Weâve done lip biting to death... Letâs evolve.
âą Eyes flicking to someoneâs mouth mid-sentence
âą Forgetting what they were about to say
âą Leaning in unconsciously
âą Mirroring posture without realizing
âą Smiling at something that wasnât that funny
âą Adjusting hair or clothes when the other person enters
âą Noticing and remembering details no one else bothers to
âą A pause before pulling their hand away
âą Shoulders softening
âą Looking away first and then back again
âą Swallowing before speaking
âą Voice lowering slightly
âą Turning their body fully toward the other person
âą A delayed reaction to a touch
Other Words for "Look" + With meanings | List for writers
Many people create lists of synonyms for the word 'said,' but what about the word 'look'? Here are some synonyms that I enjoy using in my writing, along with their meanings for your reference. While all these words relate to 'look,' they each carry distinct meanings and nuances, so I thought it would be helpful to provide meanings for each one.
Gaze - To look steadily and intently, especially in admiration or thought.
Glance - A brief or hurried look.
Peek - A quick and typically secretive look.
Peer - To look with difficulty or concentration.
Scan - To look over quickly but thoroughly.
Observe - To watch carefully and attentively.
Inspect - To look at closely in order to assess condition or quality.
Stare - To look fixedly or vacantly at someone or something.
Glimpse - To see or perceive briefly or partially.
Eye - To look or stare at intently.
Peruse - To read or examine something with great care.
Scrutinize - To examine or inspect closely and thoroughly.
Behold - To see or observe a thing or person, especially a remarkable one.
Witness - To see something happen, typically a significant event.
Spot - To see, notice, or recognize someone or something.
Contemplate - To look thoughtfully for a long time at.
Sight - To suddenly or unexpectedly see something or someone.
Ogle - To stare at in a lecherous manner.
Leer - To look or gaze in an unpleasant, malicious way.
Gawk - To stare openly and stupidly.
Gape - To stare with one's mouth open wide, in amazement.
Squint - To look with eyes partially closed.
Regard - To consider or think of in a specified way.
Admire - To regard with pleasure, wonder, and approval.
Skim - To look through quickly to gain superficial knowledge.
Reconnoiter - To make a military observation of a region.
Flick - To look or move the eyes quickly.
Rake - To look through something rapidly and unsystematically.
Glare - To look angrily or fiercely.
Peep - To look quickly and secretly through an opening.
Focus - To concentrate one's visual effort on.
Discover - To find or realize something not clear before.
Spot-check - To examine something briefly or at random.
Devour - To look over with eager enthusiasm.
Examine - To inspect in detail to determine condition.
Feast one's eyes - To look at something with great enjoyment.
Catch sight of - To suddenly or unexpectedly see.
Clap eyes on - To suddenly see someone or something.
Set eyes on - To look at, especially for the first time.
Take a dekko - Colloquial for taking a look.
Leer at - To look or gaze in a suggestive manner.
Rubberneck - To stare at something in a foolish way.
Make out - To manage to see or read with difficulty.
Lay eyes on - To see or look at.
Pore over - To look at or read something intently.
Ogle at - To look at in a lecherous or predatory way.
Pry - To look or inquire into something in a determined manner.
Dart - To look quickly or furtively.
Drink in - To look at with great enjoyment or fascination.
Bask in - To look at or enjoy something for a period of time.
Calling all aspiring storytellers with hearts full of whimsy! Get ready to sprinkle a touch of enchantment into your scenes with my Scene Wo
683 members, 435 posts about #creative writing #creative writers #helping writers âą Guiding Writers to New Heights
Sensory Focus: describing every single experience is going to overwhelm the reader. instead focus on those that stand out or actually advance the story.
Show, donât tell⊠unless you should tell: yes, usually showing is better than telling, but not everything needs to be packaged in wonderful words and metaphors. if it has no grander impact other than context or setting the mood, you can just say that the character is cold
Narrative Focus: depending on the narrator, the focus might be on different things. This can be influenced by interests, fears, emotional state, experience, ... (For example, someone who enjoys art/architectue/ fashion/... will focus on that particular aspect of their surroundings...)
Noticeable Abnormality: people are creatures of habit, they are unlikely to take conscious notice of things that are the exact same way they always are. Focus rather on things that are unusual; like an unusual scent when coming into a room, unusual heat, a car that doesn't fit into this part of the city, ...
