What Is And What Should Never Be

J | 26 | CT->South Florida ☆ Recovering addict, musician, father, lover of the strange, the obscure, the unconventional.

[manny-jacinto]

STAR WARS + THE 7 LIGHTSABERS FORMS

[irishlassplays-deactivated20250]

[dykecas]

i dont even read posts anymore i just look at the shapes

[oscar-isaac]

CHRIS O‘DONNELL as DICK GRAYSON BATMAN & ROBIN (1997) dir. Joel Schumacher

[birdandmoon]

Climate TBD.

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[chthonic-isabelleadjani-deactiv]

Bro İ hate being an academic they're making me write shit 😭 İ thought İ was just supposed to sit in an old chair smoke & say something french every now and then 😢

[inhaleass]

am i having a stroke why are your i's so long i'm

[tempukraine]

[userdrama]

PACIFIC RIM dir. Guillermo del Toro, 2013

[bear1na]

Batwoman #17 by Dan Panosian *

[littlewickedthings]

Jenny Richardson

[chewbacca]

[plasticblisss]

me, all the time: i could just die and not have to do this

[junkfoodcinemas]

He’s in shock. I think he meant, “Kill him.” The Book of Eli (2010) dir. The Hughes Brothers

[junkfoodcinemas]

Mad Max 2: The Road Warrior (1981) dir. George Miller

[denvilleneuve]

• DIRECTORS’ SIGNATURE SHOTS • QUENTIN TARANTINO, THE TRUNK SHOT low camera angle

In his early films, Tarantino uses the trunk shot as a means to further introduce his characters and develop them into more nefarious and gritty criminals; however, as his own filmography and cinematography becomes more recognizable, he later shifts the trunk shot towards more critical moments in the film. Shooting characters from a low camera angle accomplishes many things in the world of narrative filmmaking. For one, it makes them look big, powerful, and larger than life. x

+ bonus:

[whiskeyveinsoilstains]

[thebootydiaries]

police: you're under arrest

me: no i'm not

police: shit