED (via @fetidbog)
Am I the only one who thinks that while Tyrion is on a darker path that he will eventually overcome it and be a better person under Danys influence? A lot of yāall talk like Tyrion is Emperor Palpatine and Danyās Anakin and Danyās just gonna have him whispering evil things in his ear and sheāll just blindly listen to him. She already has āevilā advisors who try to tell her what to do and she doesnāt listen to them. So many of these theories require Dany to be stupid and easily manipulated. They also require Tyrion to stay completely stagnant and show zero growth. Tyrion and Dany are basically gonna be Aerys/Tywin but this time both are competent.
Our 145th art piece is. .
Elia Martell and Lyanna Stark, about to enact revenge on Rhaegar by @wodania here on tumblr for almanon_poo4046 on twitter who donated to save Emanās family in Gaza.
If youād like a prompt of your own drawn out by an artist on our team, you can find more information in our pinned post!
Literally donāt understand how seemingly half of Jonās fanbase are red pill freaks when the character himself is literally Mr Woke McWokington. Like a big part of why he got killed was because he was too woke about literally ANY. GIVEN. SOCIAL. ISSUE. And itās not like he switched up, he was woke from the very first chapter in the series. So how did we get here???
#me personally jon is my fave BECAUSE heās so obnoxiously woke #about everything literally #heās pro immigration. pro womenās rights. pro sex worker rights. pro free lunches even #like is we squint and stretch heās pro universal healthcare sdgdsdds #if he were alive in our world heād be one of the most annoying radical lefties #like what (via @jon-sedai)
#literally every Jon ADWD chapter is one woke teen vs 20 nightswatchmen (via @fresh-and-fruit-y)
#fox news fears jon snow #these people donāt read tbh #or at least they donāt comprehend the story at large and just see his āedd fetch me a blockā moments (via @amber-laughs)
#i think those kinds of fans just ignore his actual character in favor of using him as a self insert power fantasy (via @circuslollipop)
since we know winds is gonna be woke as fuck because george wrote the hit videogame wokegender cockring:
favourite woke thing in a song of woke and fire š§ š³ļøāš š©āā¤ļøāšāš©š«š³ļøāā§ļøš„
dany is azor ahai because all dragons are non-binary
multiple beautifully written canon doomed yaois
cannibal prophet paraplegic child brandon tully stark
ned getting fridged for his wife and daughters' character development
jon snow in dance
cersei lannister thinking everyone is bisexual by default
daenerys targaryen breaker of chains making slaver bbq with woke dragon drogon
podrick payne deciding brienne is non-binary and she just rolling with it
everyone has abortions everyone uses birth control the church is evil
lannister childhood crossdressing genderfuck
alleras sand transgender espionage in oldtown
main pov character in the series is a little person and he lowkey sucks
i bring a sort of " fans have a hypocritical reaction to female characters expressing sexual desire" vibe to the asoiaf fandom that male fans don't like
"omg theyre so cringy for liking hot dangerous men" quick tell me who are Jon , tyrion and every other guy in this story attracted to??
#their barbarous girl attracted to bad boys vs our blessed man attracted to underage girls (via @ilynpilled)
i think about this at least 10x a day