All The Other Things

[thechekhov]

I made a thing! I was thinking about this for a few days - because I realized that when I was young, I was also frustrated about being given the same advice over and over - without really knowing what it meant!!

Here’s 5 techniques which I have done before which have helped me grow as an artist, which are good for 5-minute warmups or just straight up challenges for your sketchbook! 

Obviously, these are not the ONLY techniques - they’re just the ones I find most fun! And maybe they’re not the most ‘correct’ ones out there, but it’s better than another comic about practicing more, right? 

Good luck to everyone on their drawings!

[fuckyeahchinesefashion]

Liu Yifei 刘亦菲

[askagamedev]

I know authors study other authors books, so I was wondering if game devs do the same thing. When you pick up a game do you ask yourself any questions? Go through any mental stages when you first start it up? Do you take notes for yourself? And is there anything I could incorporate into my game-playing-routine?

Every professional developer I know will analyze every game they play as they go. It’s like second nature to me, I couldn’t turn it off even if I wanted to. It isn’t necessarily limited to our fields of expertise either - I know the most about gameplay systems, but I’ll still notice things like vfx, lighting, UI, cameras, animations, lots of stuff. When I describe the way I play games to civilians, they tend to look horrified and usually say something about how they just play for fun. I find my approach fun for me but I recognize how it isn’t for everyone.

Usually, what I look for is systematic behaviors. What did the developers do, and what didn’t they do? What are the underlying rules for how the game behaves? For example, I’ve just started playing Horizon Zero Dawn. Here are some of the early things I experimented with and asked myself in the very first cavern:

Free camera follows Aloy from behind, but slightly offset. Does it always stay slightly to the right of her? (Answer: No. Something causes it to shift - she can be slightly to the right or left of the camera, but it doesn’t like having her dead on unless she’s running - probably to help frame the action better)

How does the camera behave if I back into a wall? What happens to Aloy’s model? (Answer: The camera collides with the wall and gets pushed in. It doesn’t follow the exact shape of the geometry; it probably follows the invisible collision instead. Also, Aloy’s model pops in when the camera reaches a certain distance. Uncharted dithers its character models in.)

I hear water splashing as I walk. How do the water vfx look? (Answer: Surprise! There aren’t any!)

There’s a lot of lighting variations in here. They probably use this to guide and direct me where they want me to go. These lights definitely light and shadow Aloy. I wonder if she casts her own shadow on the geometry? (Answer: Nope!)

Aloy’s animation looks great. How many different transitions are there in locomotion? What kind of different animations are there just for moving around? When she turns left, is it mirrored for when she turns right? What are her feet doing? Can I get her to do something with her upper body while still playing the same animations on her lower body? (Answer: I spent a lot of time trying to get different animations to play)

… and so on. Do I take notes for myself? Sure. It helps me to remember certain things about the games I play.

What can you do to get into this mindset?

Try to figure out the rules for how things work - especially the seemingly-basic stuff. Based on the set of rules you came up with, you should be able to predict future game behavior. Did it work the way you thought it did? What breaks the model? What’s different? Once you figure out how things work, then start thinking about why the developers chose those particular rules. Remember, everything in the game is deliberately constructed. Somebody chose to build this system this way. Why? What does this do well? What does it do poorly? Does this edge case situation come up frequently or rarely? Is this solution easier to implement than a different one? What kind of constraints (technical, artistic, etc.) might this system be affected by?

Test your hypotheses and revise your theory if needed. Then take the next step. Can you explain your model rules to somebody else? Can you write them up in a document that’s understandable by someone else? Can you think about how you’d actually go about making this work yourself? These are all the sorts of questions I ask myself while I’m playing a game.

Got a burning question you want answered?

Short questions: Ask a Game Dev on Twitter

Long questions: Ask a Game Dev on Tumblr

Frequent questions: The FAQ

[nimblesnotebook-blog]

Myths, Creatures, and Folklore

Want to create a religion for your fictional world? Here are some references and resources!

