(WIP!!) Testuji Moriyama as Trunchbull in The Hammer, from Matilda the Musical
My second ever animation 💚 hope y'all enjoy
Lint Roller? I Barely Know Her
wallacepolsom
occasionally subtle
Not today Justin

Janaina Medeiros
Misplaced Lens Cap

if i look back, i am lost
2025 on Tumblr: Trends That Defined the Year
noise dept.

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sheepfilms

JBB: An Artblog!
art blog(derogatory)

Kiana Khansmith
Cosimo Galluzzi
Three Goblin Art

izzy's playlists!
Jules of Nature

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Aqua Utopia|海の底で記憶を紡ぐ

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@5a-alf
(WIP!!) Testuji Moriyama as Trunchbull in The Hammer, from Matilda the Musical
My second ever animation 💚 hope y'all enjoy
"Orpheus and Euridice coded"
But it's Neil Josten who went to the Nest to save Andrew, made a pact with Riko (Ades) to save him from the clutches of hell, managed not to turn back (sign the deal) even after weeks of torture - only to find out Ades really did trick him, and while he got to leave with Euridice, hell would forever follow her
They really are limiting their kink possibilities with the no-magic-on-humans rule
I'm gonna say this, and it's gonna spark a defensive reaction within some of you, but I need you to listen to me and let it sit for a moment before I explain further. It is not a personal stain against your morality.
From both my experience reading works by white writers, and my experience running this blog, I have come to the conclusion that many white writers are too used to relying on Whiteness being understood as the default experience of both your characters and your readers, and it makes you weaker writers with weaker technique overall.
One thought I find myself having often is "well, what do you do for your white characters?" I've grown to understand... Many of you don't 😅 you don't actually understand or apply character design techniques because it is Assumed™ that the reader understands- that the reader has the white gaze. It doesn't need to be Said that your character is white, and will do familiar white things. It is Assumed™ that white characters fall under the Magicking It Away rules automatically, while Black characters have to have reality applied to them first. You don't actually have to... Well, write.
The brilliant Toni Morrison explained this in an interview of hers (here's another; watch her doc!!!) that there's this assumption that one's readers are white. So when she would purposefully- and there's a difference!- write stories for the Black gaze, that certain things didn't have to be explained because we Understood, it would get frustrating for white readers. They felt left out, unappealed to, hurt.
And yet, that's standard fare- and everyone's not writing such specific stories like Toni! To be "fair", we did understand y'all. We had to. But those same techniques, both in writing and in media consumption, I believe are atrophied from white viewers ("I don't watch this because I don't relate!" Or projection of ones own identity into Black characters to be "relatable") because it's not Socially Required for you to apply them.
It's why I'm always telling y'all to study Black creations about Black people. Writing is a craft, and a craft has to be honed!! You have to practice!! I had a whole lesson on this and I feel like everyone glossed over it lmao. I promise it'll make your writing of EVERY character better overall. 🙏🏾
When Zuko apologized to uncle Iroh in the tent cause he was so ashamed of his actions and what he’d done to the only person who unconditionally believed in his ability to do good >>>>>
So okay, I’ve given this rant before but this is another good time for it.
Structurally speaking, ATLA did something important with Zuko that, in a purely mechanistic sense of narrative development, I think a lot of people don’t notice immediately, and that even fewer people who want to emulate what was done with him get.
Which is Zuko is made a protagonist VERY early, and the show goes out of its way to continually place Zuko into situations where the audience empathizes and roots for him.
This happens in literally the second episode of the series, if we count the two-part premiere as a single episode, which I think we should. The A-plot of that episode, “The Southern Air Temple,” is Aang reckoning with the genocide of his people… but the B-plot?
The B-plot is the introduction of Zhao, and more specifically, his introduction in a way that is calculate to shift the audience, whose introduction to Zuko did NOT engender a ton of sympathy to him, directly and forcefully onto his side. They want Zuko to kick Zhao’s ass.
This continues all through book one and book two. Remember, Zuko is never, ever the main villain of this series. That’s initially Zhao, followed by Azula and Ozai. (Plus various temporary players like Long Feng.) Whenever Zuko isn’t placed into direct conflict with the other protagonists, he’s always written and presented in a way that is careful, VERY VERY careful, not to make him too monstrous, and to make us root for him. He’s placed right next to Iroh, who is designed for people to like, and that reflects back onto Zuko; we want Zuko to be better than he is because we want Iroh to have good things.
