wanted to paint something cute
sheepfilms
Keni
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🩵 avery cochrane 🩵
Fai_Ryy
let's talk about Bridgerton tea, my ask is open
Misplaced Lens Cap
official daine visual archive

Origami Around
PUT YOUR BEARD IN MY MOUTH
Show & Tell

PR's Tumblrdome
noise dept.

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Monterey Bay Aquarium
will byers stan first human second
Xuebing Du
art blog(derogatory)
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oozey mess
seen from Nicaragua
seen from Pakistan
seen from Senegal
seen from Albania
seen from Russia
seen from Belgium
seen from United States
seen from Thailand
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seen from United States
seen from Argentina
seen from Türkiye

seen from Mexico
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seen from Brazil
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seen from Germany
@ad-astrah
wanted to paint something cute
Blinding
Quick Aziraphale study because I'm not over it yet.
Don’t save him. He’s exactly where he wants to be.
OKAY SO HERE ARE THE PICS. Inspired by this post by @pipistrellus (@pipcomix)
These are 16th century Renaissance inspired hotpants, panelled with navy velvet with a red silk lining and hand-embroidered butt slogan, which I believe is like 300% historically accurate. They’re actually modelled off a genuine Tudor pattern but then made ridiculous because who am I.
Worn with thigh highs and a 18th C shirt cuz it was all I had to hand and frankly shirts don’t change that much lol.
Watermark is to my Instagram! @oh.papillon
New Fic Drop!
Summary: Aziraphale and Crowley find themselves playing Bottom and Titania in the famous 1840 production of A Midsummer Night's Dream.
Rating: Explicit
Words: 4.7K
Excerpt:
As they exchange lines with one another, Aziraphale fights to keep his focus whilst gazing into Crowley’s hypnotic, honeyed eyes. They are all the more striking here in the new and dazzlingly bright limelight, rimmed in dramatic black eyeliner and glittering with ethereal shades of green and purple eye paint to match his floral crown.
After the initial shock of learning Aziraphale is behind the mask, Crowley lays on thick with the infatuated Queen act. The twinkle in his eye and the hint of a smirk at the corner of his painted lips tells Aziraphale that he’s relishing in his attempts to provoke Aziraphale into breaking character. Typical fiend.
Little does he know that Aziraphale’s determined to do the same. He’s just letting the demon think he has the upper hand so that, when the time comes, he’s all the more unprepared.
When they return to the stage for their next scene together, Aziraphale is ready to enact his mischief.
Ignoring the way that they are pressed up against one another on Titania’s verdant bower, the angel decides to embrace the arrogance of his character and give Crowley every window of opportunity he can to ham up Titania’s ensorcelled flattery.
Click here to keep reading!
@goodomensafterdark
This one gif sums up, completely, how I best like to think of Crowley and Aziraphale. Which is a little odd, maybe, considering this footage came from between takes, but to me it encompasses them wonderfully. Crowley bringing joy to Aziraphale simply by being there beside him and saying something which seems absurdly silly at the time but will later make the angel see the world in a new light, through Crowley's lenses. Aziraphale's smile and laughter flooding Crowley's chest with the best feeling he's ever known. And, of course, the Bentley.
Some unabashed joy for your dash!!! This gif will never not fill my soul with an overflowing burst of joy. This is the love and joy and happiness and affection that truly embodies these two characters. We all know who they really are. And this is it.
~ you're more than enough. you're everything ~
Oh goodness. This is insane. This is the softest thing I have ever seen
Red string
A month ago, Good Omens tv ended on a sour note. Yet, our fandom has always been bigger than just a tv show. Whether you love the original book, the radio play, the book based first season, or even the whole tv trilogy, what unites us matters so much more. We are full of love.
obligatory weekend sadness courtesy of Good Omens and yours truly. my apologies in advance
“I saw that the camera could be a weapon against poverty, against racism, against all sorts of social wrongs. I knew at that point I had to have a camera.” – Gordon Parks
Segregation history, Gordon parks. 1956
Éomer, son of Éomund
“We Had Crepes” by tabbystardust [AO3]
Graduation gift for @shay-moonsilk
He’s like a strange cat-snake-thing
I'm so (not) sorry for this one😳🤭✨
• You turn me on like a light switch • (I cannot take this song out of my head and that's the result)
Do not think bad.
(Not too much) 🫢
notes: Now just imagine that immediately after that Crowley says something like "Keep that stupid bowtie of yours." (only the bowtie) I WON'T SLEEP TONIGHT