Project Hail Mary - Phil Lord & Christopher Miller

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@ademonandherbentley
Project Hail Mary - Phil Lord & Christopher Miller
who up wasting their only shot at life through complete and utter inaction
holland march is the prettiest peacock hwo dare you assume he doesn't protect his clothes
my dearly beloved friend @temporalreplicsimile left me a beautiful platter of Bait while I was sleeping so that I would wake up angry
THIS PERSON IS INCORRECT, both on the premise and on understanding what March actually did, which is a brilliant clothing-as-character beat. and I'll prove it bc I have a 2160p SDR copy of the movie I encoded.
ONE: the buttons at March's cuffs would absolute not provide enough clearance for his cast. The buttons only open up the bottom 2 to 5 inches of the sleeve and only near the hem and depending on how its tailored, the sort of 'vent' it creates might not give enough space.
and March's cast is Big.
look at that chonker, they paper maiched the shit out of him. at some points, it's over an inch thick and looks even thicker around the hand and wrist. so at minimum, adding like 2 inches to the diameter (bc its enclosed all around so an extra inch on either 'side')
TWO: Holland literally did the smart and correct thing instead to protect all his pretty clothes: he ripped the seams.
this little thingie that comes with sewing kits is a seam ripper. it does what it says on the tin and cuts through the thread connecting pieces of cloth.
This is absolutely the correct course of action. Holland is fashion-conscious ("What do you think?" "It's purple." "(audibly offended) It's maroon.") and has a lot of nice coats and jackets. Once the cast is off, it will take 10 minutes at a sewing machine to close the seam again. (citation: i have a sewing machine two feet away from me. it's quick.)
If he just opened the buttons and tried to jam that cast into the sleeve, he is way more likely to damage his clothes because the extra pressure on the fabric plus one snag on a door handle or something, and it'll cause a tear instead of the tidy seam rip.
actually I found a spectacular detail. COMPUTER, ENHANCE.
See those little dangly bits? Those are the threads left behind from using a seam ripper. So Holland had enough patience and care to do this to every coat/jacket he wears in the movie post-cast-ification, but did not take the extra time to pluck out the remnant threads or to use a brush to pull them out.
I fucking love that the wardrobe people left this detail in, especially when its almost invisible outside very specific shots and at specific resolutions. Everyone who touched this film loved it.
(me: please feel free to respond to that twitter person and use my beautiful screenshots as evidence kiore: I am absolutely not going to do that, but thank you me: OH CMON THEY ARE INCORRECT ONLINE. I DON'T HAVE TWITTER. kiore: you'll just have to make a tumblr post about it to vent your frustrations, I guess 😇)
Hi guys! I thought I should just share my whole mini little library of Project Hail Mary-related things so they're all in one place:
It includes:
A digital copy of the movie (with subtitles in 30+ languages via download)
My transcript of the movie (more on that here)
Audio recordings of the movie
A PDF of the book
An EPUB of the book (for e-readers)
The full audiobook
A copy of Andy Weir's doc on Eridians
A copy of Andy Weir's spreadsheet on Astrophage physics (among many other things!)
A draft of the screenplay for the film from 2022
The deleted scenes from the film (VLC Media player required)
An audio recording of the director's commentary
My transcript of the director's commentary
A folder of 700+ screenshots and other reference photos
There's also a google doc with some instructions to follow if any of the files aren't working or aren't allowing you to download them, which usually happens when too many people try to access or download something at the same time.
Additionally there's a UHD copy (that's too big to fit in the drive) here!:
Securely store, share, and access your important files and photos. Anytime, anywhere.
Please note that because of the way that google drive works, some of the subtitles only work if you download the file yourself.
The audiobook, audio recordings, and commentary all have their properties programmed so they (should) work just like songs with a track number, album cover, artist, and so on if you download them.
There are two audios of the movie, one is the entire film untouched and one is that same audio cut up and broken down into separate scenes for convenience.
Additionally, there are two versions of the movie transcript, one with time stamps that match the audio recording and one without. The time stamps (+ their titles from the audio) are outlined in that version, so if you double-click on that tab or click "show outline," they'll all show up and you can pick a specific scene.
Similarly, there are two different versions of the director's commentary transcript. The first is made to listen along to the commentary, while the second is more intended to be read on its own. The first is a direct transcription of everything that's said (an attempt, at least), while the second is slightly cleaned up for easier reading, meaning things like jumbled sentences and stuttering were removed or reorganised, but nothing has been actually paraphrased. Both are broken down into different scenes based on how their conversation goes, and the listening version includes timestamps.
