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This blog was created for ENVS3000, University of Guelph.
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Final blog prompt - Describe your personal ethic as you develop as a nature interpreter. What beliefs do you bring? What responsibilities do you have? What approaches are most suitable for you as an individual?
This final blog post is going to be about how I know feel as a nature interpreter after having taken this course, how have I developed in my nature interpretation throughout this course. First and foremost, I believe that I’ve always had a deep respect for nature and this course just deepened that as it enriched my knowledge on the broad concept of nature interpretation. I think overall this course added to my knowledge of ways that nature could be shared, and how many more ways there are to share your love of nature through educating others and that there are few limits to how you can share nature. It can be as simple as taking a friend to your favourite nature spot and sharing cool things you know about it, or it can be formal in a museum, there are endless possibilities.
I would say that my personal ethic towards nature regarding nature interpretation is that we owe a lot to nature as we have taken a lot from it without returning much, in the past there was more recognition for what nature gave us and I think this is missing in a lot of current cultures as there is an important focus in modernization of the world and society just becomes more demanding – this being in ways that require further development of big cities, factories, etc. When it comes to nature and how we should treat it, I strongly believe that we need to leave things as they were before you came, not taking from nature for no reason, not damaging nature and showing it gratitude and respect (to plants, wildlife, and the land as well as other people). A helpful way to do this is by feeling that we are part of nature. I believe that as nature interpreter one of our key roles is to share nature, which will enable more people support and look after it – our role is to transmit the message to others of our responsibility to nature. We need not only to conserve it, but also restore it when opportunities to do so arise.
I think one of my big responsibilities as a nature interpreter and simply as a member of society is to keep my curiosity and to keep learning and looking for opportunities to enjoy and share nature with others. A big thing is to stay connected to nature as the more connected one is to nature, the more inclined they will be to protecting it. Going into this course nature interpretation to me was limited to nature museums and guided tours in parks where there was “official” nature interpretation, it was obvious, but I now am aware of all the ways that nature interpretation can pop up in all sorts of ways in daily life, it just calls for a little awareness to notice it. Another key idea to take note of is that not everyone will feel the same “sense of place” in nature, so another important role to me as a nature interpreter is to help share that “sense of place” with people and help people find their place in it – I do think it is very easy to shy away from nature if you do not believe that you have a place being there. I know for example that when I was younger whenever I did new activity I always wanted to seem like I knew what I was doing, and always wanted to be properly equipped, I did not want to ask questions and I find that its easy to not want to seem like you don’t know things which can get in the way of feeling a “sense of place” as you don’t want to come into an activity being new to it. With this what is useful is to explore and show the different ways that people can connect to nature as with more options more people will be able to find their “sense of place” in nature, and to make nature and the social events surrounding it inclusive and welcoming.
I’m in my final year of wildlife biology and conservation and plan to pursue a master’s in environmental science – I think that by pursuing further education in a similar field will allow me to further develop my knowledge base in this field and I’ll be able to share even more knowledge. I also believe that it will be important for me to keep putting myself into nature as I definitely do not do this as much when I’m busy or in the city. Although I do not see myself working as a nature interpreter for my career, I do still see myself as a nature interpreter in a more casual way as a share my experience and knowledge of nature through those around and use it to positively impact others. Although I do say that I doubt finding myself as a nature interpreter for my career, I say this lightly as I previously mentioned nature interpretation comes in a lot of different forms, and I may end up taking part in it without even noticing. I also think that I need to keep exploring nature myself and go out and adventure more as I have not been doing that as much as I would like too in the past few years.
On a final note, this course has given me the opportunity to take away a lot more than just the basics of nature interpretation, but it has taught me how to properly interpret nature for myself – and as a result has given me the skill to interpret nature for others. It has opened my eyes to how nature interpretation can be done in all sorts of ways and that really anyone can be shown what nature is and learn from it. I learnt about the early history of nature interpretation, and I stand by its roots, the goal of nature interpretation is really simply put to share the wonders of nature.
Hi there!
Thank you for sharing such a thoughtful and reflective post. I really admire how you’ve articulated your journey in nature interpretation, highlighting the broad possibilities of sharing nature, from informal conversations with friends to more structured settings like museums. Your recognition that nature interpretation can happen anywhere aligns with my own understanding of the role, which often extends beyond traditional boundaries and into our everyday interactions.
Your description of how humans take a lot from nature without returning much, and your observation that in the past there was more recognition for what nature gave us strongly aligns with David Suzuki’s insights in the video "David Suzuki and Richard Louv at the Art Gallery of Ontario discussing how to reconnect to nature." Suzuki highlighted that the height of the environmental movement was in the 1980s, during a time when green initiatives gained traction in politics and society. However, he also noted that we’ve regressed since then, with modernization and industrial priorities overshadowing the recognition of nature’s intrinsic value. This parallels your reflection on how cultural shifts have contributed to a diminished appreciation for what nature provides.
This loss of recognition underscores the urgent need for advocacy, as both you and Suzuki emphasize, to not only conserve nature but actively restore it where possible. Your reflections serve as a powerful reminder of the responsibility we share as interpreters and stewards of the natural world to rekindle this respect and gratitude in current and future generations.
Your insights on creating a “sense of place” for others are particularly compelling. As you noted, helping people feel a connection to nature requires addressing the barriers that might make them feel out of place. This mirrors my own experiences and the role I see for nature interpreters guiding participants toward meaningful personal connections with the natural world through inclusive and welcoming approaches.
I also appreciate your reflections on staying curious and continuing to learn, as well as your openness to finding new ways to connect with nature and share your knowledge with others. Like you, I believe that even if nature interpretation isn’t the career path I end up choosing, the skills and perspectives of nature interpretation is present in many environmental professions and I bet we’ll both find ourselves referencing concepts we’ve learned in this course!
Your thoughtful reflections and dedication to sharing the wonders of nature demonstrate a deep respect for the world we share. I’m confident that your passion and commitment to fostering a love of nature in others will leave a lasting impact.
Wishing you all the best for the rest of the semester!
Unit 10 - Last post
As I continue to develop as a nature interpreter, my personal ethic centers on fostering a connection between people and nature, encouraging mutual respect and growth. This ethic isn’t just about imparting knowledge or facts but about igniting curiosity, wonder, and a sense of responsibility toward the world we share. My background as a snowboarder, surfer, and marine biology student has shaped a unique perspective that embraces the beauty and power of nature while recognizing our impact and responsibility toward it. For my approach, I believe in the raw power of nature, as it has always been a grounding force for me. Whether I'm riding waves, exploring mountains or simply watching the sunset over the horizon, these experiences reinforce my belief that connecting with nature is one of the most profound ways to connect with ourselves. I believe that nature has the power to heal, teach and bridge people from all walks of life. This belief is closely tied to my passion for sharing the beauty and importance of marine life. The ocean has been a consistent source of fascination since I was young. People often see the sea as intimidating and unknown, but I want to show its life-sustaining importance and the intricacy of its ecosystems. By conveying how unique and crucial marine life is, I hope to transform fear into respect and curiosity into action. The oceans provide benefits to humans, such as food, coastal protection and improved mental well-being (Nash et al., 2021). Given the strong feedback between ocean and human health, there is a need to promote desirable interactions (Nash et al., 2021). These desirable interactions must be repaid to the sea as we don’t realize how beneficial it is to us.
In my beliefs, responsibilities are important. Firstly, I am responsible for the accuracy of the information I share. Nature interpretation can be made both personally and factually. It is important to share correct information when addressing ecological impacts. My role is to inform others and inspire them with the truth. This responsibility becomes even more crucial when engaging with a younger audience. This is because they may carry these lessons they learn as they grow and develop. With this world driven by technology, I think that my value to a younger audience is to show the importance of the natural world beyond a screen. Another aspect of my responsibility is to encourage growth and a balanced relationship with nature. As someone who has evolved and grown through my own experience from exposure to nature, I see it as my role to help others find the same opportunities for self-growth. Whether it is interpreting through the land that surrounds them or teaching about marine life, I aim to leave people inspired.
Personally, I believe that storytelling holds power for nature. Stories allow people to experience nature through the eyes and mind of someone else who has truly lived it. I often try to share stories of climbing mountains in New Hampshire or snowboarding down perfectly fluffy fresh snow with a beautiful sunset sneaking under the horizon. These stories are almost able to encapsulate the raw, exhilarating experiences of nature. Instead of just listing facts, as I stated earlier, I know it is so important to start with an emotional entry point. Whether good, bad or just a story with raw emotion, this helps connect to others in a way many are not able to understand.
Another approach that I will take as an environmental interpreter is encouraging an in-person, hands-on experience. My favourite way to learn is by doing. It allows for the best opportunity to grasp what is around you. As an interpreter, I would suggest having or creating the most immersive experience possible. Taking people to feel the flow of the ocean or the cold wind of the mountains. Through these experiences, people can form a personal connection to nature, such as I have myself. This personal connection is essential to create a genuine care for the world that surrounds us. Finally, I find the importance of adapting my communication style to my audience. With children, I aim to emphasize excitement and engagement, making nature feel like a game of dress-up where they can experience anything they want. With adults, I would dive into interesting ecological concepts or conservation issues using realistic and relatable experiences. Regardless of my audience, I will always show my genuine care and passion for the environment.