Emotional State: someoneâs emotional state is going to influence how well they pay attention to their surroundings and which details they focus on (For example, someone who is frantic might miss details)
[Prompt Calender: June 24th, Celebration of the Senses Day]
âș Scanned
âș Surveyed
âș Examined
âș Inspected
âș Searched
âș Swept their gaze across
âș Looked over
âș Studied
âș Pored over
âș Scrutinized
...or if they're admiring something:
â” Beheld
â” Gazed at
â” Admired
â” Marveled at
â” Took in
â” Drank in
â” Appreciated
â” Feasted their eyes on
â” Reveled in
â” Absorbed
...or if they're shocked or horrified:
ÌÌâ Witnessed
ÌÌâ Stared at
ÌÌâ Gawked at
ÌÌâ Recoiled from the sight of
ÌÌâ Bore witness to
ÌÌâ Froze at the sight of
ÌÌâ Locked eyes on
ÌÌâ Gaped at
ÌÌâ Couldn't look away from
ÌÌâ Found themselves staring at
-> feel free to edit and adjust pronouns as you see fit.
She pressed a trembling hand to her chest as if that would do anything to slow her racing heart.
His eyes were crazed, darting around to look at the shadows of the room.
Their limbs felt like jelly, afraid that they would collapse at any moment.
She was utterly frozen. Her body cut all communication with her mind, and no matter how much her brain screamed for her to run she was immobilized in terror.
He had a tight knot forming in his stomach.
They couldn't breathe. They were totally suffocated by fear and it felt like a heavy weight was pressing down on their chest.
Dread clouded her thinking. She walked around like she was in a daze, relying solely on muscle memory to get her down the hallway.
His hands were trembling so badly that he couldn't do anything and his terror made it impossible to focus.
Their throat was dry. No matter how many times they swallowed it did nothing to relieve the uncomfortable feeling.
The salty taste of fear lingered on her lips.
His muscles screamed at him to leave, but he couldn't bring himself to move. He stared forwards hauntingly.
They ran. They ran faster than their legs had ever carried them, adrenaline taking over all of their senses. It felt like they were being chased, but there was no way for them to know for certain. They were too afraid to turn around.
It felt like her heart was about to burst from her ribcage.
Hereâs the thing: authors know when they get a rec on an older story. Thereâs a telltale uptick of kudos (with a 10-15% comment rate if youâre lucky) in your digest email.
The thing is, thereâs no way to know where these people are coming from. In the before, when fandom was more in the corners we all knew about, you could search LJ or a message board or whatever social bookmarking site we were using. You could join the community and participate.
You could get a little dopamine hit by seeing someone tell their friends why they loved your story.
Anymore, those recs are hidden in discords, or in tiktoks or instagram slideshows that you canât search for. Theyâre inaccessible, not discoverable unless youâre already there. You may never know why 27 people left kudos on an old story of yours, what they liked and found in your writing. You just get the thumbs up and a kinda lonely feeling, cause these could be your people. You could like them, maybe. You could be friends.
But youâll never find out why they stopped by, or what people are saying about you behind your back, and thatâs sad.
So thank you to the people who still do public rec lists on this webbed site. You are my sunshine, and Iâm appreciative of all of you.
Writing tips for long fics that helped me that no one asked for.
1.) Don't actually delete content from your WIP unless it is minor editing - instead cut it and put it in a secondary document. If you're omitting paragraphs of content, dialog, a whole scene you might find a better place for it later and having it readily available can really save time. Sometimes your idea was fantastic, but it just wasn't in the right spot.
2.) Stuck with wording the action? Just write the dialog then revisit it later.
3.) Stuck on the whole scene? Skip it and write the next one.
4.) Write on literally any other color than a white background. It just works. (I use black)
5.) If you have a beta, while they are beta-ing have them read your fic out loud. Yes, I know a lot of betas/writers do not have the luxury of face-timing or have the opportunity to do this due to time constraints etc but reading your fic out loud can catch some very awkward phrasing that otherwise might be missed. If you don't have a beta, you read it out loud to yourself. Throw some passion into your dialog, you might find a better way to word it if it sounds stuffy or weird.
6.) The moment you have an idea, write it down. If you don't have paper or a pen, EMAIL it to yourself or put it in a draft etc etc. I have sent myself dozens of ideas while laying down before sleep that I 10/10 forgot the next morning but had emailed them to myself and got to implement them.
7.) Remember - hits/likes/kudos/comments are not reflective of the quality of your fic or your ability to write. Most people just don't comment - even if they say they do, they don't, even if they preach all day about commenting, they don't, even if they are a very popular blog that passionately reminds people to comment - they don't comment (I know this personally). Even if your fic brought tears to their eyes and it haunted them for weeks and they printed it out and sent it to their friends they just don't comment. You just have to accept it. That being said - comment on the fic you're reading now, just do it, if you're 'shy' and that's why you don't comment the more you comment the better you'll get at it. Just do it.