General:

General Folklore

Various Folktales

Heroes

Weather Folklore

Trees in Mythology

Animals in Mythology

Birds in Mythology

Flowers in Mythology

Fruit in Mythology

Plants in Mythology

Folktales from Around the World

Africa:

Egyptian Mythology

African Mythology

More African Mythology

Egyptian Gods and Goddesses

The Gods of Africa

Even More African Mythology

West African Mythology

All About African Mythology

African Mythical Creatures

Gods and Goddesses

The Americas:

Aztec Mythology

Haitian Mythology

Inca Mythology

Maya Mythology

Native American Mythology

More Inca Mythology

More Native American Mythology

South American Mythical Creatures

North American Mythical Creatures

Aztec Gods and Goddesses

Asia:

Chinese Mythology

Hindu Mythology

Japanese Mythology

Korean Mythology

More Japanese Mythology

Chinese and Japanese Mythical Creatures

Indian Mythical Creatures

Chinese Gods and Goddesses

Hindu Gods and Goddesses

Korean Gods and Goddesses

Europe:

Basque Mythology

Celtic Mythology

Etruscan Mythology

Greek Mythology

Latvian Mythology

Norse Mythology

Roman Mythology

Arthurian Legends

Bestiary

Celtic Gods and Goddesses

Gods and Goddesses of the Celtic Lands

Finnish Mythology

Celtic Mythical Creatures

Gods and Goddesses

Middle East:

Islamic Mythology

Judaic Mythology

Mesopotamian Mythology

Persian Mythology

Middle Eastern Mythical Creatures

Oceania:

Aboriginal Mythology

Polynesian Mythology

More Polynesian Mythology

Mythology of the Polynesian Islands

Melanesian Mythology

Massive Polynesian Mythology Post

Maori Mythical Creatures

Hawaiian Gods and Goddesses

Hawaiian Goddesses

Gods and Goddesses

Creating a Fantasy Religion:

Creating Part 1

Creating Part 2

Creating Part 3

Creating Part 4

Fantasy Religion Design Guide

Using Religion in Fantasy

Religion in Fantasy

Creating Fantasy Worlds

Beliefs in Fantasy

Some superstitions:

Read More

[nimblesnotebook-blog]

Here, I have some more:

Africa:

Ancient Egypt: the Mythology

Egyptian Gods

Legendary Monsters of Africa

The Americas:

Aztec Mythology

Incan Mythology

Haitian Mythology

Mayan Mythology

Asia:

Chinese Mythology

Japanese Mythology

Korean Mythology

Hindu Mythology

Japanese Folklore and Mythology

Chinese Mythology

Europe:

Encyclopedia of Greek Mythology

The Olympians

Women in Greek Myths

Greek Mythology

More Greek Mythology

Even More Greek Mythology

Greek/Roman Mythology

Germanic Myths, Legends, and Sagas

Norse Mythology

The Muse

Creepy Irish Creatures

Irish Folklore

Norse Mythology

Arthurian Mythology

Celtic Mythology

Latvian Mythology

Norse Gods, Goddesses, and More

A Celtic Pantheon

Welsh Gods and Goddesses

Celtic Deities

Werewolf Legends from Germany

Welsh Deities

Celtic Gods and Goddesses

Oceanic:

Australian Mythology

Polynesian Mythology

General:

Ancient Myth and Magic

Massive List of Mythological Creatures

Mythical Creatures

Hairy Hominids

Cryptozoology

Mysterious Beings, Monsters, and Creatures

Amulets and Good Luck Charms A - Z

Modern Monsters

Myths and Legends

Folklore and Mythology (2)

More Links

Folklore, Myth, and Legend

Names of Gods and Goddesses

Folklore Mythology

[redadhdventures]

Reblogging because wow. What a resource.