As I continue to grow in my environmental interpreter role, I understand the importance of connections between the environment and people more and more every day. I want my journey to be fulfilling to myself and others with constant adaptation, such as nature does. Through constant growth and the completion of my education, I am to improve the impact I can have on this world. Overall, as long as I am able to help others experience this beautiful life, I feel that my job will be complete. Whether it’s a child who experiences playing in the dirt, someone seeing their first shooting star or learning to love even the scariest parts of nature, I hope to lead these experiences that allow for a more connected relationship with nature.
Thank you all for reading! This blog post experience has been very unique as I’ve never done anything like this before. I’m glad we get to share unique experiences as I've learned so much from all my classmates. Thank you to the instructing team for choosing this to be part of our grade scheme!
References
Nash, K. L., van Putten, I., Alexander, K. A., Bettiol, S., Cvitanovic, C., Farmery, A. K., Flies, E. J., Ison, S., Kelly, R., Mackay, M., Murray, L., Norris, K., Robinson, L. M., Scott, J., Ward, D., & Vince, J. (2022). Oceans and society: feedbacks between ocean and human health. Reviews in Fish Biology and Fisheries, 32(1), 161–187. https://doi.org/10.1007/s11160-021-09669-5
Hi there!
Thank you for sharing such a beautifully reflective post. Your perspective on fostering connections between people and nature aligns strongly with my own beliefs. I admire how your background as a snowboarder, surfer, and marine biology student has shaped your unique approach to nature interpretation, blending personal experiences with a sense of responsibility toward the environment.
I resonate deeply with your belief that nature has the power to heal, teach, and bridge people from all walks of life. Similarly, in my own experiences, I’ve found that connecting with nature fosters a deeper understanding of ourselves and our responsibilities toward the world. Your commitment to transforming fear of the sea into curiosity and action reminds me of my own focus on hope as a transformative tool in nature interpretation.
As you highlighted, engaging participants emotionally—whether through storytelling or immersive experiences—is essential for inspiring meaningful change. Your approach to hands-on, immersive experiences is another aspect I admire. Taking participants to feel the flow of the ocean or the chill of the mountains fosters personal connections that are essential for cultivating genuine care for the environment. Coupled with your ability to adapt communication styles for different audiences, your methods create meaningful, lasting impressions.
Your dedication to inspiring curiosity, growth, and responsibility through your work as a nature interpreter is truly commendable. I’m confident that your passion and thoughtful approach will continue to make a lasting impact.
Thanks for sharing!
Unit 10 Final Post
At the beginning of this semester, I was tasked with creating a blog. That was ten weeks ago. I wasn’t familiar with the field of nature interpretation. I enrolled in this class because it seemed interesting, and not having to commute to campus was a bonus. Little did I know how transformative this experience would be. I have connected my personal experiences to broader environmental themes, shared stories, and explored new perspectives. I grew not just as a student but as an aspiring nature interpreter. As I write my last blog post, I’m reflecting on how this journey has shaped my ethics, responsibilities, and approach to interpretation.
My evolving philosophy as a nature interpreter is shaped by the belief that environmental education is more than just delivering facts; it’s about creating emotional connections, inspiring curiosity, and encouraging respect for the natural world. As Becket al. (2018) write, “Interpreters should embody enthusiasm, knowledge, and adaptability, all while conveying a sense of humility and humour.” This quote resonates with me, reminding me of the need to improve myself, as well as inspire others continually.
A central belief that guides me as a nature interpreter is that nature should be accessible to everyone. We all bring different perspectives, shaped by our backgrounds and experiences, to our interactions with the environment. This idea aligns with the concept of multicultural education as well as the idea of the “invisible knapsack” of privilege and cultural influence that each person carries (Gallavan, 2003). Understanding this concept allows me to approach interpretation with humility, recognizing both my privileges and the diverse perspectives of my audience. By being aware of these dynamics, I aim to create an inclusive environment where everyone feels welcome to explore nature.
Another guiding principle for me is the power of emotional engagement through the arts. Arts-based environmental education allows for a deeper connection to nature. As van Boeckel (2013) discusses in At the Heart of Art and Earth, “arts-based methods in environmental education can make content more memorable and enjoyable.” Art helps to bridge he gap between scientific knowledge and personal experience. Additionally, as Gray et al. (2001) explore in The Music of Nature and the Nature of Music, music and natural sounds are powerful conduits in environmental education, bridging science with personal experience. This approach is meaningful to me as a creative individual who values storytelling, music, and visual expression. By integrating artistic elements into my interpretation, I aim to create memorable, emotionally resonant experiences that make environmental messages more accessible and impactful
As a nature interpreter, I feel a strong ethical responsibility to present information accurately, inclusively, and thoughtfully. One of my primary duties is to foster a genuine curiosity about the natural world, going beyond facts to help others appreciate its complexity and interconnectedness. Merenlender et al. (2016) emphasize the importance of environmental education programs that inspire action, not just knowledge. Through my work, I hope to not only educate people about nature but also motivate them to protect it.
In addition, I feel responsible for balancing realism with hope. Environmental issues can be daunting, and it’s easy for audiences to feel overwhelmed. As Rodenburg (2019) highlights, educators have a duty to instill hope, reminding audiences that positive change is possible. My role involves fostering empowerment and offering realistic views of environmental challenges while emphasizing the impact each person can have through small actions.
Given my belief in inclusivity and emotional engagement, storytelling has become a cornerstone of my interpretation approach. Stories allow me to convey scientific information in ways that are both memorable and relatable. For example, incorporating folklore or traditional stories, as Sahi (2010) describes in their discussion of Finnish folk music, can help convey the sacredness and interconnectedness of nature in a way that resonates across cultural backgrounds. Storytelling allows audiences to connect to the universality of nature’s beauty and the specificity of individual places.
Furthermore, I strive to adapt my approach based on the needs of my audience. Wals et al. (2014) argue that effective environmental education should be responsive to different learning styles and preferences. For young children, I incorporate interactive elements and simplified language, focusing on hands-on activities that nurture their innate sense of wonder. For adults, I might delve deeper into complex ecological relationships or discuss specific actions they can take to support conservation efforts. This flexibility allows me to connect with diverse audiences, ensuring that everyone feels engaged and empowered.
As I continue to develop as a nature interpreter, I am aware of areas where I can grow. One challenge I encounter is the temptation to overload audiences with information. Given my passion for sharing what I love, I sometimes feel compelled to share too much, which can overwhelm or disengage visitors. Learning to simplify and focus on key messages, as Csikszentmihalyi’s (2008) concept of “flow” suggests, will help me create more cohesive and enjoyable experiences.
As the semester ends, it is easy to become disheartened by the challenges facing our environment, but as nature interpreters, we have a duty to inspire hope and resilience. “Interpretation, properly carried out, serves as an indispensable tool to achieve successful cultural and natural resource stewardship. Interpretation takes people from passive appreciation to exciting understanding of the cultural and natural environments they experience” (Beck et al., 2018). This means balancing the realities of environmental issues with messages of empowerment, reminding audiences of the positive impact their actions can have. Ten weeks is a short time in our long life but have had one of the major impacts. To develop as an effective interpreter, I recognize that continuous reflection and adaptation are essential. Interpretation is not static; it requires a willingness to learn and evolve
My beliefs, responsibilities and ethics have been altered for the better. My blog posts may have come to an end, but my story continues, I hope I continue to develop as a nature interpreter. I hope to help others in our natural world's ever-changing landscape.
(Myself at Grosse Mountain, Vancouver)
References:
Beck, L., Cable, T. T., & Knudson, D. M. (2018). Interpreting Cultural and Natural Heritage: For a Better World.(pp.13). Sagamore Publishing.
Csikszentmihalyi, M. (2004). Flow, the secret to happiness.
Gallavan, N. P. (2003). Helping teachers unpack their "invisible knapsacks". Multicultural Education.
Merenlender, A. M., Crall, A. W., Drill, S., et al. (2016). Evaluating environmental education, citizen science, and stewardship through naturalist programs. Conservation Biology.
Rodenburg, J. (2019). Why environmental educators shouldn’t give up hope. Clearing Magazine.
Sahi, V. (2010). Using folk traditional music to communicate the sacredness of nature in Finland. Workshop Proceedings: Spiritual Values of Protected Areas of Europe.
van Boeckel, J. (2013). At the heart of art and earth: An exploration of practices in arts-based environmental education. Environmental Education Research.
Wals, A. E. J., Brody, M., Dillon, J., & Stevenson, R. B. (2014). Convergence between science and environmental education. Science.
Hi there!
Thank you for sharing such an insightful and reflective post. I really admire how you’ve connected your personal experiences and academic growth to your evolving philosophy as a nature interpreter. Your emphasis on creating emotional connections, fostering curiosity, and encouraging respect for the natural world resonates deeply with me.
