"I'm Dorothy Gale from Kansas"

izzy's playlists!
Monterey Bay Aquarium
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2025 on Tumblr: Trends That Defined the Year

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JBB: An Artblog!
KIROKAZE
$LAYYYTER

Kiana Khansmith
he wasn't even looking at me and he found me
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❣ Chile in a Photography ❣
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Love Begins

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Peter Solarz
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@acceptableinthe11980s
I need my people to stop acting like just because someone's anti-government means they actually know what they're talking about. "Harriet Tubman isn't real" now why would you say something so stupid for clicks. Y'all can't wanna be famous this bad.
"How did she move all those people underground?" is very much a question a 10 year old asks to their teacher or parents before they are informed it wasn't actually underground
I can't imagine grown adults asking this, and not attempting to conclude "underground" is code for something
These sure are anti-intellectual times-
background actors in sinners, photographed by eli joshua adé, smpsp.
I found an interview with Ryan Coogler and Ludwig Goransson talking about the music of Sinners, and there's a very touching part about how the mid-credits scene came to be. So, spoilers below:
The final scene in the film, technically a post-credits scene, was actually the first one shot chronologically. Coogler wanted to show a more recent link to the story’s century-old events, and he really wanted his uncle’s favorite blues musician, Buddy Guy, to be involved. But he quickly learned that Guy, now in his late 80s, hadn’t been to a theater since the “fish movie,” a.k.a. “Jaws,” and he despaired of his chances. Still, he arranged to go see Guy play in Chicago. “I get to the show,” says Coogler, “and his whole family is in the backstage room — his grandkids. And they’re like, ‘Oh, cool, we’re going to bring you to see our grandpa.’ And me and Zinzi go in there and sit down, and he’s like, ‘Yo, man.’” “I’m not a movie guy,” the bluesman said, in Coogler’s retelling of this momentous meeting, “but my kids love your movies and they tell me that I gotta meet with you. So I’m here — whatever you need. You want me to sing? I’ll sing. You want me to act? I’m on for the work. But I got you.” “I pitched him what the movie was,” Coogler continues, “and he told me his life story about being a sharecropper as a kid and going up to Chicago and trying to learn how to play. I broke down crying, because everything I had just written in the script, this dude lived.” “Outside of the supernatural stuff,” Coogler clarifies.
(x)
It always gets to me when older people do work in stuff they personally aren't interested in, just because their kids or grandkids tell them to. I love that so much.
Some after "Sinners" reading material if you're interested in Black American and Indigenous History (and the immigrants who came over, too). I put in the Jones-Rogers book too so y'all won't think the 58% had no serious role in shaping the horrors of America.
Adding this amazing "Sinners Syllabus" too for further resources to educate yourself. The books above are ones I have in my personal library, but some very cool people put together an entire webpage of information. Check it out HERE.
My favorite threads posts about SINNERS
This movie is currently my whole personality… y’all gon’ be sick of me! 🤣
Listening to this song in the theatres was an EXPERIENCE! You hear me!! This song better be nominated for 'Best Original Song' in 2026!!!
remmick and the vampires present a false dichotomy
Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious
remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency
when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA
when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative
remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people
in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer
remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that
theres a reason vultures are shown early on in this movie
"This film was an incredible opportunity for me. And more than anything, I thought it was an opportunity for me to write a love letter to cinema, to all the things I love about going to the movies. [...] In many ways it's most important movie I've made, straight from me to all of you." - Ryan Coogler
SINNERS (2025) BEHIND THE SCENES (1/2) Dir. Ryan Coogler
sinners: how real stories of irish and choctaw oppression inform the film
"His choice of music" exactly.
When the vamps roll up to the club, they sing "Pick Poor Robin Clean," a blues song written and performed by Geeshie Wiley in the 1920s. The song was about survival. Any poor black sharecropper in the early 1930s would have known and resonated with that song.
So for three glow-in-the-dark ass suspiciously cheerful white folk to just show up and start singing it was bonkers offensive.
Annie: There are legends of people born with the gift of making music so true, it can pierce the veil between life and death; conjuring spirits from the past...and the future. In ancient Ireland, they were called Filí. In Choctaw land, they called them Fire Keepers. And in West Africa, they were called Griots. This gift can bring healing to their communities. But it also...attracts evil....
Sinners (2025)
the choctaw vampire hunters in sinners, photographed by eli joshua adé, smpsp.
The portrayal of white people who have been violently separated from their own culture stealing the power of black culture and music to try to get reconnected was SO literal and somehow not at ALL heavy-handed or trite. Fkn remarkable.
I love them general theme of “I want to go home” in Sinners. Cause home means so many different things for so many different people.
It’s in when Bo heads outside because his wife wants to go home and his wife cradles him in her arms as they both die, because she told him they were going home and she would not let him go alone. 🥺😭
It’s in Mary trying to refind her place in the family that raised her but getting kicked out to keep her ‘safe’. She doesn’t want to be safe. She wants to be home.
Home. Home for Sammie is music and not the tight fisted hand that his father uses to rule the house that he used to call home.
Home for the Moore twins is also different, because Stack has always denied himself Mary, and Smoke has lived his entire life trying to protect everyone and everything he holds dear. Finally letting go of the tight reigns when Annie beckons him home.
Home for Annie is her culture, her baby, and her man. 🥺
And there’s the other side characters, like Slim who dies for his home. Not for the segregated life they are living but for the sake of the younger generation to hopefully create a better home.
And Remmick is so far removed from his home, that he doesn’t have a place to return to. So inadvertently burns down and destroys the homes of others because he is reaching for a place to call home.
And the native Americans, 🥹 doing good in the world, saving people from monsters and beasts. Never ever forgetting to heed the call to go home, lest they stray too far into the darkness.