POV: you wake up from a mouse bite induced coma
tumblr dot com

bliss lane
🩵 avery cochrane 🩵
2025 on Tumblr: Trends That Defined the Year
YOU ARE THE REASON

Kiana Khansmith
Keni
cherry valley forever
todays bird

No title available

#extradirty
taylor price
h
Aqua Utopia|海の底で記憶を紡ぐ

izzy's playlists!
No title available
No title available
macklin celebrini has autism
noise dept.

Game Changer & Make Some Noise
seen from Jordan
seen from Bangladesh
seen from Brazil
seen from Argentina
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Nepal
@little-smartass
POV: you wake up from a mouse bite induced coma
Life is beach
Hey, quick PSA for young or otherwise inexperienced fic writers:
"*****smut marked with asterisks so you can skip!*****""
Don't. Don't do this.
You let readers know what your fic contains through proper tagging and rating. Content warning notes at the top of the chatter are also great. You can even summarize key "this is the plot relevant stuff you missed of you're skipping this chapter" notes at the bottom too! This is a much smoother reading experience.
This is HELL on screen readers which is a disability access issue. Screen readers will read out every single asterisk you put, which I have seen done as entire page breaks. It's an awful reading experience. Please just don't.
Readers do not need their hands held through the reading experience. If they're enjoying the fic but don't care for smut, they can just skim until it gets interesting again. If they REALLY don't like smut, you warned them. There's a back button. You don't have to do a special song and dance isolating out the specific parts you think might be "icky". (If you think those bits are icky and don't like writing them, consider just don't! Fanfic is a hobby we do for fun and you don't have to write anything you don't find enjoyable. There's plenty of readers for gen fic and smut free ship fic).
If someone reads something they don't like then gets mad at you, block em. They need to be responsible for their own choices. It's not your job to please everyone. Your job as a fic writer of his to tell an entertaining and engaging story. (The reverse is true for a reader that demands smut or says it would "improve" the fic but that's not the story you're trying to tell. Block button is your friend!)
This is also super common in scene breaks.
Please, please don't try to span the entire page with whatever symbol you're using for your scene breaks. It takes an eternity for screen years to get through, and typically has me noping out of even the most interesting stores.
Instead, use just three (or fewer) make. Three is standard, and does the job without making your story unreadable.
In general: please, think of the screen readers.
as a person whose only good trait is their eyes, this has eluded me until i was tasked to test websites with a screen reader.
It is hell
It is absolute hell
From navigation to listening to the voices
It's just awful
Since then I've tried to write with screen readers in mind because the number of websites that think about accessibility is SO SO SMALL
If you don't believe me, use NVDA which is a free accessibility tool. Otherwise you have to spend thousands of dollars for a slightly better one. Then try to navigate a website.
So yeah, listen to the above posts
How old were you when you first had a grandparent die?
I wasn't born yet
less than a year old
1-5 years old
6-10 years old
11-20 years old
over 20 years old
I don't know/it's complicated
results/no grandparents have died yet
grace dming a small dnd campaign for rocky and armando because they ran out of everything else to do...
rocky doesnt care how small the room is rocky cast fireball
grace: roll for initiative?
rocky: is natural 20.
grace: okay can i see it?
rocky: grace think rocky lie, question? grace no believe rocky, question?
grace: all your rolls have been 20s this whole time pal that's not how statistics works
rocky: earth statistics maybe. erid statistics very different. is 20. rocky cast fireball.
If THE modern translator of the OG Odyssey text wrote this about my film adaptation I’d kill myself
Emily Wilson you’re goated
She absolutely destroyed Nolan in this review O_O
"Without a tub of wax for my ears – which Himesh Patel’s ever anxious Eurylochus, Odysseus’s doomed right-hand man, uses to sail safely past the Sirens – I was exposed to the full din of thumping sticks, staffs, swords and clashing armour, thunderbolts, crashing waves, grunts, screams, toppling palaces and burning temples. But unlike Matt Damon, the wax-free Odysseus who is tied to the mast as he is conveyed past the Sirens (naked ladies reclining on some uncomfortable-looking rocks), I gazed at the shipwrecks and bloodbaths without any agony of emotion."
and
"There are more female characters than in most Nolan movies, thanks to the source material. But none of them has much to say, in contrast to the characterisations in the poem."
Well, that tracks for a Nolan film -
"The couple have no chemistry and nothing in common. Throughout his wanderings, the uxorious Odysseus clings to a little doll figure, intended to represent his wife (like the spinning top clutched by Leonardo di Caprio in Inception); the real woman is barely more interesting."
Yikes -
"If you’re not going to compose a script in Homeric Greek, or even in metrical English verse, you might as well use something like conversational American English. But writing dialogue is not one of Nolan’s talents. The language is relentlessly expository, humourless and flat."
The lines she calls out in this section will probably make a least a couple of my friends laugh incredulously -
"I was humbled to learn that Nolan has read at least the first line of my translation of The Odyssey into iambic pentameter. In at least one interview, he cited my version of the first line of the poem: ‘Tell me about a complicated man.’ But I would be ashamed to have written any part of this script."
....oh my GOD, EMILY -
"The most troubling ethical problem with Nolan’s Odyssey concerns the decision to film part of the movie in the occupied territory of Western Sahara, thus normalising the ongoing violence against the indigenous Sahrawi people. It is particularly galling that Nolan used this land simply as a visually striking backdrop for a film that centres, aggrandises and redeems the hero of a territorial war on account of his belated and partial acknowledgment of his own guilt."
And deepest respect that she didn't fail to mention the film's colonialism in production. You can tell she added the very last paragraph saying "'thanks for maybe getting people interested in classics" only because an editor begged her to say something - anything - nice about the movie.