I found your reflections on inclusivity particularly compelling. Your discussion of the “invisible knapsack” of privilege and cultural influence mirrors my own efforts to approach nature interpretation with humility and awareness. Recognizing the diversity of audiences and making nature accessible to everyone is such a vital part of this work, and your commitment to creating inclusive spaces is truly inspiring.
Your focus on storytelling and the arts as tools for emotional engagement is something I relate to strongly. Storytelling has a unique power to bridge scientific knowledge and personal experience, making environmental messages more relatable and memorable. Your goal of using creative methods, such as integrating music and visual expression, aligns closely with my own belief in the importance of diverse approaches to nature interpretation.
I also appreciated your reflections on growth and the importance of balancing realism with hope. Your point aligns with Louv’s argument in the video David Suzuki and Richard Louv at the Art Gallery of Ontario, where he emphasizes crafting an attainable vision for a sustainable future while addressing present challenges. As you mentioned, inspiring hope and empowering audiences through small, meaningful actions is vital. I believe this is especially true in combating the discouragement caused by media narratives about climate change and environmental degradation. Hope is a transformative tool, allowing people to envision positive change and actively work toward it, fostering resilience and optimism even in the face of daunting challenges.
Your journey demonstrates a deep commitment to improving yourself and inspiring others through your work as a nature interpreter. I’m confident that your thoughtful, inclusive, and creative approach will continue to have a profound impact.
Wishing you all the best as you continue to grow and evolve in this field!
Unit 10 blog post - final blog
Hi everyone!
It's been fascinating to read about the various backgrounds that each student has brought to this course from all around the world, which has led to us all creating these blogs. It just goes to illustrate, in my opinion, how powerfully nature can unite people. We all have a connection to the outdoors that we would like to share with others, whether or not we are majoring in science or something else. I'm confident that the writing and reflection I've done during this course will benefit me going forward. In my opinion, a person's ethics and beliefs change throughout time as they gain more knowledge. As I develop as a nature interpreter, I find myself continuously reflecting on the beliefs, responsibilities and approaches that guide my work. For me, nature interpretation is not just about sharing knowledge but more about creating meaningful relationships between people and their natural environment. It’s a dynamic process, shaped by personal experiences, evolving philosophies, and the recognition of the diverse audiences I aim to serve. I base my nature interpreter ethics on three things: accessibility, authenticity, and empowerment. These values guide my practice and inspire my dedication to ensuring that nature becomes a space for discovery, learning, and healing for all.
At the core of my work as a nature interpreter is the profound belief in the fact that nature is a common ancestral heritage of all people, and therefore we all have equal rights to access and enjoy nature. I am one of those lucky ones who, while growing up, got to witness nature in all its raw beauty, camping with my family and exploring the forests nearby. Such experiences instilled in me a very deep respect for the way life interrelates and the realization that every creature, ecosystem, and element plays a vital role in maintaining the balance on our planet.
I also believe that nature is both a healer and a teacher. It has taught me all about patience, resiliency, and humility through time spent outdoors. It has been comforting during tough times and has given me room for joy and adventure. I am highly committed to sharing this view with others who have not had a chance to experience it first-hand.
Lastly, I believe inclusiveness and equity should be guiding principles in our work with nature interpretation. Nature cannot continue to be a luxury for a few select people. We must actively seek to remove the obstacles that keep people from accessing nature, whether they be social, economic, physical, or cultural. In sum, I believe as a nature interpreter I work hard to make sure that my messages speak to a variety of audiences and take into account their particular requirements and viewpoints.
As a nature interpreter, my responsibilities go way beyond the sharing of facts about ecosystems or wildlife. They include facilitating accessibility, building emotional connections, and encouraging stewardship. I consider it my responsibility to create experiences that are accessible to all ages, abilities, and backgrounds. This might be done in terms of adapting programs to suit people with disabilities and offering multilingual services, or it might be interpreted by working with communities that have less opportunity to engage in nature. Moreover, facts alone are not enough to inspire change. My responsibility is to create experiences that provoke admiration, curiosity, and a sense of belonging in the natural world. Lastly, nature interpretation provides the opportunity to inspire responsibility for the environment. I want to enable people to make choices supportive of sustainability and conservation through knowledge of the consequences of their actions.
Over time, I’ve come to realize that my most effective approaches to nature interpretation are those that align with my personality, skills, and values. This includes hands-on experiential learning, creating inclusive spaces, encouraging curiosity and inquiry, and blending fun with learning. I firmly believe that people learn best when they can experience the world around them directly. This could involve taking participants on a nature walk and pointing out various plants and animals, or facilitating activities such as building birdhouses and planting gardens for pollinators. Besides these experiences helping individuals gain knowledge, they tend to make people confident enough to take part in nature. As previously mentioned, inclusivity is central to my approach. This implies sensitivity to the use of language, avoiding talk and language that may confuse and alienate others, enabling activities to be modified for a range of skills or abilities. This may include adding more tactile activities for visually impaired participants or providing quiet areas for overstimulation from large groups. Next, rather than presenting myself as an all-knowing authority, I prefer to position myself as a co-explorer, encouraging participants to ask questions and seek their answers. This helps people develop a sense of responsibility and possession regarding their learning. In my opinion, getting people to ask their own questions instead of telling them the answers to everything will encourage curiosity. Lastly, as a nature interpreter, one of my goals was to let people have fun while learning about the environment. Games, scavenger hunts, and other creative activities like nature journaling or photography, are perfect ways to engage participants while sneaking in messages about ecology and conservation.
I look back at my journey as a nature interpreter and believe my ethic is still unfolding. I often revise my methods and reflect on my beliefs to continue refining them to be representative of my goals and the communities I serve. As I develop my personal ethic, it has taught me to be humble and not set in one way. Nature reminds us that change is constant and that there is always more to learn. By staying open to new ideas and perspectives, I hope to grow not only as a nature interpreter but also as an advocate for a healthier and sustainable relationship with our planet.
It has been great to read and interact with you all this semester through these blogs and I've learned so much about everyone!! I hope you all have a great rest of the semester :)
Hey Chloe!
Thank you for sharing such a reflective and inspiring post. I resonate deeply with your perspective on nature interpretation as a dynamic process shaped by personal experiences, evolving philosophies, and diverse audiences. Your emphasis on accessibility, authenticity, and empowerment reflects a thoughtful and inclusive approach to interpretation.
I especially appreciated your explanation of being a co-explorer in nature interpretation. This approach addresses an issue I’ve often noticed in interpretive presentations, where novice participants can feel excluded due to assumptions about prior knowledge made by the interpreter.
Your method of fostering curiosity and collaboration bridges this gap, making interpretation inclusive and accessible to participants of all backgrounds and experience levels.
Your reflections on nature as both a healer and teacher are also incredibly powerful. The lessons of patience, resiliency, and humility you mentioned resonate with me, as does your commitment to sharing these experiences with those who haven’t had the chance to connect with nature firsthand. Your focus on creating adaptive programs, providing quiet areas to prevent overstimulation, and using tactile methods is a practical and thoughtful way to ensure meaningful engagement for all.
Finally, your acknowledgment that your personal ethic is still evolving is a poignant reminder that growth is a lifelong process. I mentioned a similar sentiment of my ethics constantly evolving as I grow into my individuality as an adult. I believe nature mirrors this journey through its changing seasons and resilience in the face of climate change, teaching us to embrace change and stay open to new perspectives. This perspective continues to inspire me as I refine my own approach to nature interpretation and strive to create inclusive, meaningful experiences.
I’m confident your dedication to inclusivity and empowerment will inspire many.
Best wishes for the rest of the semester!
Unit 10 Blog
As I develop my personal ethic as a nature interpreter, I find myself reflecting on the beliefs, responsibilities and approaches that best suit me—shaped by a blend of lived experiences, academic insights, and inspiring voices in conservation and environmental education. Upon reflecting, I think I have multi-faceted beliefs that have manifested into unique personal morals. Throughout my university degree alone, my values have been greatly redefined, becoming more grounded as I grow into my own person. I have experienced life in both urban and rural environments, which has significantly influenced my perspective on nature interpretation.
In Toronto, my elementary school was named after Chief Dan George, a chief of the Tsleil-Waututh Nation, a poet, and an activist. This unique school integrated Indigenous history heavily into the curriculum. For example, during Remembrance Day, we would listen to a recording of Chief Dan George reciting My Heart Soars. This exposure gave me a profound appreciation for Indigenous perspectives on the land. My experience at this school was a sharp contrast to other schools I attended later, where the focus on Indigenous history was often reduced to a single unit in social studies. Reflecting on this, I realized how impactful my early education was in shaping my understanding of the interconnectedness between land, culture, and people. I see this as a critical component of my ethics as an interpreter: ensuring that diverse histories and perspectives are represented.
Later, life in a rural small town presented a different dynamic. There was an intimate sense of community, but also a homogeneity of perspectives compared to the multicultural vibrancy of urban environments like Toronto. This duality has strengthened my belief in the power of diversity and the cohesion that a multicultural society fosters. I believe nature interpretation programs can emulate this harmony by bringing individuals from all walks of life together to engage with the natural world.