[pez-uzi-deactivated20160424]

Places where reality is a bit altered:

[solareveille]

playgrounds at night

rest stops on highways

deep in the mountains

[ghostfiish]

early in the morning wherever it’s just snowed

trails by the highway just out of earshot of traffic

schools during breaks

those little beaches right next to ferry docks

bowling alleys

[genesisdoes-moved]

unfamiliar mcdonalds on long roadtrips

your friends living room once everybody but you is asleep

laundromats at midnight

• any target • churches in texas • abandoned 7/11’s • your bedroom at 5 am • hospitals at midnight • warehouses that smell like dust • lighthouses with lights that don’t work anymore • empty parking lots • ponds and lakes in suburban neighborhoods • rooftops in the early morning • inside a dark cabinet

[ringingofraevolution]

galeries in art museums that are empty except for you 

the lighting section of home depot

stairwells

[doomgeneration1995]

•hospital waiting rooms •airports from midnight to 7am • bathrooms in small concert venues

[midtownsparker]

I just got the weirdest feeling I swear

[the-crepes-of-wrath]

OK LISTEN THERE ARE REASONS FOR THIS!!!

A lot of these places are called liminal spaces - which means they are throughways from one space to the next. Places like rest stops, stairwells, trains, parking lots, waiting rooms, airports feel weird when you’re in them because their existence is not about themselves, but the things before and after them. They have no definitive place outside of their relationship to the spaces you are coming from and going to. Reality feels altered here because we’re not really supposed to be in them for a long time for think about them as their own entities, and when we do they seem odd and out of place.

The other spaces feel weird because our brains are hard-wired for context - we like things to belong to a certain place and time and when we experience those things outside of the context our brains have developed for them, our brains are like NOPE SHIT THIS ISN’T RIGHT GET OUT ABORT ABORT. Schools not in session, empty museums, being awake when other people are asleep - all these things and spaces feel weird because our brain is like “I already have a context for this space and this is not it so it must be dangerous.” Our rational understanding can sometimes override that immediate “danger” impulse but we’re still left with a feeling of wariness and unease. 

Listen I am very passionate about liminal spaces they are fascinating stuff or perhaps I am merely a nerd. 

[sp1ne-sh0t]

I, for one, appreciate your passion for liminal spaces and thank you for explaining it to the rest of us.

[undergroundghosts]

Had a dream where I was sitting in a dark office and reality felt really altered and strange and there was just a fishtank illuminating the room and then this fuckin fish looked at me and grinned with human teeth and in this super deep voice said “you’ve been here awhile, better wake up before you forget how to” and I fuckin woke up in a cold sweat

[drownthearchitect-deactivated20]

Dude I think you went to hell

[fangirlinginleatherboots]

things i did that forced me to be a better artist:

used a reference for everything

thinner line art (you think thats thin? go thinner….)

sketch, then do a cleaner sketch, THEN start finalizing

THUMBNAILS

color research, picking a set palette or light/dark for each work

you like that pose? redo it one more time

USE A DAMN REFERENCE

do not rely on stylization as an excuse for anatomy

draw the goddamn background you coward

just draw the hand- a bad hand is better than a hidden hand

the rule of thirds WORKS

take a considerable break between sketch and lines/paint

know that art takes longer as you get better at it

draw the seams on clothes

stop aiming for accuracy and focus on fluidity and motion, accuracy will come with practice of those two concepts

just…do the chiaroscuro. just DO IT. no excuses it always works

stop making excuses, make yourself an art schedule/set weekly(or daily) art goals and just DO IT.

[zenkovva]

“draw the goddamn background you coward“

[unshrink]

[s0ffia]

websites:

Animation World Network

Animation Backgrounds

Animation Magazine

Animation & CGI

Animator Island

Anime News Network

Cartoon Brew

Character Design References

On Animation

Reference! Reference! (free database for animation)

11 Second Club (monthly character animation competition)

tumblr blogs:

animationart

animationforce

animationtidbits

aspiretoanimate

calartscharacteranimation

disney-moments-sketches (Allen Ostergar’s blog, animator at Walt Disney)

drawingforsuckas

fuckyeahconceptart

storyboardresources

theanimationarchive

theartofanimation

wannabeanimator

resources/tips:

Animation schools: 1 / 2 (Top 50 USA) / 3 (Top 100 international)

Which animation school is right for you? (Ringling vs. CalArts)

Don’t want to/ can’t afford art school? you’ve got other options.