Put aside for the moment whether any specific character, including Zuko, deserves their redemption. If you’ve decided you’re going to do that, you have to erect the proper narrative scaffolding around them, and it extends to far more things than “did this person not do things that were too horrible” and “is this person genuinely sorry and is working really hard to atone.” There’s a difference between protagonist and white hat, but if you want someone to eventually wear that white hat, you REALLY need to establish them as a plausible protagonist early on.
Yeah, it was made obvious from the get go that Zuko is definitely nowhere near Zhao’s level of nasty, which in turn means he’s nowhere near Azula’s and nowhere in the scope of Ozai’s.
1.)
He made a deal with Aang to leave the Southern Water Tribe alone if Aang went with him. When Aang escaped with help from two of those tribe members, Zuko didn’t demand they go back and destroy what was left of the tribe as revenge. He didn’t even think of it as an option. There was no split second where he went, should I/shouldn’t I?
2.)
This is repeated. He corners the Avatar somewhere, causes some damage to the area in the ensuing fight, but does not stick around to raze the village/monastery to the ground and kill the people when he doesn’t get what he wants. Doesn’t consider this a necessary action even once.
3.)
The Iroh&Zuko relationship is juxtaposed with the Zhao&Zuko relationship. Both older men have more power over him. Iroh is a retired War General and Prince who is not banished. Zhao is a Commander in favor of the Firelord, who is also not banished. We could tell early on that Iroh is wise and despite being on the bad side, seems to be pretty chill. We took a liking to him immediately. Zhao is the opposite. He is very much like early!Zuko. Impulsive, rude, loud, cocky, etc… But why is he more annoying? Why do we root for Zuko as opposed to him?
Because we see what Zuko is like with his Uncle Iroh. Iroh does not rub in the fact that he’s banished. He doesn’t use that when reprimanding him for his attitude or his failings. That is a hot iron and he knows it. It’s to the point where Iroh can bend fire in Zuko’s face and Zuko is perfectly relaxed over it and doesn’t once believe his uncle will hurt him. There is a lot of faith in Iroh, from this angsty teenager, and it’s very obvious with their interactions.
Zhao is not trustworthy from the start. We’re shown this by how both Zuko and Iroh are hesitant to interact with him and don’t want to linger in areas he has control over, for too long. They even lie to him despite him obviously having more favor in the Firelord’s eyes than either of them do. Zhao’s personality opposes both Zuko and Iroh. And as we like Iroh, we want him to win and have nice things, as stated above. But Zuko&Iroh is a package deal. And as Zhao reveals himself more and more to be nasty even if it’s subtle, we want Zuko to win even harder.
And even when Zuko wins and he’s in the prime position to do to Zhao what Ozai did to Zuko for also ‘speaking out of turn’… he doesn’t do it. He walks away. He is the bigger man in that scenario. And Iroh further puts shame onto Zhao when he goes against the sacred rules of the Agni Kai because he can’t handle a loss to a banished teen. We are shown that Zuko follows rules and has honor, which is reinforced by Iroh’s, ‘even in exile, my nephew is more honorable than you’. Iroh’s Word is basically Law at this point. Sf he says it is so, then he must be right and the audience accepts that. He knows Zuko better than us and hopefully we’ll get to understand more as the story progresses.
Already by the 3rd episode, we’re shown that Zuko is in no way the worst person from the Fire Nation. In fact, we’re given a sort of scale now from the four major Fire Nation people we know of. Iroh–Zuko——-Zhao–Firelord.
We’re also hoping that Iroh rubs off on Zuko enough for him to also become wise and learn to chill out.
4.)
When “The Storm” finally rolls around, we’re pretty invested by then in the Iroh&Zuko relationship and that episode gives us so much more info into Zuko’s character and we are shown that Iroh is right. He has honor and he cares for others. And yet it’s obvious the Firelord doesn’t because we see Zuko do the right thing(protesting the plan to treat new recruits as cannon fodder) in the wrong place, and then his face gets burned off by his father because of it. And further, he’s banished for refusing to fight his own father. What sane parent wants to do battle with their own child? What sane parent banishes their child for speaking out of turn at the defense of their own peoples’ lives? What the fuck is wrong with the Firelord?
Zuko was punished severely for showing compassion and having a kind heart. And Iroh(and the ship crew even) is properly mortified by the punishments his nephew received for it, which in turn affects the audience’s perception of this situation. Iroh doesn’t like it, it’s especially bad then.
Now we start wondering why does Zuko wants to go back to the guy who burned his face off?! Iroh, talk some sense into him! PLEASE!
Halfway through S1, they got us to the point of wanting Zuko to have a redemption arc.