The Role of Hope in Nature Interpretation
In the assigned video "David Suzuki and Richard Louv at the Art Gallery of Ontario discussing how to reconnect to nature," Louv discusses how many people in North America envision a dystopian future shaped by the ever-increasing effects of climate change. He argues that a shift in mindset is urgently needed—one in which we craft an attainable vision for a sustainable future while still addressing present challenges. Louv likens this approach to the civil rights movement, which balanced hard truths with the hope of a better tomorrow. This emphasis on hope resonates deeply with me.
As a nature interpreter, I believe hope is a critical tool in combating the discouragement that can stem from media narratives about environmental degradation. Hope allows us to envision positive change and actively work toward it. Louv’s example of the “Home-grown National Park” initiative—a city-wide effort to plant native species to create invertebrate diversity and wildlife habitat zones—is an inspiring, attainable vision. Similarly, Portland, Oregon’s urban park district partnering with physicians to prescribe time in nature is an actionable and transformative idea. These initiatives highlight how hope, paired with tangible solutions, can foster both environmental and human well-being. David Suzuki adds another dimension to this conversation by urging us to reframe the environmental movement. He critiques the prevailing mindset of elevating economic priorities above the health of the planet and emphasizes the intrinsic value of nature. I see nature interpretation as a vital component of this shift. While socio-ecological frameworks—such as understanding ecosystem services—are important for contextualizing climate change within our capitalistic society, I am most inspired by approaches that emphasize actionable, hopeful solutions.
This perspective fuels my responsibility as an interpreter: to focus on hope in conservation initiatives and aid the next generation in fostering a positive outlook on nature. Jacob Rodenburg’s teaspoon analogy—“Being an environmental educator in today’s world feels like you are asked to stop a rushing river armed only with a teaspoon”—captures this responsibility beautifully. While the challenges are overwhelming, interpreters have the power to inspire resilience and hope by guiding participants toward meaningful connections and solutions.
Figure 1. Image of Finnerty Gardens within the University of Victoria campus (Griffiths, 2024). The garden reflects how academic institutions often prioritize landscapes that harmonize natural beauty and human connection.
Responsibilities and Representation in Interpretation
In Canada, many interpreters are cisgender, white individuals, which can unintentionally limit the diversity of perspectives shared in interpretive spaces. I feel a responsibility to contribute my unique perspective, shaped by my own "invisible backpack" of experiences and privileges. I have a mixed cultural background, and my upbringing has given me the ability to bring forward narratives that might otherwise be overlooked. I aim to affirm the path to conservation that has been forged by those who came before me while fostering a positive, inclusive vision for the future.
Bridging Knowledge to Action
The challenge lies in bridging the gap between knowledge and action. Rodenburg highlights how modern safety concerns and liability overemphasis have distanced children from nature, arguing that it is unsafe not to take children outside. He emphasizes the power of discovery—finding a salamander under a log or protecting a killdeer nest—as moments that inspire awe and responsibility.
As an interpreter, I want to channel these moments of wonder into action. Beyond just teaching children to sustain ecosystems, I believe we must engage them in “acts of regeneration.” This aligns with Rodenburg’s vision of a future where communities, educators, and policymakers collaborate to ensure that children grow up not just informed but deeply connected to their local environments.
For example, younger children thrive on discovery and storytelling rather than grappling with complex issues like climate change. By creating interactive, narrative-driven experiences, I hope to inspire participants to build personal connections to nature, shaped by their unique invisible backpacks of experiences. Immersive approaches like arts-based environmental education allow individuals to connect with nature in ways that resonate with their personal journeys.
My role as a nature interpreter is to ensure that participants leave with not just knowledge, but a sense of empowerment to act on behalf of the living systems we are all part of. By emphasizing hope, storytelling, and actionable steps toward regeneration, I hope to inspire the next generation of environmental stewards to go beyond sustaining the planet to actively restoring it as was discussed in unit 10. This work requires a balance of presenting the challenges we face while painting a picture of the attainable, hopeful futures we can create together.
References:
Rodenburg, J. (2019, June 17). Why environmental educators shouldn’t give up hope. CLEARING: PNW Journal of Environmental Education in the Pacific Northwest. https://clearingmagazine.org/archives/14300
The Walrus Talks. (2013, February 7). David Suzuki and Richard Louv: Reconnecting with nature [Video]. YouTube. https://www.youtube.com/watch?v=F5DI1Ffdl6Y
Unit 09 Blog Post
This week I thought I would use my knowledge from previous courses to talk about a topic I found really interesting during my undergrad. I am not a microbiology major but I did take MICR 2420 and MICR 2430 and the topic that I found the most interesting was how nitrogen fixing bacteria fuel life on Earth. Nitrogen is a vital nutrient for all life found on Earth where it makes up building blocks to amino acids, proteins and genetic material. While nitrogen gas is abundant in our atmosphere, organisms don’t have the right enzymes required to break down and fix nitrogen into more digestible components. This is where the process of diazotrophy comes into play. Specialized nitrogen-fixing bacteria convert nitrogen into more digestible compounds such as ammonia and nitrates for plants and organisms to use. This breakdown is essential for enriching soils and sustaining plant growth, making up the beautiful landscape around us. Understanding and interpreting how this process works helps us recognize the behind the scenes work of what makes thriving habitats and ecosystems possible.
Nitrogen fixation pathway and how it supports life on Earth.
The key to this process is the nitrogenase enzyme which allows bacteria to break down nitrogen. However, nitrogenase is really sensitive to oxygen, so the question is are all nitrogen fixing bacteria anaerobic? The answer is no. Some nitrogen-fixing bacteria such as Rhizobium and Anabaena have evolved specific strategies to create their very own oxygen-free environments. Rhizobium for instance, forms a mutualistic partnership with leguminous plants where the plant supplies leghaemoglobin which is an oxygen binding protein that protects the nitrogenase enzyme and in exchange the bacteria supplies nutrients which allows the plants we may see on our hikes to grow and flourish. Anabaena is a nitrogen fixing cyanobacterium that lives in freshwater environments and performs nitrogen fixation as well as photosynthesis. When nitrogen fixation is required, some cells differentiate into heterocysts that block oxygen and allow nitrogenase to work under anaerobic conditions while other photosynthetic cells continue to produce energy. This bacteria supports aquatic life making it essential to lake and pond ecosystems that we may visit.
Interpreting the role of these nitrogen-fixing bacteria helps us see how interconnected every life form truly is, even the ones we can’t actually see. By sharing the story of these bacteria and the invisible work they do, we can help other appreciate how these processes sustain life on Earth. Without these bacteria, ecosystems would lack the nutrients needed to flourish and life on Earth would look entirely different and probably inhabitable. Ad interpreters we can us this information to inspire a deeper respect for the complexity of the natural world and help people see how essential it is to protect these delicate systems.
Keenleyside, W. (2019). Microbiology Canadian Edition. Chapter 8. https://ecampusontario.pressbooks.pub/microbio/back-matter/version-history/
Hey Layal!
Your blog post is a great example of interpreting a complex scientific topic in an accessible and engaging way. You’ve taken the intricate process of nitrogen fixation—something that might seem daunting to those without a background in microbiology—and presented it in a way that highlights the essential role it plays in sustaining life. By introducing key players like Rhizobium and Anabaena, you make the subject relatable and emphasize the fascinating adaptations these bacteria have developed to thrive in diverse environments.
The way you've connected nitrogen fixation to the health and vibrancy of ecosystems, such as plants in the forest or aquatic life in lakes, beautifully bridges the microscopic world to the visible landscapes that people interact with. This interpretation not only fosters curiosity but also builds an appreciation for the unseen processes that support life as we know it. Your explanation allows readers to visualize the invisible work that supports entire ecosystems, helping them grasp the importance of even the smallest organisms.
Additionally, your focus on interconnectedness is fascinating. By explaining how these bacteria support the entire food chain and contribute to the health of larger systems, you invite readers to see the natural world as an intricate, interdependent web. This perspective not only educates but inspires a deeper respect for the environment. Your writing truly embodies the essence of good interpretation, encouraging others to appreciate and protect the delicate systems that make life on Earth possible.
Thank you for sharing!
Unit 9: The Story of Speciation
Imagine wandering through a vast forest, where the diversity of life is constantly shifting and evolving. One of nature’s most extraordinary phenomena, known as speciation, is happening all around you. This is the process through by which one species evolves into multiple distinct species. It's as if the natural world has a character creation feature constantly running, crafting unique species to dwell in ever-changing landscapes.
This process is deeply influenced by the size and complexity of the landscape, and in turn, the area plays a key role in how life diversifies across regions. So, what makes a large area like a continent so different from a small island when it comes to supporting diverse species? The probability of new species emerging increases with the size of the region. In larger areas, there are often more barriers like mountains, rivers, or forests that naturally separate populations of the same species. This separation generates allopatric speciation— when groups become isolated and evolve independently, eventually becoming distinct species. Larger regions not only have more geographic diversity but also support a wider range of habitats, leading to more opportunities for species to adapt to unique niches.