8.) Remove unrealistic daily word count goals from your routine. I've seen people stress 1500 - 2000 words a day and if they don't reach that they feel like a failure and they get discouraged. This is ridiculous. Write when you can, but remove absurd goals. My average is 500 words a day in combination with a 40 hour a week job and I have written over 200k words from 2022-2023.
9.) There are dozens of ways to do an outline from precise analytical deconstruction that goes scene by scene to the minimalist bullet point list - it doesn't matter which one you use just have some sort of direction. A partial outline is better than no outline.
10.) Write for yourself, not for others. Write the fic you know no one is going to read. Write the fic that sounds ridiculous. You will be so happy you put it out in the world and there will be people who will be glad it exists.
ppl on ao3 should use the "this work was inspired by" option more. so many fics out there that put links to other fics in the a/n but theres a better option.....
important addition i forgot that not everyone might know. similar to how ao3 bookmarks work, you can also link to non-ao3 fanworks using this format. so, for instance, if theres some fanart on tumblr that inspired you to write the fic? you can link that fanart to your fic!
Apparently a lot of people get dialogue punctuation wrong despite having an otherwise solid grasp of grammar, possibly because theyâre used to writing essays rather than prose. I donât wanna be the asshole who complains about writing errors and then doesnât offer to help, so here are the basics summarized as simply as I could manage on my phone (âdialogue tagâ just refers to phrases like âhe said,â âshe whispered,â âthey askedâ):
âFor most dialogue, use a comma after the sentence and donât capitalize the next word after the quotation mark,â she said.
âBut what if youâre using a question mark rather than a period?â they asked.
âWhen using a dialogue tag, you never capitalize the word after the quotation mark unless itâs a proper noun!â she snapped.
âWhen breaking up a single sentence with a dialogue tag,â she said, âuse commas.â
âThis is a single sentence,â she said. âNow, this is a second stand-alone sentence, so thereâs no comma after âshe said.ââ
âThereâs no dialogue tag after this sentence, so end it with a period rather than a comma.â She frowned, suddenly concerned that the entire post was as unasked for as it was sanctimonious.
i DO believe that a good writer can make mischaracterization work. oh there's a character who doesn't normally cry? figure it out!! disect the character. make the situation cryable for them. make that character cry ugly tears even if it goes against their very nature. YOU CAN MAKE IT WORK!!!
A great piece of advice I've seen is "Don't fixate about what the character would never do. Think about the circumstances that would drive them to do this, even if they wouldn't normally."
Once Oscar Wilde, coming down to lunch, was asked how he had spent his morning. "I was hard at work," he said.
"Oh?" he was asked. "Did you accomplish much?"
"Yes indeed," said Wilde. "I inserted a comma."
At dinner, he was asked how he had spent his afternoon. "More work," he said.
"Inserted another comma?" was the rather sardonic question.
"No, said Wilde, unperturbed. "I removed the one I had inserted in the morning."
Hey, man, c'mere. Listen. Get in real close, this is important.
You're gonna make stuff again. You're gonna make stuff you're proud of. You're gonna make stuff you're excited to share. You're going to feel that overwhelming drive to create, not just the frantic I want to want to you're stuck in now. You're going to have awesome ideas, and you're going to make them into reality. You're going to create again. You're still an artist. You're still a writer. You're still home to the same passion you had before. You'll find it again. It's not gone. It's just resting. Let it rest. You're going to make stuff again. I promise.
I havenât read this essay in⊠twelve years? I think? But someone (ETA: that someone was @whetherwoman who deserves the credit) linked it today and rereading it was a) a treat and b) honestly really helpful. If you, like me, want to write smut but often find it difficult, this essay may help a LOT.
Reblogging this as I periodically do because itâs still relevant (especially with so many new writers coming into fandom spaces who are SO ENTHUSIASTIC but maybe need some pointers?) and because I myself need the reminder. Wherever you are, Res, I hope youâre doing great.
The tips are on ao3 now, and Iâm Res but on tumblr.
How To Write a Sex Scene (2619 words) by Resonant
Chapters: 1/1
Fandom: Original Work
Rating: Explicit
Warnings: No Archive Warnings Apply
Additional Tags: Meta, Donât copy to another site, Writing
Summary:
Four tips for creating better sex scenes in erotic romance.