Peace: Wraith meets Peace: Follow Baby I’ve been trying to explain this for yonks they are IDENTICAL
and the combination is fucking tasty
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@actuallylistenstomusic-blog
Peace: Wraith meets Peace: Follow Baby I’ve been trying to explain this for yonks they are IDENTICAL
and the combination is fucking tasty
Just uploaded Silver 2 to Mixcloud. Listen now!
Just uploaded 17 to Mixcloud. Listen now!
Just uploaded Afro Left / Black Belt to Mixcloud. Listen now!
LCD Soundsystem vs Lana Del Rey: new mix by Glaselefant Contains sample from Daft Punk. Enjoy
Random Access Memories- Daft Punk review
There's no way I'm not reviewing the new Daft Punk album.
From the beginning with Give Life Back To Music it is instantly clear that DP are totally aware of the connotations of the genre they're working in. 70s disco is something that has of course been done and gone out of fashion- but the groove that comes rocking in and takes hold towards the end of this track is like nothing I can describe. The pure, unbridled exultation and celebration in it is so accessible. It's not cheesey, it's not over the top and it's not overproduced- it just struts along like a sassy, finger snapping friend at your side. The whole album is generous. The lyrics are for us, it's not self indulgent, it's saying to the listener 'look, this is the music of your life. This music is for you. Enjoy this music.' But alongside the presentation of Daft Punk's gift, they also ask favours from us. Give Life Back To Music. Lose Yourself To Dance. Turn on the music. It's not only a concept album but a call to arms for those who want music to get back to the way it used to be- a total, selfless celebration of sound which has no owner. Daft Punk said in an NME interview with the release of Random Access Memories that although they're proud to have had an effect on music to the point of pretty much creating a genre, they think their ideas have been run with and taken too far. Although they very much introduced a new way of using computers to generate dance music, they unwittingly created a dance music formula that was too easy to follow. A lot of dance music, as we know, has become depressingly samey. With RAM Daft Punk are yanking dance music back in time again, and with hope, their message will be heard. Don't worry- this isn't at all to say that DP have dropped electronics. The album is vocodertastic. It's aching with the heart wrenching autism of a robot that wants to feel, but it still takes absolute command over your ears and feet. It leaps up with the totally appropriate enthusiasm of the best ever dance duo that have waited too long to release this album, hinges on a track named Touch and then just takes your heart to pieces with every track until the very end, which will make you want to follow the album into deep space because you'll be absolutely certain that's where it is going. It's like a theatre production- the most fantastically moving and yet danceable album of the last decade. I could not recommend this absolute fucking stonker of an album more. Just turn on that music and give every fibre of yourself to it, because that is what it deserves.
I can strongly suggest checking this out. The moment you click it you'll love it. If you like this song, definitely go and check out the rest of the album. You have my word that it's just beyond fantastic.
I haven't heard anything quite as cool, moving and dance-to-able for a while and my god there is the most awesome track in the album called 'GMF' which if you're having a bad day is definitely your ticket out! :)
I’m having one of those Zach Condon freak outs when I spend all my time thinking about Zach and listening to Beirut all day and early Zach songs and realising what an inspiration he is to me and being hit again and again by the realisation that he has the life I need and I’ll probably never be...
Just reblogging this because it's happening again
“This song is truly beautiful. Sharon’s voice is amazing, and combined with Zach Condon’s this makes for a really uplifting and stunning song, that makes you feel good to be alive.”
Beautiful. Sharon and Zach sing so wonderfully together, it takes my breath away. It's unusual to hear Zach actually annunciating lyrics! I have no objection to him never doing so, but it felt like a lullaby to hear him sing the words to me. Time to play it over and over until I'm asleep and then dream about it and then wake up and play it again! :)
I'll admit, I first heard this song on the Olan Rogers video 'Crazy Horse' and it hit me pretty hard. Although the Olan Rogers video was hilarious, this song just grabbed me and I felt what I could describe only as a kind of sickening, compulsive desperation to know where it came from. When I got hold of it and listened to it, I found myself kind of lost and almost afraid of what it was doing to my head, as if my brain was full to bursting with weirdly unanswerable questions. I needed to know how, why this song was made and what the hell it was that made me feel so intimately confronted. It brings about this sense of mortality, something in that chord progression ripped away my cover and exposed my raw humanity in a way that made me think that if I even flinched, that perfect moment of bare, bleeding sound might run away startled. It was like staring a wild deer in the eye. It feels like no time before the aching strings that open the track are pulled away from you to be replaced by a kind of rumbling white noise like the wind outside. But then it all comes roaring, screaming back at you, and this straining alien vocal cries over the top like a bleating lamb. You can't even quite make out what the lyrics are. It rushes to you, the force of it pins you down, and then it passes straight through you and leaves you in a sort of cleansed daze with only soft piano to remind you of what the hell just happened. No fucking way does it feel like four minutes long. I don't even know what it is about this song but it makes me want to cry and smile and squeeze my eyes hard shut to hold it away from all the things that could be destroyed, all the things that make me vulnerable. If you listen to this, expect it to make you think about all the things that youcare about, and expect it to make you feel sad about them.
Grizzly Bear — Two Weeks
Will love this fucking song to the end.
Zach Condon is on Radio 6 music now with Guy Garvey. Enjoy, my fellow Beiruters!
Grizzly Bear 'Shields'
 Shields might not be the newest album, but after listening to it for months and seeing them play it live, my current view is exactly what it was after my first listen- it’s fucking brilliant. We knew Veckatimest wasn’t gonna be easy to follow, and the band took their time doing it, but the result was an absolute masterpiece. Grizzly bear disappeared, prospered the crap out of life for a couple of years and came back with THIS. It’s been described as a more accessible Veckatimest, in other terms a Veckatimest for the newbies, but in my opinion it is certainly no less of a thrilling experience. The album itself is yearning and sensitive, an easy brush stroke of guitar and piano- but it’s not pathetic. It’s a screaming force, precise and driven, tethered down roaring and somersaulting in this beautifully produced cushion of sound. It knows its place, there’s something withheld. It’s more of a catch-their-eye-across-the-room-and-know-they-want-you than a get-talking-and-blurt-out-your-breast-size-at-the-bar. It’s like you can hear the band grinning darkly out of the melody amongst the tasteful drumming and fist-to-the-air choruses as if to say, “we took your expectations and blew them to dust, now bow to us.” Maybe they don’t quite have the ‘booming pop hit’ on this one as they did with ‘Two Weeks’, but they’ve spread out that sensational hit feeling over the whole album, tweaking the personality of every song until it became a gleaming summit of its own. For that reason it’s been difficult to decide a favourite- but after a few ambling strolls in sunny fields, a few bad days and a one average Christmas, I’ve chosen the final track, ‘Sun In Your Eyes’. It’s not the one that’ll spring straight out to you- that would be ‘Yet Again’, which hits you like that hot waft of air when you open the oven. However, ‘Sun In Your Eyes’ has a treasure of a chorus’ filled with that kind of passion and relentless paralysing impact which yanks the breath from your lungs and stabs that hot poker of awesome love for music into your stomach. My advice? Buy this album, a really lavish chocolate cake, and some plastic cutlery. Go home alone, get your speakers on nice and loud (if like me you have a tight arsed neighbour that bangs on the wall make that VERY loud) and bathe luxuriously in a puddle of endorphins. You earned it.