Another factor that impacts speciation in large areas is gene flow. Gene flow is the exchange of genetic material between populations through mating. When gene flow is high, populations remain genetically similar. But when gene flow is limited—whether due to physical barriers or distances too far to travel—each group can evolve on its own, increasing the chance of speciation. In large areas, gene flow often declines with distance, allowing populations to diversify even without explicit barriers. For example, if a population’s dispersal range is limited, species in widely separated patches of habitat may evolve independently.
Larger areas tend to contain what ecologists call metapopulations—groups of populations that are spatially separated but linked by occasional dispersal. Metapopulations thrive in patchy habitats where different patches support populations that can interact occasionally, promoting resilience. For example, if one patch is negatively impact by a severe weather the survivors of this patch can sustain their population through gene flow with another unaffected patch.
Smaller areas with fewer patches can suffer from reduced biodiversity. In isolated patches, a population may struggle to persist if there is no neighboring population to provide a fresh influx of individuals and/or genetic material. This dynamic is part of why conservationists emphasize creating networks of protected areas rather than relying on isolated reserves. A vast network of patches in a large area can harbor various distinct populations, contributing to biodiversity.
The Importance of Protecting Large Natural Areas:
As we continue to lose large, contiguous natural habitats to human activities, the impact on speciation is profound. When habitat areas shrink, speciation may be distrupted. This concept, known as species decay, suggests that as natural areas become fragmented or lost, biodiversity will suffer. Large parks and reserves, like Yellowstone or Glacier National Park, are vital because they preserve diverse habitats that support both existing and potential future species.
In the long run, protecting expansive habitats is essential not only for preserving current species but also for allowing evolution to continue its course. The diversity of life we see today is a product of millions of years of speciation, driven by the vastness and variety of natural landscapes. By safeguarding these areas, we ensure that future generations inherit a world where nature’s rich tapestry of life can continue to grow and diversify.
We can see that the process of speciation involves complexities that underscore the important role of 'sense-making' in interpretation. As Chapter 21 of the textbook emphasizes, well-crafted interpretation engages audiences by using storytelling to make complex scientific concepts accessible to everyone, motivating people to care about and protect natural landscapes (Beck et al., 2019). In the context of speciation, interpretive outreach is crucial for helping the public understand why large, connected areas are essential for processes like speciation. By inspiring awe and providing context, interpreters can help visitors feel connected to the 'character creation' process in nature, enhancing their appreciation of national parks and protected areas.
Beck, L., Cable, T. T., & Knudson, D. M. (2019). Interpreting cultural and natural heritage: For A Better World. Sagamore Publishing.
Unit 07 Blog
(San Pedro de Atacama)- One of beautiful places Ive visited
Nature has always felt like a safe place for me, it has offered me a place of tranquility and perspective no matter the place, whether it be in Machu Picchu or the unique landscapes of Sedona. One of the many reasons why these places hold a significant place in my heart is because each location feels like it holds its own soundtrack. It is as if every water droplet, animal noise, or even the breeze that surrounds me has its own melody.
I believe that music isn't just a sound that we hear but its a rhythm of the life that surrounds us. For example when you are taking a hike in the forest, besides the beautiful scenery there's a rhythm that may go unnoticed or even linger in the back of your head. The birds calling, the insects buzzing and the rustling of the leaves all come together and form a unique symphony that ties us to that place. For me, the sound of a river rush is where I feel the most timeless energy and reminds me that we do not only share out life with the people around us but also nature itself.
When using nature's influence to incorporate it into music, I think of a famous musician by the name of Bernie Krause. Bernie has spent decades if not more recording soundscapes of the natural world around him and adding it to his own music. Krause displays that when nature is undisturbed, capturing a moment in time where there are animal calls, wind, and even water, it creates the perfect balance for a symphony. His work beautifully shows us how nature's melodies and harmonies come together in a unique way to inspire music and also storytell at the same time.
Each and every one of our lives is intertwined with the sounds from nature even if we do not recognize it. Personally, understanding this has not only inspired me to see nature for all that it offers but to also help others see that music in nature is not only at famous destinations in the world but can be heard in beautiful places like parks or even forests. This type of nature interpretation is not solely based on what you see but is an invitation to listen and truly connect yourself with nature. By connecting with nature through sounds it helps us understand that even something so small like that helps us form a unique bridge between human experience and the natural world.
Hey Dev!
I really resonated with your description of nature’s ‘soundtrack’ and how it creates a sense of tranquillity. I expressed a similar sentiment regarding the natural symphony created by diverse ecological sounds, from birdsong to the creaking sway of a tree in the forest. It’s fascinating how these sounds can evoke such peace, even though they form a relentless, continuous chorus. I wonder if this speaks to an evolutionary familiarity within our DNA, as this week’s content suggested that music might predate humanity itself. Additionally, I wonder if nature's melodies have been a part of shaping our very sense of rhythm and tranquillity.
I hadn’t heard of Bernie Krause before, but after listening to a couple tracks, his music seems like the perfect embodiment of this unit’s content! I really like how you described that his music can storytell, because while listening to his work, I noticed thought provoking song titles, and the cover art that beckoned me to begin crafting a story to accompany the music. I’d like to think that the artistry in melody, cover art, and title choice is communicating the story the musician had envisioned when crafting the piece. So that listeners could be an active participant in knowledge transfer. It’s amazing to think that by listening closely, we can become attuned to the stories that nature shares within its symphony of music. Additionally, how such music can have a lasting impact as we humans tend to associate particular memories with particular sounds. As you highlighted when describing that significant places you’ve visited having their own soundtracks.
Thank you for sharing your thoughts, and this new artist I can add to my Spotify!
Blog Post 7
I believe that music is embedded within every aspect of nature. Any chain of ecological events that generates sound contributes to the larger symphony orchestrated by Earth’s complex systems. This symphony includes more prominent sounds like a chorus of birdsong or the chirping of crickets in spring, as well as subtler, less rhythmic sounds like the rustling of leaves in a breeze or the creaking of a tree in the forest. These seemingly irregular sounds may feel random due to their lack of rhythmic repetition, yet they add texture and depth to nature's soundscape.
As explored in this week’s reading 'The Music of Nature and the Nature of Music (Gray et al. 2001), music is defined as ‘patterns of sound varying in pitch and time produced for emotional, social, cultural, and cognitive purposes.’ This definition broadens our understanding of music beyond human creation, suggesting that sounds produced by animals like whales and birds might also be considered forms of music. Similar to humans, birds and whales demonstrate "musical traditions," where song patterns evolve and spread among individuals and communities. For example, humpback whales across oceans adopt entirely new songs from visiting whales, suggesting a shared inclination in nature toward musical adaptation and cultural exchange. These parallels hint at an intrinsic musical language in nature that may predate human musical traditions.
Moreover, the article describes how learned musical patterns in nature are transmitted through social interactions: vertically from parent to offspring, obliquely among unrelated adults, or horizontally among peers. This concept mirrors human cultural transmission of music, showing that animals demonstrate 'musical traditions.' It reveals a profound connection between humans and other species, and as Gray et al. stated— further suggests that music may be an ancient, universal language that fosters communication and cultural continuity.
I believe this idea supports the notion that nature serves as a foundation for what music inherently is. Music functions as a cultural thread within our society and within the social structures of various animal communities. The reading ‘Using Folk Traditional Music to Communicate the Sacredness of Nature in Finland’ by Virpi Sahi further highlights this concept. Folk songs not only reflect the natural world but also preserve myths and stories integral to human experience, embodying a shared history and respect for the environment.
A song that immediately takes me back to a natural landscape is ‘Exhale Inhale’ by Aurora. Aurora is a musician from Norway that often incorporates Norwegian musical patterns into the pop music she creates. Similar to the description of Sami yoiks (vocal songs) depicted in the reading by Gray, et al. 2001, her music incorporates Norwegian elements such as hujning (a form of singing derived from Nordic herding calls) into her music. Which I’ve always felt elicits an emotional understanding in listeners. Aurora’s music to me represents a modern derivation of folk music that interprets both human nature, and human connection to the natural world. Now to return to the song in particular, ‘Exhale Inhale’ describes the current state of the Earth, an emotional personification of the negative impacts that climate change is causing. I feel this song beckons humans to understand that we are all connected, and what harms the earth undoubtedly harms us. ‘With no solution for the scared, tasting pollution in the air… Take from our world no more’ This song always takes me back to my walks in the forest alone. As once I got caught in a thunderstorm and hid under a dense tree canopy, I listened to this song as I waited it out. Lyrics such as ‘We are stood and somehow calm within the madness of the storm’ and ‘If you could fly and be the bird, then you would see the forest burn’ really resonated with me in the moment. I feel transported back to that day whenever I listen to this song.
Though not the same song, I wanted to share a link to another song ‘The Seed’ by Aurora that was performed in a forest accompanied by a choir: https://www.youtube.com/watch?v=hRhj3lfWzrI The cinematography, subject matter of the song, her singing, and the forest landscape altogether are a beautiful rendition of ‘music in nature’
References:
Gray, P. M., Krause, B., Atema, J., Payne, R., Krumhansl, C., & Baptista, L. (2001). The Music of Nature and the Nature of Music. Science, 291(5501), 52. https://link.gale.com/apps/doc/A69270354/AONE?u=guel77241&sid=bookmark-AONE&xid=fb9366a8
Spiritual Values of Protected Areas of Europe [Workshop Proceedings #322]. Using folk traditional music to communicate the sacredness of nature in Finland [Read pages 129 - 132] [Select 'Proceedings_Spiritual Values_PAs_Europe.pdf'] Sahi, V.