Making the audience want a character to be redeemed is also very important in this. We were shown he has redeemable qualities. We want that pay off! Do it justice!
I love him!!!
starling
ID: digital art on a bright yellow background of a bird with blue-black feathers, which have yellow and orange asterisk-shaped stars on them
Finished stitching my Oversight series.
12 small embroidered poem-objects in wool, linen, cotton, silk, stitched on canvaswork mesh and edged in glass beads.
I really like how the scientology speedrunning trend is developing, in this clip we see that the participants are
Not deterred by the closed door
Working as a group
Protecting their identities
Inflicting material costs to the institution via property destruction
Getting away at the end
These ideas were not all here from the beginning. They are genuinely gaining experience that can be applied elsewhere
The church of scientology is on tumblr and they are sending me anon asks telling me that they can't even commit to reporting a post
Hannah Montana is fucked up because its entire POINT as a show is that children should be protected from fame and exploitation, but it stars a REAL little girl that's being exploited. Nearly every episode carries the looming threat of Miley being outed as Hannah and losing her peaceful teenage life to the ravages of fame. Her father in the show (played by her own father in real life) wisely protected her from the trauma of fame by making her wear a disguise and live a rather quiet, interview-free life. Meanwhile the REAL Billy Ray Cyrus sold his daughter to Disney Channel when she was 11 and forced her to read dialogue about how terrible it would be to face the public eye. Like... Jesus, dude. The fictional Robby Ray is 10x the father, and it's not even close. (It's also IMMENSELY funny that her dad doesn't use his real name in the show, while she does. Almost like he wanted a bit of a disconnect between his identity and his character. Something Miley didn't get.)
I upset a few people in my intro to western philosophy class with this one.
divorced couple energy ship will always be immaculate to me. we hate each other. we've seen each other naked. I know how you take your morning coffee. I will never make you your morning coffee again. get it yourself. here you go, I gave it to you anyway. you disgust me. I will always be somewhat in love with you. I will be yours forever. you're not mine anymore. you will always be mine. fuck you. let's fuck, for old time's sake. did you steal my cd? no, no. keep it.
THE CHAFF PROJECT
Hi! Are you cis in the UK and you'd like to support trans rights? Great!
How: buy a trans flag pin and wear it in public.
Why: chaff is an overwhelming amount of false positives so that when a missile gets close to the plane, it hits the chaff and not the plane.
In practice: the goal is to make it DIFFICULT to identify trans people to target with bathroom bans, and to create many FALSE POSITIVES for businesses.
Basically, you might get accused of being trans and kicked out, because of the badge. You say: I wear the badge because trans rights matter.
You follow up with a letter to the business saying you're fucking furious because some nosy dipshit just tried to play fucking genital police with you in the loos. You know lots of trans people (don't name any, if you do) and you wear the pin in support and you're disgusted at them for allowing this.
Blame the business for allowing the behaviour.
Businesses see that their cis customers are getting bothered over a badge and may clarify trans-inclusive policies, so they can kick out the bathroom botherers instead of nice cis allies.
You only need to buy and wear the badge, and you are protecting trans people. You can be genuinely heroic. Even one cis person doing this helps, and everyone you get to join in helps even more.
Non-affiliated badge link:
https://rainbowandco.uk/collections/trans-pride/products/transgender-pride-flag-badge
Show your pride with our 25mm transgender pride flag pin badge. Perfect for wearing on your favourite denim jacket, back pack, or lanyard to
Wrong bounty
I’m so normal about this
(Source: Sen the donkey)
the human brain is so cool, if you're tired and stressed enough, your brain will go, "don't worry, I got you" and shadows will start moving
and what's the genital situation on the shadows
oh this is my post
How very depressing that Neil Gaiman had trended not even a tiny bit for demonstrating what a fucking horrific person he is.
As a reminder, he's suing Caroline Wallner, one of his accusers, for breaking her NDA. Not for libel. He's saying she shouldn't have told anyone about it, not that she lied.
The author says Wallner broke her NDA by sharing her story with the media, including with New York Magazine.
He doesn't need the money. He's risking the Streisand effect. He is punishing Caroline, he's trying to intimidate other victims who have signed NDAs to scare them into continued silence.
He is no friend to women, to the LGBTQIA+ community, to anyone quite frankly unless he thinks they are of value to him.
Share the story. Put it on Facebook and bluesky and whatever else you're on. Make it clear what a horrifying person he is. Tell your friends. He's paying Edendale a fortune to try and cover this up. Make this hard for him. Make it cost him money.