Phoenix Mendoza, Thorngale

#extradirty

if i look back, i am lost

pixel skylines
will byers stan first human second
untitled

JVL

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blake kathryn
Sade Olutola
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wallacepolsom
Misplaced Lens Cap

gracie abrams
I'd rather be in outer space 🛸
Cosimo Galluzzi
Cosmic Funnies
KIROKAZE
taylor price
2025 on Tumblr: Trends That Defined the Year

roma★
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@aliveinthenorthfield
Phoenix Mendoza, Thorngale
in my head you're alive and we sit down for dinner and talk it all out
being alive is like,, being so full of love and so full of loss at the same time. a lot to carry around either way.
i understand, fundamentally, that i am just as good at my core as the people i love are but i realized that i don't view myself that way because i feel so genuinely broken by grief and guilt that i cannot possibly be like them. i am so broken at such a basic level that i can only try to be good.
a body, as a vessel for grief
Female rage portrayed in paintings (Baroque and Renaissance)
Judith Beheading Holofernes | Caravaggio
Jael and Sisera | Artemisia Gentileschi
Beheading of John the Baptist | Caravaggio
It now falls to us to face the challenges of our time with clarity of thought and responsibility. It is necessary to establish adequate regulatory tools capable of upholding justice and curbing the distorting effects of technological power.
Pope Leo XIV, Magnifica humanitas: On Safeguarding the Human Person in the Time of Artificial Intelligence
Humanity, created by God in all its grandeur, is today facing a pivotal choice: either to construct a new Tower of Babel or to build the city in which God and humanity dwell together.
Pope Leo XIV, Magnifica humanitas: On Safeguarding the Human Person in the Time of Artificial Intelligence
Moray Eel and Carnivorous Anatomical Heart (2024). ウツボと食虫解剖心臓 (2024)。
The Forerunner (1894) by Eugène Trigoulet
cmyk test pages r like angels to me
do you understand
I made you something OP
Sunrise Swim
Oil pastel on cardboard box, 2026
“Playbutch” November, March, June
Intaglio with Chine Cólle
Elijah in the Wilderness, (Details), (1877-1878), by Sir Frederic Leighton (British, 1830 – 1896), oil on canvas, 2,343 mm (92.24 in) x 2,104 mm (82.83 in), Walker Art Gallery, Liverpool