Blog Post 6
History is not only something to be read within the pages of books or viewed hanging in museums; it is living, part of the landscapes in which we walk, in the parks we visit, and even the air we breathe. The tales of land, people, and ecosystems are interwoven as one takes a closer look at nature from an historic perspective. Like history, so too is nature dynamic and ever-changing. That connection is what we are to help others visualize as interpreters.
The quote by Edward Hyams , "There is no peculiar merit in ancient things, but there is merit in integrity, and integrity entails the keeping together of the parts of any whole…" The idea of integrity in storytelling truly identifies with me. In the context of nature interpreters, it means we cannot look at nature just in this present moment. And we should learn from and share its wholstory-one that stretches far into the past. A forest isn't just a collection of trees, and a river isn't just water in motion; they are replete with stories of their making. To ignore that is to pick up a book and skip over its most critical chapters.
Now, bring into your mind a favorite natural spot-perhaps a nearby park, a less-traveled hiking path, or an overlook with a view. Now, imagine this same place 100 years ago. What did it look like? Who might have lived or worked there? What sorts of species thrived in this ecosystem? History gives us answers to these kinds of questions, and aids us in looking beyond what is there right before our eyes. It's sort of like adding layers of meaning to what might otherwise be a simple peaceful walk in nature. For example, a national park may appear as a pristine, untouched natural setting today, but scratch the surface and you may find underlying Indigenous histories of people who lived sustainably on the land well before it was a protected area. Or maybe that area is one that was heavily logged or mined, and what you see in that forest has been the result of quite a long recovery process. These stories add depth to our understanding and appreciation of the place.
What Hyams means here is keeping "the parts of any whole" together. One cannot just focus on the here and now without understanding the full journey that brought us here. That is why history plays an important role in nature interpretation: to put into context the beauty and wonder of the natural world.
But it's more than just facts that are shared in storytelling in nature interpretation; it's about connection, and that's where things can get really interesting. Every story has multiple points of view, and in interpreting nature through history, we have to consider whose stories we're telling-and whose stories are not being told. Let's return to that example of a national park. That is, talking about the present conservation only, not mentioning a word about the aboriginal people of that place-we are omitting something. And again, if we do not tell them how those places have changed because of industrialization or because of climatic change, we are not telling them the whole story. We are interpreters and must question: What stories are being told? And what is missing? And, more importantly, why?
Sharing such diverse stories allows people to connect with the landscape in their own ways. It may remind some of their personal history or challenge them to think differently about how we treat nature. It may provoke a new appreciation for a place that was not previously considered important by another. Either way, through storytelling, nature is brought alive in ways that go far beyond what we see on the surface.
Of all the tools in this kit, writing probably plays the largest role. Because we know not everyone will get a live interpreter, we write books and articles, brochures, and signs at parks and even trailheads. The problem is, nature interpretation writing is not as straightforward. It's not enough to get the information across, we also have to work our words so they make sense to the most people.
That is to say, having in mind an audience. Whom would we be writing for? For frantic lovers of nature who almost have to know ecology inside and out; for other professions, people just coming in and getting a breath of fresh air on an afternoon's stroll. We have got to strike a balance between the two: how much to explain and how little. And it's not just about knowledge levels-what about people for whom reading might be challenging? Young children, foreigners, and blind individuals? Our writing should be flexible enough to engage any and all of these individuals whatever their background may be.
Hyams' point on integrity carries over here as well. While writing the history of nature, we should be complete in telling a story that incorporates the view of a native person, an early settler, and modern-day conservationists, as well as one from everybody in between. It is part of the greater scheme of things.
So, why does any of this matter? Because nature, much like history itself, is constantly in a state of flux. Climate change, urban development, and even tourism in places we love imposes stress on natural spaces. The landscapes we see today will not look the same 50 or 100 years from now. That's why knowledge of its history is so crucial-because it helps us anticipate what might come next.
We are not referring to the past when we share these stories. We give people an idea of where we come from and where we are headed, and through that, we might even help inspire deeper connections to these places, an affection cemented in understanding and respect.
Next time you are outdoors, take a moment to consider its history. Who came before you on this land? What has this place witnessed? What stories lie beneath the surface, waiting to be found? Interpreters have a job to make sure those stories get told and remembered for future generations to go out and experience such spaces by appreciating and protecting these areas.
Writing, however offers us the unique opportunity to add our voice into this greater narrative. That's a powerful responsibility. Our words shape the way others see the world, so it's important we use them thoughtfully.
Hyams, Edward. The Gifts of Interpretation. Chapter 7.
Hello, great blog post!
I really enjoyed how you emphasized the idea of integrity in storytelling, particularly in the context of nature interpretation. Your use of metaphors like describing a forest or river as "replete with stories of their making" beautifully conveys the depth of history intertwined with natural spaces. This approach helps readers understand that these landscapes are more than just their present form; they carry layers of meaning that extend far into the past.
One of the standout aspects of your writing is how you encourage the reader to envision a specific natural space and reflect on its history. This method is powerful in making the concept of historical interpretation feel personal and relatable. Additionally, your focus on considering whose stories are being told and whose are left out is essential in ensuring that we offer a fuller, more inclusive narrative. The reminder to include marginalized voices adds richness to the way we interpret nature.
Your discussion on the role of writing in nature interpretation is also insightful. You highlight the challenge of making historical narratives accessible to a wide audience, from seasoned nature enthusiasts to casual visitors. This underscores the importance of clear and thoughtful communication, ensuring that everyone can connect with the history and significance of the landscapes they encounter.
The idea to incorporate diverse perspectives truly allows for a deeper understanding of the landscape, making it more meaningful to a wider audience. This thoughtful approach ensures that readers are not just informed, but truly connected to the stories that shape the spaces they encounter.
Thank you for sharing your insights on the quote!
Unit 6
I believe the quote by Edward Hyams depicts the idea that events of the past hold lasting effects on the future, shaping both a cultural identity and individuals relationship with nature. A landscape, once rich with meaning, becomes just a physical space when its historical connection is lost. When generational knowledge fades, we lose a vital lens through which to understand the world, reducing the desire to preserve natural spaces.
As historical interpretation teaches us, history gives meaning to places. It shapes our experience of the present by connecting us to the stories, values, and memories of those who came before.
Integrity, as noted in the prompt, involves “keeping together the parts of any whole.” Without knowledge of historical events, the connection to a landscape and the sense of community amongst people may be diminished
A similar idea is explored in Chapter 15 of the textbook, in the discussion on the perception of authenticity. The chapter emphasizes that whether or not visitors feel an experience is genuine plays a crucial role in how engaging and credible they find the historical interpretation. Just as integrity involves preserving the whole, the authenticity of an interpretation affects the wholeness of the experience, making it feel more meaningful. If historical elements are lost or diluted by modern influences, the interpretation may lose its authenticity and the landscape could lose its deeper significance.
As discussed in this unit, landscapes evolve due to human development, climate change, and shifting land use—but they are also shaped by memory. Interpreting history within natural spaces reminds us that these landscapes are filled with stories that continue to influence our present. Just as the quote suggests, our time on this earth is like a train passing through a railway station—we are merely passing through landscapes that existed long before us. To uncover and acknowledge events of the past is to recognize that the station existed long before we arrived.
This concept was highlighted in the National Park Service Chief Historian's YouTube video, where the importance of presenting diverse stories from the Pea Ridge Battlefield was emphasized. The Chief Historian focused on the need to include both Civil War narratives and the often-overlooked Native American history. I believe that orienting visitors to understand how the very landscape they are walking through is part of the Trail of Tears is a powerful way to honor the past. This kind of historical interpretation transforms landscapes into spaces of meaning, moving beyond mere scenic appreciation to a deeper connection with the stories that shaped them.
Landscapes are shaped by the people who inhabit them. For interpretation to be truly authentic, it’s important to consider whose stories are being told and whose are being overlooked. By acknowledging these diverse narratives, we preserve the continuity and integrity of the land, giving it deeper meaning for future generations. Honoring the past allows us to better understand how to care for the present. In this context, integrity involves not just protecting the physical landscape, but also safeguarding the traditions and memories connected to it. The past continues to influence the way we live today, and ongoing historical interpretation ensures that these lessons guide how we preserve landscapes for the future.
Unit 05
I have been debating on what I wanted to write about for this week's blog post as there is no prompt. However, earlier today on a guided river boat tour along the Chicago River, I found my answer.