The first few seconds of the commentary are missing unfortunately as my US friend who was kind enough to record it for me had some technical difficulties at the start, but she was able to paraphrase the part that was missed. The commentary starts at that first red shot of Ryland Grace's face in the coma suit 32 seconds into the digital copy.
The deleted scenes have to be downloaded and opened in VLC Media Player to be watched.
All the screenshots are ones I've taken either to use as a reference, decoration, or on request from other people. All other images are ones I've collected for similar purposes. They're vaguely organised into folders and there is also a guide explaining what is in each folder. In those folders, they're listed in the order of which they were taken, so for the most part they're in chronological order of the events of the film. However, some folders are out of order in cases where I went back to take more screenshots later. It is slightly messy and arbitrary, but hopefully isn't too difficult to navigate.
As always, if anything's not working right or you notice any mistakes in anything, please let me know and I'll fix it as soon as I can!
(Similar but smaller resource library for The Martian is here!)
PHM characters as text posts: Pt. 7/?
Part 6
WHY DID THEY CUT THIS SCENE IT IS SO CUTE, it has the "single ancestor panspermia" theory and BEAUTIFUL GREEN LIGHTING FROM ADRIAN and "when we think we make a sound so people know we're thinking" and grace looking at rocky like rocky personally hung the stars across the cosmos
"No understand word." "Dreams? Hm. It's like... another life that you live where crazy stuff happens but it all makes sense. Kind of like today."
okay iirc from the anecdotes this was the first scene with the full rocky puppet and oh my gd you can see how the team is just stunting with all the little movements
inspired by @casgirl’s tags on this post:
source
I had noticed these strange little occurrences all my life. A bird would fly past my window and it'd sorta look like it was half there, half not. I'd glance up at a clock and for a moment, the second hand would be in two places at once. Never really thought much about it. I thought it was just normal. Someone told me once about the clock hand illusion where you flick your eyes and it looks like time stops for a half second or so, I figured it was something weird like that.
But one day, I think it was August 2021, I flipped a coin. Thinking back, I think it might have been the first time in my life I'd ever flipped a coin. But we were deciding where to eat, me and my friends.
And then it happened. The coin landed on the table, heads... and also on the floor, tails. I tracked the coin with my eyes, but suddenly realized I was looking at two things at the same time. It was like crossing your eyes, and seeing things kinda overlaid on top of eachother, kinda mixing and fading in and out, but with four eyes instead of two.
It was such a weird experience. At first I just stood there kinda motionless, trying to figure out what was going on. Then my friend bent down and picked up the coin off the floor, and said "Hah! Tails! Pizza!" and also she just stood there and said "Damnit. Heads. Guess we're gonna get burgers after all."
And I looked down at her and up at her at the same time.
That's really when the desynch started. I reached for the coin on the table and held a fuzzy, half-there, transparent coin in my hand.
I began to feel kinda sick. We got in the car and things got more and more confusing. Thank goodness I wasn't driving that day. My friends were having two increasingly different conversations and I just sat there kinda dissociating. By the time we got to the two different restaurants I was nauseated and I had a bad headache. I stayed in the car in the parking lot at the pizza place for a few minutes until the other car going to the burger place parked. One of my friends was worried and stayed with me, so that was nice. But when I tried getting out of the car, everything went wrong.
One of my bodies walked right into another car and fell down on the ground, while the other stopped and froze in place. The completely different sense of proprioception completely broke me.
I was basically bedridden for a week. Slowly I relearned how to move, and walk, and talk. I had two bodies, in two timelines, connected by a single consciousness. My brain(s?) had to learn how to control two bodies at the same time.
It's like, pretty weird, but I'm used to it these days. My two sets of eyes no longer overlay on top of one another, they're kinda separate. It's hard to describe. I think my brain got better at multitasking too, I can walk in one timeline and draw in the other, for example.
Things kept getting more and more different, as much as I tried to enforce keeping things the same. Finally I started seeing my therapist again.
I had to convince her that what I was experiencing was real. So I asked her to think of her favorite food and her favorite color. Then in the "Burger" timeline I asked her to tell me her favorite food, and in the "Pizza" timelines I asked her to tell me her favorite color. And I told her her favorite color in the burger timeline and her favorite food in the pizza timeline (Spaghetti and Red, btw.)
She quizzed me on a few other things and sometimes her answers differed between the two timelines which was pretty frustrating, and I don't think she really believed me at first, but she was nice enough to play along at least. And like, not have me committed.