Animation Mentor: The online animation school

Art school exercises!!

51 Great Animation exercises

20 things you can expect as a traditional (2D) animation student that they never tell you

A Survivor’s Guide to Life Inside an Animation Studio

Animation basics: The art of timing and spacing

Animation Notes From Ollie Johnston

Animated chart of the basic principles of animation

10 Second tip: Always Anticipate

book: Animation: Learn How to Draw Animated Cartoons by Preston Blair

book: A System for Planning and Timing Animation by Glen Keane

book: Timing for animation by Harold Whitaker and John Halas

book: Gesture Drawing for animation by Walt Stanchfield

Basic 3D Animation Terminology

Digital pencil test!!

Keys to Emotion in Animation

Lessons from Disney’s Zootopia

Model Sheets central

The importance of Acting in Animation by Segio Pablos

Printable exposure/dope sheet

Phoneme Chart

Recommended reading for animation students and enthusiasts

The 5 Types of Animation

The Know-How of Cartooning 

The Unofficial Truth about The Animation Industry

Why Disney Sends Its Animators To Life Drawing Classes

Walk/Run Cycles reference

What is Pixar looking for in Animators? (scroll down)

Portfolio Advice for The Disney Animation Internship

What is Rigging?

3D Rigging Terminology

3D Modeling Terminology

tutorials:

Animation for Beginners: Where do I start

Animation Physics (Video tutorials on physics for animation artists)

Animation tutorial part. 1 AKA “the secret of animation”

Appealing Poses in Animation

Background & Movement in TV

Blinking tips

Breakdown tutorial (middle frame between to keys)

Drawing & Composition for visual storytelling

Drawing for Animation

Drawing a Likeness

Animation fundamentals + tutorials

Filmmaking: Composition and Framing

Getting Shape Change

How to animate using photoshop

How to animate Characters in Perspective

How to Animate Head Turns

How to Draw Gesture

OpeenToonz tutorials masterpost

Overlapping Action and Drag

Portfolio tips / Making A Successful Portfolio

Lyp Sync tutorial

Line of action

Basics of good cartooning 1-12 by Sherm Cohen

Squash & Stretch tutorial

Squash and Stretch 2

Storyboarding tutorials by Sherm Cohen

The Illusion of Life: 12 Principles of Animation

Tilt, Flow & Rhythm

Underlying Structure When Animating Expressions

TVPaint tutorial: Uploading and Coloring Scanned Animation

supplies (traditional animation):

10 Essential Art Supplies for the Traditional Animator

How to Use a Light Table for Animation

Making a Simple Animation Lightbox

Peg bars, Animation Disk & Desk

softwares:

free

Blender (3D creation suite. It supports the entirety of the 3D pipeline: modeling, rigging, animation,etc)

Emofuri (animate using .psd files)

Google Sketchup (

Live2D ( animation/drawing software

OpenToonz (Studio Ghibli’s open source animation software)

Pencil2D (create traditional hand-drawn animation (cartoon) using both bitmap and vector graphics)

Renderman (Pixar’s free 3D rendering software)

Sculptris (Free digital sculpting tool by the makers of Zbrush

SculptGL (Online modelling program)

Synfig (2d animation using a vector and bitmap artwork)

paid

Zbrush (digital sculpting sw by Pixologic)

Mudbox (digital sculpting sw by Autodesk)

Cinema 4D (digital sculpting sw by Maxon)

TVPaint  (2d animation)

animation studios:

Aardman (Bristol, UK)

Blue Sky Studios (Greenwich, USA)

Dreamworks (Glendale, USA)

Fox Animation (USA)

Imagination Studios/CN (Burbank, USA)

Industrial Light & Magic (San Francisco, USA)