A friend of mine from home moved to Chicago in May for work providing me with the perfect opportunity to visit the city. This thanksgiving weekend is being spent with her and our best friend (also from home), where we will be doing all of the fun touristy stuff, as well as getting the local experience. Today was filled with walking around the city on the river walk and waterfront, seeing the sites (like Cloud Gate, aka “The Bean”), and doing a guided boat tour. On this tour we were taught all about the city, from the architecture and how the city was built, to the river and lake system, and environmental initiatives happening at the moment to improve the health of the river and lake and their ecosystems. If you have never visited Chicago, it is a beautiful and well-known city for many different reason but most notably for its incredible architecture and art scene. A lot of its architecture reflects the city’s history and the surrounding nature. For example, there is a skyscraper that was built to capture the harmony of the connection between humans and nature. The tower’s form follows that of the river and allows for an abundance of natural light to be let in at all hours of the day. This is just one example of how architects have used their artistic ability to interpret nature through art.
As we were doing the tour though, I could not help but to reflect on what we have learned about nature interpretation and compare this boat tour to one I did with my family in Toulouse, France. Both places are very beautiful (both naturally and architecturally) and have a rich history; however, the interpreters went about the tours in completely different ways. Both displaying the different ways one can approach nature interpretation. Yet, at the same time, it made me realise how important it is to find a balance between interpreting what is around and letting people interpret their surroundings for themselves and admiring the beauty. In France, the guide spoke very minimally throughout the tour. This was really nice for allowing us to just absorb what we were seeing and appreciate the beauty for what it was and how we saw it. But it was also hard at times to fully appreciate what it was we were looking at without the background knowledge and guidance to allow us to expand our interpretation. On the other hand, the tour guide today was nonstop talking. This also had its benefits, but it did not afford us with the time to take everything in and form our own interpretations and to develop a deep admiration for each individual work of art and its connection to nature. Hence, the need as interpreters to find that balance that allows for the consumption of important knowledge that will guide our audience on their journeys of forming their own connection to the world around.
Some photos from today ^
Your blog post provides thoughtful reflections on different approaches to interpretation and raises an essential point about finding balance between guiding an audience and leaving room for personal discovery. I really liked how you compared your experiences between Chicago and Toulouse.
I appreciated your nuanced take on tour guide styles. You identified the strengths and limitations of both the guided approach in Chicago and the passive approach in Toulouse, pointing out that both methods offer different benefits. This observation highlights the important idea that interpreters must balance knowledge delivery with opportunities for audience reflection.
Your post reminds me of our discussions on learning styles—some individuals benefit from detailed explanations, while others may find greater meaning through independent observation. This reinforces the need for interpreters to be adaptive and responsive to their audience, and aid in facilitating personal connections with the world.
Another aspect of your comparison that I particularly enjoyed was your observation about how architecture can reflect a connection between humans and nature. Your example of the Chicago skyscraper built to harmonize with the river and bring in natural light highlights how architecture is an artistic medium for impactful visual interpretation. A medium that’s often overlooked but essential for deeper environmental engagement and prominent throughout society.
Thanks for sharing your thoughts regarding these interpretive experiences! Your pictures of Chicago look amazing!
Unit 5 Blog Post: Citizen Science and Conservation Practices
Happy thanksgiving everyone!
Given that this week’s blog prompt is open, I wanted to share some thoughts inspired by our course content so far.
While watching Washington Wachira’s TED Talk "For the Love of Birds," I began reflecting on the role of citizen science. Apps like iNaturalist, which is widely used in Guelph, offer a powerful tool to connect people with nature by allowing users to log observations. However, they also inadvertently filter participation.
For instance, I’ve spoken with older individuals who possess immense knowledge of local flora and fauna but do not engage with these apps. Their insights are invaluable, yet their observations remain undocumented in digital platforms. This raises a concern: Are we excluding certain demographics from contributing to citizen science simply because of a technological barrier?
This issue highlights the need to design more inclusive citizen science initiatives. If older generations or non-tech-savvy individuals struggle to access these platforms, we may miss crucial knowledge. Digital platforms should be complemented with physical or analog extensions—perhaps logbooks or community-led observation notebooks that can be collected and digitized by volunteers.
During my time in Kenya, I witnessed how citizens live in harmony with their natural environment. Kenya’s incredible biodiversity, which spans savannahs, tropical forests, deserts, and highlands, surpasses that of Canada. Yet, despite this richness, much of the local knowledge remains undocumented in apps or digital tools. Conservation in Kenya requires more than just technological solutions—it depends on community engagement and biocultural conservation. One of my professors, Carol Muriuki, a conservationist with the National Environment Management Authority (NEMA), shared insights that transformed my understanding of conservation. She emphasized that conservation cannot follow a “one-size-fits-all” approach. Community stewardship and biocultural conservation is crucial for designing conservation initiatives that have a lasting positive impact. Instead of crafting a conservation plan that looks good on paper but is not feasible in the real world. Each initiative must account for ecological, economic, and cultural realities.
A compelling example is the Lake Naivasha region, where rising water levels—likely caused by climate change—are displacing communities that rely on the lake for food and income. As Carol explained, simply forcing people to relocate isn’t a viable solution. Instead, NEMA is working on a more holistic approach, such as restructuring hydrological infrastructure, planting mangrove trees, and compensating displaced families. This approach integrates the needs of both people and the environment, exemplifying how inclusive conservation practices can lead to sustainable outcomes.
Figure 1. Blurry view of Lake Naivasha from the campground in Kenya (Griffiths, 2024)
I see Carol’s work as a model for future conservation efforts, where citizen science plays a central role in shaping projects rather than just being a tool for data collection. For citizen science to be effective, it must evolve beyond passive contributions. It should foster continuous dialogue between scientists and the public, ensuring citizens actively participate in research and conservation initiatives. This approach could help address the issue of bias in scientific sampling. Scientists often focus on charismatic species—those that are easy to observe or already have a wealth of knowledge available from past studies. As opposed to cryptic or under-studied species. In contrast, citizen observations tend to be more exploratory, as participants are not constrained by preconceptions about which species are significant, enriching scientific understanding in unexpected ways.
One of the biggest takeaways from this course is the realization that academic science offers only a narrow lens through which to engage with nature. As students, it’s easy to become trapped within the confines of scientific rigor and overlook the many other ways people connect with the natural world. Yet, through this course, I’ve learned that storytelling, art, and lived experiences are equally powerful tools for interpreting the environment. For example, conservation is as much about understanding community needs as it is about protecting ecosystems. Similarly, citizen science is not just about data—it’s about fostering a deeper relationship between people and nature.
Ultimately, effective conservation requires both emotional and intellectual engagement. Successful initiatives depend on integrating scientific knowledge with community stewardship. Similarly, citizen science can only reach its full potential when it invites participation from all walks of life—from scientists, to tech-savvy citizens, and those more comfortable with traditional forms of engagement. As I reflect on what we’ve covered so far, I believe we are just beginning to scratch the surface of how we can engage an audience with nature. The challenge lies in finding new ways to connect with both people and the environment—whether through technology, community dialogue, or personal storytelling.
Unit 4 Blog Post
As someone who has spent a significant amount of time discovering nature and creative expression, I feel like I was placed to learn and share the beauty of the natural world through art. This is commonly where the question would arise “Who am I to interpret nature through art?” Although I am not considered to be an artist professionally, my experience and passion for discovering the beauty of environmental science. I can make correlations through how art can express complex ecological themes when interpreting nature through communication.
The beauty of nature is not only found in environmental landmarks but also in the complex structure of its overall ecosystems and the narratives that each part of the natural world conveys. I see art as a means of bringing these connections to light and allowing others to relate to them emotionally. I believe that my role in interpreting nature through art is driven by my curiosity and being an observer while using art as a way to teach others and spread knowledge about our world's nature through the beauty of art. Art is known to be something that is interpreted differently by every individual who is willing to explore nature's wonders and make their interpretation of the art in nature which they can share their experience with others.
My approach to interpreting nature through art is deeply connected to the concept of the "gift of beauty. This method of interpretation is used to recognize and acknowledge beauty in nature, not just the visual appeal of it but also the complex processes that the species goes through. The "gift of beauty" is understanding that beauty is found in the little things, such as how species coexist, ecosystems coexist, and landscapes shift and change over time. Art allows us to truly enjoy the appreciate nature emotionally and intellectually.
In order to interpret the “gift of beauty”, I tend to connect to how different artists have influenced my perception of the natural world. I was able to truly understand these when looking at the photographs that photographers often take of species in an environment that must go unnoticed. For instance, look at a picture that a photographer took of a bee on a flower. My perspective of a bee sitting on a flower does not emphasize the beauty of nature and its natural process enough. However, in the photograph, you can see the bee drinking nectar from the flower. These artists have not only taught me that the gift of beauty is not always captured by the glimpse of the human eye, but are often overlooked and are truly captured through artistic mediums.
I also see a connection to sustainability in the gift of beauty. We naturally become more aware of nature's dangers and the ongoing issues, and our need to preserve it when we appreciate its beauty. In this way, art turns into a medium for advocacy and bringing awareness to ongoing issues. We can encourage others to care for the preservation of the natural environment by expressing artistically the wonder and beauty of it and allowing individuals to build a connection with the beauty of nature. Art can awaken an individual's emotions and compel them to take action, whether it is through a photograph or videograph of a species that is endangered or through the image of a climate change issue that is on the rise.