I ended up scheduling my therapy so that I have meetings on pizza tuesday and burger friday, so they're kinda spaced out more evenly. It also just makes the meetings a little less confusing. Ironically doing the same thing in both timelines is actually more distracting than doing different things.
In late 2022 I transitioned. I decided to come out in the burger timeline and stay in the closet in the pizza timeline, so if everything fell apart I'd still have one normal timeline. And like, my parents did not support me. Most of my friends did, but some of them drifted away. And I found that just made me resentful of my parents and those friends in the pizza timeline. And the dysphoria of being a guy in the pizza timeline while living as a woman in the burger timeline was killing me. So when I got on HRT in early 2023 I decided I couldn't take it anymore, I had to transition in both timelines. So I did. Ironically things went a little smoother in the pizza timeline, probably because I was already more confident about presenting female.
I ended up making some transfem friends in the burger timeline, and I sought them out in the pizza timeline too.
It's kind of a mixed bag, this phenomenon. You know like, pain is a lot worse. One week I had a bad tummy ache in the pizza timeline and a bad toothache in the burger timeline. Or like, if I have back pain in one timeline, not having back pain in the other timeline doesn't relieve the feeling at all.
It's such a cool thing, like. When I first started out I had all these conflicting signals in my limbs and body and stuff. But now it's just like. Yeah I have a pizza arm and a burger arm, just like I have a left arm and a right arm. They're the same, but different.
When I make a drawing in one timeline, I don't have access to it in the other timeline, which is really annoying because I keep wanting to show people art I made in the other timeline. One day I'll figure out some kind of interdimensional data transfer protocol. I mean I guess I could like, convert the file into hexadecimal text, and then manually type it out and hope I don't make any mistakes. I'd have to compress the hell out of the file though. Maybe I'll try that one of these days when I don't have anything to do in either timeline.
But I get to spend more time with my friends, because I can schedule hanging out on different days of the same week. Does get kinda confusing when I confuse things that happened in one timeline for another.
Because like, ever since that coin flip, the timelines have been steadily moving further apart. You'd be surprised how little the weather has changed. Like, sometimes there's a little rain shower in one timeline a few minutes earlier than in the other, but all the big storms and hurricanes and stuff are basically the same. I guess it's harder to influence these continent-scale systems than the butterfly effect predicts.
I get to see almost twice as much meteors during meteor showers because I can look in two directions at once. Meteors hit the atmosphere in exactly the same way at exactly the same time.
But it does affect a lot of other little things. Even when you don't realize it, you affect the lives of everyone you come into contact with in little ways, and that spreads. I know people with different jobs in each timeline, people who have different relationships. Even people I don't know that well.
I wasn't quick enough in the pizza timeline to keep my friend from. Well. To save my friend's life. But I rushed over to her house in the burger timeline and talked her down. It's so weird, grieving a person you still talk to every week. Because it ended up being this kind of abstract pain. Everyone else is missing her and you're standing there like. Yeah. I have plans to see a movie with her on burger tuesday. I went to her funeral just to make sure that I saw the dead body so I could really internalize that she was gone. And I still didn't cry. It made me feel like a terrible person.
My friends never really take me all that seriously when I talk about being split like this. They kinda play along but I can tell they think it's a joke. It's whatever. But my friend's girlfriend came into my DMs one night sobbing and cry-typing and begging me to let her talk to her gf one last time. I wasn't sure it was a good idea. But I relented, and made plans to have a sort of interdimensional seance.
I could tell my friend--we'll call her Elsie, and we'll call her girlfriend Robin. I could tell Elsie was pretty awkward about it. I think she felt guilty on behalf of her other, dead self. Robin kept saying stuff like "how could you kill yourself, how could you do this to me," and I would have to say that, and Elsie was just like "I'm sorry." And it was really hard to get Robin to understand that we weren't talking to Elsie's dead spirit, we were talking to her in another timeline. I told her she didn't have to apologize, and I told Robin that guilt tripping the dead was kind of rude.
After that things went a little more smoothly, Robin asked about how Elsie's life had gone, how their relationship had progressed you know like if they were still together, things like that. Elsie said some stuff that I wouldn't have known, and Robin was like. Wow you really are talking to Elsie aren't you?
And I was just like :| yep.
Ever since then my friends keep trying to get my help with stuff. Like they'll ask me what their other self is doing, like, ok, for instance, my friend, we'll call her Jane, she wanted to ask out her crush, and she was like ok. Can you ask the burger version of my crush if she likes me back. Which kinda throws the burger version of her under the bus doesn't it!