She got the idea for the study while walking with her advisor at Stanford to discuss her thesis topic, and the paper she eventually published in the Journal of Experimental Psychology in 2014 is sharp enough that it should have ended the seated meeting on the day it came out.
She ran 4 experiments on 176 people. Same person tested twice. Once sitting, once walking. The creativity tasks were the standard ones psychologists have used for decades to measure how good a brain is at generating novel useful ideas.
81% of participants in the first experiment produced more creative ideas while walking than while sitting. In the second experiment, 88%. In the third, 100%. Every single person walked into a more creative version of themselves. On average, people generated 60% more novel useful ideas the moment their legs started moving.
The skeptical question is the obvious one. Maybe it was the fresh air. Maybe it was the scenery passing by. Maybe it was the change of environment doing the work, not the walking itself.
Oppezzo killed every one of those explanations with one experimental decision. She put people on a treadmill facing a blank wall. No scenery. No fresh air. No environmental change. Just legs moving in place while staring at white drywall. The 60% boost held.
Then she ran the experiment that closed the case completely. She took participants outside in two conditions. Half of them walked through a Stanford courtyard. The other half were pushed through the exact same courtyard in a wheelchair. Same outdoor stimulation. Same scenery passing at the same speed. The only difference was whether the legs were moving.
The walkers produced dramatically more novel high-quality ideas than the wheelchair group. The outdoors did almost nothing on its own. The walking did everything.
She also tested the opposite kind of thinking. Convergent thinking. The kind where there is one right answer and you have to narrow down to it. Word puzzles where 3 words share a hidden fourth word that connects them. The seated participants did slightly better on these. Walkers got slightly worse.
Walking is not a general intelligence enhancer. It does one specific thing. It opens up the divergent search inside your brain. The part that generates options. The part that produces unexpected connections. The part that takes a problem and finds five ways into it instead of one.
When you need to converge on the single right answer, sit down. When you need to find the answer in the first place, get up.
The mechanism is now well understood. Walking selectively activates what neuroscientists call the default mode network, the system inside your brain that runs when you are not consciously focused on anything. The DMN is where mind-wandering happens. Where memories cross-reference each other. Where ideas that have been sitting in separate folders inside your head finally bump into each other.
When you sit at a desk and force yourself to concentrate, you suppress the DMN. When you walk at a natural pace, the executive part of your brain gets just busy enough handling the walking that the DMN comes online and starts doing the work that focus was blocking.
The most useful finding in the entire paper is the one almost nobody quotes. The boost did not turn off the moment people stopped walking. Participants who walked first and then sat back down stayed elevated. Their next round of seated creativity work was still significantly better than people who had been sitting the whole time. The rest lingered for at least several minutes after the legs stopped moving.
You do not need to do creative work while walking. You need to walk before the creative work. The brain holds the state.
Edited down a long tweet. (x)
This comment was left on a post about making the most of the Libby app. "Excessive use of generous lending policies" is the most absurd phrase I've ever seen anyone use to discuss libraries.
evergreen
there is something to the classic lesson taught in ballet (and other) that if you screw something up just keep dancing.
"the audience doesn't know what was supposed to happen, the worst thing you can do is flinch and in doing so admit something wasn't planned"
anyway that's why i'm so smooth all the time.
as my favorite jazz teacher says: "if you hit a wrong note... hit it again"
Same in theater and acting! The audience doesn't know your lines or what you were supposed to do. Just keep going and pretend you didn't mess anything up. No one will notice.
I'm at a convention for the game of Go with a friend who is almost 84 years old, and he is constantly being accosted by elementary schoolers who want to play him because every year there is a prize for whoever plays a game with the biggest age difference between players.
So every time I go to look for him, I see this:
actual image I have just seen on an actual website attempting to sell travel packages. welcome to our plane where there's no aisle so you have to climb over seats if you're not in the first row. the pilot has no legs and is joined to one of the passengers at the wrist.
Hexagon Quilt
Yesterday a kid said to me "excuse me? Your hair looks like beautiful anime hair" which is already amazing and then she said "watch me on your camera when I go down the slide I'm going to do the Peter Griffin death pose when I come out" and she sure did.
Illustration of events
once you realize that ryan gosling has a bunch of tattoos dotted around his arms and start looking for it then you start to see how many little costume pieces are there to try and obscure them on grace. he has that wide watch he wears most of the time, his t-shirt sleeves all stop at the same precise spot on his biceps, when he wakes up in medical environments he'll have cuffs and bandages that cover those same spots, etc. they aren't 100% covered all the time, the barcode on his inner left wrist in particular sneaks in during a few hand-focused shots, but you only tend to notice if you're looking for it so the costume and makeup team did a perfectly serviceable job distracting from them. a fun thing this does, though, is characterize grace not as a person without tattoos, but as someone with tattoos who habitually covers them up even when he's up in space hanging out with his blind bestie.
It does matter. It matters exactly like this.
Last month I was in the ER, the most vulnerable emotionally that I've ever been while putting myself in the hands of a stranger. That the intake doctor had a lanyard heavy with Pride pins mattered. It's such a tiny gesture, but the amount of safety I felt because of it, during an agonizing moment in my life, was huge.