Overall, I see the gift of beauty as a way to remember our shared roots in the world of nature. In ways that words and actions can not justify enough, art aids in our discovery of those relationships. It gives us the ability to look past the obvious and invites us to investigate the deep complex relationships and meanings that comprise the ecosystems of which we are a part. By sharing my artistic interpretations of nature, I hope to open people's perspectives to the beauty that surrounds them and place a feeling of environmental responsibility and the need to take action.
Hey, I really enjoyed your discussion post!
Your response beautifully captures the profound relationship between art and nature, showcasing how art becomes a bridge to understanding the natural world. I appreciate your reflection on the question, "Who am I to interpret nature through art?"—a sentiment many of us who aren't professional artists can resonate with.
I believe your ability to make correlations between art and complex ecological themes is a powerful skill needed to successfully interpret to a diverse audience! You emphasize that passion and curiosity, fuel your artistic interpretation of ecological processes. I believe this authenticity makes your approach to nature through art even more impactful.
Your notion of the "gift of beauty" is particularly compelling. By emphasizing that beauty isn’t only in nature’s visual appeal but also in its underlying complexity, your perspective broadens the meaning of the "gift of beauty" towards further appreciating the underlying ecological processes that engaging interpretation can bring to light for an audience.
I especially enjoyed your descriptive example of a bee sitting on a flower. I agree that a photograph can translate so much more information, as this still in time can allow one to analyze what is truly being portrayed—such as a bee drinking nectar. As the saying goes 'A picture is worth a thousand words!'
Art does indeed have the power to move people emotionally and inspire them to take action. Your perspective that art helps uncover deeper meanings and relationships within ecosystems resonates strongly. I agree that by fostering emotional connections through art, we can heighten environmental awareness and advocacy. You’ve captured a beautiful synergy between creativity and ecological responsibility, and your desire to share these interpretations with others is inspiring!
Unit 4 Blog Post
Art plays a prevalent role in nature interpretation. I believe my interest in environmental science, and the broader field of science, has foundational roots in the artistry displayed in museums and galleries I have visited throughout my life. Art is a medium that can spark discovery for a broad audience, as artistic expressions of nature are open to individual interpretation. People may connect emotionally to an ecological concept in a way that may not have been as impactful if conveyed through a lengthy presentation of miscellaneous facts.
For example, I have always found it fascinating how social media has become a space where so many people become aware of and emotionally moved by scientific facts, often presented in creative and compelling ways. The salmon run, for instance, is a key ecological event that impacts multiple trophic levels within an ecosystem. Creators on social media have crafted audiovisual storytelling of this event, showing salmon swimming upstream, combined with quotes about determination and melancholy music, creating moments of reflection on the circle of life. This kind of interpretive outreach has fostered greater awareness about the negative impacts of damming waterways on ecosystems.
Another example can be seen in videos depicting pigeons that were once domesticated by humans to be messengers, and how they’ve lost many natural behaviors over time. With the progression of technology, these messenger pigeons were abandoned, and many are now unable to adequately build nests or forage without human-provided food. These stories offer powerful, engaging interpretations that invite us to connect emotionally with an be aware of human impacts on nature.
When it comes to interpreting nature, presenting meaningful themes rather than solely thesis-based interpretations allows for a deeper connection. Multi-sensory presentations offer everyone—visual, auditory, or kinesthetic learners—a way to engage with their surroundings. For example, during a treetop trekking and zipline experience through Whistler Mountain, the guides incorporated poetic catchphrases while sharing facts about observable ecosystem processes, which made the experience more memorable. They used illustrative posters for visual learners and offered samples from different plant species like Douglas fir (Pseudotsuga menziesii) and witches' hair moss (Alectoria sarmentosa), adding texture and layers to the experience. Though no formal artwork was presented, the storytelling and emphasis on the unique designs of nature around us became a form of visual art in itself.
This leads to the idea of the “gift of beauty.” I believe incorporating art into interpretive programs inspires people to sense the beauty in their surroundings, allowing participants to foster an emotional understanding based on personal perspectives that encourages a sense of stewardship. A personal experience of mine involves my appreciation for artistic mediums such as photography and videography. These mediums have allowed me to see the beauty in and gain intellectual understanding of landscapes I have not yet had the opportunity to visit. The ability to learn about nature and associated cultures around the world through these artistic forms has fundamentally changed the way I perceive the world. Art has the power to instill a deeper appreciation for the interconnectedness of nature and the diverse ways in which humans interact with it.
Ultimately, I believe art can help bridge the gap between intellectual understanding and emotional resonance, encouraging advocacy for ecosystem conservation. The "gift of beauty" is not just in the visual appeal of nature, but in the way art helps us recognize our place within these ecosystems, fostering both curiosity and responsibility.
Week 3 Blog
'What role does “privilege” play in nature interpretation? Please include your working definition of privilege.'
To me, privilege is defined as an unearned advantage or right that a certain person or group of people inherit at birth and in some cases even before. I also believe that a major role that privilege plays in nature interpretation is influence, representation and accessibility, more specifically the influence that a nature interpreter can have on other people who wish to further explore nature both physically and spiritually.
Those from wealthier backgrounds typically have greater access to national parks and outdoor gear. This advantage allows them to engage with nature more frequently, creating a cycle of appreciation and stewardship. On the other hand, marginalized communities face significant barriers such as a lack of transportation that can prevent families from visiting parks, while financial constraints may make outdoor gear and activities seem out of reach. Additionally, many individuals live in areas where the nearest green space is unsafe or poorly maintained. As a result, these communities may miss out on the physical and mental health benefits that nature offers, leading to a disconnection from the environment and often facing greater exposure to environmental hazards, such as pollution or inadequate access to clean water, while simultaneously having less access to green spaces. This imbalance creates a cycle of disadvantages that must be acknowledged in nature interpretation. By recognizing these disparities, nature interpretation can become a tool for empowerment. It can advocate for equitable environmental policies that ensure all communities have access to healthy environments and natural spaces. Addressing these issues not only fosters equity but also strengthens community ties to nature.
The narratives we encounter in nature interpretation often reflect the experiences of privileged groups, leading to a misinterpreted portrayal of our relationship with the environment. This lack of representation can overshadow the contributions of marginalized communities, whose ties to nature may differ significantly from other narratives. To create a more holistic understanding of environmental issues, it’s vital to include diverse voices in nature interpretation. By amplifying these perspectives, we can deepen our collective knowledge and foster a deeper connection to the environment. Imagine nature interpretation that incorporates stories from various cultures, sharing how different communities interact with and care for the land. These communities have unique relationships with nature, influenced by their histories, values, and practices. Unfortunately, privilege often shapes which perspectives are highlighted in environmental education. For example, Indigenous knowledge offers invaluable insights into sustainable practices and ecological stewardship that are frequently overlooked in mainstream narratives. Incorporating Indigenous and other diverse perspectives can challenge dominant views and deepen our appreciation for various ways of understanding and interacting with the environment.
Recognizing privilege in nature interpretation is very important for creating inclusive narratives that reflect the diverse relationships individuals and communities have with the environment. By addressing issues of influence, accessibility, and representation, nature interpretation can become a powerful tool for fostering connection and stewardship across all social identities.
Hey there!
I really enjoyed your discussion post! Your definition of privilege was very insightful, I agree with your sentiment that 'influence' is very pervasive within the privilege present in nature interpretation. Within my own post I discussed that selectively interpreting nature from a Western viewpoint perpetuates a colonial power dynamic within interpretation. Yet I like your use of 'influence' as those with privilege will affect the outlook of a society as a whole, feeding a narrative regarding who has what is sometimes regarded as 'ownership' over the knowledge nature holds. I agree with how you distinguished the contrasting conditions of green spaces accessible for wealthy vs. marginalized people. One particular point you brought up that really stood out to me was that green spaces in areas that marginalized people may live often are 'unsafe or poorly maintained'. I have witnessed how the level of maintenance often deteriorates across the greater Toronto area and such seems correlated with higher population abundances in city centres, and the wealth of the residents within an area.
Witnessing such contrasts really emphasizes the systemic inequities that exist even in access to natural spaces, which should ideally be enjoyed by all. The fact that wealthier communities have access to well-maintained green spaces while marginalized communities often do not, highlights how privilege extends beyond economic factors to shape one's overall relationship with nature. These disparities in access impact physical health, and mental well-being as you mentioned—nature is known to have a profound effect on reducing stress, improving mood, and fostering a sense of belonging. When marginalized communities are deprived of safe and accessible green spaces, they are also deprived of these mental health benefits, which further perpetuates cycles of disadvantage.
Moreover, I completely agree with your point on representation. The narratives often shared in nature interpretation tend to reflect the experiences and values of more privileged groups, leaving out the voices and knowledge of marginalized communities. By excluding these perspectives, we miss out on a more diverse understanding of nature, its stewardship, and its significance to different cultures. I believe that incorporating Indigenous knowledge and other underrepresented perspectives can offer us a richer, more inclusive connection to the environment. In fact, as you pointed out, this shift in narrative could lead to more equitable environmental policies, which in turn, would benefit all communities.
Thank you again for sharing your thoughtful insights!
