i miss my biggest heart

Welcome to my multifandom mess of a blog. Do try and have fun. I post from a ridiculous number of fandoms, but at the moment you can expect lots of super heroes, lots of ladies, how to get away with murder, the 100 and teen wolf. Word of warning, this is not a spoiler free blog. var _gaq = _gaq || []; _gaq.push(['_setAccount', 'UA-18756398-2']); _gaq.push(['_trackPageview']); (function() { var ga = document.createElement('script'); ga.type = 'text/javascript'; ga.async = true; ga.src = ('https:' == document.location.protocol ? 'https://ssl' : 'http://www') + '.google-analytics.com/ga.js'; var s = document.getElementsByTagName('script')[0]; s.parentNode.insertBefore(ga, s); })();

[bisexuel]

being a comics fan is like i could give you some general information abt any given character but i'm not necessarily a scholar of theirs you would have to see a specialist to be sure. the same way like in a pinch a pediatrist could tell you you were having a heart attack but you probably want to follow up with a cardiologist

[bisexuel]

yup his name is edward nygma like enigma lol but i'm going to have you consult with dr nick in riddlerology for more specifics 📃✍️👩‍⚕️

[homunculus-argument]

I genuinely just do not understand people who argue with customer service. If they tell you that the thing you wanted isn't available anymore, or the service you were looking for was transferred to somewhere else, what the hell do you think you're going to gain from disagreeing with that?

Like do they really think that if they insist "but it was here last week!" for long enough, they're just gonna go "lol jk we do have it, we just don't give it to customers we don't respect. But now that you've proven your worth, here you go, enjoy the goods that are rightfully yours."

[djklmnx]

[stevenrogered]

[colubrina]

[I’ve been posting some thoughts for new writers submitting to #literaryagents. Here are some final thoughts on #writing:

1. Stories must propel us toward an ending, but the end must feel like a new beginning

2. How a story makes you feel is as important as how it makes you think

3. Make sure there is a surprising phrase, a standout sentence, a startling image on every page

4. Take your characters to the limit. It’s easier to withdraw from the cliffs edge than keep pushing up a hill

5. Every “minor“ character has a “major“ role in a story you have not chosen to tell yet.

6. Read your dialogue out loud and act out the parts. They are different voices and you need to hear the sounds you have made.

7. Imagine you have lost the first chapter and see how that improves your story.

8. Do not feel the need to tie up every loose end. A story must have an afterlife and an invitation to the reader to imagine what happens next.

9. It requires great effort and skill to write simply. Writing can feel like painting at times, what is layered and builds from strong foundations. If the foundation is full of obstructions, distractions and mess, it will be impossible to layer.

10. The reader can tell those writers who are enjoying the telling of the story. The energy and joy of writing sparkles off the page – even with those darker or more contemplative novels.

So, enjoy, plan, simplify and leave us with an afterlife!]

[draconisxmalfoy]

THE MANDALORIAN Chapter 16 | The Rescue

[violet-bridgerton]

Top 10 Favorite Winter Holiday Episodes ↳ #6 Community - 3.10 “Regional Holiday Music”

[chewbacca]

Bridgerton 1x02  |  “Shock and Delight”

[lievecomeneve]

grogu sending SOS’s through the force: [please send help] [my dad and i need help] [if there’s jedi listening] [my dad is very caring] [he’s fighting imperials] [but he can’t keep holding them off] [even if he could totally kick their ass] [he’s been protecting me so much] [he’s afraid of nothing] [he’s also very strong] [won the super darksword] [from evil gideon] [with a stick] [so strong] [so brave] [took out a sand dragon] [on his own] [he’s a real warrior] [big armor] [tough] [so badass] [big hard armor] [but he’s lonely] [lonely warrior dad] [also single] [did i mention big armor?] [please jedi] [dad needs you]

luke, grabbing the tightest Gucci pants he owns: I’m on my way

[littlestarlost]

I theorize that queer people might love the italicized “oh” moment in romance novels and fanfics because we experienced it in real life, when we realized we were queer. We’ve had that moment where all the pieces clicked together and suddenly everything makes sense. We’ve stood dumbfounded as a ton of little things suddenly stand out blazing in hindsight. We’ve realized how obvious it’s been, all this time, and suddenly everything seems different and terrifying and wonderful. We’ve had that seismic shift, learning something that can never ever ever be unlearned. And genuinely, the only thing you can really say is oh.

It’s part of our love language. I will use it in every fanfic I write until I die.

[teaboot]

1.7% of people are intersex, 2% have green eyes, and 1.5 percent are redheads, but yeah red is a natural hair color, green is a natural eye color, and being intersex is a 'deformity'. Keep pretending gender isn't a social construct

[rogha]

0.0006% of people in the world live in Ireland and we all agree that People Live In Ireland.

[moodybluemegamind]

so glad we’re bringing back 2012 tumblr, i missed logging on and within five minutes seeing +99 on the homepage and feeling like each refresh was a bat to the fucking skull

[heavensickness]

That strange feeling of longing when you are at a train station, in a 24/7 open market, when you are buying a coke from a vending machine, watching the city lights glow from your window, when you're walking aimlessly on a busy street after 5 pm, that feeling as if something is missing in your life and it will never come back although it was never there in the first place; that inexplicable urban sadness.

[tell-ee-why2-deactivated2021050]

This is an actual thing in anthropology and urbanism guys!

Marc Auge explained how when we shifted from modernity to what he calls "supermodernity" we ended up creating "non-places". They're the opposite of place, as in they're places with no real identity, and have no real emotional connection with the users. They're there to fulfil a specific need and that's it. It's places like gas station, metro station and supermarkets, places where you go and you feel so detached, like everything is out of place. (The name of the book is  "Non-Places: Introduction to an Anthropology of Supermodernity" it's really interesting)

Rem Koolhaas also has a similar concept called Junkspaces, which are basically spaces that are born out of a capitalistic lifestyle, where everything is about selling and being bigger and more. Like malls and airports, and most big buildings. It's places that are empty, that tend to cut you off from the outside world and have no real connection to the users other than functionality. He also talked about the struggle of identity and city planning in Asian cities specifically in his essay "the generic city" and talks about how a lack of identity can lead to "empty" cities and this "urban sadness" op was talking about

[lestatslestits]

[clairejack]

15x18 — “Despair”

[lutzlig]

[rafael-silva]

they were born to fight.