And another of my friends wanted to know if she'd regret quitting her job, so she told me to ask the other her to quit her job, and then if it went well she'd do the same. I did ask, and she said no, obviously.
The kinda scary thing is, every once in a while I'll see some of those artifacts that I used to see, like, little tiny desynchs within each timeline. I only recently got used to being in two timelines at the same time, I don't think I can handle being in three or four. My brain's already better at handling the desynch, like, one time I managed to move my finger in two directions at once all in the pizza timeline. But I'm really scared of the desynch multiplying over time. Maybe it's inevitable, but my main strategy is just to not flip any coins for the rest of my life.
Someone to be brave for.
excerpt is from chapter 29 of the novel.
[ image IDs in ALT text ]
From James Ortiz's instagram, a closeup look at Rocky’s hands, including his "goat leg".
Rocky + Movement Project Hail Mary (2026) dir. Phil Lord, Chris Miller
Grace tries copying the tones using the keyboard.
Rocky hums. “Close. Skip first note.”
“Why? You always include that.”
“This means… of Rocky, possessive. Of the speaker.”
“My.”
“Correct. But only for names.”
“So you’re calling me…?”
Rocky repeats the word: “My Grace. Yes.”
Ryland Grace's crash-out outfits (crashoutfits)
so after the extremely important post observing Grace is wearing Ilyukhina's dress during his crash out, i feel it is my civic duty to catalog Grace's wardrobe shifts during this sequence. important science. gender science. as if there were not enough science on that with Grace already.
This sequence is non-linear, jumping back and forth, so I'll try to put them in order.
CRASHOUTFIT ONE:
PHM shirt, workout shorts, what seem to be PHM socks, and his horrible flat sole sneakers. This is all probably his own clothes or communal PHM clothes.
(I am 80% sure he's wearing fucking KEDS. So apparently Grace does not require arch support. Or comfort. Or any grip on the soles of his shoes. Maybe this is a factor in his clumsiness.)
CRASHOUTFIT TWO:
When he's going through everyone's effects, he's in longer drawstring sweatpants, his PHM polo, and what I've determined to be a hospital cloak. It's cut the same way as the medical garb and doesn't have the same pockets/fasteners you'd expect from normal clothes.
CRASHOUTFIT THREE:
Grace really likes Ilyukhina's clothes. Read into this what you will, I know I am. But he also has plastic sunglasses, and a beach hat for the WHAM! Big Tour, which. Is wild. Ilyukhina's silk robe is the clear focal point here.
I want to note that I believe Grace has another of her dresses on the floor of the lab when Rocky first shows up. Also, Grace seems to be very careful and conscientious of the silk robe; it looks like he's hand-washed it and has hung it up on his improvised airlock clothesline.
(Why is that a dress? It has a similar look and pattern repetition to the other dress Ilyukhina wore, and when Grace briefly picks it up to try cleaning the room, the weight of it is floaty like a dress would be.)
CRASHOUTFIT FOUR:
Grace loves oversized jackets and cardigans. He seems of the opinion outwear should hang down below the hips and above/around the knees. Love that. Here, as he tries to remember who tf he is, he's in a thick, warm-looking robe and the fox mask. The mask is interesting; Eva Stratt leaves him a lil fox figurine as a gift with his effects, and we know/can infer most of the things packed for Grace were from her and the team since he was drugged into oblivion. So maybe Stratt's order was "just find fox-themed stuff and bring it to me."
CRASHOUTFIT FIVE:
There it is! But oh man this makes my heart hurt. Grace seems to be dressed in as much as he can be. The dress but also two different hats, the sunglasses, his cardigan, and what looks like another jacket under the cardigan. It gives the impression he's wearing as much of the crew's clothes as he can, as if trying to hold onto them in the only way his drunk brain can.
BONUS HEARTBREAK OBSERVATION:
Grace locates the NASA jumpsuits then makes the conscious decision to dress the bodies of Yao and Ilyukhina in their own before eulogizing them. This is apparently a detail lifted from the book, where Grace does the same thing, takes the extra time.
PHM the film you are, jfc.
@wheezecheese
This has gone beyond "I cannot explain this to my spouse" and is firmly in "Archaeologists of the future will decide this is the point at which a group of people diverged from mainstream humanity and developed a new, indecipherable form of communication."
I'd call those things love. I hope you find that.