Laika (Hillsboro, USA)

Luma Pictures (USA / Melbourne, Australia)

Nickelodeon Animation (Burbank, USA)

Pixar (Emeryville, CA)

Rise FX (Berlin, Germany)

Studio Ghibli (Tokyo, Japan)

Sony Picture Imageworks (Vancouver, Canada)

Sony Pictures Animation (Culver City, CA)

Walt Disney Animation (Burbank, CA)

Weta Digital (Wellington, New Zealand)

inspiration: worth watching short films

Coda by and maps and plans

Contre Temps by the Contre Temps Team

Duet by Glen Keane

DOG ENVY by Olivia Huynh

Fallin Floyd by  il Luster

French Roast

Gravity by Ailin Liu

In Between by Gobelins

Jinxy Jenkins and Lucky Lou by Michael Bidinger and Michelle Kwon

My Big Brother by Jason Rayner

Night Light by Qing Han

Nephtali by Glen Keane

Nocturne by Kari Casady

Historia de un Oso by Gabriel Osorio

Home Sweet Home  by home sweet home the film

One Bright Dot by  Clément Morin

Stickboy by Giant Ant

SOAR by Alyce Tzue

Tsunami by The Animation Workshop

Thought of You by Ryan Woodward

Vagabond by  The Animation Workshop

5 Gobelins Shorts That Pay Tribute To Women Animation Pioneers

[i0990]

Hyakka Hyakurou characters alternate outfits.

[soft-butch-cassidy]

I was getting pretty fed up with links and generators with very general and overused weapons and superpowers and what have you for characters so:

Here is a page for premodern weapons, broken down into a ton of subcategories, with the weapon’s region of origin. 

Here is a page of medieval weapons.

Here is a page of just about every conceived superpower.

Here is a page for legendary creatures and their regions of origin.

Here are some gemstones.

Here is a bunch of Greek legends, including monsters, gods, nymphs, heroes, and so on. 

Here is a website with a ton of (legally attained, don’t worry) information about the black market.

Here is a website with information about forensic science and cases of death. Discretion advised. 

Here is every religion in the world. 

Here is every language in the world.

Here are methods of torture. Discretion advised.

Here are descriptions of the various methods used for the death penalty. Discretion advised.

Here are poisonous plants.

Here are plants in general.

Feel free to add more to this!

[thejovianmute]

An exceedingly useful list of lists for writers.

[fanplusfriend]

Just available! #Elegant #Retro Basic Dress: http://www.fanplusfriend.com/medieval-borgia-gothic-elegant-retro-stand-collar-buttoned-up-front-dress-long-sleevelets-2colors-instant-shipping/ **New scuba knitting fabric, a bit stretchy **Original designed prints: antique golden winding leaves **Separate sleeves, with finger loops **Short waistbelt, can tight back for adjusting Find more items in the same series: http://www.fanplusfriend.com/tags/medieval-borgia The co-ordinate tips and model show will come soon^^

[okayilubuhbye-deactivated201611]

[virulentignis]

[tanuki-kimono]

Kimono drawing guide ½, by Kaoruko Maya (tumblr, pixiv, site). Booklet is available in pdf for ¥ 900 here.

Here you can see:

female kimono and yukata (note how the juban underwear peeks when in kimono + how belts differ)

male yukata and kimono (note how the juban underwear peeks when in kimono)

dressing up: male (kimono is not closed yet) and female (kimono closed with datejime belt and ready to put on obi)

differences between female and male kimono once dressed (note how the collars and belts set)

common drawing mistakes (compare with previous picture: shoulders lines are too defined, there is a double hem, collars are narrow, belt is not at the right place etc)

women back collar (the lower the sexier) and men back collar (close to the nape)

back and sleeves differences between men and women

collars and sleeves and view of how kimono drapes around body

Furisode back (long sleeves kimono) and formal furisode obi knot example

[thegirlwhocrieswolf]

Books by Lang Leav now available here

[t-n-r]

[pixiv] [part 2]